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The New Curators Project Visit Tower Hamlets Archives

Vicky A Price11 July 2022

This blog was written by Arzama Hossain, a participant on this year’s New Curators Project. The project seeks to offer a cohort of 18-24 year olds from East London the chance to learn more about the cultural heritage sector, receive relevant training and to produce something for a real life heritage audience as part of Newham Heritage Month. In Arzama’s own words, it is ‘a project in which you learn and work’ at the same time. This blog is a reflection that she wrote after visiting Tower Hamlets Local History Library and Archives.

Visiting Tower Hamlets Local History Library and Archives

Today I had the great pleasure to visit the Tower Hamlets Local History Library and Archives; I really had an amazing time exploring the place and the vast collection of artefacts they have. One thing I was pleased to learn was that anyone is able to visit them and it’s not an exclusive thing, this is a good thing as it allows people interested in history to be able to research some things at the source.

One of the things I enjoyed seeing was pictures of the local area throughout the year. I think it is important to keep an archive of photos which will allow people to see the history of the place they live. Due to the vast amount of material in the place, it feels like you are able to properly get an idea of local history and how it has progressed over the years. These archives are an important part of history as they showcase the important role of minorities in the history of this country and how they have helped make Britain what it is today.

Three young adults look at an archival map.

New Curators Participants scrutinising an historical map.

Archives play an important role in our understanding of the past, as they showcase some of the hidden aspects of history that many people may not know. Throughout history, only the biggest events got the spotlight while smaller, just as significant stories aren’t told as often. A country should always acknowledge even the bad mistakes of the past as it makes sure they don’t happen again, and keeping an archive of events allows people to learn the good and bad.

I moved to England from Italy when I was 12 and started learning about British culture but not forgetting my roots, seeing my community represented in the Archive gives you some inspiration to be like the people that came before you and made this country what it is. I wanted to learn more about the history of the Bengali people in London due to being Bengali myself and seeing them represented in the archives made me proud of my roots.

Archives are important things to have as they preserve important knowledge which otherwise may have been lost. People should take a trip and visit an archive as they are open for anyone to look at.

Two young adults and an archivist look at an historical map together in grand surroundings.

Archivist Richard Wiltshire shows participants archival maps and plans.

New Summer School at UCL: What does it mean to be a journalist in turbulent times?

Vicky A Price25 April 2022

University College London (UCL) Special Collections and the Orwell Youth Prize team up to offer one-of-a-kind Summer School!

Applications are now open for a very special Summer School at UCL in July 2022. Year 12s based in London are invited to join Special Collections and The Orwell Youth Prize to develop their investigative writing skills, encounter first hand stories of journalism from the past and present and meet present-day journalists who are at the forefront of their profession.

Up to 25 participants will attend a range of seminars, study sessions, writing workshops and trips that will shed light on the life of professional journalists. They will develop their own writing with support from professional journalists, who will offer advice and share their experiences. They will also learn how the work of one of the UK’s most famous journalists, George Orwell, has influenced modern day writing and thought. During the Summer School, participants will have access to Orwell’s original notes, letters and diaries in the UNESCO listed George Orwell Archive held at UCL Special Collections.

A group of seven Year 12 pupils stand in the UCL main quad holding placards with their backs to the camera.

Year 12 participants at a previous UCL Special Collections Summer School.

The Summer School will take place for one week, from Monday 25 July to Friday 29 July, 10.00am – 4.00pm, and participants will be expected to attend every day.

Apply now to:
• Learn from the best; meet current day journalists who will share tips, techniques and stories from today’s real life news desks.
• Write your own journalistic piece, which will be published online by UCL Special Collections.
• Get hands-on experiences with original archive items from UCL Special Collections, including the UNESCO registered Orwell Archive.

This Summer School is suitable for a wide variety of students who are currently in Year 12 at a London state-funded school, particularly those interested in English, History, Politics, Language, Culture and Anthropology. Anyone applying should currently be studying at least one of these subjects at A level: English Literature, English Language, Politics, History.

This is a non-residential Summer School, meaning that participants will need to commute to and from UCL’s campus each day.  Applications close at midnight on Sunday 12 June 2022.

If you have any queries about the Summer School or would like support with completing your application please email us at library.spec.coll.ed@ucl.ac.uk or call 07741671329.

