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Paper Trails Conference Programme 4th July 2019

NazlinBhimani7 June 2019

We are delighted to announce the programme for this year’s Paper Trails conference which has been jointly organised with Dr Andrew W M Smith (University of Chichester). The conference focuses on the lives of our research material which often go unmarked, lost between the gaps in disciplinary boundaries and narrow definitions and the full programme is below. You can register for the conference here.

PROGRAMME

09:15-09:45 Registration

09:45-10:00 Welcome

10:00-11:30

PANEL 1. (Beyond) The Margins:

Cath Bannister (Sheffield): Annotating the Opies: Teachers’ Notes and Marginalia in Children’s Responses to Iona and Peter Opie’s Survey of Folklore of Schoolchildren.

Michael Durrant (Bangor): Lost, Found, and Lost Again: The Messy Histories of Bangor’s ‘Cranmer’ Bible (c.1540)

Chloe Ward (Sheffield) Counting cards — Exploring the Contexts of Historical Archaeological Archives

11:30-11:45 BREAK

11:45-13:15

PANEL 2. Lives Overleaf:

Elizabeth DeWolfe (New England): Agnes Parker, Miss Johnson, Jane Tucker, and Me: Archival Layering, Received Narratives, and the Spy Who Hid in Plain Sight

Katrina Goldstone (Independent): A Photograph. A Scrapbook. Three Large Cardboard Boxes: The Lost World of Irish Radical Writers in the Thirties

Hannah Parker (Sheffield): The Emotional Lives of Letters: Encountering Soviet Letter-Writing in the Archive

13:15-14:00 LUNCH

14:00-15:15

PANEL 3. Responding to the Archive:

Kim Martin (Guelph): Stories of Serendipity: Reflections on Studying the Research Habits of Historians

Sarah Grange (Brighton): Improvising with the Archives

15:15-15:30 BREAK

15:30-17:00

PANEL 4.Archival Sleuths:

Will Pooley (Bristol)

Quest for the Absent Narrator: A Criminal Paper Trail in Alsace, 1925

Alexandra Steinlight (IHR): From ‘Paper Monster’ to Relic: The Jewish Card File in Post-Holocaust France

Lotte Fikkers (Leiden) & David Mills (QMUL): The Archive in the Fish Cellar

17:00-17:15 – Thanks and Close

‘Special Collections Presents…’ Returns!

Vicky APrice14 May 2019

Have you ever wondered whether our Rare Books team have favourite items, or with what kind of mysteries our archivists are grappling? Or perhaps you’ve hoped to catch a glimpse of one of our unique and beautiful manuscripts? Then Special Collections Presents… is the event for you!

We are pleased to announce that UCL Special Collections will be running our annual ‘open day’, Special Collections Presents…, as part of UCL’s Festival of Culture on June 5th 2019. This popular event is free and open to all.

We will be presenting a wide selection of items from the collections in half hour slots.  Visitors can choose an area of interest and book a free slot.

Visitors will be able to choose between a varied programme of displays that showcase many areas of interest and research:

  • Geography textbooks from the 18th and 19th century from the UCL Institute of Education Library
  • Works from the fascinating Ogden collection, whose recent cataloguing has revealed a wealth of hidden detail lurking behind their respectable titles (these item were part of Charles Kay Ogden’s private library, described in his own words as presenting “semantics, meaning, word magic…sign systems, symbol systems and non-verbal notations…universal language, translation and simplification”)
  • Items displaying UCL’s own students’ voices from the past; student magazines, debating society minutes, petitions and more from the College Archive
  • Treasures of print, including some famous publications; a rare and very early King James I Bible (1612), Hooke’s Micrographia (1667) and Chertsey’s The crafte to lyve well and to dye well (published in 1505 by Wynkyn de Worde who was known for his work with William Caxton)
  • Marking the launch of a new online catalogue, items from the recently catalogued Alex Comfort Papers will be on display (Comfort was a writer, Director of research in Gerontology in the Zoology department at UCL in the 1960s and ‘70s, an activist in many areas including nuclear disarmament – perhaps best known as the author of the cult publication The Joy of Sex).
  • Items exploring alternative youth movements from the Forest School Camp and the Woodcraft Folk archives, held at UCL Institute of Education
  • A collection of archival items from the Huguenot Library that provide unique insight into the lives of Huguenot immigrants and refugees in the 17th and 18th
  • Autograph letters from 19th and 20th century writers; tales of success, failure and domestic life.  Among others, this will include Dickens, Orwell, T S Eliot, Graham Greene, Iris Murdoch, Radclyffe Hall.

