To celebrate 100 years since some women were first given the right to vote in the UK, UCL are running a number of events and exhibitions. Here at the Grant Museum, our Specimen of the Week blogs have focused on women in natural history.

The Grant Museum is home to many sub-collections which were either donated by other museums and collections or by previous curators such as Ray Lankester, D. M. S. Watson and James Peter Hill [1]. This Specimen of the Week is about the Mussett Collection, which was collected and donated by Dr. Frances Mussett, a palaeontologist and researcher at UCL. (more…)

D.M.S. Watson Coal ball slide

In celebration of International Women’s Day and the 100 year anniversary of the first women having the right to vote in the UK, the Grant Museum is highlighting specimens in the collection related to women in natural history as well as showcasing female specimens and exploring topics such as gender in zoology.

As part of UCL vote 100, this week’s Specimen of the Week blog focuses UCL alumna Marie Stopes – campaigner of women’s rights and pioneer of family planning. She is widely known for her controversial and influential book Married Love (1918) – a sex manual for women which popularised the taboo subject of birth control and for establishing (with her second husband Humphrey Verdon Roe) Britain’s first birth control clinic in 1921.

Stopes’ first passion, however, was science and the Grant Museum is home to a group of specimens associated with Marie Stopes’ significant palaeobotany career… (more…)

Today is International Women’s Day, this year it is 100 years since the first group of women got the right to vote in the UK, and UCL is celebrating with a programme of events and exhibitions called Vote 100. What better time to share a story from the Grant Museum about one of the pioneering female academics who worked at UCL. I took this opportunity to investigate the woman behind one part of our collection. High on the balcony in the Grant Museum are a pair of ever so slightly dusty microscope slide cabinets containing around 400 slides. Each cabinet bears a little brass plaque that reads –

The Doris Livingston Mackinnon Collection of Protozoa

University College London

Who was Doris Mackinnon, and why is her collection here? Protozoa are not animals, so they are an unusual inclusion in a zoology museum. It was all a bit of a mystery until I started digging into it, here’s what I found out.

Photograph of Doris Mackinnon in her lab © University of Dundee Archive Services

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Dear Specimen of the Week readers, Dean Veall here in what is my LAST EVER Specimen of the Week post. If I were to choose my favourite it would definitely be SOTW 199: Jar of… But, enough of the nostalgia. I am picking up the baton from Jack and Hannah and have chosen a specimen from our collection that explore stories of women in natural history, amazing female natural history  and the language of gender in zoology to help mark International Women’s Day on Thursday 8 March. This week I’ve chosen…

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It is 100 years since the first women got the right to vote in the UK, and with international women’s day coming up UCL is celebrating with UCL vote 100. At the Grant Museum we are taking this opportunity to explore stories of women in natural history, amazing female specimens and the language of gender in zoology.

This week’s specimen is rare in the UK, but common in the Grant Museum collection. Its connection to our theme is not to do with the species itself, but to do with the incredible woman who discovered it. Specimen of the week is….

LDUCZ-L1313 (second from top) and other specimens of Melitaea cinxia the Glanville Fritillary in the Grant Museum collection

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With generic terms like mankind and Homo sapiens (“wise man”), people of all genders are well aware that it is the masculine that has dominated the vocabulary of humanity. Not so in the animal kingdom.

Across UCL Culture we are celebrating the centenary of some women first getting the vote in the UK in a number of different ways. In the run up to International Women’s Day, here on the blog our Specimens of the Week will be exploring themes like women in natural history, female specimens, and – in this case – the language of natural history. This week’s Specimen of the Week is…

Koalas are one of many Australian mammals that are named after a characteristic that only females have. Their scientific name Phascolarctos means “pouched bear”. LDUCZ-Z65

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Paula Rego, Under Milkwood, 1954, Oil on canvas,
UCL Art Museum 5581. © The Artist.
First Prize Equal for Summer
Composition, 1954. All UCL Art
Museum’s paintings can be viewed online at Art UK

Spotlight on the Slade Collections is a research project supported by the Paul Mellon Centre for Studies in British Art, aimed at increasing access to UCL Art Museum’s Slade Collections through research, cataloguing, digitisation, collaboration and public engagement. Emerging out of this project for 2017 – 2018, UCL Art Museum will focus its research and events programming on a key component of the collection: Slade Women Artists.

Approximately 45% of works in UCL Art Museum’s collection are by women artists. Typically, permanent collections in Europe and the US contain between 3-5% of works by women. For their recent exhibition at the Whitechapel Art Gallery, art activists the Guerrilla Girls sent questionnaires to 383 European museums and collections to ascertain the gender and nationality balance within their collections. Of the 101 institutions that responded, only 2 collections contained 40% or more works by women.

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The Petrie Museum takes its name from famed archaeologist Flinders Petrie. It’s all too easy, therefore, to fall into the habit of always celebrating him – all  ‘Petrie this’ and ‘Petrie that’ – as if he somehow toiled alone, a heroic pioneer. The fact is, he built his career with the support and labour of others. ‘His’ Museum would not be here at all were it not for Amelia Blanford Edwards (1831–1892). So on International Women’s Day this year we celebrate our true founder .

This Girl Can. Plaster cast bust of Amelia Edwards in the entrance to the Petrie Museum

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