Over the past few months we have been investigating what we can learn about where our specimens came from by researching the history of the Museum’s thirteen previous Curators. This “On the Origin of Our Specimens” series has uncovered much about our collections and the people that have worked here over the past 187 years. In this final post in the series I’m going to share some of the unexpected threads that kept reappearing through this time.

In answer to the question “What do all of our Curators have in common?” one thing that leaps out is a consistent failure to usefully identify which specimens they actually added to the collection. Professional documentation standards are a relatively new invention, and they have only recently been applied to our collection, mostly since we became a “proper museum” and not just a teaching collection and research repository.

Besides that, there are four topics that keep reappearing through time… (more…)

‘The Thirteen’

The collection of specimens, known since 1997 as the Grant Museum of Zoology, was started in 1827 by Robert E. Grant. Grant was the first professor of zoology at UCL when it opened, then called the University of London, and he stayed in post until his death in 1874. The collections have seen a total of 13 academics in the lineage of collections care throughout the 187 year history of the Grant Museum, from Robert E. Grant himself, through to our current Curator Mark Carnall.

Both Grant and many of his successors have expanded the collections according to their own interests, which makes for a fascinating historical account of the development of the Museums’ collections. This mini-series will look at each of The Thirteen in turn, starting with Grant himself, and giving examples where possible, of specimens that can be traced back to their time at UCL. Previous editions can be found here.

Number Six: James Peter Hill (1906-1921) (more…)