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Research Support Advent Calendar 2025

By Naomi, on 1 December 2025

It’s time. For the third year in a row, we have a wonderful Advent Calendar of Research Support for you to enjoy!

We will be sharing a link each day on our Bluesky account, as well as our Linkedin account, but don’t worry if you’re not on Bluesky or Linkedin – the interactive calendar is embedded below for you to access at your own pace, or you can access it directly on your browser. We will also update this blog post throughout the month with an accessible version of the content.

We hope you find something here that will interest, inform and inspire you during this month of advent.

The front cover of the book published by UCL Press. It is dark blue, and in yellow text is written 'The collected works of Jeremy Bentham' at the top of the cover, then 'Essays on logic, ethics and universal grammar' in the middle, and in small yellow text at the bottom 'edited by Philip Schofield', below which is the UCL Press logo, also in yellow.

Cover image from UCL Press website.

1 December: Unwrap timeless ideas this festive season with Bentham’s open access Essays on Logic, Ethics and Universal Grammar, which publishes today. These thought-provoking essays explore reasoning, morality, and language- perfect for cosy winter reflections and sparking deep conversations by the fire!

 

 

 

A green bauble hanging from the branches of a Christmas tree which fills the entire image. Printed on the bauble is an image of the UCL portico as well as the UCL logo.

Image by Mary Hinkley on UCL imagestore.

2 December: Nothing says Season’s Greetings like writing and sharing your data management plan!

 

 

 

A cartoon of Father Christmas holding a scroll with the copyright symbol on it.

Image AI-generated using prompts from Christine Daoutis.

3 December: Father Christmas has been collecting data again this year…But is his list protected by copyright? Take our online copyright Christmas quiz.

A grey background covered with half a clock which has the large hand pointing just past 3 o'clock and the short hand just past 4 o'clock. In front of this is the title 'The Chronopolitics of Life' with the subheading 'Rethinking temporalities in health and biomedicine beyond the life course' below which is a list of the editors - Nolwenn Buhler, Nils Graber, Victoria Boydell and Cinzia Greco.

Cover image from UCL Press.

 

 

 

4 December: End the year with a powerful read.

Publishing today, The Chronopolitics of Life is the final book of the year from UCL Press. This open access work explores how time shapes life, politics and power, offering fresh insights for reflective winter reading and inspiring conversations as the year comes to a close.

 

A central view of the portico looking up at it from the ground. The pillars are lit up in different colours, from blue on the right, going through purple, pink, orange, gold, green and ending with turquoise on the left. In front of this colourful façade is a beautiful Christmas tree lit up in warm white lights. Everything in the foreground of the image is in darkness which gives a more impressive effect to the lights.

Image by Alejandro Salinas Lopez on UCL imagestore.

 

5 December: Read about the gift of rights retention, which is now included in UCL’s updated Publications Policy, and the actions for UCL authors.

 

 

Two people sit in front of computers in a room decorated with lots of plants. One of the people, a man wearing a navy t-shirt, is pointing at their screen, showing the other person, a woman wearing a light green jumper, something on the screen.

Image by Mary Hinkley on UCL imagestore

 

6 December: Retraction Watch is a searchable database of retracted, corrected, or concern articles with 40k+ entries. Search by author, title, or affiliation to ensure your research is based on trustworthy sources.

 

Four people are standing in front of a large interactive digital screen, which displays some hand-drawn notes in the form of a flow chart. One person is standing close to the screen with a pen in his hand but is looking towards the rest of the group who appear to be giving him some ideas or opinions and it looks as if he will continue to write some more notes on the screen.

Image by Alejandro Salinas Lopez on UCL imagestore

7 December: Looking to start or grow your Citizen Science project? UCL’s Resources Hub offers training, tools & support to help you succeed. Explore what’s available today!

 

 

Cartoon of an anthropomorphic red copyright symbol with a white beard, legs and arms, smiling and wearing a Santa hat.

Image AI-generated using prompts from Christine Daoutis

8 December: Join UCL’s Copyright Literacy community channel for a virtual mince pie and the latest copyright news!

 

 

 

 

 

Two people are behind a desk which has an open notebook and what appears to be elements of an experiment, as well as a computer screen. One person, a woman wearing a green cardigan and earrings which appear to be in the shape of a raspberry, is sat looking at the screen whilst the other person, a woman wearing jeans and a brown jacket as well as blue latex gloves, is standing next to her with a hand on the mouse also looking at the screen.

Image by Mary Hinkley on UCL imagestore

9 December: Refresh your Research Integrity training with the recently updated course which now includes guidance on Research Security and updates from the revised Concordat to Support Research Integrity.

 

A wintry, evening view of the entrance to the main UCL campus. The portico with it's ten pillars is in the background, lit up in rainbow colours, there is a Christmas tree with warm white lights in front of this and then two large trees adorned with colourful lights on the left and right sides of the portico. In the foreground, the two small security buildings on either side of the entrance are lit up from within and groups of people under umbrellas are walking along the pavement. At the far edges of the image are illuminated street lamps and the whole effect of the image is a wet, wintry, festive feeling.

Image by James Tye on UCL imagestore

10 December: Jingle all the way…to gaining ethical approval! The Research Ethics Team can help – book a drop-in session with one of the team.

Open Access Week Webinar: Who Owns Our Knowledge?

