Season’s greetings! As presents appear under Christmas trees, the anticipation and excitement grows as recipients wonder what treasures lie wrapped among the dropping needles. In the spirit of mystery giving, this week’s Specimen of the Week is one to puzzle over in curiosity: what could it be? It is already unwrapped, stripped down, revealing all. However, even when seen, it is not obvious what it is… (more…)

LDUCZ-V730 Cephalaspis salweyi model and mould

This week’s Specimen of the Week pays tribute to one of the most influential natural history model makers of the 20^th century, Vernon Edwards. A retired Navy commander, Edwards collaborated with scientists at the British Museum (Natural History) throughout the 1920’s – 1950’s creating reconstructions of extinct animals and geological dioramas.

His work was based on the latest palaeontological evidence and the combination of accuracy and high artistic quality ensured the popularity of the models which can found in museums, universities and collections around the world.

The Grant Museum is fortunate to have several painted plaster models made by Vernon Edwards – all of them models of extinct Devonian fish –  as well as one of the original moulds. This blog previously highlighted Edwards’ Pteraspis models but this week’s model specimen is… (more…)

Back in January, this blog featured a set of 36 wax models which were chosen by UCL Museum Studies students as a research project for their Collections Curatorship course. At that time, the models were a complete mystery. They were unidentified, undocumented and unaccessioned.

I’m thrilled to report that we now have answers! Due to the brilliant efforts of students Nina Davies, Clare Drinkell and Alice Tofts the wax models are no longer a mystery. Here they are (again) – this week’s Specimens of the Week are the…

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Student Notebook 1911

As is often the case, it is difficult to choose a single specimen to highlight in this blog. The Grant Museum has 68,000 specimens and each one has a story to tell. Sometimes the stories are connected and link specimens together in unexpected ways, which is why this week’s focus is on a quartet of specimens, rather than one.

At first glance the four specimens may not appear to have much in common. One is a glass jellyfish, two are wax models of different parasitic worms and the other no longer exists. What they do share is a common history of use, artistic beauty and legacy. This week’s Specimens of the Week are…
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LDUCZ-V733d Pteraspis sp.

In a few days time the autumn term at UCL begins along with the many classes and practicals which take place in the Grant Museum. In the first term of last year, the Grant Museum held 28 specimen-based practicals using 770 specimens. Over 1300 UCL students from various departments attended these practicals as part of their course work.

To celebrate the return of the autumn term, here’s a specimen which will be used several times in the next few months in the ever-popular Vertebrate Palaeontology and Evolution. This week’s Specimen of the Week is… (more…)

In honour of the 250th Specimen of the Week, as well as the new wax model display in the Museum, it seemed fitting to choose a show-stopper of a specimen which is so fabulously bizarre that you might describe it as being out of this world.

This odd ball regularly puzzles the onlooker as to its identity and often reminds folk of a certain ‘perfect organism’ whose ‘structural perfection is matched only by its hostility’ *.

The wait is over, science fiction fans. This week, we pay tribute to the most magnificent, perfectly evolved predator to scare us from the silver screen… (more…)

LDUCZ-D44 Fasciola hepatica

Since its inception in 1828, the Grant Museum of Zoology collections have always been used for teaching. This continues in the present day and the Museum welcomes students from across UCL for a wide variety of specimen-based practicals, course work and research projects.

Today we maintain detailed lists of specimens which are used in classes but I’ve often wondered what the early object-based teaching practicals looked like and which specimens were used.

Fortunately, the Museum has some relevant archives which have identified an extraordinary specimen that had been used in teaching at UCL 130 years ago. It is not only one of the oldest specimens in the collection, but also one of the most beautiful.

Take a journey back in time with this week’s Specimen of the Week…

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Every year UCL Museum Studies students get to choose an object from each of UCL’s museums and collections to research for a term. This is a guest blog by Jennifer Esposti one of this year’s students looking at a mysterious model. 

LDUCZ-X118 Auzoux model of crocodile heart

Greetings! My name is Jennifer and I am a postgraduate student in UCL’s Museum Studies program. As part of my MA, I took a course called Collections Curatorship. This course entailed working within a group of students to research a museum object. I was assigned to the natural history group, to investigate an object from the Grant Museum. My group and I were presented with three possible objects and we selected a crocodile heart model known as Object LDUCZ-X118.  Here’s what we found out.
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 This week’s specimen of the week is an object that is very special to me and one of the objects featured in our current exhibition Strange Creatures: The Art of Unknown Animals. The theme of the exhibition is representations of animals centred around George Stubbs’ painting of a kangaroo, Europe’s first painting of an Australian animal which became the archetype for how people imagined how kangaroos looked, despite the animal itself never being seen by George Stubbs. In addition to this painting the exhibition focuses on representations of animals across modern scientific modelling, medieval manuscripts and, a part of the exhibition that is very close to my heart, representations of dinosaurs in popular culture in the form of toys, comics, video games and film.

This week’s object from the exhibition is from my own personal collection, my first ever dinosaur toy which may be surprising to find in a museum but mass produced ephemera can tell us a lot about societies’ interpretation and response to ideas of extinct creatures despite being very far removed from any actual scientific investigation or research.

This week’s specimen of the week is…

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It’s the third birthday of the Specimen of the Week blogs, so this one is a special one, tackling one of the biggest events in global history (no exaggeration). It’s also the start of winter term at UCL, and that means that Grant Museum returns to doing the very thing our collections were first put together for – spending the day teaching students about life.

This term every week we have a palaeobiology class where the students learn about vertebrate life from the beginning – looking at each group in turn as they evolve in the fossil record. That has inspired my choice of specimen this week.

As an Australian mammal nerd, it’s often tempting to think that nothing interesting happened between the appearance of multi-cellular life a little over 500 million years ago, and 200 million years ago when the first platypus-ish things appeared*. However, sometimes it’s important to think about where it all began: the fishy animals without which there would be no you, no me, no internet cats, and no platypuses.

This week’s specimen of the week is… (more…)