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Specimen of the Week 330: The taxidermy koala – The language of natural history

By Jack Ashby, on 16 February 2018

With generic terms like mankind and Homo sapiens (“wise man”), people of all genders are well aware that it is the masculine that has dominated the vocabulary of humanity. Not so in the animal kingdom.

Across UCL Culture we are celebrating the centenary of some women first getting the vote in the UK in a number of different ways. In the run up to International Women’s Day, here on the blog our Specimens of the Week will be exploring themes like women in natural history, female specimens, and – in this case – the language of natural history. This week’s Specimen of the Week is…

Koalas are one of many Australian mammals that are named after a female attribute. Phascolarctos means "pouched bear". LDUCZ-Z65

Koalas are one of many Australian mammals that are named after a characteristic that only females have. Their scientific name Phascolarctos means “pouched bear”. LDUCZ-Z65

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Happy 81st Thylacine Day: Thylacines were lucky to last as long as they did

By Jack Ashby, on 7 September 2017

81 years ago today – the 7th September 1936 – the last known thylacine died, committing its species, indeed its entire family, to extinction.

The last known living thylacine, 1933. (Image in the public domain, photographer unknown)

It was locked out of the indoor section of its enclosure at a zoo in Hobart, and in the overnight chill of the Tasmanian winter it died of exposure. All that now remains of the then largest marsupial carnivore is in museums.

In a sense it was lucky. (more…)

Specimen of the Week 306: The Bilby Skull

By Jack Ashby, on 1 September 2017

Bilby skull LDUCZ-Z82

Bilby skull LDUCZ-Z82

Australia is widely considered to be the extinction capital of the world. In the 230 years since European invasion, 29 of its 315 native land mammals have been driven to extinction, and by far the majority of those that do currently survive have suffered significant (and in many cases almost total) declines – they are now only found in a fraction of their former habitats.

This is all very depressing, but as I write this I am undertaking fieldwork in a remote area of central South Australia, volunteering for an organisation who are trying to make things better. This week’s Specimen of the Week is one of the species they protect. (more…)

Specimen of the Week 242 – the Marsupial Lion

By Jack Ashby, on 3 June 2016

Thylacoleo skull cast LDUCZ-Z3167

Thylacoleo skull cast LDUCZ-Z3167

1) Large lion-shaped predators were living in Australia until around 50,000 years ago – lion-shaped, but not lions. This is because there were no wild cat species in Australia*, and up until 3-5000 years ago when the dingo arrived with Polynesian traders, all large Australian mammals were marsupials. One such beast was Thylacoleo carnifex, the “marsupial lion”. Alongside this big predator lived “marsupial rhinos” (diprotodons), giant kangaroos, giant echidnas, “marsupial tapirs” (Palorchestes) and giant wombats (Phascolonus). All in all, Australia used to have much bigger animals than it does now.

2) It is believed that marsupial lions diverged from the branch of the marsupial tree that led to wombats and koalas. (more…)

Specimen of the Week 224: The Rock Wallaby Skull

By Jack Ashby, on 25 January 2016

Rock wallaby skull. LDUCZ-Z845

Rock wallaby skull. LDUCZ-Z845

The high octane pop-rock band The B52s are responsible for one of the world’s most aggressive earworms – Rock Lobster. A tune so catchy that it takes no heed of the taxonomic boundaries in which it was placed. The B52s were very clear that the song’s habitat is a beach, and the lobster was discovered when somebody looked under a dock in 1978. Nevertheless, whenever I am on fieldwork in Australia, the unforgettable (no matter how hard I try) chorus begs to be applied to every rock-dwelling lifeform I encounter, none of which are crustaceans. In the sandstone escarpments of northwest Australia there are plenty of zoological opportunities for the song to crop up: rock ringtail; rock pigeon; rock rat; rock monitor; rock dtella; rockhole frog; but most of all, this week’s Specimen of the Week…

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Specimen of the Week 223: The Tasmanian wolf

By ucwepwv, on 18 January 2016

One of the most interesting things about zoology for me is the way in which skulls are sculpted by evolutionary and environmental forces. A particularly fascinating outcome of such processes is convergent evolution, which occurs when distantly related organisms live in a similar environment and have a similar mode of life, resulting in them looking and often behaving like each other. My favourite example of this phenomenon is shown by my Specimen of the Week…