 

This event is open to all – but especially the curious…

Book your free ticket.

‘A book full of anxieties’: The Nonesuch Press edition of Dante’s Divine Comedy

ErikaDelbecque3 May 2019

Our copy of the 1928 Nonesuch Press edition of Dante’s Divine Comedy

The production of the 1928 Nonesuch Press edition of Dante’s Divine Comedy was beset with difficulties. The handmade paper from Italy that had been ordered was so defective that it was unusable, and the stained orange calfskin that was used for the binding, which naturally shrinks and extends in reaction to changes in temperature and humidity, made the boards warp. Francis Meynell, one of the founders of the Press, wrote that ‘it has been a book more full of anxieties than any I have ever tackled’ (Quoted in Dreyfus, p. 46). Nevertheless, the book became an unprecedented success for the Nonesuch Press; it was the most oversubscribed of all of their publications.

The beginning of Dante’s famous work

Meynell founded the Nonesuch Press imprint in 1923 with his wife, Vera Mendel, and the writer David Garnett, with the aim of applying advances in mechanical book production to fine book printing. As opposed to the private presses of the late 19th and early 20th centuries, which according to Meynell produced prohibitively expensive books intended to grace library shelves rather than to be read, the aim of the Nonesuch Press was to produce well-made appealing books that were available at relatively low prices. They specialised in carefully designed editions of established literary works, often illustrated by contemporary artists.

Their edition of the Divine Comedy, of which 1,475 copies were printed, presents Dante’s Italian text alongside an English translation. The italic type and the use of roman capitals to mark the start of each line was inspired by the page design of Venetian books from the early sixteenth century. Meynell preferred to use italic fonts for poetry as he felt that it encouraged the reader to slow down. The volume includes 42 illustrations after the famous Renaissance painter and fellow Florentine Botticelli. He designed 19 engravings for Nicholo di Lorenzo della Magna’s 1481 edition of the Divine Comedy, of which we also hold a copy (INCUNABULA FOLIO 6 b ), and he illustrated a late 15th-century manuscript of the work with 92 drawings.

One of the reproductions of Botticelli’s illustrations

The book will be added to our unrivalled Dante collection, which comprises of over 4,000 editions of Dante’s work from the fifteenth century to the present day. When the Nonesuch Press edition was published, a reviewer wrote in the Spectator that he hoped that the copies would not go to ‘those perverse bibliophiles who thwart the holy intention of books by locking them uncut upon their jealous shelves’ (Quoted in Dreyfus, p. 46). He can rest assured when it comes to copy number 868 – it has joined fellow Dante editions on our shelves, waiting to be requested by eager readers.

Further reading

Dreyfus, John. A history of the Nonesuch Press. London: Nonesuch Press, 1981.

UCL Special Collections Lates: The Colour of Spring

Helen FBiggs12 April 2019

Our first Late was a sold-out success, so we’re very pleased to be able to announce the next event in our evening programme.

Inspired by the seasonal burst of many-hued blossoms outside our windows, we’d like to invite you to join us for The Colour of Spring, featuring a talk on how coloured light can reveal hidden secrets in Mediaeval manuscripts, a history of the educational movement the Woodcraft Folk, and displays of original material from UCL Special Collections.

Get your ticket now!

Flyer for UCL Special Collections Late event, The Colour of Spring

The Colour of Spring

Date: Tuesday, 7th May, 6.15-8pm
Venue: UCL Haldane Room, Wilkins Building, Gower Street, WC1E 6BT

A Colourful Heritage: Multispectral Imaging Manuscripts and Rare Books from UCL Special Collections

Multispectral imaging involves capturing images of an object illuminated in ultraviolet, visible and infrared light. Capturing images in different colours, including light that is invisible to the human eye, can reveal features on the books which cannot usually be seen. This talk by Cerys Jones, final-year PhD student in Medical Physics at UCL, will present a brief introduction to multispectral imaging in heritage and show several examples of recovering lost features on manuscripts and rare books in UCL Special Collections.

