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Specimen of the Week 315 : The Red Ancients

By Tannis Davidson, on 3 November 2017

Back in September, a Specimen of the Week blog post The Gross, The Bad and The Ugly featured a number jarred specimens which were, in part due to their dreadful condition, disposed of. They were all fluid preserved specimens which had over time deteriorated and disintegrated and could not be salvaged by conservation.

But not all specimens in jars have this potential to turn nasty. There are thousands of fluid specimens in the collection which are in excellent condition. The Grant Museum also has specimens in jars which are not fluid preserved at all and, by the virtue of their jarred-ness, have been shielded from the effects of deterioration and look as lively and colourful as they did on their last living day.

So, as a counterpart to the uglies, this week’s blog is showcasing some lovelies… (more…)

Specimen of the Week 243 – Dolphin Foetus

By tcrnrh1, on 10 June 2016

1. Unpredictable as usual

The Grant Museum is a haven for the unexpected. As is often the case with the collection (at least, for me anyway), just when you’re expecting to see an animal that you feel fairly au fait with… the museum presents you with specimens that are: dissected, bisected, exploded, stained, crammed with others in a jar or injected with alizarin. So as a case in point, here is the rinsed skeleton of a dolphin foetus.

LDUCZ-Z3092 - Dolphin Foetus Image

LDUCZ-Z3092 – Dolphin Foetus

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Glass Delusions opens today

By Jack Ashby, on 1 October 2015

Photogram #2 by Eleanor Morgan

A photogram created by exposing photo-sensitive paper with the Grant Museum’s glass sponge specimens sat directly on it. (C) Eleanor Morgan

Glass Delusions is a new exhibition at the Grant Museum featuring works by the Museum’s Artist in Residence, Eleanor Morgan. Using prints, drawings, videos and objects Eleanor explores the slippery boundary between living and non-living materials.

Over the past year, Eleanor has been drawing inspiration from our collection of glass sponges. These are intricately formed deep-sea animals that naturally build themselves out of glass – the are 90% silica, which they draw out of the sand in their environment.

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From the Archives: A letter from Robert Grant

By Mark Carnall, on 11 February 2015

Off of the back of this blog post about the mysterious missing specimens that were donated to the University I was contacted by UCL’s Records Manager, Colin Penman, about an exciting discovery in UCL’s archives. Colin recalled seeing a letter in the archives from the Museum’s founder and first curator, Robert Grant, so I arranged to go and see it. This was exciting because aside from published lectures and public letters, very few of Grant’s papers and correspondence are known to exist. This is doubly frustrating and surprising because as Sarah Parker notes in her biography of Grant, according to an anonymous biographical sketch of Grant from 1850, Grant had the odd habit of meticulously taking and keeping journals and notes of observations, thoughts, references and manuscripts of private letters (Parker 2006). What happened to Grant’s papers have been subject to speculation but the fact remains that to date, we have precious little of his original correspondence preserved.

This is an 1858 letter from Robert Grant to William Dougal Christie, the minister plenipotentiary to Argentina at the time, sent via the college secretary Charles C.Atkinson, giving an account of a collection of specimens from Uruguay donated to Grant’s collection. Fair warning, the letter itself is quite long and fairly officious but has been transcribed here in full to get this rare letter out there that will hopefully be of interest to Grant scholars and people curious about our founders history alike.

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