In our collection, we have representations of texts in all the major Egyptian languages.

What, more than one? Yes! From ancient Egypt to historical Egypt to modern Egypt, there were many different scripts and languages used…

Hieroglyphs:

Limestone stela fragments with words from hymns (UC14583)

The script that is most recognisably Ancient Egyptian®. One of the oldest scripts used by the ancient Egyptians – and the script with the most longevity – its origins can be seen very early on in Egypt’s history, starting out life as single or small groups of signs that represented entire concepts or specific sounds. Already in the Early Dynastic Period (3100-2686BC), these signs were beginning to become standardised and by the 3^rd Dynasty (2686-2613BC) were used in a wide range of contexts. They were, however, especially associated with religious texts, as it was believed that the beauty and monumental nature of hieroglyphs indicated that they were the ‘words of the gods’ (medu-netjer) and intended to be read by them.

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Just a little over six months ago, the Papyrus for the People Project began after being awarded Designation Development Funding by Arts Council England. During this time, we have done a lot of work behind the scenes to grow our project into something amazing. As we’ve just reached this milestone, I thought it would be a great idea to share more about the project, what we’ve been doing and what we plan to do onwards. (more…)

Medea and Jason, Waterhouse

Greek plays seem to be having resurgence across Britain. The National’s Medea has only just come off and the Old Vic are hosting Electra, both tragedies with a lot of deaths and political commentary.

Given their morbid tone why are they so popular? With modern attention spans dwindling perhaps their short punchy nature appeals over epic 3 hour long Shakespeares. Over in 90 minutes and loads of action, it’s an easy sell to people working late or in need of entertainment.

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