The last year has seen Special Collections’ Outreach programme go from strength to strength.  We have welcomed school and community groups to a wide range of activities, especially at our new campus at UCL East, and exciting plans are afoot for next academic year.  That said, it is always beneficial to look back at triumphs and celebrate them when you can.  The upcoming anniversary of George Orwell’s birthday (120 years!) is a great opportunity for us to celebrate something that took place last summer at UCL’s Bloomsbury campus with a very special delivery partner, The Orwell Youth Prize.  This new short film does just that:

Delivering a Summer School to Year 12 students from around London is always a brilliant way to explore our collection at UCL Special Collections, as it gives us the chance to spend quality time with young learners and offer them an extended opportunity to engage with the collection.  This was a particularly special project, as The Orwell Youth Prize had worked with us to bring in professional, trailblazing journalists, who could share contemporary experiences and advice on becoming a journalist.  Alongside this, we were able to present Orwell’s experiences (as represented in the UNESCO registered Orwell Archive), make meaningful comparisons with our guest speakers’ experiences and find present-day applications of Orwell’s principles and journalistic outlook.

Participants interrogate a manuscript from the George Orwell Archive

Finding the right partners to collaborate with, who share similar goals and who can offer something unique to our programming, is often an essential part of our work in the Outreach team.  While this way of working can require careful planning and meticulous, consistent communication, the success of this summer school is testament to the huge potential rewards.

Tabby Hayward (Orwell Youth Prize Programme Coordinator) also recognises the benefits that Special Collections brought to their programme; “We were delighted to work with UCL Special Collections on this Summer School, for so many reasons. At the Orwell Youth Prize, we’re always trying to find new ways to get young people excited and inspired by the life and work of George Orwell, and his profound continuing relevance today. Special Collections provided the fantastic opportunity to share the Orwell Archive with the Summer School participants, allowing them to get up close and personal, exploring manuscripts, diaries and photographs. This direct experience really helped the participants to develop a deeper understanding of Orwell as a man and a writer, and we felt very lucky to be able to offer this. We were also so pleased that some of the Summer School participants went on to enter the Orwell Youth Prize this year, bringing everything together. It felt like a really fruitful and productive partnership and we’re looking forward to more collaborations in future!”

One very special output from this Summer School was participants’ writing.  We are delighted to share some excerpts with you from three participants’ pieces in this blog.  We asked our Year 12 cohort to find a topic that they were passionate about and to write a persuasive, argumentative piece that spot lit their own voice, using Orwell’s principles of clarity, directness and language economy:

A participant speaks with Marianna Spring, the BBC’s Disinformation and Social Media Correspondent and guest speaker at the Summer School.

Never Again by Jafa Bin-Faisal (a piece about the persecution of the Uyghur people in China)

After hearing about the immense economic influence of China, it’s perfectly understandable to feel hopelessly underpowered against a country with the second highest GDP in the world. But remember, a fire that engulfs a whole forest begins with a small spark, and it is our efforts right now that will provide the fuel for this spark to begin. We need to pressure our government into taking real action against the CCP, and this can be done through two main avenues: petition and protest.

Petitions are a great way to get issues being discussed in parliament, and it tells the government that the British people care about the welfare of the Uyghurs. In this age of social media, it’s easier than ever to increase awareness and gain signatures for these online petitions. Protests are another impactful way to visually show and physically impose pressure on the government, as it shows that we the people are willing to use our free time and use it to speak out against this injustice. Protests are already being organised, and just by marching, you are strengthening the legitimacy and impact of the message and movement.

CHAD AND STACY: THE PARADOX OF INCELS by Zara Hossain (a piece about misogyny and the internet’s power to amplify it)

The pitfall to such circles [online Incel forums] begins on mainstream sites like Youtube; the algorithm may begin with simple, innocent videos like “how to be more attractive to women,” or “dating tips,” or “how to be more masculine”, but these titles quickly open the door for more extreme content which is blatantly misogynistic. These videos tend to encourage men to embrace masculinity to an extreme degree, such as by asserting their power over women, refusing to be a “beta”, a term used to describe a man who is cowardly, especially in situations which involve approaching women. These videos depict a power imbalance between man and woman, as the man is urged to always be in control of the situation, to never let emotions cloud judgement and to never show signs of weakness. In contrast, women are portrayed as a homogeneous identity where every woman is only attracted to men who are strong, unemotional, in control, or “alpha.” In this “alpha” dynamic, the man is urged to be the leader of his pack and to me a role model for other men; thus in itself isn’t a bad thing; many such circles focus on men’s fitness and confidence, and can be healthy spaces for personal growth; but too often than not, these spiral into internalising extreme perceptions of gender roles, and lead them even deeper into the rabbit hole.

