On the 15th March 2011 the Grant Museum 2.0* opened its doors to a new era. It was the day we begun our lives in our current home on the corner of Gower and University Streets. Permit me to be a little sentimental, but it was the start of something wonderful. It’s been an amazing five years in which our little museum has really grown in stature to be a significant part of London’s cultural offer. Here’s what’s happened over the last year, which I think it’s fair to say has been our best ever! (more…)
132 years ago today, 12th August 1883, the last quagga died, alone in her cage at Amsterdam Zoo.
As such, we have written a lot about quaggas on this blog, and I won’t go into detail explaining what a quagga is, but for the uninitiated quaggas were a not very stripy kind of zebra that were hunted to extinction in their native South Africa for their unusual skins and as they competed with livestock for grazing grass.
Quaggas, we argue, are the rarest skeleton in the world, and we see our role at the Grant Museum as being global quagga champions.
For the first time in perhaps 132 years, I’m pleased to annouce that 2015 has been a very good year for quaggas.
Using cutting-edge technology, the world’s rarest skeleton – a South African extinct zebra called a quagga – has regained its missing hind limb.
After a brilliant year of fundraising and conservation work, we are nearing the end of a major project to restore 39 of our largest and most significant skeletons to their former glory. The main focus of the project, named Bone Idols: Protecting our Iconic Skeletons, has been our quagga – which is one of only seven quagga skeletons to survive globally. The Guardian gave the project a particularly positve write-up (read the comments if you want to see some of the more unexpected outcomes of media relations. *blushes*).
The last living quagga died in 1883, having been hunted to extinction by farmers and skin-collectors. The Grant Museum specimen is the only one on display in the UK but the skeleton was incomplete – the right shoulder blade and one of its legs has long been missing, probably since World War II.
Can you spot the difference between these two photos?
They both depict the world’s rarest skeleton – that of the quagga, an extinct not very stripy kind of zebra – the UK’s only articulated quagga lives here at the Grant. There are only six (or possibly five) other skeletons in existence. The top picture was taken in February, on the day that she left the Museum to undergo major treatment for the ills that resulted from over a hundred years of grime and questionable mounting. The second was taken on Tuesday, when she returned to us. The quagga (and our rhino) were the biggest single tasks for our massive conservation project Bone Idols: Protecting our iconic skeletons, working to save 39 of our biggest and most significant specimens for the long term future.
Hopefully you’ve spotted eveything that specialist bone preparator Nigel Larkin has done to prolong the “shelf life” of the quagga… (more…)
Less than two weeks ago, the first batch of newly-conserved skeletons from our Bone Idols project returned to the Grant Museum after their completed restoration work.
Reg the Rhino -the largest skeleton in the Museum – was treated in this group and has now been remounted in fine form back on his plinth.
In November, we announced that Reg the (hornless) Indian one-horned rhino skeleton was being dismantled and taken away for an extreme make-over (read Dismantling Reg the Rhino in Ten Easy Steps). Now he has returned in much better shape (specifically, rhino-shaped), prepared for a long and prosperous future in the Museum.
Reg, a Bone Idol
The rhino was among the first specimens included in our huge conservation project Bone Idols: Protecting our Iconic Skeletons, which will secure the long-term future of 39 of our biggest, rarest and most significant specimens. Some will be cleaned of 180 years of particulate pollutants, some will be repaired, some have new cases built, and some, like the rhino, will be completely remounted.
What was wrong with the rhino?
A well known technique in making things desirable is to make them appear unattainable. You want it because you’ve been told you can’t have it. This week I’m employing this strategy to make you fall in love with a specimen. Obviously you can’t have any of our specimens as we’re an accredited museum avowed to care for our collections responsibly, which more or less rules out giving them to the public.
Not only can you not have this week’s Specimen of the Week, you can’t even see it, and there isn’t much more unattainable than that. This isn’t because it’s invisible to the naked eye (though it is small), it’s because it isn’t here.
This week’s Specimen of the Week is… (more…)
Dean Veall here. A very Happy New Year to all our readers. I thought I would start 2015 BIG, 26ft and 6in BIG to be quite exact. This specimen belongs to the group containing the biggest animals to have ever lived. It is also part of the BIGGEST ever fundraising campaign the Museum has ever run, Bone Idols: Protecting our Iconic Skeletons.
The Bone Idols project involves a series of interventions on 39 of our largely uncollectable specimens which includes re-casing some, completely remonting others and cleaning of these specimens that have been on open display since the 1820’s. This week’s Specimen of the Week is……
Following on from last week’s focus on one of our specimens that will be receiving a spot of conservation TLC as part of our Bone Idols: Protecting Our Iconic skeletons conservation project, this week’s specimen is another specimen we’re looking to raise funds to conserve.
This specimen is one of the largest* single specimens in the museum and sits in the heart of the displays. Although the specimen isn’t instantly recognisable, visitors I talk to about it are in reverance to it’s overall ‘bigness’ and after a few clues can identify what it is.
So pack your trunk and prepare never to forget this week’s specimen of the week which is…
Over time, there has been some descent with modification. Specimen of the Week maintains its ancestral characters and still has the ability to show the world what museums have in their drawers; but it has also acquired some new adaptations where something amazing is revealed about well-known specimens. Some suspect sexual selection is at work.
This week, a new mutation has arisen. Instead of lifting the lid on stories from the stores, this Specimen of the Week will shed light on glimpses of horror in a specimen’s database records. Time will tell whether this adaptation will become fixed in the Specimen of the Week population.
This week’s Specimen of the Week is… (more…)