By Naomi, on 3 November 2025

A graphic divided into two halves, on the left is a starry night sky with the silhouette of a person looking up at it in wonder, and against the backdrop of the sky is a large version of the International Open Access Week logo which looks like an open padlock. On the right is a dark purple background with the text 'International Open Access Week' at the top with the logo, and 'Open Access Week 2025' near the bottom, below which is written 'October 20-26, 2025, #OAWeek'

Graphic from openaccessweek.org, photo by Greg Rakozy

To mark this year’s Open Access Week (20-26 October), the UCL Office for Open Science and Scholarship hosted a webinar exploring this year’s theme: Who Owns Our Knowledge?

Facilitated by Bibliometrics Support Officer Andrew Gray, a panel of four speakers from different areas of UCL offered their time and expertise to consider this complex question.

  • Lauren Cantos is the Research Integrity and Assurance Officer in the Compliance and Assurance team. Previously she worked in the Research Ethics team at UCL, and her background is as a Humanities and English researcher.
  • Christine Daoutis is the UCL copyright support officer, based in the library. Her background is in open access, open science and copyright, particularly the ways copyright interacts with open practices.
  • Catherine Sharp is Head of Open Access Services in Library Services [or LCCOS]. She manages the Open Access Team, which delivers Gold open access, including transformative agreements, and Green open access through UCL’s repository, UCL Discovery, for UCL staff and students.
  • Muki Haklay is a Professor of Geographic Information Science at UCL department of Geography. He founded and co-direct the UCL Extreme Citizen Science group. He is an expert in citizen science and contributed to the US Association for Advancing Participatory Science (formerly the Citizen Science Association), and the European Citizen Science Association (ECSA).

The webinar began with a short reflection on the theme from each of the panellists, followed by a discussion structured around these questions:

  1. What does “ownership” mean for research – for outputs and for data? And when we define what “ownership” means, how do we decide who the owners are – or who they should be?
  2. We often think of ownership as linked to “authorship”. A wide range of people contribute to research – including many outside academia – but not all become named as authors. How do we recognise them?
  3. What happens when copyright (or other IP rights) conflict with academic expectations around ownership and authorship?
  4. How is the production and the dissemination of research influenced by commercial considerations around ownership and access?

It was a thought-provoking discussion in which the panellists touched on a wide range of subjects, including considerations of attribution beginning at the outset of a project, recognising contribution from individuals outside of academic structures, understanding copyright concerns when having work published and how UCL’s updated Publications Policy can help with this. As well as answering questions, the session raised other questions and, as is often the case, the complexity of these questions didn’t allow for straightforward answers. As Andrew aptly put it towards the end of the webinar – ‘sometimes saying the question is complicated is an answer in itself’. This particularly resonated with regard to the issue of AI tools failing to attribute authors, and also the matter of widening participation within the production of knowledge.

If this has piqued your interest, or you attended the webinar and would like a recap, you can watch the full recording now:

 

Access the full recording on MediaCentral

Useful Links

A selection of useful resources were shared in the webinar chat:

We are very grateful to the speakers who contributed a lot of insight and provided much to reflect on from this webinar. We hope the conversation around these questions will continue and answers will develop as we navigate the complexities.

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The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Stay connected for updates, events, and opportunities.

Follow us on Bluesky, LinkedIn, and join our mailing list to be part of the conversation!

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Open Science and Scholarship at UCL: A Year in Review

By Naomi, on 24 October 2025

Each year during Open Access Week, we like to share an update about what’s been happening in the past year across the various teams supporting Open Science and Scholarship at UCL and beyond.

A collection of logos from different collaborators in the first London Open Science Festival, including UCL Open Science, UCL Press, The Francis Crick Institute, LSE Press and LSE Library This year, the Office for Open Science & Scholarship and UCL Press partnered with colleagues at The London School of Economics and The Francis Crick Institute to launch an inaugural London-based Open Science Festival, instead of our usual annual conference. Taking place from 2nd – 6th June, there were a range of online sessions, as well as in-person sessions hosted at UCL and LSE, covering subjects such as Authorship and AI, Open Access in an Age of Populism, and Creativity in Research and Engagement.

Browse the full programme, read write-ups and watch recordings in this summary blog post.

We are delighted to share that planning has already begun for next year’s festival, with more London institutions joining to put together a programme with even wider reach. Watch this space!

Back in November 2024, the Office for Open Science and Scholarship fully committed to Bluesky, where our activity and following has increased over the last 12 months. From just over 200 followers at the end of October 2024, to a current total of 1,762 followers, it is fantastic to connect with a wide community engaging with Open Science. Our LinkedIn audience has also grown from 600 followers to over 1000, and it has been great to see more UCL students and staff engaging with our content on there.

Find us on LinkedIn and Bluesky if you’ve not connected with us yet!

Open Access

Over the past 12 months, the Open Access Team has facilitated the Gold open access publication of over 3,500 papers across 40 transformative agreements with publishers. UCL Discovery has continued to go from strength to strength, with over 62 million downloads, reaching the 60 million milestone in July which we celebrated in this dedicated blog post. The publications repository now boasts over 196,000 open access items, including 26,100 theses, with over 11,500 uploads over the last year.

Find out more about UCL’s Research Publications Service and how to make your publications open access.

UCL Press

Photo by Mat Wright, UCL Digital Media

This summer, UCL Press celebrated its 10th anniversary! To mark this significant milestone, an open access monograph panel event took place in person and online on 10th June, featuring speakers from universities and the publishing sector. UCL Press was launched in line with UCL’s commitment to open science and scholarship, and as the UK’s first fully open access university press, has to date published 423 books and 15 journals, surpassed 26 million open access downloads, and reached 242 countries and territories.

