X Close

UCL Culture Blog

Home

News and musings from the UCL Culture team

Menu

Is it ever acceptable for museums to lie?

By Jack Ashby, on 16 April 2014

I ask this question to our Museum Studies Masters students every year, and last month put it to our new Bachelor of Arts and Sciences students. Despite the difference in the age, background and interests of these two groups, the reaction is the same – anger and horror. I am playing devil’s advocate in these debates, but my own opinion is yes, there are circumstances when everyone benefits from museums lying.

The lectures I discuss this in focus on object interpretation, and I use a tiger skull as a prop for discussing how to decide what information to include in labels. The choice of a tiger isn’t important – I just need something to use as an example I can attached real facts about natural history and conservation to, but I spend the two hours talking about tigers.

Lion (left) and tiger (right) skulls. Or is it the other way round? LDUCZ-Z1644 and LDUCZ-Z396

Lion (left) and tiger (right) skulls. Or is it the other way round? LDUCZ-Z1644 and LDUCZ-Z396

At the end of the lecture I reveal that the skull is in fact from a lion. Everything else I told them about tigers is true. Did it matter that I lied? (more…)

Why Twitter is good for museums – making discoveries

By Jack Ashby, on 9 April 2014

Using Twitter as a way of building a community of support, engaging people in content and shedding light on life behind the scenes in museums (that we don’t just dust stuff) is too obviously demonstrated by the real world to be spending too much time discussing. Not to mention the power to market events and exhibitions quickly and cheaply – assuming don’t over-use social media as a marketing tool.

On Monday I conducted two pieces of “research” on our collection which sprung up out of the blue and would have been very difficult to solve without turning to our Twitter followers to tap their collective brain to find a quick answer. Both of them were on specimens that begin with “H” and end with “Bill”. Weird.

Tweeting Turtles

Hawksbill turtle showing his interesting eyes LDUCZ-X1177

Hawksbill turtle showing his interesting eyes LDUCZ-X1177

(more…)

The Grant Museum’s Third Birthday

By Jack Ashby, on 14 March 2014

History is a funny thing – we can create a boundary in time, hit reset, and restart the clock whenever we like. We did exactly that three years ago tomorrow, when the Grant Museum 2.0 reopened in our current location on 15th March 2011. In truth we are one of the oldest natural history collections in the country – founded in 1828 (or possibly 1827), but it took a while to become more than just a mass of specimens, and only became a Museum with a capital M in 1997. Reset has been hit a number of times in the past 186 years, but here we celebrate the latest counter ticking round to Three.

The year in numbers
20624 visitors during normal opening hours (up 25% on last year)
15999 participants in our events (up 60% on last year)
5141 school and FE students in museum classes
2454 university students in museum classes
216 objects accessioned
138 blog posts
16 loans
12 Underwhelming Fossil Fish
1 most inspiring museum in the UK
0 objects acquired

Silverware
We may be a dusty Victorian collection in an Edwardian library (more…)

Darwin (or) Bust opens today

By Jack Ashby, on 12 February 2014

Charles Darwin would be 205 today. Happy birthday to him. To mark the occasion our Darwin (or) Bust exhibition opens today, showing Darwin as you are unlikely to have seen him before. Darwins have been created out of ants, light, crochet, DNA, his own writings, chocolate and other unusual media, all imagined and made by members of UCL’s Institute of Making.

The Museum’s historic plaster bust of Darwin was moved from UCL’s Darwin Building when our collection was relocated in 2011. The remaining inhabitants of the Darwin Building were sorry to lose him, and so asked the Institute of Making to help them make a new one, from 3D laser scanning. We already had the 3D data as our very own Mona Hess had scanned him for her PhD on scanning in museums, and an idea blossomed…

3D Scan of the Grant Museum's Darwin bust by Mona Hess (all rights reserved)

3D Scan of the Grant Museum’s Darwin bust by Mona Hess (all rights reserved)

Rather than just print off a new Darwin bust for the departments of Structural and Molecular Biology and Genetics, Evolution and Environment in the Darwin Building, we all decided to see what happened if we tapped the minds around us at UCL; asking the members of the Institute of Making how they would reinterpret the 3D data to make a new Darwin for the 21st Century. This multi-venue exhibition is the result. A previous post explains the origins of the exhibition more fully.

The project somewhat snowballed. (more…)

The Top Ten Grant Museum Blogs of 2013

By Jack Ashby, on 9 January 2014

Happy New Year!
As well as looking forward to the exciting things we hope to do in the coming year, it is customary to look back at the past one. On Twitter over the past week I’ve been tweeting the best of 2013’s blog – the Top Ten most viewed Grant Museum posts of last year.

I’ve announced those ranking at 10 to 2 in the charts, and exclusively revealing here that the most popular post of 2013 is…

Will a museum studies degree help you get a job in a museum?

Perhaps suggesting that there are many people interested in the incredibly amazing careers in museums, yet are aware of the fact that finding a way in is easier said than done.