Is Colonisation Still Relevant? by Aya Mohamed (a piece about the importance of recognising the history of colonisation across the world and its influence on modern life)

Finally, why is it so important we acknowledge the relevance of colonisation and for that matter, history as a whole? In 1984, Ingsoc (the government of Oceania) was able to retain control over its citizens by rewriting history to fit its own narrative. “Who controls the past, controls the present.” Without knowledge of our past, we’re unable to make valuable judgments about our present. Those in power who manipulate information are able to not only influence what we do and what we say, but also what we think. It’s vital we never forget our roots, so that we can shape the branches of our future.

The Summer School also acted as a spring board for the creation of our first free digital education resources that feature the George Orwell Archive.  Check out our film and written resource, intended for Year 12 and 13 students.

Librarian Liz Lawes discussing the Small Press Collections with summer school participants

While many of our colleagues have been enjoying (much deserved!) holidays over the past few months, it has been business as usual for UCL Special Collections’ outreach team. We have been lucky this year to be able to offer not one, but two summer schools for secondary school students, both taking their inspiration from our amazing Small Press Collection.

Protest in Print: Year 12 Non-residential Summer School (funded by Widening Participation)

This week-long summer school was co-led by artist David Blackmore, 2018-19 Honorary Research Associate at the Slade. The project aimed to give participants an opportunity to explore the ways in which artists, activists and writers have used and continue to use print to communicate a message of protest or political activism.  David was already familiar with much of the protest material in our Little Magazines collection, having taken part in the 2019 Small Press Project, Visions of Protest. With his encouragement, our students were quick to outline the many issues that they believe are worth drawing more attention to (including mental health, Islamophobia, the Extradition Bill in Hong Kong, and data protection) and staged their own demonstration on UCL’s Portico steps.

Summer school students stage a demonstration on UCL’s Portico steps

Our students then spent some time immersing themselves in archival and print collections, exploring ways in which some marginalised voices have found platforms in small press and self-published works. As well as viewing some of the wide range of titles held in Little Magazines, curated for them by Liz Lawes, they visited the May Day Rooms on Fleet Street, and had a tour of the Bishopsgate Institute Archives.

Putting their newfound knowledge into action, each of our students then created a work of art, using collage that incorporated copies of items they’d seen, and screen printing taught and facilitated by the Slade’s Lesley Sharpe.

The week ended with a ‘soft crit’ of their work, and a well-attended public exhibition. While many of our students had arrived anxious that they weren’t ‘art students’, they all showed a remarkable amount of skill and creativity, and a real passion to explain what was important to them through the medium of print.

A ‘soft crit’ of students’ artwork ahead of their exhibition.

Paper, Press, Print: East Education Summer School

With barely a pause to breathe, we launched straight into our second summer school, a free three-day course based at UCL Here East, as part of the Olympic Park’s education programme for local 13-to-16 year olds. It was wonderful to be able to host our project at UCL’s own campus at Here East, where our colleagues made both us and our students feel welcome.

Summer school students creating their own zines.

We were once again looking at protest in print, but with a different twist: this time, we focused on the ‘grassroots’ nature of many of the magazines in our Small Press collection, and invited Lu Williams of Grrrl Zine Fair to run a zine-making workshop. While our students differed in ages and abilities, they were all able to use photography, collage, block printing and a photocopier to create their own zines, allowing them to disseminate their ideas almost instantly.

And if that wasn’t enough…

…we’ve had plenty of other workshops to keep us busy! This year Sarah Hutton of UCL Culture invited us to take part in her Year 8 and Year 12 summer schools, both of which saw us discussing morality through 19^th Century scientific archives and 16^th Century religious texts, and July’s Paper Trails Conference was followed by a two-day workshop for Year 12s from Newham Collegiate Sixth Form College, led by Andrew Smith, on how to use primary sources in history research.

We will shortly be looking ahead to the new school and academic year – but first, we’ll finally be taking a well-earned summer holiday of our own!

We are excited to announce UCL Special Collections’ newest addition to the outreach and education programme – our first Summer School programme, in August 2018!

We will be offering 14 Year 12 students a chance to learn about all things special collections – from what we keep, why we keep it, how we keep it and how our collections can be significant to an array of audiences.

Funded by Widening Participation, the four day programme will make good use of our wonderful host city; we will explore how special collections items are interpreted and displayed at The National Archives (at their exciting current exhibition Suffragettes vs.The City) and The British Library.

Our team of specialists will offer guidance and advice as participants explore the notion of authenticity in interpretation, and participants will experiment with applying what they have learnt to some chosen manuscripts, rare books and archival items at UCL.

The final result will be an exhibition that presents students’ own responses, in a variety of formats and genres, alongside the items themselves. The exhibition will take place in UCL’s South Junction Reading Room on August 9th from 2pm to 4pm – it will be free and open to the public, so please come along!*

*Visitors are invited to pop in at any time between 2pm and 4pm.  Should the room become full we might ask you to wait a short while before entry, due to space restrictions.