This is the fourth segment in the Myths in the Museum series; you can go back and read about the horseshoe crab, the dugong and mermaid, and the narwhal and unicorn.

The UCL Grant Museum of Zoology is currently undergoing a significant restructuring of its displays. The Grant Museum is the last of London’s university natural history museums and has amassed a fascinating collection — but only a fraction is on display. From a set of warthog and domesticated pig skulls now placed over the entranceway as part of the expanded comparative anatomy section, to a lost set of dodo bones found in a drawer in 2011, to the world’s rarest skeleton, the extinct quagga (think zebra with fewer stripes), the museum’s collection is vast. In the newly reorganised avian section, some exceptionally large bird eggs are neatly lined up like a mini hall of fame. And the largest (non-extinct) egg of all, of course, belongs to that famous 9-foot-tall marvel with legs strong enough to kill a lion in one blow, the OG kickstarter, the Ostrich.

As the largest living bird species in the world, the ostrich unsurprisingly lays massive eggs that have been valued by humans for millennia. But their value goes beyond serving as a royal dish for ancient pharaohs; across cultures, the ostrich egg has long possessed symbolic significance and associations with prosperity, truth, life, and rebirth. Evidence as early as the 4th millennium BCE reveals eggs were hollowed and intricately carved, used as perfume containers and drinking cups, and buried as part of ancient Egyptian funerary rituals. Eggshells were found in sites of the early cultures of Mesopotamia and Crete, and the use of eggshells as drinking vessels was continued by desert peoples until at least the late 20^thcentury. Ostrich eggs were also, of course, highly valued for their nutritional intake, with a whopping 120g or so of protein per egg.

Ostrich eggs remained both spiritually and practically significant in the Greek and Roman worlds, where they were offered to deities and hung in temples as decorations or used as lamps. This association of ostrich eggs with sacred spaces carried over into Muslim and Christian practices. The ostrich, according to popular belief in the 2^ndcentury BCE, the ostrich had the ability to make its eggs hatch by staring at them intensely rather than brooding, a trait that added to their significance as early Christian symbols of not only new life and rebirth, but also of single-mindedness, concentration, and determination. Pliny the Elder wrote on the ostrich’s mythical ability to eat iron and glass, which earned the bird a reputation as an iron-eater, and symbolized strength through resistance and hardship. In medieval and early modern Europe, the ostrich egg also came to symbolize the Immaculate Conception of the Virgin Mary.

In the secular luxury trade of the 16-17th centuries, ostrich eggs became a subject of particular fascination for metalsmiths. Last week I oohed and ahhed my way through the famously fantastic Staatliche Kunstsammlungen Dresden, Germany. Amongst all the royal treasures of gems, ivory, gold, and crystal, a wall of the Grünes Gewölb (Historic Green Vault) was devoted to some seriously decorated ostrich eggs. These specimens had been fashioned with gilt-silver into figurines, goblets, and drinking vessels that once adorned the feast tables and halls of Saxon princes. Talk about egg-cellent conversation pieces!

Ostrich eggs may also have use in modern medical research. Like all birds, ostriches pass on bacteria- and virus-fighting antibodies to their offspring through their yolk. Considering one ostrich egg contains as much yolk as about 24 chicken eggs, and one ostrich female can lay 50-100 eggs per year, a team of Japanese researchers have identified ostrich eggs as a promising source for developing drugs. Last October, they announced the commercial development of an ostrich antibody for dengue fever. The research is open to speculation, and still years away from clinical trials and regulatory approval, but our fascination large eggs continues!

Further reading:

Green, N. (2006) Ostrich Eggs and Peacock Feathers: Sacred Objects as Cultural Exchange between Christianity and Islam, Al-Masāq,18:1, 27-78, DOI: 10.1080/09503110500222328