Who are We?

The Orwell Youth Prize is an independent charity that sits under the auspices of the Orwell Foundation. It is a social justice-based writing programme rooted in Orwell’s values of integrity and fairness that introduces young people to the power of language and provokes them to think critically and creatively about the world in which they are living. The prize is driven by an understanding of social and educational disadvantage in the UK and works closely with schools and individuals to deliver an annual educational programme.

University College London’s Special Collections manages an outstanding collection of rare books, archives and manuscripts, dating from the 4th century to the present day. Together, the team preserve and conserve the collection and facilitate access through a reader service, academic teaching, digitisation and outreach. The Outreach programme aims to create inspiring educational activities for audiences who would not otherwise access the university’s special collections in UCL’s neighbouring and home boroughs; Camden, Hackney, Tower Hamlets, Newham and Waltham Forest.

The Royal Bounty Archive

uczcmba3 September 2021

French Protestants became one of the largest group of immigrants in England from the 16th to the 18th century. A small number of refugees started arriving from the 1520s onwards, especially during periods when persecution increased in France. Emigration began to decrease at the beginning of the 17th century thanks to more favourable conditions for Huguenots in their own country after the promulgation of the Edict of Nantes, but then increased again during the dragonnades, which started in 1681, and peaked in 1685 with the Edict of Fontainebleau. The latter, which effectively revoked the 1598 Edict, stipulated that all Huguenot ministers were to be expelled and that the laity had to convert to Catholicism and was furthermore forbidden to leave the country. Nevertheless, c. 40-50,000 French Protestants fled to England but for the most part had to leave all their belongings behind and therefore, many arrived entirely destitute. It soon became clear that substantial aid would need to be dispensed.

James II initially ordered collections to be carried out in Anglican churches for the benefit of Huguenots between 1686 and 1688. The first brief was issued on 5 March 1686 and originated from a petition by the Ministers and churchwardens of the Savoy French Church. The King intended the collection to be for the relief of Huguenots conforming to the Church of England only. Indeed, the potential applicants had to show certificates of having received communion according to the Church of England’s practices. A second brief was issued in 1688 but crucially did not mention that Huguenots had to conform in order to be considered.

A more structured way of providing for the refugees directly from funds from the Civil List was then created by joint monarchs William and Mary, in 1689: The Royal Bounty. On 5 May 1689, William III issued a declaration encouraging Huguenots to make their way to England and promised them protection and support. Responsibility for administering the funds was given to a number of eminent Englishmen, called the Commissioners, and to a French Committee. The Commissioners were appointed directly by the King and were responsible for overseeing the entire operation. On the other hand, the French Committee was composed entirely of Huguenots who had to decide who would get financial assistance and then allocate the money accordingly. From 1696, the distribution was split between the laity and the clergy, represented by two distinct committees. In 1705, the English Committee was set up and its members, nominated by the Commissioners, were tasked with auditing the accounts. These were deposited in the Chamber of London, at Guildhall.

Outside of London, distributions to the poor were carried out by the Huguenot churches, who received block grants, whereas other categories of recipients, such as the nobility and the bourgeoisie, had to apply directly to London. In the capital, two companies were set up to achieve the same aim: one in the City and one in Westminster. Below are two petitions from the French Hospital collection mentioning that both individuals were reliant on the Royal Bounty or bénéficence royale, prior to applying to live in the Hospital.

André Morelon’s petition to the French Hospital, 1783-1785

Catherine Lambert’s petition
to the French Hospital, 1783-1785

 

The papers housed in the Huguenot Library are those of the French Committee. The largest group of manuscripts are the certified accounts which were kept meticulously and list all those receiving funds as well as the respective amounts. They were divided into several categories differentiating the various persons receiving aid and/or the reasons why they needed it. Categories would include, amongst others, funds for the nobility, clergy, country churches, bourgeoisie and those of the lower classes. The amounts allocated to each category was decided in advance with the higher classes, incongruously from a modern viewpoint, receiving the most funds.

Schedule of the payments, under various
heads, authorized for the relief of poor
refugees for 6 months, 8 December 1699

 

Funds were not just distributed to individuals but sometimes also earmarked for a specific purpose, such as payments for funerals, emigration to colonies in the West Indies, establishment of apprenticeships and payment for Huguenots who looked after French Protestant orphans. They were also providing aid to Huguenot organisations such as schools for refugee children and the Pest House, the precursor of the French Hospital, located near Bunhill Fields.