Discover how to publish your book, journal or journal article with UCL Press.

Copyright

It has been a busy year for the Copyright Team. In 2024-2025 we ran 36 sessions for UCL students and staff on a range of topics, including copyright for theses, publications, data, images, publishing contracts, and GenAI, continuing this year with a similar programme and offering bespoke sessions, too.

New resources included our Copyright and AI Libguide, our Getting Started with Copyright webpage, and the launch of our Copyright for Humans game: an engaging, playful and critical approach to copyright, which can be played in person or online.

A cartoon image of a copyright symbol, with blue hands and feet, blue circle and a pink and orange C in the middle and eyes and a mouth in the centre. It is wearing a mortarboard with a tassel.

AI-generated in Copilot with prompts by Christine Daoutis

As the new mascot, Colin the Copyright Literacy Nerd, will tell you, copyright education is much more than knowing about what the Copyright Act says or what a licence allows you to do. In April we launched the UCL Copyright Literacy Strategy 2024-2027, which sets out a vision and a plan of action to develop copyright confidence and understanding across UCL. One outcome of the strategy is our growing Copyright Literacy Community, which offers UCL staff and students opportunities to discuss copyright issues, share questions and best practice, and participate in collaborative projects.

For more information, contact the copyright team.

Citizen Science

Two people stand behind a desk on which is a variety of pens, papers and a badge maker. On of them is holding something which they are both looking at, it seems to be a badge that they have either just made or are about to make.

Photo by Sheetal Saujani at this year’s Open Science Festival

This year marked a major milestone for Citizen Science at UCL, with our first community event bringing together UCL staff and students to exchange ideas and explore participatory research.  In addition, we expanded our UCL Citizen Science Community on MS Teams to over 120 members and introduced the UCL Citizen Science Support Resources Hub, a collection of articles, tools, and guidance on different aspects of citizen science projects. The Office continues to support new UCL Citizen Science Academy training programmes leading to the UCL Citizen Science Certificate, ensuring consistently high standards across different cohorts. We have also very recently set up a UK-wide Citizen Science Enablers Network, a new initiative supporting groups and individuals interested in enabling Citizen Science at their own higher education institutions.

We’re committed to developing our support service for Citizen Science at UCL – one that empowers staff and students to run impactful projects and strengthens UCL’s position in Citizen Science.

Join our community and talk to us about your ideas and projects!

Research Data Management

In the world of Research Data Management at UCL, the past year has been significant as the Research Data Repository surpassed the 1 million mark for both views and downloads, with the figures currently 1.3 million for views and 1.2 million for downloads. A fantastic achievement from the UCL Research Community. These views and downloads took place in over 190 countries and territories across the world, which demonstrates the wide-reaching impact of the Research Data Repository. There is currently an impressive total of over 1000 items published on the repository which we hope will continue to increase, along with the total views and downloads.

Find out more in the newly published RDR user guide.

The UCL DMP template has also been updated this year, and you can find more information on managing your research data across the research lifecycle on our webpages.

Bibliometrics

Photo by Lukas Blazek on Unsplash

The Bibliometrics team ran a full calendar of 12 scheduled training sessions in the Library Skills program as well as a large number of smaller individual sessions, including developing training and support for new tools such as OpenAlex and emerging citation analysis tools. A major theme this year was advising on using the new Overton service, which offers researchers a way to discover grey literature as well as to identify new impacts of their research. We also assisted a wide range of teams at UCL in their work to measure and report on UCL’s research activity and impact.

It’s been a fantastic year, and we’re looking forward to what the next one has in store – read along on this blog, sign up to our newsletter, and follow us on LinkedIn and Bluesky to keep up to date!

 

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The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Stay connected for updates, events, and opportunities.

Follow us on Bluesky, LinkedIn, and join our mailing list to be part of the conversation!

Share this post on Bluesky

‘Who Owns Our Knowledge?’ Understanding How Copyright Can Shape the Discourse Around Open Scholarship

By Naomi, on 21 October 2025

Guest post by Christine Daoutis, Copyright Support Officer at UCL

A graphic divided into two halves, on the left is a starry night sky with the silhouette of a person looking up at it in wonder, and against the backdrop of the sky is a large version of the International Open Access Week logo which looks like an open padlock. On the right is a dark purple background with the text 'International Open Access Week' at the top with the logo, and 'Open Access Week 2025' near the bottom, below which is written 'October 20-26, 2025, #OAWeek'

Graphic from openaccessweek.org, photo by Greg Rakozy

The theme of this year’s International Open Access Week is a question – and a call for collaboration. By addressing ‘who owns our knowledge’, it invites diverse communities to recognise and challenge existing assumptions about how scholarship is created, disseminated and built upon; to recognise power dynamics that shape these assumptions; and to make decisions that best serve the interests of the public and the academic community.

Understanding how copyright frames these assumptions, power dynamics and decisions is essential. In the strictest sense, who ‘owns’ scholarship (perceived as the IP rights in the outcomes of research – publications, research data and any other outputs created in the life of a research project) is, after all, defined by legislation and by the terms of publishing agreements and other contracts. In a broader sense, ‘owning’ can determine the ‘what’, the ‘how’ and the ‘who’ of scholarship in the first place: what is selected to be funded and published? How will the outcomes be disseminated? And crucially, who is able (or not able) to access, understand, benefit from and possibly build on the outcomes of a work? While many of these questions depend on IP rights, other factors (including criteria of research quality and impact, academic freedom, linguistic and cultural barriers to access) also influence how we address them.