The Top Ten in full: (more…)

What’s the difference between seals and sea lions?

By Jack Ashby, on 26 December 2013

This is one of the easier spots in our “What’s the difference” series, but also one of the most commonly erred of all the picked nits. Zoologists are a pedantic bunch, and whilst correcting people just to demonstrate that you know more than them is not an effective engagement model, the world would be a better place* if more people landed on the right side of the seal vs sea lion dichotomy. The difference is, after all, at the same taxonomic level as otters and red pandas, and few would confuse them.

Seals vs Sea lions: The taxonomy of seal-ish things

All of these things are pinnipeds – a sub-group of the order Carnivora. Pinnipeds are split into three families – True Seals (Phocidae); Eared Seals (Otariidae) and the Walrus (the sole member of Odobenidae).
Let’s dispatch with walruses – they are easy to spot with their tusks.

True seals cannot raise their bodies onto their hind or fore limbs

True seals cannot raise their bodies onto their hind or fore limbs

True seals are the animals that look most like overweight tubes of toothpaste – all of the species we get around the UK are true seals (except for the occasional walrus). Grey seals, leopard seals, elephant seals, harp seals and ringed seals are among the 19 species of true seals.
Eared seals are the 16 species that are commonly named sea lions – because of the males’ manes- and fur seals – because of their dense underfur (for which they were heavily persecuted).
Only true seals are “seals”. Eared seals are not seals; they just look a lot like them.

The two easiest characteristics to look out for when trying to work out whether an animal is a true seal or an eared seal (I expect you can guess what one of them is) are…
Q: Can it walk? (more…)

The Great Darwin BUST UP

By Jack Ashby, on 27 November 2013

There are lots of good things about working in a university museum. The best is that there are thousands of people around us whose job it is to have ideas and then come up with a way of realising these ideas. In the museums we know a lot of academics from different fields who we can put in touch with each other when we spot complementary ideas to combine into exciting cross-disciplinary projects.

A few weeks ago some of our colleagues from UCL’s Institute of Making arrived with someone from Structural and Molecular Biology saying that they wanted to 3D scan our plaster bust of Charles Darwin to create a copy to go in the Darwin Building where UCL’s biologists live (and where the Grant Museum used to be housed). From there a project spiraled into something very exciting.

3D Scan of the Grant Museum's Darwin bust by Mona Hess (all rights reserved)

3D Scan of the Grant Museum’s Darwin bust by Mona Hess (all rights reserved)

The bust has a bit of history – it is part of the Grant Museum’s collection, and as such when we moved into our current home in 2011 we took him with us (you might have spotted him peeking out a window on Gower Street). The biologists in the Darwin Building were very sorry to see him go. This project will create a new Darwin for them, and will also result in an unusual exhibition, through a competition. (more…)

Passionate enthusiastic scientists – just another way of saying Geek?

By Jack Ashby, on 19 November 2013

Last week I went to a presentation at the Zoological Society of London about the impact on museum visitors of meeting real scientists. The speaker, Amy Seakins, is just finishing a PhD which examines this topic, specifically on visitors to the Natural History Museum (NHM) who encounter real scientists through the excellent Nature Live programme.

Among the many interesting findings were her results on how the visitors’ concepts of what “scientists” are like changed after seeing them speak. Seakins asked them to describe what they think of scientists before and after the events.

Scientists are Geeks
Before, the common theme from the answers was that scientists are socially awkward boring geeks fixated on their single topic. These are obviously negative constructions. If this really is how the average person (who is engaged enough in science to visit a museum about it) sees us then there is a problem. Thankfully it’s a problem that formats like the NHM’s Nature Live can fix… (more…)

Do Dodo Bones Belong in a Museum?

By Jack Ashby, on 14 November 2013

This week the Daily Mail reported that two bones from a dodo were set to sell at auction for £30,000. This would be the first private sale of a dodo bone since 1934*. My first reaction was one of horror. Why is that?

These are two main reasons why I might deplore this sale:
1) It should be in a museum.
2) We shouldn’t put a value on natural history objects.

I’d like to explore why these might not be reasonable objections.

It Should be in a Museum: For Science
This is the reaction I got on Twitter when discussing this story, and it seems reasonable. Valuable natural history specimens that aren’t in museums are lost to science, as I have argued before when discussing Channel 4’s Four Rooms.

But are these two bones – a femur and partial pelvis – valuable natural history specimens? I’m not convinced. (more…)

It’s Australia v England, in battle over Stubbs masterpieces

By Jack Ashby, on 8 November 2013

In September I wrote a post about two paintings by George Stubbs – of a kangaroo and a dingo – which had been placed under an export bar to allow time for the National Maritime Museum to raise funds to save them for the nation. This was because they had been sold to an oversees buyer.

This week we learned that the campaign was successful. Had it not been, the paintings would have been bought by the National Gallery of Australia. They are understandably disappointed. I was asked by The Conversation (“an independent source of news and views, sourced from the academic and research community”) to update my article for them, covering the Australian case for their acquisition. (more…)