Undertakers’ bill for interments,
November 1753-July 1760

Receipt for money and clothing for orphans by order of the Church of St Martin Orgars, 1735

 

In 1802, the Treasury, which had become responsible for issuing payments for the Royal Bounty, began to question the Committee more rigorously, with the intention of eventually winding up the funds. The gradual extinction of the pensions paid concluded in 1876, when the last payment was made to one Sarah Rignon.

The importance of this collection is not limited to the story of the grant itself, its organisation, distribution and the challenges it faced, but also derives from the detailed information it provides on the individual recipients: their family unit, original provenance in France, occupation and possible health conditions. Finally, it documents to some extent the running and activities of the French Churches involved in the distribution, as well as giving us a snapshot of part of the Huguenot community in England during this period. It can be argued that the Royal Bounty was instrumental in helping Huguenots to assimilate and in some cases prosper in England.

The Huguenot Society decided to digitise the microfiches of this entire collection and make them available on the members’ area of the Society’s website, which can also be accessed by UCL staff and students, upon request.

The project was approved in May 2019, and went live a year later. The digitisation of the 646 fiches, consisting of 12 x 5 images each was outsourced; whereas the creation of a searchable catalogue to which the images of the manuscripts would be attached was done in-house. The resulting resource has not only made this collection more accessible, especially during the various lockdowns, but has also substantially improved its cataloguing, as records for each constituent item had to be created. In turn, this benefits those who prefer to still visit and see the original documents.

If you would like to access the Royal Bounty archive online or would like to visit the library, please contact the Huguenot Library at: library@huguenotsociety.org.uk

By Micol Barengo

Further reading:

Escot, Margaret M., ‘Profiles of relief: Royal Bounty grants to Huguenot refugees, 1686-1709’ in Proceedings of the Huguenot Society, vol. 25, issue 3 (1991)

Rey, Claudius, An account of the cruel persecutions rais’d by the French clergy since their taking sanctuary here… (London: Printed for J. Roberts, 1718)

Smith, Raymond, Records of the Royal Bounty and connected funds, the Burn donation, and the Savoy Church in the Huguenot Library. Quarto Series volume 51 (London: Huguenot Society of Great Britain and Ireland, 1974)

Smith, Raymond, ‘Financial aid to French Protestant refugees 1681-1727: Briefs and the Royal Bounty’ in Proceedings of the Huguenot Society, vol. 22, issue 3 (1973)

Sundstrom, Roy A., Aid and assimilation: a study of the economic support given French Protestants in England, 1680-1727 (PhD Thesis: Kent State University Graduate School, 1972)

The New Curators Project is Open for Applications!

Vicky A Price18 January 2021

If you’re interested in applying for the 2022 New Curators Project, visit The New Curators Project 2022 is Open for Applications! Application deadline for the 2022 New Curators Project is midnight on February 28th. For more information, visit our page on how to apply.

 

The New Curators Project is a new programme by UCL Special Collections and Newham Heritage Month. It will offer 10 young people in East London the chance to develop the skills and experience needed to start a career in the cultural heritage sector.

UPDATE: The application deadline has closed. If you’d like to apply for the 2022 New Curators project, visit The New Curators Project 2022 is Open for Applications!

What will the project entail?

Successful applicants will receive training from industry experts in key areas such as carrying out historical research, creating an exhibition and engaging with cultural heritage audiences. Participants will also work together to create an exhibition for Newham Heritage Month. Using historical material from UCL Special Collections and the Archives and Local Studies Library in Stratford, the exhibition will be an opportunity for participants to gain real life curation experience for a public heritage festival audience.

We expect the entire project to take place online, with the possibility of face to face sessions towards the end of the project (this will depend on national and local restrictions.  Any face to face activity that does take place with be compliant with government guidelines).

Who can apply?

Applications are open to people who:

  • Are aged 18 to 24 at the time of making their application.
  • Are living, studying or working in Newham, Hackney, Tower Hamlets and Waltham Forest.
  • Are not a university graduate.
  • Have less than 6 months paid experience in the cultural heritage sector.

