©UCL Culture/Buzz FilmsDuring Spring/Summer 2020, when UCL was closed due to the coronavirus pandemic, UCL Culture’s curatorial team worked with students from the Institute of Archaeology’s MA Museum Studies on our first-ever virtual work placements. These projects, which included archive transcription, documentation and object label writing, provided opportunities for the students to gain practical curatorial skills to prepare them for their future careers while undertaking valuable work towards better understanding the collections.

This blog was written by Megan Christo, UCL MA Museum Studies.

Content warning: This blog contains graphic images of human remains 

UCL Science Collection volunteering

For my work placement as part of the MA Museum Studies course, I was tasked with cataloguing Jeremy Bentham’s auto-icon and creating an information display to accompany the auto-icon in the student centre. Completing this work placement remotely due to lockdown presented itself with unique challenges, but was a welcome distraction from dissertation writing! Overall my work placement with UCL Science Collection was a rewarding experience, and I hope that students and researchers alike find the work I completed on Bentham as fascinating as I did.

Jeremy Bentham’s Auto-Icon on display in the UCL Student Centre ©UCL Culture/Buzz Films

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Guest post by Rebecca Reynolds

‘Curiosities’ seem to be popping up a lot on TV, radio and the web recently – such as in Radio 4’s Museum of Curiosity, where guests donate objects to a vast imaginary museum, and Professor Hutton’s Curiosities, the Discovery Channel’s 2013 series exploring quirky museums from around the UK (including the Grant Museum).

As many will know, these titles take their cue from cabinets of curiosities, collections kept by physicians, naturalists, explorers and wealthy amateurs throughout Europe in the 16^th and 17^th centuries. Surviving objects from these cabinets are still on show – one is the Chaucer stone, a piece of flint broken open to show the shape of the poet’s face, in the British Museum’s Enlightenment Gallery; another is Powhatan’s mantle in the Ashmolean Museum in Oxford; yet another is ‘the Vegetable Lamb of Tartary’ in the Natural History Museum, a dried fern which people loved to believe was half animal, half plant.

Egyptian cat goddess Bastet from the Petrie Museum. UC30384

Three objects from UCL Museums ended up in my own cabinet of curiosities, a book published in February this year. (more…)

Recently I was helping an artist, Kristina Clackson Bonnington, with some research into the collections I look after. Kristina is working on an event for this year’s International Women’s Day, and is starting to plan for the centenary of women getting the vote in the UK (2018). While discussing her project I thought it would be interesting to see what Jeremy Bentham’s thoughts on women’s rights were. I’m very pleased to say that he had some modern sounding ideas…

As with all my questions relating to Bentham’s life and works my first port of call was the friendly people at the Bentham Project. Their initiative ‘Transcribe Bentham’ is working to publish all of Bentham’s manuscripts and is finding now information all the time. One recent manuscript they sent me is pictured below, and rather wonderfully shows Bentham arguing for the use of gender neutral pronouns.

Bentham Manuscript – Courtesy of UCL Special Collections.

When both sexes are meant to be intended, employ
not the word man– but the word person

26 When both sexes intended employ person not man

Let it be understood that when the word person is
thus employed he the pronoun masculine includes the female
sex as well as the male (more…)

My last ‘Favourite PanoptiCam Views‘ blog post was way back in June, so an update is long overdue.

Summer is usually a quiet time for the auto-icon of Jeremy Bentham. There are less staff and students around and, although he does receive a regular stream of visitors, summer is often a time to pause and take stock of the past academic year. Infact it is very easy to forget just how busy UCL can be when the students return, however when the new academic year starts again…

‘Looking at me, looking at you’ – one regular summer visitor to the auto-icon gets into the spirit of the PanoptiCam Project.

The start of term witnessed some long queues for registration…

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The auto-icon of Jeremy Bentham is 183 years old and counting. Over this time it has attended parties and UCL council meetings, had its heads (wax and mummified) stolen by students, twice visited Germany and also taken a ride in a red Morris Marina. It’s fair to say that Jeremy Bentham has led an active after life, and UCL Museums are committed to ensuring that it survives for another 183 years and more.