Against a pale blue background, several arms are each holding up different coloured letters which spell 'Copyright'.

Image from www.freepik.com

Keeping close to this year’s theme, this post will focus on three key approaches related to copyright which should help adopt practices that support open scholarship.

 

  1. Understanding authorship and copyright ownership
    To make a work as open as possible, it is first necessary to establish who the rights owner is, as it is the rights owner who has control over reproducing and disseminating the work. It is natural to assume that the author(s) of a work should be its owner(s). However, this is determined by copyright laws and by contract. In the UK, the first owner of a work is its author. However, if the work was created in the course of employment, the employer is the owner unless there is an agreement that says otherwise (CDPA 11). Understanding – and where necessary, negotiating – ownership empowers authors to make their research widely available and reusable. This involves reading and understanding institutional IP policies and the terms of grant agreements, publisher agreements and collaboration/co-production agreements. In terms of publishing, rights retention policies (covered in another post this week) ensure that authors and their institutions keep key rights enabling them to make their research articles immediately available under the terms of an open licence.
  2. Addressing authorship and ownership in collaborations
    Moral rights – which include the right to be attributed as the author of a work – are just as important as economic rights when addressing copyright. Deciding who is co-author in a work and in what order they should be credited is essential. Further, contributions to a research project that may or may not also involve direct authorship of a publication should also be established and acknowledged. This includes acknowledging contributions by research participants, citizen science participants and anyone who has played an advisory or supporting role in the research by applying standards such as the Contributor Roles Taxonomy (CrediT).
  3. Understanding and using open licences
    Open licences, including Creative Commons licences and open source licences, support the dissemination and reuse of a wide range of works. While research funders have requirements around the use of licences (for example, the CC BY licence for research publications) researchers can also apply licences to a broader range materials (educational resources, images, preprints, datasets). Particularly in the age of AI, understanding how licences such as Creative Commons work is important, both for authors and users of scholarly works. Creative Commons are also introducing ‘preference signals’ to support transparency and reciprocity in how scholarly works are used by AI.

Further Support

The UCL copyright service helps you navigate these issues through training, discussion and opportunities to follow and participate in current debates. To engage with copyright at UCL:

 

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The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Stay connected for updates, events, and opportunities.

Follow us on Bluesky, LinkedIn, and join our mailing list to be part of the conversation!

Share this post on Bluesky

Open Access Week 2025: ‘Who Owns Our Knowledge?’

By Naomi, on 20 October 2025

A graphic divided into two halves, on the left is a starry night sky with the silhouette of a person looking up at it in wonder, and against the backdrop of the sky is a large version of the International Open Access Week logo which looks like an open padlock. On the right is a dark purple background with the text 'International Open Access Week' at the top with the logo, and 'Open Access Week 2025' near the bottom, below which is written 'October 20-26, 2025, #OAWeek'

Graphic from openaccessweek.org, photo by Greg Rakozy

The theme for this year’s Open Access Week is ‘Who Owns Our Knowledge?’ – a fundamental question in the world of Open Access. Here at the UCL Office for Open Science & Scholarship, we will be joining the global conversation around this question with blog posts from the perspectives of Copyright, Rights Retention, and Citizen Science, as well as a webinar with a panel discussion between four experts.

The Open Access Week website unpacks the theme by first asking ‘how communities can reassert control over the knowledge they produce’. Increasingly, knowledge is being used without the permission or even awareness of those who produce it, through AI scraping, politicisation of research, and lack of attribution. What can be done to prevent this? The temptation may be to retreat from Open Access, as a means of protecting knowledge from inappropriate and indiscriminate use, however this is not the solution.

Knowledge is a human right.

Michelle Bachelet, UN High Commissioner for Human Rights, gave this statement in 2020, ‘Worldwide people need States, international bodies, science and medical institutions and practitioners to ensure the broadest possible sharing of scientific knowledge, and the broadest possible access to the benefits of scientific knowledge. This is key to any effective public health policy. It is essential to the combat against climate change. And it is a fundamental matter of human rights.’

An illustration on white background in which one hand is reaching up from the bottom left-hand side to another hand reaching down from the top right-hand side holding a pencil as though it is about to hand it over. There are two speech bubbles, one to the left of the hands with a question mark and one to the right with a light-bulb. On the left-hand side of the image are three colourful post-it notes and on the right-hand side are five colouring pencils.

Lucia Obst (WMDE), CC BY-SA 4.0, via Wikimedia Commons

With this in mind, we should consider knowledge not owned solely by its producers, but by humanity collectively, to be accessed, used, and built upon.

At the same time, the considerable amount of effort that individuals and groups dedicate to producing knowledge needs to be appropriately recognised. A very pressing concern is that this is not something that AI tools are currently doing, with considerable discussion in the media covering concerns about materials being ingested into large language models and then regurgitated, often inaccurately, without attribution to the original authors.

In response to this, Creative Commons are working on ‘CC Signals’ – a project still very much in its early stages, which hopes to improve author attribution from AI. This topic, and Copyright in general, are complex areas within knowledge ownership. To explore further, we will have a dedicated blog post later this week from our Copyright Support Officer, Christine Daouti.

Photo by Mary Hinkley, © UCL Digital Media

Ultimately, most researchers want their knowledge to be used for the greatest benefit – to enhance people’s lives, improve how things are done, and find solutions to our biggest problems. Reasserting control to ensure this can happen, by making knowledge open and accessible, is crucial.

