Can you spot the difference between these two photos?

The quagga before conservation and remounting. LDUCZ-Z581

The quagga after conservation and remounting. LDUCZ-Z581. Courtesy of Nigel Larkin

They both depict the world’s rarest skeleton – that of the quagga, an extinct not very stripy kind of zebra – the UK’s only articulated quagga lives here at the Grant. There are only six (or possibly five) other skeletons in existence. The top picture was taken in February, on the day that she left the Museum to undergo major treatment for the ills that resulted from over a hundred years of grime and questionable mounting. The second was taken on Tuesday, when she returned to us. The quagga (and our rhino) were the biggest single tasks for our massive conservation project Bone Idols: Protecting our iconic skeletons, working to save 39 of our biggest and most significant specimens for the long term future.

Hopefully you’ve spotted eveything that specialist bone preparator Nigel Larkin has done to prolong the “shelf life” of the quagga… (more…)

This week I’m honouring a mammal that we can link to two significant factors in my life recently. First, it’s an Australian hopping marsupial, as are kangaroos. Our current Strange Creatures exhibition centres around Europe’s first painting of a roo – by George Stubbs. Secondly, I’ve been in Australia for the last few weeks doing fieldwork with the Australian Wildlife Conservancy, and my first task was to help test a mechanism for surveying this Critically Endangered mammal.

This week’s Specimen of the Week is…. (more…)

Imagine that you are in a place no-one from your country has ever been before. You have just set eyes on an animal incomparible to anything you’ve ever encountered – it might as well be an alien. Cameras haven’t been invented. It will take a year for you or anything you send to reach home. Your job is to communicate what you’ve discovered to the people back home.

The artistic outcomes of scenarios like this are the basis for much of our exhibition Strange Creatures: The Art of Unknown Animals, which opens today.

The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London

The natural history of art; the art history of nature

In November, we announced that Reg the (hornless) Indian one-horned rhino skeleton was being dismantled and taken away for an extreme make-over (read Dismantling Reg the Rhino in Ten Easy Steps). Now he has returned in much better shape (specifically, rhino-shaped), prepared for a long and prosperous future in the Museum.

The rhino after treatment. We hope you’lll agree he is much more rhino shaped.

Reg, a Bone Idol

The rhino was among the first specimens included in our huge conservation project Bone Idols: Protecting our Iconic Skeletons, which will secure the long-term future of 39 of our biggest, rarest and most significant specimens. Some will be cleaned of 180 years of particulate pollutants, some will be repaired, some have new cases built, and some, like the rhino, will be completely remounted.

What was wrong with the rhino?

(more…)

A well known technique in making things desirable is to make them appear unattainable. You want it because you’ve been told you can’t have it. This week I’m employing this strategy to make you fall in love with a specimen. Obviously you can’t have any of our specimens as we’re an accredited museum avowed to care for our collections responsibly, which more or less rules out giving them to the public.

Not only can you not have this week’s Specimen of the Week, you can’t even see it, and there isn’t much more unattainable than that. This isn’t because it’s invisible to the naked eye (though it is small), it’s because it isn’t here.

This week’s Specimen of the Week is… (more…)

Happy New Year!

At this time of year, as well as looking forward to the exciting things we hope to do in the coming year, it is customary to look back at the past one. On Twitter over the past week I’ve been tweeting the best of 2014’s blog – the Top Ten most viewed Grant Museum posts of last year. Looking back, it’s certain that we’ve had a top year in terms of blogging, with 136 posts from Team Grant, and over 100,000 page views across the UCL Museums blog. But what were the best posts?

