Preserved four-eyed opossum.
LDUCZ-Z1596

As those of you who can divide 208 by four – or have read this post’s title – will have realised, four years ago this week Specimen of the Week was born.

The main aim of this series is to shed light on parts of the collection that you might not spot among the thousands of specimens in our dense displays. Occassionally we do want to give extra attention to a “hero” specimen, but by and large it’s the also-rans that get featured.

Some might think that this honour should be reserved for animals at the lower end of the human-centred pecking order (fish and invertebrates, for instance), but there are many mammals that go unloved too. This one is no exception. It is so unloved that its Wikipedia page comprises of only five lines.

This week I’m featuring the first animal that came to mind when I tried to think of something related to the blog’s age: Four.

This week’s Specimen of the Week is… (more…)

79 years ago today , on the night of 7th of September 1936, the last known thylacine died of exposure, locked out of the indoor part of its enclosure in a Tasmanian zoo. This followed a government-sponsored cull based on pressure from the farming lobby, who incorrectly blamed the thylacine for the failure of the sheep industry. Happy Thylacine Day.

Thylacine as depicted in J.G. Wood’s The Illustrated Natural History (1872?). Engraved by W. Coleman, after Robert Kretschmer (1865)

Here at the Grant Museum, as holders of a significant collection of specimens, we like to commemorate Thylacine Day. Here you can read how we have commemorated previous Thylacine Days – including the story of their extinction, and how it’s being echoed today in the UK’s unscientific badger cull (which restarted last Friday).

I recently bought book from 1894* – A Handbook to the Marsupialia and Monotremata – a species by species account of what was then known about those groups by Richard Lydekker. Lydekker was a significant figure at the Natural History Museum, London, and incidentally was born about 100m from us here at UCL. Here is what he had to say about thylacines: (more…)

The ringtail skeleton. Bassariscus astutus. LDUCZ-Z1116

For the past couple of weeks we’ve been closed to the public while works began to replace our ancient heating system. This means that my favourite parts of the Museum (basically where the marsupials are) have been out of bounds, and so I’ve had to branch out somewhat beyond my usual cabinet to select my Specimen of the Week.

I’ve kept it topical, to link with recent zoological (specifically genital) social media trends, and also to an animal that shares its name with a group of marsupials.

This week’s Specimen of the Week is… (more…)

A Quagga

132 years ago today, 12th August 1883, the last quagga died, alone in her cage at Amsterdam Zoo.

The celebration/commeration of Quagga Day has become annual fixture at the Grant Museum, as we are one of only six or seven institutions worldwide to care for a quagga skeleton.

As such, we have written a lot about quaggas on this blog, and I won’t go into detail explaining what a quagga is, but for the uninitiated quaggas were a not very stripy kind of zebra that were hunted to extinction in their native South Africa for their unusual skins and as they competed with livestock for grazing grass.

Quaggas, we argue, are the rarest skeleton in the world, and we see our role at the Grant Museum as being global quagga champions.

For the first time in perhaps 132 years, I’m pleased to annouce that 2015 has been a very good year for quaggas.

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Grant Museum dodo bones LDUCZ-Y105

200 weeks ago the Specimen of the Week was born, and here we are 198 specimens* later. For this auspicious occasion, I thought I should highlight one of the most important specimens in the Museum, both for historic reasons, and because it one of the things that visitors regularly ask about.

Indeed, we know it is one of the most popular objects as it scores the highest in our “filth left on the glass by visitors scale”. We agree with our visitors’ assessment, and have included it in our Top Ten Objects trail.

Possibly ranking as our most blogged about species, it’s about time that this week’s Specimen of the Week is… (more…)

Using cutting-edge technology, the world’s rarest skeleton – a South African extinct zebra called a quagga – has regained its missing hind limb.

The quagga’s missing fourth leg has been replicated through 3D printing.

After a brilliant year of fundraising and conservation work, we are nearing the end of a major project to restore 39 of our largest and most significant skeletons to their former glory. The main focus of the project, named Bone Idols: Protecting our Iconic Skeletons, has been our quagga – which is one of only seven quagga skeletons to survive globally. The Guardian gave the project a particularly positve write-up (read the comments if you want to see some of the more unexpected outcomes of media relations. *blushes*).

The last living quagga died in 1883, having been hunted to extinction by farmers and skin-collectors. The Grant Museum specimen is the only one on display in the UK but the skeleton was incomplete – the right shoulder blade and one of its legs has long been missing, probably since World War II.

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Kangaroo joey on teat. LDUCZ-Z1102

For the past fourteen weeks a kangaroo has been the most celebrated object in the Grant Museum, but it was not part of our collection, nor was it a zoological specimen. Europe’s first painting of a kangaroo, from 1772 by George Stubbs left us just last week. It had been the centrepiece of our Stange Creatures exhibition and now it is continuing its nationwide tour from the National Maritime Museum*. I have argued it is one of the most important artworks in the history of British exploration.

Now that it’s gone, I would like to shine the spotlight on a kangaroo that does “live” here at the Grant Museum. Although it also featured in the exhibition, I suspect it’s recently been feeling somewhat overshadowed by its 2-dimensional counterpart. This week’s Specimen of the Week is…

(more…)

A slide showing a fragment of
platypus tooth from the
Grant Museum Micrarium

I have to admit that when I first encountered this object I didn’t recognise what it was until I read the label, which is scratched into the glass slide that houses it. I don’t feel too bad about that as it is essentially microscopic, and very few people have ever seen one of these specimens. It is among the very smallest objects in the Museum.

Unsurprisingly then, it is on display in the Micrarium – our place for tiny things. This beautiful back-lit cave showcases over 2000 of the 20,000 microscope slides in our care – it broke the mould for how museums display their slide collections.

I first wrote about the species featured on this slide in my first ever Specimen of the Week, but that was taxidermy – a real A-Lister compared to the miniscule, obscure fragment I have selected here. This week’s Specimen of the Week is…

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There is a popular British colonial narrative in which Captain James Cook “discovered” Australia in 1770, as demonstrated by this Google autofill:

Evidence that James Cook indeed discovered Australia

In reality, not even Cook thought this was true. Australia had been known by the French, Portuguese, Spanish and Dutch (hence its original European name “New Holland”, which Cook himself used) for at least two hundred years before Cook landed in the southeast of the country on his ship HMS Endeavour. Obviously Indigenous Australians and their neighbours also had been there for around 50,000 years.

The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London

Our current exhibition Strange Creatures: The Art of Unknown Animals explores how newly discovered animals are communicated to the public back home. It is is centred around a painting that resulted from that voyage of Cook’s – a kangaroo by George Stubbs. This is the first painting of an Australian animal in Western art. As I wrote in the exhibition text:

This painting helped begin Europe’s relationship with Australian wildlife. Commissioned by legendary naturalist Joseph Banks, painted by celebrated animal artist George Stubbs, and based on findings from Captain Cook’s famous voyage, this kangaroo truly captured the country’s imagination.

Stubbs’ image became the archetype for representations of kangaroos for decades – reproduced and refigured prolifically. It may not be anatomically perfect, but this is how Britain came to know the kangaroo.

It is an emblem of the age of exploration at the historical threshold of the European occupation of Australia. Nothing was ever the same again.

Here I’d like to explore some of the meetings between Europeans and Australiasian marsupials that preceded Cook’s visit. (more…)