The Petrie Museum Manager, Maria Ragan, is leaving us next week to head to pastures new as the new Director of the St Barbe Museum and Art Gallery. As a small token of our great affection for everything Maria has done for the Petrie Museum over the past (almost) four years she has been in post, I’d like to offer this beautiful vessel for our Object of the Week – her favourite object in the collection (UC13214). (more…)
We have some exciting news about Specimen of the Week! We’re expanding the scope of SOTW to include more UCL Museums and collections. Here’s the first blog from the Petrie Museum of Egyptian Archaeology, and keep your eyes peeled for blogs about specimens and objects from UCL Art Museum, UCL Pathology Museum and more as well as your favourites from the Grant Museum.
In a display case in the Petrie Museum of Egyptian Archaeology stands a little mud figure of a pig. At least it is thought to be a pig. It is so small, no bigger than a thumb nail, that you would be excused for not noticing it among the dense displays of archaeological objects. This figurine was originally thought to be a toy made by a child, but is that really true? (more…)
If you come down to the Petrie Museum, you will see some new changes in the exhibition space. In April 2018, we formally opened three new display cases in the Pottery Gallery as part of our successful Arts Council England-funded Papyrus for the People project, which has recently ended. These modern cases look somewhat different to the antique wooden cases which you are used to seeing at the Petrie Museum, but importantly they are conservation-grade and offer the opportunity to safely display a range of objects including examples from our world-class papyrus collection.
Of the three new showcases, two are to display different themes which have emerged from new translations of our written material by language specialists during the Papyrus Project. These displays will rotate every 6-8 months, partly so that we are able to offer fresh interpretations of the texts on a more regular basis, but also to preserve the fragile papyrus fragments from being exposed to too much light, as this can be damaging to the papyrus and the inscriptions.
The Grant Museum’s current exhibition – The Museum of Ordinary Animals: The Boring Beasts that Changed the World - explores the mundane creatures in our everyday lives. Here on the blog, we will be delving into some of the stories featured in the exhibition. This week we investigate some of the Ordinary Animals on loan from the Petrie Museum of Egyptian Archaeology.
Ask anyone about ancient Egypt and standard responses generally include pyramids, mummies, Tutankhamun, and sometimes (if you’re lucky) animals. Ancient Egyptians were keen observers of their natural environment and are well-known for representing all manner of flora and fauna in their artistic works. Gods and goddesses were also associated with particular animals and their behaviour: for example, the jackal god Anubis guarded the cemeteries of the dead, just as real jackals roamed the desert edge. What is perhaps less well-known is how ancient Egyptians considered the ‘ordinary animals’ who lived side-by-side with them in the Nile Valley. Egyptians utilised a wide variety of wild animals and some of these were domesticated, some kept as pets, and others were considered as vermin – just as they are today.
It’s been a busy month for us at the Petrie Museum, not only gearing up for the start of the autumn term but also preparing object loans for upcoming exhibitions. Our vast collection offers many opportunities to contribute to varied exhibition narratives: our objects illustrate life in the Nile Valley over thousands of years, from Prehistory through the pharaonic period and right through to the Greco-Roman, Coptic and Islamic periods. We also hold a world-renowned collection of papyrus, which is the focus of our ongoing Papyrus for the People project funded by Arts Council England. We have loaned papyri to three very different exhibitions this September, which each tell fascinating stories of life and death in ancient Egypt. (more…)
I’ve just come to the end of my first month as Curator of the Petrie Museum. While my feet are getting closer to the ground with every day that passes, I am truly struck by this incredible collection every time I walk into the galleries and I’m sure this will continue to be the case for a long time to come!
For my first blog post as Curator, I wanted to present my ‘favourite object’ from the Petrie Museum collection. However, it’s such a challenge to pinpoint only one object so I’ve chosen three! Each of these objects looks somewhat unassuming amongst the vast collection, but have their own unique stories to tell about how ancient Egyptians and Sudanese people made, used and re-used objects.
Human remains at the Petrie Museum. It’s time to come out of storage!
Death is part of life, and for me, death is very much a part of work since I am currently rehousing the human remains at the museum. In February, I attended a seminar at the Institute of Archaeology (IoA), PASSING ENCOUNTERS: The dead body and the public realm, the purpose of this was to stimulate discussion about death in an open and frank manner. I joined to learn more about how human remains are portrayed in social media and to gather people’s opinions on death. But, I learned much more than that; how a body decays, what different stages of decay smells like (See Fig.1.), and how death and the body have been portrayed throughout history
As a Conservator, I often think of how privileged I am to be able to handle and examine museum objects, up close and personal. Not all objects move me, but at the moment I am very pleased to be working on this one:
I’ve recently returned from holiday in Cascais, near Lisbon in Portugal, which was for the most part a fairly relaxing break. For the most part. There was the small matter of a rather lengthy complaint furiously scribbled into a comments book at one particular museum we visited and my husband being subjected to an in-depth critique of ethical museum display practice – for several hours. So what got me so agitated? The display of three mummies: two Peruvian and one Egyptian in the Museu Aqueológico do Carmo, Lisbon.
Every collection has its nooks and crannies, and it’s rare for curators to know the full scope of their domain. So every now and again we’ll take a quiet moment to sneak into our stores and explore that neglected corner or unfamiliar drawer, just to see what might be lurking.
Late last year I was looking for some material for my new conservation volunteers to work on. I’d begun training them in the mysteries of plastazote cutting – that’s making snug little foam housing to hold objects safe – and I wanted some simple starter objects. You know the sort of thing: nice and flat on the underside, so there’s no tricky shaping of the mount to match the curve of the object, and not so fragile that the students get disheartened by accidentally breaking something. We’d already done a batch of cylinder seal impressions (straight rectangular lines, flat as a tack – lovely). But now I wanted to try them on something new.
So I started to explore the stores in search of inspiration. Here’s what I found: (more…)