Therefore, whilst publishers might want to monopolise knowledge to maximise profits, authors are increasingly retaining control over their knowledge thanks to Rights Retention policies. At UCL, the Publications Policy has been updated this year to include a Rights Retention statement, and our Head of Open Access services, Catherine Sharp, will be explaining this in more detail in another blog post this week.

Several people wearing hiking clothing and backpacks, some of whom are wearing hats and some with clipboards are standing around a plant in a valley with various shrubbery against a backdrop of mountains. Some are touching and examining the plant while others look on. They appear to be obtaining some data for research purposes.

Bridger Teton NF, Public domain, via Wikimedia Commons

It’s also important to consider who has ownership over the production of knowledge. If knowledge should be for the widest possible audience, then the production of this knowledge should involve the widest possible community. This is where Citizen Science and Co-Production come in. These initiatives open the doors of knowledge production to include people with a broad range of backgrounds and experiences, who might otherwise have been excluded from the process. To unpack this topic in more depth, our Citizen Science Coordinator, Sheetal Saujani, will be contributing a blog post later this week.

We are looking forward to the conversations and insights which this Open Access Week will generate, and we hope you end the week with a desire to delve even deeper into the complex question of ‘Who Owns Our Knowledge?’

Read along with our upcoming blog posts and join the conversation on social media!

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The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Stay connected for updates, events, and opportunities.

Follow us on Bluesky, LinkedIn, and join our mailing list to be part of the conversation!

Share this post on Bluesky

Looking Forward to Open Access Week 2025

By Naomi, on 29 September 2025

Graphic from openaccessweek.org, photo attributions: Row 1: Sydney Moore, Guzel Maksutova, Nubelson Fernandes
Row 2: Matt Benson, Greg Rakozy, Bhupathi Srinu
Row 3: Ama Journey, 150 Billi, Yuriy Vertikov

With only a few weeks to go until Open Access Week 2025 (20th-26th October), we are looking forward to what it will hold. This year’s theme is the vital question, ‘Who Owns Our Knowledge?’, which is guaranteed to provoke insightful discussions and provide a lot to reflect on. Whether from the perspective of Copyright, Open Access Publishing, Data Sharing or Citizen Science, the question of who owns knowledge underpins the ethos of Open Science, and we can’t wait to delve into this subject.

One way in which we will be doing this is through a webinar with four speakers from UCL who will be sharing their perspectives and considering how knowledge is created, shared and controlled.

The speakers are:

  • Christine Daouti – Copyright Support Officer
  • Catherine Sharpe – Head of Open Access Services
  • Lauren Cantos – Research Integrity and Assurance Officer
  • Muki Haklay – Professor of Geographical Information Science

It will be fantastic to have these UCL staff members in the same (virtual) room, and we are excited to hear from them. As well as a panel discussion, there will be opportunity for audience questions, so come ready to ask about anything you want further information or opinions on.

The webinar will take place on Wednesday 22nd October 11am – 12:30pm and will be hosted on Teams, so sign up today and it will be added to your outlook calendar.

Graphic from openaccessweek.org, photo by Greg Rakozy

We will also be exploring the question ‘Who Owns Our Knowledge?’ in different blog posts throughout the week. As well as a discussion of the theme, one will focus on Rights Retention, one on Copyright and another on Citizen Science and Research Data.

Written by staff working in these areas, these pieces promise to be informative and applicable. Watch this space!

Finally, a quick note to say we are delighted to be hosting the annual UCL Open Science and Scholarship Awards Ceremony during Open Access Week. Keep an eye out for our next blog post which will announce the award winners and provide all the details about the event and how you can attend.

Open Access Week 2025 will be a great opportunity to continue the conversation about making our research and knowledge open and accessible – we hope to see you there!

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The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Stay connected for updates, events, and opportunities.

Follow us on Bluesky, LinkedIn, and join our mailing list to be part of the conversation!

Share this post on Bluesky

Open educational resources and copyright: what do you need to consider?

By Rafael, on 7 November 2024

This is the last article of our Copyright and Open Science series by Christine Daoutis, UCL Copyright Support Officer, which explored important aspects of copyright and its implications for open research and scholarship.

An Open Educational Resources logo featuring an open book with pages transforming into upward-pointing hands, set against a blue background.

Image caption. Jonathasmello, CC BY 3.0 , via Wikimedia Commons

In this post, we conclude our Copyright and Open Science series by focusing on open education. Broadly defined, open education is “a philosophy about how people should produce, share, and build on knowledge” (source: What is open education? Opensource.com). It refers to values, practices and resources that aim to make scholarship more accessible, equitable, sustainable, transparent and collaborative.

The UNESCO definition of OERs highlights the importance of freely accessible educational materials in advancing open education practices globally. This includes the creation and reuse of OERs—materials that are either out of copyright or licensed to allow reuse. However, open education extends beyond resources to include practices such as integrating open science into teaching, sharing educational practices, and co-creating resources with learners.

OERs include a wide range of materials, such as open textbooks, open access articles, lecture handouts, images, film, slides, lecture recordings, assessment resources, software and whole courses such as Massive Open Online Courses (MOOCS). By default, all these resources are protected by copyright. If you’re planning to create open educational resources, here’s some copyright advice.

Addressing copyright in OERs

1. Know who owns what. If you are creating or collaborating on a teaching resource, it is essential to clarify who holds the copyright. This could be you, the author; your employer, if the work was created in the course of employment; or the resource could be co-owned with others, including students or sponsors. To license a resource for reuse (for example, to make it available under a Creative Commons licence), you must own the copyright to the resource and/or agree such licensing with co-owners. ♦ Copyright ownership at UCL is addressed in the UCL IP Policy.