I’ve announced those ranking at 10 to 2 in the charts, and exclusively revealing here that the most popular post of 2014 is… (more…)

A scaly-tailed possum caught on a camera trap
in AWC’s Artesian Range.
(C) Australian Wildlife Conservancy,

Over the past few years I have been spending my spare time in a remote area of the Kimberley, on the northwest corner of Australia, helping a conservation NGO – the Australian Wildlife Conservancy (AWC) – to do ecological fieldwork. AWC are Australia’s largest private owner of land for conservation, and their mission is to manage it based on scientific research. In the northwest their big long-term projects involve determining the effects of cattle and different fire management practices on tropical savannah ecosystems. And in my most recent two trips I’ve been lucky enough to be involved in the detection of super-scarce species in extremely remote pockets of rainforest and monsoonal woodland.

A few years ago AWC acquired an amazing patch of the Kimberley called Artesian Range – monsoonal savannah criss-crossed with sandstone ranges, gorges of vine-thickets and rainforest pockets. I remember going through the first set of remote camera trap images that came back from Artestian in 2011 and being amazed at the species that were being detected.

An endemic Kimberley rock rat being re-released

The haven from extinction

It seems that Artesian Range is the only place in mainland Australia not to have suffered any mammal extinctions since European colonisation. A community of amazing endemics has clung on – scaly-tailed possums, golden-backed tree rats, monjons, golden bandicoots and Kimberley rock rats. When I was analyzing those camera trap images in 2011 I was a couple of hundred kilometres south of Artesian, on AWC Northwest’s main home sanctuary, Mornington. Artesian Range is in one of the least accessible parts of Australia, requiring a combination of propeller-plane, serious 4WD and helicopter to get to. As amazing as it was to see these species on the screen, I instantly knew I had to go and see them in the flesh. For me, the scaly-tailed possum had become the holy grail.
(more…)

When Specimen of the Week first arose from its fossil ancestors in the Early Blogocene, the niche it originally occupied was to shed light on the darkest corners of our stored collections.

Over time, there has been some descent with modification. Specimen of the Week maintains its ancestral characters and still has the ability to show the world what museums have in their drawers; but it has also acquired some new adaptations where something amazing is revealed about well-known specimens. Some suspect sexual selection is at work.

This week, a new mutation has arisen. Instead of lifting the lid on stories from the stores, this Specimen of the Week will shed light on glimpses of horror in a specimen’s database records. Time will tell whether this adaptation will become fixed in the Specimen of the Week population.

This week’s Specimen of the Week is… (more…)

On 10th November the Grant Museum team took on the giant task of dismantling the largest specimen in the Museum – our huge (hornless) one-horned rhino skeleton. This is one of the first steps in our massive conservation project Bone Idols: Protecting our Iconic Skeletons (click the link to read more about it and how you can support it).

In this previous post I described the the history of this specimen and what conservation work will be done to this invaluable specimen. We also set a Twitter competition to #NameTheRhino – he shall now be known as Reg. Full details about that at the bottom.

How to take apart a complicated massive skeleton, in ten easy steps.

This was all coordinated by skeleton conservator Nigel Larkin.

1)  Label every bone and photograph everything so Nigel knows where to put them when Reg gets rebuilt.

2) Set up a time-lapse camera to record the whole thing:

(more…)

This infant chimpanzee skeleton
will be conserved as part of Bone Idols

Something very exciting has started here at the Grant. We are undertaking a major project to protect 39 of our rarest and most significant skeletons, some which have been on display in the Museum for 180 years. To help achieve this, we launching our first ever public fundraising campaign – aiming to raise £15,000 to support the costs of this crucial work.

Preserving the rarest skeleton in the world

The specimens include the rarest skeleton in the world: the extinct quagga – an unusual half-striped zebra from South Africa. It is the only mounted quagga skeleton in the UK, and no more than seven quagga skeletons survive globally. The project involves completely dismantling and chemically cleaning the irreplaceable skeleton, and then remounting it on a new skeleton-friendly frame in a more anatomically correct position. The work is intended to secure the long-term preservation of the specimens.

Protecting the uncollectable

The quagga will be the focus and most involved element of Bone Idols: Protecting our iconic skeletons, a major project of conservation across the Museum’s displays. Interventions will range from deep cleaning bones, repairing damaged elements and re-casing specimens through to remounting huge skeletons. (more…)