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Object of the week 378: Tess Jaray, Always Now

NinaPearlman22 March 2019

Today’s entry has been written by Viktoria Espelund. Viktoria gained her MA in History of Art From UCL and has worked with the UCL Art Museum team throughout her studies as a volunteer and later in a professional capacity as well.  We are thrilled to see her knowledge and expertise gain a wider audience through her recent contribution as a writer to a current exhibition at the Barber Institute of Fine Art in Birmingham. Her experienced is shared in this post.

Always Now (LDUCS 7876) is a print by the British painter and printmaker Tess Jaray RA (b. 1937, Austria).  This print is one of nine works that are held of Tess Jaray in UCL Art Museum’s collections and is incredibly special to me, being the first ever work I saw by the artist now showing new work at the Barber Institute in Birmingham. The aquatint derives from a painting completed in 1982. Whereas the painting is painted with a soft colour palette of lilacs and blues against a cream-coloured background, the print has been executed in bright turquoise on paper.

A turquoise geometric print by Tess Jaray 1982 from UCL Art Museum's collections number 7876

Tess Jaray, Always Now, 1982, aquatint, UCL Art Museum LDUCS 7876

Tess Jaray has been an influential figure in the British art world since the 1960s. As both a Senior Royal Academician and an Honorary Fellow of the RIBA, her career spans more than fifty years, throughout which time she has produced a vast body of work. Jaray arrived with her family to the UK as an infant in 1938 as part of the flight of Jewish refugees from the Nazis. Aged sixteen she embarked on her journey as an artist and enrolled first at Saint Martin’s School of Art in London later at the Slade School of Fine Art (1957-1960), studying under the likes of William Coldstream, Bartos Dos Santos and Ernst Gombrich. Jaray has further been a great influence on younger British artists through her writing and the thirty years spent teaching at the Slade (1968-1999).  (more…)

Specimen of the Week 377: The Lobster Claw

GrahamIsted15 March 2019

Hello and welcome to the next instalment of Specimen of the Week. This week’s specimen is a mighty claw (LDUCZ-H671) from the lobster species Homarus gammarus, also known as the European or common lobster. Lobsters are great, whether you like them to be freely going about their lives at the bottom of the sea or perhaps prepared by a chef on a dish with some butter. Either way, I am fairly certain there are aspects of their lives you are unaware of and this blog will hopefully either make you hungry for more knowledge or perhaps just dinner.

Lobster claw LDUCZ-H671 Homarus gammarus

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Specimen of the week 374: Hypsilophodon foxii cast

Hannah LCornish18 January 2019

Stop press! This week we are revisiting an old specimen of the week to bring you breaking dinosaur news.

Don’t worry, we didn’t break it, specimens of the week is…

Image of LDUCZ-X185 cast of skeleton of Hypsilophodon foxii from the Grant Museum of Zoology UCL

LDUCZ-X185 a one armed cast of skeleton of Hypsilophodon foxii

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Specimen of the Week 373: Coal worker’s pneumoconiosis

SubhadraDas11 January 2019

Today’s specimen of the week comes from UCL Pathology Collections. The Collections are displayed at the UCL Pathology Museum at the Royal Free Campus of the UCL Medical School in Hampstead. The museum includes a medical teaching collection of nearly 3,000 specimens of human remains illustrating the history of disease. To open up these specialist medical displays to a wider audience, we’ve developed a trail of 10 specimens of well known diseases. As the museum only opens to the public for special events, we’re sharing the trail as part of the Specimen of the Week series.

All of the entries for the UCL Pathology Collections Top 10 Medical Trail have been written by Nazli Pulatmen, who worked with us for her MA Museum Studies placement in the summer of 2018.

This week’s specimen is a lung belonging to a person who worked in soft coal mines in Wales for almost 50 years and died aged 62 from haemoptysis – coughing up blood in laymen’s terms.

A cross-section of human lung showing coal worker’s pneumoconiosis tuberculosis

LDUCPC-RFH.J32.1 Lung in coal worker’s pneumoconiosis tuberculosis

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Object of the Week 372: 3 Meteorite Beads

GrahamIsted4 January 2019

Hello and welcome to the next installment of Object of the Week: Petrie Museum Edition. I am delighted to say that my first UCL Culture blog post will also be the first of 2019. I have chosen a set of 3 objects which are truly out of this world. Something ‘extra-terrestrial’!

