By Edmund Connolly, on 20 April 2014
Egypt has had many theatrical incarnations, one of the most famous, and my favourite, being Shakespeare’s epic The Tragedy of Anthony and Cleopatra, which forged a time defying reflection of Cleopatra Philopator, and Queen Elizabeth I, the Virgin Queen.
Most probably written around 1606 this play can be studied in conjunction with the preceding Macbeth as a play about monarchy, rulership and conquest. The two protagonists (Cleo. and Mac.) could be compared as a good and bad example of monarch; I like to think Cleopatra is definitely the paragon.