Jeremy Bentham’s auto-icon.

During recent conservation work it has become apparent that although the auto-icon appears safe and secure it is actually subject to a very damaging environmental factor – high light levels (Cue dramatic sounds and possibly someone screaming in the distance).

Ok so actually of all the risks the auto-icon faces this doesn’t sound like a particularly bad one, especially compared to fires, wars, insect infestation and the afore mentioned head thefts (all of these the auto-icon has survived at one point in its life). But high light levels are a huge danger to the auto-icon, and can cause irreparable damage.

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I’ve wanted to write blog specifically about Jeremy Bentham’s head for a while now. ‘Can I see the head?’ is one of the most common questions I get asked. I’m not sure why it has such fascination for people – perhaps as our manager of the Grant Museum recently tweeted when he met him, ‘Face to face with one of the world’s greatest philosophers’, how often do you get to say that? Is it that we want to be able to look someone famous in the face, even if they’re dead? Or is it just that a mummified head is unusual?

Side view of the head of Jeremy Bentham.

Last week Bentham’s head came out from the safe it is usually stored in for a full inspection by one of our conservators, Emilia Kingham. We regularly inspect the head, to ensure it remains stable. It’s survival for the future is our main concern! The inspection (and Buzzfeed story) generated a lot of interest and questions. For the story Emilia and I were sent a list of questions, which I thought were all very interesting and worth posting on our blog. The answers are from us both.

Enjoy! (more…)

Several months ago saw the launch of the Panopticam Project, a joint UCL Centre for Digital Humanities, UCL Centre for Advanced Spatial Analysis, Bentham Project and UCL Museums project.

The Panopticam (see what we did there?) involved the installation of a webcam on top of the auto-icons box to give us a Bentham eyed view of the world. The camera takes a photo every 5 seconds (shown whenever the red light flashes on the camera) which updates the photo on the website here. At the end of each day all the photos are joined together to form a time-lapse recording of the days events, which are made available on YouTube, check out this one from 6 minutes in to see UCL Dance Soc is action. Finally every hour (at 1 minute past) the view is tweeted by @Panopticam.

It’s been going for about 3 months now, and recently the project blog decided to show some choice images from the project so far – http://blogs.ucl.ac.uk/panopticam/2015/06/02/some-choice-views-from-bentham/. I thought I’d follow suit and share some of my favourites with you too.

Enjoy!

UCL PACE Marketing Manager Meg Dobson and I hard at work.

Student engagement.

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A year or so ago a colleague drew my attention to a Jeremy Bentham related sketch by the ever excellent Horrible Histories BBC programme. Amongst the many Bentham inventions it highlights (including words such as ‘maximise’, ‘minimise’, ‘international’ and appropriately enough ‘eccentric’) was one I’d never heard of before – Jeremy Bentham invented underpants.

Jeremy Bentham’s auto-icon.

As you can imagine, this is popular with school groups visiting the auto-icon, and along with his mummified head tends to be the fact school kids remember.

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Bentham later in life.
Photo courtesy of UCL Art Museum.

On February 14^th (yes, Valentine’s day) I will be giving a short talk at ‘Late London: City of Seduction’, part of the Museum of London’s special events program, on the auto-icon of Jeremy Bentham. I will be introducing the auto-icon, discussing how it was made and talking about some of the legends that have built up around it (head used for a game of football anyone?). I will then relinquish the floor to Professor Philip Schofield, head of the Bentham Project, an expert of Bentham’s life and works.

So, a dead Philosopher, a mummified head and an articulated skeleton don’t sound very suitable for Valentine’s day do they? And maybe they aren’t, however if you look closer at the philosophy Bentham helped found…

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From the start of January until the middle of June Jeremy Bentham’s stick is on display in a different part of UCL, in the Octagon Gallery, as part of the ‘Collecting – Knowledge in Motion’ exhibition.

Jeremy Bentham’s auto-icon.

While sorting out the paperwork for this in December it struck me just how unfair it was to take an old man’s walking stick away from him for 6 months! After all Bentham had named his stick ‘Dapple’ and so obviously had quite an attachment to it. The least I could do, I thought, would be to find him a suitable replacement.

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