The contemplation of space and the cosmos would not have been an ‘alien concept’ by Ancient Egyptians who painted, carved and wrote about the sun, moon, stars and planets. They even went so far as to work with material which had travelled through space. This isn’t science fiction, this is science fact.

I would like to introduce you to three Meteorite Beads (UC10738, UC10739 and UC10740).

Fig.1 Meteorite bead UC10738.

 

 

Fig.2 Meteorite bead UC10739.

Fig. 3 Meteorite bead UC10740.

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Specimen of the Week 371: Reindeer skull

Christopher JWearden14 December 2018

Good morning to our readers, on behalf of everyone here at the Grant Museum I would like to wish you all a very Merry Christmas. Today we are looking at an animal which is better known for delivering presents to children around the world than the fascinating aspects of its anatomy. This animal first became associated with a certain bearded-man-with-a-red-hat in 1823, when Clement Clarke Moore wrote the poem ‘A visit from St. Nicholas’(1). Since then the reputation has kind of stuck. Hopefully today’s blog will demonstrate that there is much more to love about these animals than just the work they do on Christmas Eve. Without further ado let us introduce our festive friend all the way from the North Pole, it’s our very own…

LDUCZ-Z2828. Reindeer Rangifer tarandus

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Specimen of the Week 370: Alcoholic Fatty Liver

SubhadraDas7 December 2018

Today’s specimen of the week comes from UCL Pathology Collections. The Collections are displayed at the UCL Pathology Museum at the Royal Free Campus of the UCL Medical School in Hampstead. The museum includes a medical teaching collection of nearly 3,000 specimens of human remains illustrating the history of disease. To open up these specialist medical displays to a wider audience, we’ve developed a trail of 10 specimens of well known diseases. As the museum only opens to the public for special events, we’re sharing the trail as part of the Specimen of the Week series.

All of the entries for the UCL Pathology Collections Top 10 Medical Trail have been written by Nazli Pulatmen, who worked with us for her MA Museum Studies placement in the summer of 2018.

This extreme case of alcoholic fatty liver was taken from a 30-year-old patient who died from liver failure. According to the patient’s clinical history, he consumed on average 1 to 2 bottles of vodka each day for 15 years.

A section of liver showing fatty liver disease

The liver of a 30-year-old who died from liver failure

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Object of the Week 369: Figurine of a hippopotamus

Christopher JWearden30 November 2018

Our blog this week is from Katie Davenport-Mackey, Museum Visitor Services Assistant at UCL Culture.

This week’s blog focuses on a figurine of a hippopotamus (UC16780) on display in the Petrie Museum of Egyptian Archaeology. This is one of several figurines excavated by Sir William Mathew Flinders Petrie in 1889-1890 at the town associated with the pyramid of King Senwosret II. This figurine was treated with some attention and carefully honed into the shape of a hippopotamus but its original function is a matter of debate…

Figurine of a hippopotamus (UC16780) illustrated by Antonio Barcellona

 

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Object of the Week 368: William Orpen, Three Studies of a Female Figure, and Study of the Leg, c.1899

23 November 2018

UCL Art Museum’s Object of the Week is by Lucy Waitt, Curatorial and Collections Assistant

When I began reading about Slade artists and the First World War to prepare for UCL Art Museum’s ‘Armistice Pop Up’ (November 9th 2018) I had not expected to become intrigued by William Orpen in particular. Other Slade artists such as CRW Nevinson, David Bomberg and Paul Nash have arguably produced more famous representations of the conflict, but what interested me about Orpen was not so much the work he produced -which is considerable and varied, but his attitude to his war art and ultimately what he did with it after the war.

William Orpen, Three Studies of a Female Figure, and Study of the Leg, c.1899

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Specimen of the Week 367: African bush elephant heart

Christopher JWearden16 November 2018

This week’s blog is written by Lisa Randisi. Visitor Services Assistant at UCL Culture.

In my first month at the Grant Museum I learned that I, like many before me, had made a mistake. A rather… colossal mistake. Under a large glass bell near the flying lemur (which is neither a lemur nor can fly, but that’s a story for another time) lies a specimen that, for sheer size and improbability, I’d always assumed to be a fake. A plastic replica made for teaching, perhaps. Little did I know that I was actually looking at a real…

African bush elephant heart, LDUCZ-Z639

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