Politics and Pedagogy: How I made use of the Woodcraft Folk Archive.

Rich Palser, a retired Further Education lecturer, is currently writing a book on the history of the Woodcraft Folk in the inter-war years which draws heavily on the organisation’s archives now held at UCL Institute Of Education. He will be talking about the archive’s relevance to his own interest in the relationship between politics and pedagogy, but also suggesting ways in which the archive may be relevant to the research of others.

Guests will be able to view a number of items for UCL Special Collections, including medieval manuscript fragments, material from the newly acquired Woodcraft Folk Archive, and an emblem book once belonging to Ben Jonson. There will be a brief colourful interlude, courtesy of our conservation team, and there will be plenty of time to enjoy a glass of wine (or soft drink) and nibbles, included with your £5 ticket. Click here to book your place now!

UCL Special Collections Launches Lates Programme

Helen FBiggs11 March 2019

We are excited to be launching a series of evening talks for 2019, starting this month and running through to the next academic year.

We’ll be hosting sociable, relaxed after-work events,  perfect for anyone who is interested to come into UCL to learn about the wonderful rare books, archives and manuscripts that we hold here.  Each evening will present a particular topic or theme; talks and collection displays with wine, soft drinks and nibbles for all.  What more could anyone want?!

Our first Late will be ‘Protest!  Voices of dissent in art and text’.  Guest speakers Egidija Čiricaitė and Susannah Walker will join us to explore this theme through their fascinating research and corresponding collection items.

Although all of our Lates events will have academic research at their core, they will be accessible and are open to all aged 16+.  We hope you can join us for the first of what will be a regular series of talks and evening events to inspire, intrigue and amuse!

Get your ticket now!

Protest! Voices of dissent in art and text

Date: Tuesday, 26th March, 6.15-8pm
Venue: UCL Haldane Room, Wilkins Building, Gower Street, WC1E 6BT

The Small Press Project: In Conversation with Egidija Čiricaitė and Liz Lawes

The Small Press Project from Slade School of Fine Art takes inspiration from UCL Special Collections’ small press collection each year. This year’s project, Visions of Protest: BLAKE THE MARCH, has been used as a critical lens through which artists, academics and students can focus on what connections exist between the democracy of print, their aesthetics and the autonomy of artists’ books and publishing. The project is formed through a programme of workshops, performances, screenings, talks, collaborations and interdisciplinary practices involving non-academic institutions and the public.  Egidija Čiricaitė will be in conversation with Liz Lawes, our very own small press collections expert (and UCL’s Subject Liaison Librarian: Fine Art, History of Art and Film Studies).

Egidjia Čiricaitė publishes books, exhibitions, and book related projects.  Although firmly based within contemporary artists’ books practice, her varied interests can be loosely divided between book history and contemporary metaphor theories (in linguistics).  Egidija is co-curator of Prescriptions project of artists’ books and medical humanities (University of Kent). She is co-curating Artists’ Books Now events at the British Library and is currently studying for her PhD at the Slade School of Fine Art, UCL.

Printing Peterloo

On the 16th August 1819, a peaceful protest for electoral reform at St Peter’s Fields Manchester was suppressed. The large crowd, assembled to hear the orator Henry Hunt, were charged on by the local yeomanry cavalry resulting in casualties and injuries. The events became known as “Peterloo”, an ironic reference to the Battle of Waterloo of 1815. This was a pivotal moment in the histories of democracy, protest and “working class politics.” Peterloo inspired political pamphlets, poetry and caricature and most recently Mike Leigh’s film of 2018. This session will consider the memory of Peterloo in print using objects from UCL Special Collections and The British Museum.

Susannah Walker was a Teaching Fellow in History of Art at UCL from 2014 to 2018 specialising in Print Culture and Romanticism, and is currently working as a curator in the British Museum’s Department of Prints and Drawings. Her recent work has involved cataloguing and researching a range of political pamphlets produced in the aftermath of the Napoleonic Wars.

Wine (or a soft drink) and nibbles are included with your £3 ticket. Click here to book your place.