Hello dear reader! Do you want to go behind the scenes at the Print Room at the Slade School of Fine Art? How about sitting in darkness surrounded by dead animals experiencing an audio cinema? Or maybe you fancy celebrating the trowel-blazing (see what I did there) women of archaeology? Thought so! As luck would have it, here at UCL Museums we have all of that plus much more to keep you entertained over the next few months….
Dean Veall here. UCL Museums, comprising of UCL Art Museum, Petrie Museum of Egyptian Archaeology and the Teaching and Research Collections and us, teamed up for an evening of dark noir, intrigue and subterfuge in celebration of Museums at Night 2015. A crime had been committed on campus and with prizes to be won we invited visitors to solve this museum murder mystery.
12 hours in the Museum knitting – why – I hear you ask? Dean Veall here and another installment of Museum Events. As part of the Strange Creatures: The art of unknown animals exhibition events series we decided to run an event that took inspiration from co-curator Sarah Wade’s research, and the display of artist Ruth Marshall’s knitted skin of a Thylacine. We set the knitters of London the challenge of knitting some of the strange creatures from our collection. Visitors could bring their own knitting needles to ‘stitch one purl one’ for an hour over lunch or come after work and join in over a glass of wine.
Dean Veall here. I bring you the second of our Museum Events blog series. How do you turn research ideas into participatory gaming activities? This was the challenge we set ourselves in a Grant Museum and Public Engagement Unit collaboration. We invited participants to shuffle their cards and roll a dice to win on this night of fun and fierce competition. UCL researchers inspired by their research art, language and literature and the Museum’s collection were the games masters for this very special games night. (more…)
Dean Veall here. All museums do them and we here at the Grant Museum did A LOT of them over the last year: events. We ran a rich and diverse programme of events that included an improvised opera performance, a games night, film screenings, a queer takeover, talks and much much more. But why? Why do we and other museums bother running events for an adult audience when visits by this group appear to be continuing to climb?  (more…)