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Hypsilophodon foxii cast part 3

By ucwehlc, on 3 November 2023

Previously on the Grant Museum blog we introduced our biggest dinosaur, along with several mysteries. How did we get it? Who made it? Why does its head look so strange? Then in an exciting turn of events 4 years later we discovered a picture of our cast being made at the Natural History Museum. Now another 4 years on the story continues with Museum Studies students Imogen Geoghegan, Nadia Adal, Lauren Brown Phelan and Yanning Huang who have written this blog about their dinosaur research project.

**The Hypsilophodon foxii cast (Part 3)**

We took part in a research project with the Grant Museum of Zoology (GMZ) to uncover the truth behind this mystery object in the GMZ’s collection. It started with a few photographs and texts from the GMZ which led us to discover the cast’s background and even the species of the dinosaur (Hypsilophodon foxii), both of which were in doubt and unconfirmed before our project began.

Image of LDUCZ-X185 cast of skeleton of Hypsilophodon foxii from the Grant Museum of Zoology UCL

LDUCZ-X185 a one armed cast of skeleton of Hypsilophodon foxii

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Henry Tonks’ Head-scapades

By Lucy A Waitt, on 15 November 2022

Many of you will be familiar with the  legends which surround our beloved Jeremy Bentham and the alleged antics of his mummified and wax heads (two heads are better than one after all). According to UCL tradition these have been head-napped, ransomed and used as a football. For some further reading on this topic please see  “Fake News”

This, however is the story of quite another UCL head.

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Specimen of the Week 318: The newly recapitated bandicoot

By Jack Ashby, on 24 November 2017

This is embarassing. The sheer scale of natural history collections means that some objects are going to be wrongly identified, and the fact that generations of professionals have worked here over nearly two centuries means that there has been plenty of opportunity to get things wrong. I am embarrased because I utterly failed to spot that someone had attached the head of one animal onto the body of another. I am particularly embarassed because both animals involved fall within my particular area of zoological interest – Australian mammals.

A chimeric skeleton of a woylie's skull on a bandicoot's body. LDUCZ-Z85 + LDUCZ-Z58

A chimeric skeleton of a woylie’s skull on a bandicoot’s body. LDUCZ-Z85 + LDUCZ-Z58

Allow me to introduce you to…. (more…)

Magic Lantern Slides and Historypin

By Nick J Booth, on 12 July 2016

This is a guest post by Bethany Gugliemino, a Museum Studies MA Student carrying out her placement with the UCL Teaching and Research Collections.

Hello! In my last post, I told you a bit about my work with UCL’s magic lantern slide collection and shared some of my favourite slides. Today, I want to show you where you can see more of this collection and even help us identify some of the more mysterious content.

As I’ve been cataloguing the slide collection over the last few months, I’ve created a separate list of slides that show an identifiable (or potentially identifiable) location somewhere on earth. This is a shorter list than you might think, since so many of the slides are lecture notes, graphs, and diagrams of scientific equipment. Working with this list, I’ve begun uploading images of these slides to the website Historypin. This site allows users to upload historic images and pin them to a specific location and to create collections and tours of different subjects.

You can see UCL’s collection of images on Historypin here. Zoom in or out on the map on the left and adjust the date range to filter the slides that appear in the gallery on the right.

UCL’s slide collection on Historypin

UCL’s slide collection on Historypin

So far, there are images ranging from Alexander Graham Bell’s family home in Canada to officers inspecting a wireless radio installation in St. Petersburg. (more…)

Conservation of Public Art in the UCL Wilkins Building

By Susi Pancaldo, on 11 March 2016

Have you ever noticed – as you hurry off to class, the library or an event – that UCL’s campus is filled with works of art?

The Wilkins Building, at the heart of the UCL Bloomsbury campus’ main quad, is particularly rich in sculpture. Outside the building, of course, are the iconic lead athletes on the steps below the dome.

Lead statues of the Capitoline Antinous and the Discophorus, Wilkings Building

Lead statues: Capitoline Antinous and Discophorus, Wilkins Building

These figures have a fascinating history and I will write more about them another time.

Inside the Wilkins Building, there is an abundance of works on permanent display too. Adjacent to the Jeremy Bentham auto-icon are two large, ancient Egyptian limestone lions in excavated by Sir Wm.M.F. Petrie. There are a number of 19th and early 20th century sculptures on either side of the Octagon Gallery; wall paintings in the Whistler Room (soon to be opened to the public); and upstairs, within the library, a myriad of sculpture in and around the 1st floor Flaxman Gallery. (more…)

The Mystery of the Giant Golden Mole Skull

By zcbtekp, on 16 February 2016

A mystery skull in bag – ready to identify. LDUCZ-Z850

A mystery skull in bag – ready to identify. LDUCZ-Z850

Crawling blindly through tunnels under layers of dead leaves in the coastal forests of South Africa lives the giant golden mole. Most people don’t know it is there, and neither did I until I was presented with the skull of one this October. As this species lives exclusively in a tiny region on the Eastern Cape – most people have definitely never seen one! Who would have guessed that identifying this skull would be the start of my newfound love for these unlikely animals. (more…)

Look Again…UV Been Mistaken: A Case of Collection Mis-labelling

By Nick J Booth, on 4 February 2016

This is a guest blog by Felicity Winkley, one of the student engagers who work with UCL Museums. To find out more about the student engagers project please visit their website. 