LDUCZ-Z90 Thylacine skull [Grant Museum, UCL / Fred Langford-Edwards]

LDUCZ-Z90 Thylacine skull [Grant Museum, UCL / Fred Langford-Edwards]

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Specimen of the Week 218: The Sugar Glider

By Jack Ashby, on 14 December 2015

Preserved sugar glider. Petaurus breviceps. LDUCZ-Z2171

Preserved sugar glider. Petaurus breviceps. LDUCZ-Z2171

Climbing up things can be challenging, be it hills, cliffs, trees or stairs. Climbing down, however is arguably far more difficult – your eyes are further from your hand-and foot-holds, your body is pointed in the wrong direction and gravity combines with momentum to pull you down faster than you’d like.

Due* to the many drawbacks of climbing downwards, gliding has evolved many times in the animal kingdom – there are many species which have flaps of skin which form parachutes to slow their descent. Their names often contain the word “flying”, but true flight requires flapping wings. This post is not about flying lemurs, flying frogs, flying dragons, flying snakes, the four-winged dinosaur Microraptor, or even flying squirrels. This week’s Specimen of the Week is the far more accurately named… (more…)

Specimen of the Week 208 (Four years!): The four-eyed opossum

By Jack Ashby, on 5 October 2015

Preserved four-eyed opossum.  LDUCZ-Z1596

Preserved four-eyed opossum.
LDUCZ-Z1596

As those of you who can divide 208 by four – or have read this post’s title – will have realised, four years ago this week Specimen of the Week was born.

The main aim of this series is to shed light on parts of the collection that you might not spot among the thousands of specimens in our dense displays. Occassionally we do want to give extra attention to a “hero” specimen, but by and large it’s the also-rans that get featured.

Some might think that this honour should be reserved for animals at the lower end of the human-centred pecking order (fish and invertebrates, for instance), but there are many mammals that go unloved too. This one is no exception. It is so unloved that its Wikipedia page comprises of only five lines.

This week I’m featuring the first animal that came to mind when I tried to think of something related to the blog’s age: Four.

This week’s Specimen of the Week is… (more…)

The earliest Strange Creatures: Europe’s first meetings with marsupials

By Jack Ashby, on 5 May 2015

There is a popular British colonial narrative in which Captain James Cook “discovered” Australia in 1770, as demonstrated by this Google autofill:

Evidence that James Cook discovered Australia

Evidence that James Cook indeed discovered Australia

In reality, not even Cook thought this was true. Australia had been known by the French, Portuguese, Spanish and Dutch (hence its original European name “New Holland”, which Cook himself used) for at least two hundred years before Cook landed in the southeast of the country on his ship HMS Endeavour. Obviously Indigenous Australians and their neighbours also had been there for around 50,000 years.

The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London*

The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London

Our current exhibition Strange Creatures: The Art of Unknown Animals explores how newly discovered animals are communicated to the public back home. It is is centred around a painting that resulted from that voyage of Cook’s – a kangaroo by George Stubbs. This is the first painting of an Australian animal in Western art. As I wrote in the exhibition text:

This painting helped begin Europe’s relationship with Australian wildlife. Commissioned by legendary naturalist Joseph Banks, painted by celebrated animal artist George Stubbs, and based on findings from Captain Cook’s famous voyage, this kangaroo truly captured the country’s imagination.

Stubbs’ image became the archetype for representations of kangaroos for decades – reproduced and refigured prolifically. It may not be anatomically perfect, but this is how Britain came to know the kangaroo.

It is an emblem of the age of exploration at the historical threshold of the European occupation of Australia. Nothing was ever the same again.

Here I’d like to explore some of the meetings between Europeans and Australiasian marsupials that preceded Cook’s visit. (more…)

Specimen of the Week: Week 185

By Jack Ashby, on 27 April 2015

Scary-Monkey-Week-NineThis week I’m honouring a mammal that we can link to two significant factors in my life recently. First, it’s an Australian hopping marsupial, as are kangaroos. Our current Strange Creatures exhibition centres around Europe’s first painting of a roo – by George Stubbs. Secondly, I’ve been in Australia for the last few weeks doing fieldwork with the Australian Wildlife Conservancy, and my first task was to help test a mechanism for surveying this Critically Endangered mammal.

This week’s Specimen of the Week is…. (more…)