2. Make the resources openly available and reusable. Once you are certain that the resource is yours to license, consider making it openly available, under a licence that allows reuse. Open access repositories support the discovery and access of different types of materials, including OERs. UCL has a dedicated OER repository, which accepts materials created by its staff and students.

As for licensing: we have explained in a previous post how Creative Commons licences work; and you can read more on how CC licences support OERs on the Creative Commons wiki. Licensing under the most permissive of the licences, the Creative Commons Attribution licence (CC BY), supports the ‘five Rs’ of OERs: enabling others to “retain, revise, remix, reuse and redistribute the materials”. (David Wiley, Defining the “Open” in Open Content and Open Educational Resources, Improving Learning blog).

A cartoon of a smiling stick figure pushing a shopping trolley filled with objects labeled 'CC' (Creative Commons) and holding up a yellow 'CC'-labeled item. The figure is placing an object on a bookshelf with colorful books and 'creative' works.

Image caption: sOER Frank, CC BY 2.0, via Wikimedia Commons

3. Address any third-party materials. If the resource contains materials you don’t own the copyright to (such as third-party content), you have a few options:

  • Reuse works that are out of copyright (public domain) or openly licensed. These might include Creative Commons images and videos, open access articles, and OERs created by others. ♦ See UCL’s guidance on finding OERs and a reading list with links to many openly licensed resources.
  • Get permission from the copyright owner. If the material is not openly licensed, you might consider seeking permission to reuse it. Be clear about how the resource containing the material will be shared (i.e., as an OER). Third-party materials included in an OER should be shared under their own copyright terms (e.g., their reuse may be more restricted than the rest of the resource) and this should be communicated when sharing.
  • Rely on a copyright exception. In some cases, instead of getting permission you may decide to rely on a copyright exception, notably the quotation exception in UK copyright law. Using exceptions requires judgement. You’ll need to determine whether the use of the material is ‘fair dealing’: does the purpose justify the use? Does it affect the copyright owner’s market? Overall, is it “fair” to all parties involved? Be aware that copyright exceptions vary by country, which is important when making a resource globally available. The Code of Best Practices in Fair Use for Open Educational Resources explores these approaches further, putting forward a framework that could be applied internationally.

Putting the copyright advice to practice: examples from UCL’s copyright online tutorials.

The screenshot shows the UCL Copyright Essentials 2023-2024 module page. On the right side, there's an image of stormtroopers marching in formation. The content discusses the use and adaptation of images under Creative Commons licenses. Below the stormtroopers, there are links to additional copyright resources. The layout is clean and educational, providing information on legal considerations for using and modifying copyrighted materials with appropriate licensing. On the left side, the course menu outlines the entire module and includes links to further reading.

Screenshot from UCL’s Copyright Essentials tutorial, which includes a photo by Michael Neel from Knoxville, TN, USA, CC BY 2.0, via Wikimedia Commons.

While creating UCL’s Copyright Essentials and Copyright and your Teaching, two online tutorials introducing copyright, the UCL Copyright support team drew on its own advice. Specifically:

  • Copyright ownership and attribution were addressed. Copyright Essentials is an adaptation of an original resource, which was also openly licensed. Attribution to all original authors was included.
  • Both tutorials are publicly available online, allowing anyone to access and complete them. They are also licensed for reuse under the Creative Commons Attribution licence, permitting others to adapt and redistribute the materials with appropriate attribution.
  • Third-party materials mostly included openly licensed images and links to lawfully shared videos and documents. However, for some materials, we opted to rely on copyright exceptions, which involved a degree of interpretation and risk. This was highlighted in the tutorials, inviting learners to reflect on the use of exceptions.

It should be noted that using proprietary e-learning tools (like Articulate Rise) to develop the tutorials restricts reuse. While the shared resources can be accessed, they cannot be downloaded or edited. Authors wishing to adapt the resources have the option to recreate the materials under the licence terms or contact us for an editable copy. Ideally, these resources should be created with open-source tools, but there’s a trade-off between the advantages of user-friendly, accessible proprietary tools and these limitations.

For more advice on copyright and OERs please contact copyright@ucl.ac.uk.


Read more from the Copyright and Open Science Series:

Copyright and AI, Part 2: Perceived Challenges, Suggested Approaches and the Role of Copyright literacy

By Rafael, on 15 August 2024

Guest post by Christine Daoutis (UCL), Alex Fenlon (University of Birmingham) and Erica Levi (Coventry University).

This blog post is part of a collaborative series between the UCL Office for Open Science and Scholarship and the UCL Copyright team exploring important aspects of copyright and its implications for open research and scholarship. 

A grey square from which many colourful, wavy ribbons with segments in shades of white, blue, light green, orange and black radiate outward against a grey background.

An artist’s illustration of AI by Tim West. Photo by Google DeepMind from Pexels.

A previous post outlined copyright-related questions when creating GenAI materials—questions related to ownership, protection/originality, and infringement when using GenAI. The post discussed how answers to these questions are not straightforward, largely depend on what is at stake and for whom, and are constantly shaped by court cases as they develop.

What does this uncertainty mean for students, academics, and researchers who use GenAI and, crucially, for those in roles that support them? To what extent does GenAI create new challenges, and to what extent are these uncertainties inherent in working with copyright? How can we draw on existing expertise to support and educate on using GenAI, and what new skills do we need to develop?