As this project is a part of Newham Heritage Month, there are 5 places available to individuals who live, work or study in the borough of Newham. The remaining 5 places are available to those who live, work or study in Tower Hamlets, Hackney or Waltham Forest.

When is it happening?

Application close midnight on 12th February 2021.  There will be two online sessions per week, the first will be during the week of 1st March 2021 (date and time to be agreed with participants).  The final week of activity will be the week of 24th May 2021.

The project is running again durring the spring of 2022 – you can find more information on our page The New Curators Project 2022 is Open for Applications!

What’s in it for me?

We will be providing training in essential skills for working in the cultural heritage field, including:

  • How to carry out historical research.
  • How to use an archive.
  • How to create an exhibition.
  • Presentation and public speaking skills.

We are also offering a £200 bursary, paid in instalments, to support participants in attending as many of the workshops as possible.

Do I need to have any specific A Levels or GCSEs?

Absolutely not. We want to recruit participants who have a passion for local history, regardless of their qualifications.

What is Cultural Heritage?

The cultural heritage field is an area of work focused on preserving history and culture and making it available to the general public. Among other things, it includes:

  • Museums.
  • Arts organisations and charities.
  • Libraries and Archives.
  • Historic Buildings and heritage sites.
  • Archaeology.
  • Conservation.

How do I apply?

Applications for the 2021 New Curators Project are currently closed. If you’d like to apply for the 2022 New Curators Project, visit our page The New Curators Project 2022 is Open for Applications!

A student looks for resources in a library. Shelves laden with colourful books line the edges of the photograph as she reads a book.

Among other skills, The New Curators Project will train participants in carrying out research, creating exhibitions and public speaking.

Questions?

You can send us an email at: library.spec.coll.ed@ucl.ac.uk.
Or, if you’d prefer to give us a call, you can call Vicky Price, Head of Outreach, on 07741671329.

The Foundation for Future London logo The logo for Newham Heritage Month

The Power of Print

Vicky A Price19 February 2020

The Outreach team at UCL Special Collections have spent a great six weeks delivering an after school club to Year 7, 8 and 9 pupils at William Ellis School. Pupils attended in their free time to explore how written texts have been produced through the ages and to learn about some of the ways printing has influenced western society.

Each session involved a hands on art or craft activity, producing manuscripts complete with calligraphy and gold leaf, block prints of historiated initials and lino cut illustrations. We are proud to share the end results of this final task with you – pupils were asked to choose a poem from a selection and to create an image they felt represented the poem in a lino print.

A black and white lino cut depicting a cactus, a hand reaching towards it and a porcupine looking on.

Porcupines

By Marilyn Singer

Hugging you takes some practice.

So I’ll start out with a cactus.

(Poem taken from the Poetry Foundation)

A black and white lino cut depicting a personified cactus with feet and a geometric criss-cross pattern across its body.

Trees
By Joyce Kilmer

Two black and white lino cut prints, side to side, depicting the same close-up pattern of wood grain.

I think that I shall never see
A poem lovely as a tree.

A tree whose hungry mouth is prest
Against the earth’s sweet flowing breast;

A tree that looks at God all day,
And lifts her leafy arms to pray;

A tree that may in Summer wear
A nest of robins in her hair;

Upon whose bosom snow has lain;
Who intimately lives with rain.

Poems are made by fools like me,
But only God can make a tree.

(Poem taken from the Poetry Foundation)

 

Extract from The Cloud
By Percy Bysshe Shelley

A black and white lino cut of a personified cloud (with a smiley face), distributing rain.

I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother’s breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.

(Poem taken from The Poetry Foundation)

 

To Catch a Fish
By Eloise Greenfield

It takes more than a wish
to catch a fish
you take the hook
you add the baitA black and white lino cut print showing a fish swimming towards a fishing hook on a rod.
you concentrate
and then you wait
you wait you wait
but not a bite
the fish don’t have
an appetite
so tell them what
good bait you’ve got
and how your bait
can hit the spot
this works a whole
lot better than
a wish
if you really
want to catch
a fish

(Poem taken from The Poetry Foundation)

 

A black and white lino cut print of the profile of an eagle, standing a the edge of its nest.

The Eagle
By Alfred, Lord Tennyson

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring’d with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.

(Poem taken from The Poetry Foundation)