Last term, the UCL Student Engagers used objects from across the UCL collections to curate a six week exhibition at the North Lodge, called Stress: Approaches to the First World War.

The project, as we’ve discussed previously on our own blog, was an interdisciplinary, co-curated effort, approaching the topic of the First World War through four interpretive themes: physical stress, mental stress, cultural or societal stress, and stress on the landscape.

One of the objects we chose to highlight the mental stresses caused by the conflict and, by association, the improvements in the way mental health was approached by the end of the war, was a ‘strobe machine’. As part of the physiology collections, catalogued alongside objects like an auditory acuity tester and a set of keys for tapping multiple-choice responses, it was assumed that this light had similarly been used in psychiatric experiments to test participant responses. From our point of view, it also helped that it looked good.

Physio-40: labelled ‘Strobe Machine’

Physio-40: labelled ‘Strobe Machine’

For several weeks of the exhibition’s run, the object was a successful talking point. (more…)

UCL students identify mystery specimens in the Grant Museum

By Jack Ashby, on 2 February 2016

Mystery specimen displayHave you ever seen something in a museum and suspect that the curators have got it wrong? If so, I hope you haven’t been too shy to let the museum know. Speaking for the Grant Musuem at least, we love it when visitors add to our knowledge of the collection, and we don’t ask for “expert” credentials before hearing an opinion. Indeed, a 11 year boy spotted that a specimen labelled “marine iguana” was in fact a tuatara (a lizard-shaped reptile from New Zealand (that is in fact not a lizard)). And couple of years back, a visitor noticed that our famous anaconda skeleton was in fact an African rock python. Some museums might be embarrassed by the idea that some of their objects have been mis-identified, but not us.

In fact every year we give our UCL bioscience students the chance to challenge our identification as part of the fantastic “Vertebrate Life and Evolution” module. We have just created a display of “mystery specimens” identified by these students.

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The Robert Noel Collection of Life and Death Masks – what we know now.

By Nick J Booth, on 15 January 2016

Cast of a murderer - Noel-34 - Irmscher. Photo courtesy of Alan Taylor.

Cast of a murderer – Noel Head 34 – Irmscher.

The Robert Noel Collection of Life and Death Masks consists of 37 plaster casts made in Germany in the 19th Century. As the name suggests the plaster casts were taken of both the living and the dead, and were collected by Robert Noel (a distant relation of Ada Lovelace) to show the ‘truth’ of phrenology, which simply put was the study of the lumps and bumps in people skulls in the belief that this gave insight into a person’s character. In this blog I aim to tell the story of the collection (as we know it now) and gather links to the various blogs, videos, articles that are available online. Enjoy!

When I started working at UCL 4-ish years ago we knew almost nothing about the Robert Noel Collection of Life and Death Masks. In its life at UCL it had been on display in the Galton Eugenics Laboratory, the Slade School of Fine Art and (reportedly) at one point it’s been fished out of a skip. Now, thanks to the work of a number of UCL students, we know so much more – the names of the people represented in the collection, what Noel thought of them and the background to Noel himself. They have also been properly conserved and looked after, so they will survive for another 150 years or so. (more…)

New Year, New Resolutions: Museum Conservation Conversations on the UCL PACE Museums and Collections Blog!

By Susi Pancaldo, on 12 January 2016

The PACE Conservation Laboratory on UCL’s Bloomsbury Campus serves the needs of UCL’s diverse collections. The objects we have examined and treated in 2015 have ranged from fragile inorganic and organic archaeological materials, small sculpture and other works of art, dry- and fluid-preserved zoological specimens, all manner of scientific teaching models, an array of mechanical and electrical scientific instruments, and much, much more!!

UC40989 faience shabti, during treatment: Petrie Museum of Egyptian Archaeology Museum; UCLAM10026 bronze medal of Prosper Sainton: UCL Art Museum; Z2978 mammoth tusk: Grant Museum of Zoology; Mathematical model: UCL Maths.

Faience ‘shabti,’ during treatment: Petrie Museum of Egyptian Archaeology (UC20989); Bronze medal: UCL Art Museum (10026); Mammoth tusk: Grant Museum of Zoology (Z2978); Mathematical model: UCL Maths.

These objects have come to our Conservation Lab from UCL’s collections for a variety of reasons. Some need to be cleaned or repaired ahead of use in teaching, research, loan or display. Some present mysteries which close examination and scientific analysis may help unravel. Others have been selected for treatment as part of ongoing programmes to improve the condition of collections currently in storage.

Each object has a story to tell, and with the start of this New Year, we have made a resolution to share the work we do with our blog audiences. (more…)