In this post, we summarise a discussion we led as part of our workshop for library and research support professionals at the Research Libraries UK (RLUK) annual conference in March 2024. This year’s conference title was New Frontiers: The Expanding Scope of the Modern Research Library. Unsurprisingly, when considering the expanding scope of libraries in supporting research, GenAI is one of the first things that comes to mind.

Our 16 workshop participants came from various roles, research institutions, and backgrounds. What they had in common was an appetite to understand and support copyright in the new context of AI, and a collective body of expertise that, as we will see, is very useful when tackling copyright questions in a novel context. The workshop consisted of presentations and small group discussions built around the key themes outlined below.

Perceived Challenges and Opportunities
Does the research library community overall welcome GenAI? It is undoubtedly viewed as a way to make scholarship easier and faster, offering practical solutions—for example, supporting literature reviews or facilitating draft writing by non-English speakers. Beyond that, several participants see an opportunity to experiment, perhaps becoming less risk-averse, and welcome new tools that can make research more efficient in new and unpredictable ways.

However, concerns outweigh the perceived benefits. It was repeatedly mentioned that there is a need for more transparent, reliable, sustainable, and equitable tools before adopting them in research. Crucially, users need to ask themselves what exactly they are doing when using GenAI, their intention, what sources are being used, and how reliable the outputs are.

GenAI’s concerns over copyright were seen as an opportunity to place copyright literacy at the forefront. The need for new guidance is evident, particularly around the use of different tools with varying terms and conditions, and it is also perceived as an opportunity to revive and communicate existing copyright principles in a new light.

Suggested Solutions
One of the main aims of the workshop was to address challenges imposed by GenAI. Participants were very active in putting forward ideas but expressed concerns and frustration. For example, they questioned the feasibility of shaping policy and processes when the tools themselves constantly evolve, when there is very little transparency around the sources used, and when it is challenging to reach agreement even on essential concepts. Debates on whether ‘copying’ is taking place, whether an output is a derivative of a copyrighted work, and even whether an output is protected are bound to limit the guidance we develop.

Drawing from Existing Skills and Expertise
At the same time, it was acknowledged that copyright practitioners already have expertise, guidance, and educational resources relevant to questions about GenAI and copyright. While new guidance and training are necessary, the community can draw from a wealth of resources to tackle questions that arise while using GenAI. Information literacy principles should still apply to GenAI. Perhaps the copyright knowledge and support are already available; what is missing is a thorough understanding of the new technologies, their strengths, and limitations to apply existing knowledge to new scenarios. This is where the need for collaboration arises.

Working Together
To ensure that GenAI is used ethically and creatively, the community needs to work collaboratively—with providers, creators, and users of those tools. By sharing everyday practices, decisions, guidance, and processes will be informed and shaped. It is also important to acknowledge that the onus is not just on the copyright practitioners to understand the tools but also on the developers to make them transparent and reliable. Once the models become more transparent, it should be possible to support researchers better. This is even more crucial in supporting text and data mining (TDM) practices—critical in many research areas—to limit further restrictions following the implementation of AI models.

Magic Changes
With so much excitement around AI, we felt we should ask the group to identify the one magic change that would help remove most of the concerns. Interestingly, the consensus was that clarity around the sources and processes used by GenAI models is essential. How do the models come up with their answers and outputs? Is it possible to have clearer information about the sources’ provenance and the way the models are trained, and can this inform how authorship is established? And what criteria should be put in place to ensure the models are controlled and reliable?

This brings the matter back to the need for GenAI models to be regulated—a challenging but necessary magic change that would help us develop our processes and guidance with much more confidence.

Concluding Remarks
While the community of practitioners waits for decisions and regulations that will frame their approach, it is within their power to continue to support copyright literacy, referring to new and exciting GenAI cases. Not only do those add interest, but they also highlight an old truth about copyright, namely, that copyright-related decisions always come with a degree of uncertainty, risk, and awareness of conflicting interests.

About the authors 

Christine Daoutis is the UCL Copyright Support Officer at UCL. Christine provides support, advice and training on copyright as it applies to learning, teaching and research activities, with a focus on open science practices. Resources created by Christine include the UCL Copyright Essentials tutorial and the UCL Copyright and Your Teaching online tutorial.

Alex Fenlon is the Head of Copyright and Licensing within Libraries and Learning Resources at the University of Birmingham. Alex and his team provide advice and guidance on copyright matters, including text, data mining, and AI, to ensure that all law and practice are understood by all.

Erica Levi is the Digital repository and Copyright Lead at Coventry University. Erica has created various resources to increase awareness of copyright law and open access through gamification. Her resources are available on her website.

Get involved!

alt=""The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Join our mailing list, and follow us on X, formerly Twitter and LinkedIn, to be part of the conversation and stay connected for updates, events, and opportunities.

 

 

 

Text and Data Mining (TDM) and Your Research: Copyright Implications and New Website Guidance

By Rafael, on 13 May 2024

This the second blog post of our collaborative series between the UCL Office for Open Science and Scholarship and the UCL Copyright team. Here, we continue our exploration of important aspects of copyright and its implications for open research and scholarship. In this instalment, we examine Text and Data Mining (TDM) and its impact on research along with the associated copyright considerations.

Data processing concept illustration

Image by storyset on Freepik.

