‘Under Milk Wood’ by Paula Rego, 1954, Oil on canvas

It’s Museum Week, which is proving to be a brilliant opportunity to get to know new galleries, explore a museum’s history and join in with celebrating the wonderful work that museums do – not to mention the art they have and the imaginative spaces they create!

There has been a different theme each day – and today it’s ‘Behind The Art’. Here at UCL Art Museum we thought this would be the perfect opportunity to rediscover some of the many female artists that studied at The Slade next door and whose work is part of the UCL Art Museum collections. We’re thinking Gwen John, Winifred Knights and Paula Rego.  (more…)

1 – 5pm Monday to Friday, until Friday 28th March

This exhibition gathers together some of the most prolific time-based work from UCL Art Museum’s growing collection, which centre around the dependence upon and manipulation of technology with respect to time. The artists exhibiting are graduates from the Slade School and have each been awarded the annual William Coldstream Memorial Prize that selects outstanding achievements over the whole academic year. This accounts for the diverse collections of artwork on display, illustrating the eclectic variety of contemporary time-based media works.

It is a refreshing and new type of exhibition for the UCL Art Museum, completely immersed in technology, conceptual installations and time-based media techniques. You will be greeted by many television screens that allow for a sense of unity to the works and for you to make comparisons between the way some of the themes are expressed. The screens are also placed with enough distance for each piece to be absorbed in contemplative isolation. Intriguing sounds also drift around the gallery, enticing you to follow your senses and discover and explore their source.  (more…)

Working up to the event on Wed 26th Feb 6.30 – 7.30pm, in UCL Art Museum.

On 26^th February there is the chance to meet the artist and Slade School PhD Graduate Kai Syng Tan and take part in her experimental, multidisciplinary event based around the positive powers of running. This is the opportunity to learn about running as a potentially playful and subversive activity within an artistic framework.

Kai is sprinting forward with latest research that focuses on the body and its dialogue with technology and social media networks. Her website creatively communicates this unusual project, which is constantly evolving. Come expecting to be made curious, surprised and energized.

Intrigued to find out more before the event, I met up with Kai to talk about how her work explores notions of playfulness, natural endorphins and the meaning of life.

You have many different roles and identities, being an artist, educator and researcher. How do you see them interacting and influencing each other?

Many artists today have multiple identities. I have been an artist for nearly 20 years, but I have done many different things within this role. It involves showing my work in public spaces and online in spaces not always considered part of the art world. As a new media artist I have also had a parallel career; lecturing is how I bring home the bacon.  (more…)

Kevin Guyan speaking with participants on his Bloomsbury walking tour, outside Paramount Court

Throughout this term, Kevin Guyan, PhD candidate at the UCL history department, has been working with the Art Museum to create events that compliment the current ‘Black Bloomsbury’ exhibition. His own research has allowed him to take themes from the exhibition in thoughtful and unusual directions for these workshops at the Museum. His events have included interactive investigations around 1940s music and dance, and exploring ideological boundaries within the Bloomsbury area through a walking tour.

Kevin’s own research explores how domestic spaces impacted upon the production and reproduction of masculinities in the post war period (c.1945 – 1966). Although this work focuses on a different time period to ‘Black Bloomsbury’, (1945-1966 rather than 1918-1948), he has drawn upon common themes running through both eras, including space and identity, and methodologies of how historians perceive and ‘see’ into the past. For a more detailed analysis of his research and its links to the ‘Black Bloomsbury’ exhibition, please see his article ‘Engaging with Black Bloomsbury’, published on the Student Engagers website here.

Curious to hear more about his work and the way he thinks up – and thinks about – the nature of his events with the Art Museum, I asked him a few questions.  (more…)

Mona Hess, Research Assistant for 3D imaging and project co-ordinator of the Petrie Museum’s 3D imaging project, curated a Pop-Up display this November on 3D printing and scanning at UCL Art Museum. 3D printing is a new and high profile phenomenon that started in 2007. The aim of the Petrie research has been to make use of the opportunities this technology creates in the museum space, such as engaging with a diverse and wide audience through the creation of 3D objects.

This Pop-Up workshop wove together film clips of high resolution colour laser 3D scanning to demonstrate how different types of technology works, as well as addressing techniques first-hand with the use of a mini hand scanner with the use of a low cost hand scanner based on near-infrared detection originally used for motion tracking.  (more…)

Gjon Mili, 1950 © Time Inc.

On Friday 15th November from 2 – 3.30pm Kevin Guyan, PhD candidate in the History Department, will explore the dance hall as a site of social and cultural exchange for the black community of Bloomsbury in the 1940s. This participative event will include music and images from the period and will also be an opportunity for those in attendance to share and discuss memories of ‘going dancing’ in the mid-20th century.

Helen Cobby talked to Kevin about his up-coming event and what participants can expect:  (more…)

Subversive Millinery was an eclectic, creative and colourful evening event at the UCL Art Museum. It comprised of a mini art history lecture on the role and significance of hats, and a hands-on practical workshop where participants were encouraged to create their own beautiful hat or fascinator. This fun mix was led by Sue Walker, who completed her MA and PhD in art history at UCL, specialising in 18th and 19th century French prints.

Sue began by explaining why she had become obsessed with hat making and encouraging communal creativity. She felt it was predominantly triggered from feeling disconnected with art objects after studying so much theory. She decided to start making things and focused on fashion as a way to get others involved and interested because it is something everyone is affected by and has opinions about. This idea of making judgments and engaging with ideas through ‘visual signs’, such as those of fashion, is fundamental to art historical questions that ask ‘what is it and what do we do when we make a visual sign?’ (more…)

The entire team at UCL Art Museum wish you a prosperous and Happy New Year! We will return in 2013 with an exciting programme of events and exhibitions so watch this space!

Ever wondered what happens behind the scenes at the Art Museum? Well, over the past couple of weeks we’ve been busy with filming and photo shoots. This may sound glamorous until you realise just how much hard work is involved, with an entire morning’s work often whittled down to a just a couple of minutes.

Film crew setting up for filming in UCL Art Museum

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UCL Museums and Public Engagement have been awarded funding from JISC to make 150,000 digitised objects from UCL Museums publicly available and to develop a range of new e-learning resources. The project team are looking for students to participate in focus groups to discuss this and are offering a light meal and book tokens in return for participants’ time.

Portrait of The Elector John Frederick I, The Magnanimous, Monogrammist M.R., UCL Art Museum 1581

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