Season’s greetings! As presents appear under Christmas trees, the anticipation and excitement grows as recipients wonder what treasures lie wrapped among the dropping needles. In the spirit of mystery giving, this week’s Specimen of the Week is one to puzzle over in curiosity: what could it be? It is already unwrapped, stripped down, revealing all. However, even when seen, it is not obvious what it is… (more…)
Back in January, this blog featured a set of 36 wax models which were chosen by UCL Museum Studies students as a research project for their Collections Curatorship course. At that time, the models were a complete mystery. They were unidentified, undocumented and unaccessioned.
I’m thrilled to report that we now have answers! Due to the brilliant efforts of students Nina Davies, Clare Drinkell and Alice Tofts the wax models are no longer a mystery. Here they are (again) – this week’s Specimens of the Week are the…
In a departure from tradition, this week’s blog will focus on what we don’t know about a specimen, rather than what we do know. The reason being is that the specimen in question is rather mysterious. All of the usual pieces of information which can help identify a specimen are lacking – no number, no entry in the accession records, no associated documentation and no taxonomic information.
A perfect candidate for some major research which is why it was ‘auctioned’ as a mystery object to this year’s students taking part in the Collection Curatorship class as part of their MA in Museum Studies at UCL. The aim of this course is to introduce students to the core skills of a curator : to understand objects and how to research them. Luckily for us, the ‘natural history’ group chose this specimen and are about to flex their collective research muscles in order to help identify this specimen…
In honour of the 250th Specimen of the Week, as well as the new wax model display in the Museum, it seemed fitting to choose a show-stopper of a specimen which is so fabulously bizarre that you might describe it as being out of this world.
This odd ball regularly puzzles the onlooker as to its identity and often reminds folk of a certain ‘perfect organism’ whose ‘structural perfection is matched only by its hostility’ *.
The wait is over, science fiction fans. This week, we pay tribute to the most magnificent, perfectly evolved predator to scare us from the silver screen… (more…)
The collection of specimens, known since 1997 as the Grant Museum of Zoology, was started in 1827 by Robert E. Grant. Grant was the first professor of zoology at UCL when it opened, then called the University of London, and he stayed in post until his death in 1874. The collections have seen a total of 13 academics in the lineage of collections care throughout the 187 year history of the Grant Museum, from Robert E. Grant himself, through to our current Curator Mark Carnall.
Both Grant and many of his successors have expanded the collections according to their own interests, which makes for a fascinating historical account of the development of the Museums’ collections. This mini-series will look at each of The Thirteen in turn, starting with Grant himself, and giving examples where possible, of specimens that can be traced back to their time at UCL. Previous editions can be found here.
Number Six: James Peter Hill (1906-1921) (more…)