The development of advanced computational tools and techniques for analysing large amounts of data has opened up new possibilities for researchers. Text and Data Mining (TDM) is a broad term referring to a range of ‘automated analytical techniques to analyse text and data for patterns, trends, and useful information’ (Intellectual Property Office definition). TDM has many applications in academic research across disciplines (Intellectual Property Office definition). TDM has many applications in academic research across disciplines.

In an academic context, the most common sources of data for TDM include journal articles, books, datasets, images, and websites. TDM involves accessing, analysing, and often reusing (parts of) these materials. As these materials are, by default, protected by copyright, there are limitations around what you can do as part of TDM. In the UK, you may rely on section 29A of the Copyright, Designs and Patents Act, a copyright exception for making copies for text and data analysis for non-commercial research. You must have lawful access to the materials (for example via a UCL subscription or via an open license). However, there are often technological barriers imposed by publishers preventing you from copying large amounts of materials for TDM purposes – measures that you must not try to circumvent. Understanding what you can do with copyright materials, what may be more problematic and where to get support if in doubt, should help you manage these barriers when you use TDM in your research.

The copyright support team works with e-resources, the Library Skills librarians, and the Office for Open Science and Scholarship to support the TDM activities of UCL staff and students. New guidance is available on the copyright website. TDM libguide and addresses questions that often arise during TDM, including:

  • Can you copy journal articles, books, images, and other materials? What conditions apply?
  • What do you need to consider when sharing the outcomes of a TDM analysis?
  • What do publishers and other suppliers of the TDM sources expect you to do?

To learn more about copyright (including how it applies to TDM):

Get involved!

alt=""The UCL Office for Open Science and Scholarship invites you to contribute to the open science and scholarship movement. Stay connected for updates, events, and opportunities. Follow us on X, formerly Twitter, LinkedIn, and join our mailing list to be part of the conversation!

 

 

How Creative Commons licences support open scholarship

By Kirsty, on 23 October 2023

Happy Open Access Week 2023!

This year’s theme is ‘community over commercialisation’. It is about adopting research and education practices that place priority on the interests of the public. In the context of scholarly communications, it is about making access to scholarly knowledge open and accessible to diverse communities, in transparent and sustainable ways.

For this to be achieved, the outcomes of academic research and education – research data, preprints, published articles, monographs, educational resources – must be open to access but also open to reuse: free access to an article, an online tutorial or a dataset has great benefits, but the potential for users of these materials to share them with others, adapt, add to and improve upon them is what makes innovation and creativity possible.

Creative Commons (CC licences) support open and reusable research by offering a standardised way in which authors can grant others certain permissions to reuse their works. In this post we highlight some key points about CC licences and discuss how they benefit both creators and users of copyright-protected materials.

What is Creative Commons?

Creative Commons (CC) is “an international non-profit organisation dedicated to helping build and sustain a thriving commons of shared knowledge and culture”. The organisation is active in supporting, educating and advocating for a more open culture; but it is most known for its licences.

How do Creative Commons licences work?

If you are the author of pretty much any creative work – a journal article, an image, a music composition, a website, a book – making your work available under a CC licence helps you:

  • As the copyright owner of the work, give ‘blanket’ permission to others to copy and share your work, while requiring that they attribute you as the author.
  • Decide what further uses you give blanket permission for. Do you allow others to make adaptations(e.g. to translate your book, adapt a teaching resource for a new audience, or change your artwork)? Do you allow others to reuse for a commercial purpose?
  • Decide if you would like to ensure that future adaptations of your work (if you are allowing them) are also made available under the same licence, keeping them as ‘open’ as yours.

Image attribution: Barbara Klute und Jöran Muuß-Merholz für wb-web unter CC BY-SA 3.0. The English version is a translation and enhancement by Jöran Muuß-Merholz under the same license., CC BY-SA 3.0, via Wikimedia Commons

The combination of these criteria: attribution (a requirement for all licences), allowing/not allowing derivatives, allowing/not allowing commercial reuse, and requiring/not requiring sharing under the same licence (‘share-alike) creates a set of six licences creators can choose from.

How do Creative Commons licences support open scholarship and the needs of different communities?

There are numerous examples of how CC licences help free up research and education. CC licences applied to open access articles, conference proceedings, monographs and other scholarly works make it possible for readers of these works around the world – who may include academic researchers, lecturers, students but also health practitioners, innovators, artists and the general public – to benefit from these works and potentially create something new and innovative as a result. CC licences applied to research data enables data to be shared and reused across different organisations and countries. CC licences applied to preprints, study preregistrations and theses ensure openness in research that is not yet formally published. In the same way, particularly through allowing adaptations, CC licences support the development and success of Open Educational Resources (OERs).

Beyond traditional scholarship, CC licences help open up cultural collections and offer opportunities for publishers and the creative industries to adopt new business models that serve their audiences better.

How can I learn more about Creative Commons?

Image attribution: adapted from Martin Missfeldt https://www.bildersuche.org/ CC BY-SA

If you have made it so far in this post, you may have further questions including how to apply a CC licence, how to discover and reuse CC materials, how CC licences work alongside copyright and how they can support commercially sensitive works. Here are a few things you can do:

  • Drop-in any time between 12 pm and 2 pm on Teams on Tuesday 24 October, to hear more, ask questions and tell us about your experiences with CC licences. You can join for just a few minutes to ask a question or stay for longer to become a CC expert. Register for the CC licences drop-in session.
  • Take our 5-question fun personality quiz to discover which licence you are. You may not learn anything new about yourself, but you will hopefully get even more familiar with how the range of CC licences can be applied in different situations. Your responses will be anonymous.