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“Such is the calamity of Mortals in this state of misery” – Sibiscota’s Deaf and Dumb Man’s Discourse

By H Dominic W Stiles, on 7 August 2015

Such is the calamity of Mortals in this state of misery, that they are invaded on all sides not only when they are born, by a vast army of Diseases, but are also troubled with many distempers whilst the Womb is their Lodging; there we meet with the precursory messengers of Death even in the very beginning of Life; and whilst the formative faculty is framing this machin of our immortal souls, some deformity, some irregularity in the structure, or other preternatural disposition obstructing the exercise of the parts immediately intermixeth it self with our birth.  Which enormity of the the parts, or constitution repugnant to the Lawes of Nature, prejudicing the operations, and contracted at our Birth, some have been so scrupulous as to think that it ought not to be calculated by the name of a Disease, but of a Defect, reserving the name of Disease for the defects of that which was once perfect.

1670This is the opening page of The Deaf and Dumb Man’s Discourse or A Treatise concerning those that are born deaf and Dumb, containing a Discovery of their Knowledge or Understanding; as also the Method they use, to manifest the sentiments of their Mind (1670).   It was supposedly written by George Sibscota, but was a loosely translated version of Anthony Deusingen’s “Dissertatio de surdis,” an essay in Fasciculus dissertationum selectarum (Gröningen, 1660) (see here).  Sibscota is probably a pseudonym.

The writer is of course depicting deafness as a defect.  The usual problem to many in the pre-modern age, and was how these who were deaf could achieve religious salvation:

And as Faith comes by Hearing, [*] according to the Apostle, where this is wanting, it may possibly seem very agreeable to truth, that there can be no Faith, and therefor no saving knowledge; and the consequence is undeniable, since no man can be saved without faith.

Oh this is indeed a very hard saying, which shipwracks the Soul!  Truly since those that are born Deaf are no more guilty of neglecting the means of their Salvation , than Infants (concerning whom however the Sacred Pages advise us to be more charitable) what reason I wonder can there be, why we should think God less merciful to them, who are also born of faithful Parents, than to Infants!  We will leave the disquisition of their Faith, or the manner thereof to Divines.  Hath God therefor, who according to his Will hath elected some out of Mankind corrupted by the fall, to be Vessels of mercy, and others Vessels of wrath?  Yet God’s Promise and Covenant belongs to these, as much as to the children of the faithful.

[…] Yet God is not wholly tied up to this one way of operation.  He hath extraordinary ways which we are ignorant of […]

They therefore that are born Deaf may by writing inform their minds with knowledge of those things, which must be obtained by hearing in others […] (ibid p.36-7 and 39)

The author does however note that “experience teacheth us, […] that those that are originally Dumb, and Deaf do by certain gestures, and various motions of the body as readily and clearly declare their mind, to those with whom they have been often conversant, as if they could speak, and likewise by such gestures of other Persons, they do absolutely understand the intentions of their mind also.”turk

* Romans 10:17

Branson, Jan, and Miller, Don,  Damned for Their Difference: The Cultural Construction of Deaf People as Disabled, 2002

Cocayne, Emily, EXPERIENCES OF THE DEAF IN EARLY MODERN ENGLAND, The Historical Journal, 46, 3 (2003), pp. 493–510

Woodward, James, How You Gonna Get to Heaven If You Can’t Talk With Jesus: On Depathologizing Deafness, 1989

Winzer, Margret A.,  The History of Special Education: From Isolation to Integration, 1993

“he boldly invents signs for himself” – Frank Hodgkins, Deaf Amateur Actor (1859-1914)

By H Dominic W Stiles, on 17 July 2015

Frank Hodgkins (1859-1914) was very precise when he related  the age when he had lost his hearing – 15 1/2 (see census for 1911 and BDM).  Frank was born in Westminster in the summer of 1859 so that would have been in the winter of 1864/5.

His father Walter, from Bristol originally, worked as a ‘gilder and carver’ and it seems his children were all employed in skilled trades of a similar type.

Hodgkins as Poor JoIn the 1881 census Frank is not described as deaf, but as we have noted before, that is not unusual and there could be a number of reasons for it.

Hodgkins as QuilpWe are told in the BDM article by ‘Philo’, which is based on an interview, that Frank was artistic, with a love of poetry, music and art.  He was a “delicate boy, and had much trouble with his throat when young, which interfered sadly with his schooling; but he was fond of reading, and picked up writing unassisted.”  He learned his trade as an illuminator when he lost his hearing, but we are told that his heart was not in it.  In the 1911 census Frank was living in 3 Stalbridge Buildings, Lumley St, Grosvenor Square, and described himself as an “illuminator on stationary”.

Living for much of his life in Soho (the family lived at 54 Greek street for many years), it is no surprise that he was involved with St. Anne’s Church, and later with St. Saviour’s in Oxford Street.

In the hope that the dry climate might improve his hearing, Frank went to Australia, spending time at the Institution for the Deaf and Dumb and the Blind , at Sydney, and later at the Victorian Institution.  He was back in England by 1885, and a visit to the rehearsals of Abraham’s production of Hamlet at Horn’s Assembly Rooms sparked off a role stage managing.  He became secretary of the Deaf and Dumb Cricket Club, and reorganised the St. Saviour’s Social Club, and gave elocution lessons to deaf people.

As a signer, Mr. Hodgkins is a brilliant innovator.  Rejecting all signs that do not reach his fastidious standard, he boldly invents signs for himself, which are so clear and expressive, as well as graceful, that his congregations instantly appreciate them, though they never saw them before.

Mr. Hodgkins’s grand pleasure and hobby is acting.  It is quite possible that, but for his deafness, the subject of our sketch would have been a bright ornament to the British stage.

Interviewing him on the subject, we asked him where he learned to act.
“Nowhere!” was the reply.  “Acting is as natural to me as eating and breathing.”
“Then who taught you?”
“Nobody! I have taught many, however.  Today there is travelling with his company an actor who first learned from my tuition in the lecture hall of St. Saviour’s, and played in some of my pieces.”
[…]
Many notices of Mr. Hodgkins’s performances have appeared in the London press, including The Stage, Era, Daily News, &c.  One truly says that his impersonation of “Nan” is as clever as it is amusing; another that the conception of the parts of “Quilp” and “The Marchioness” is perfect; another that his “doubling” these parts was no easy task; another that the task was one that the finest comedian would have shrank from attempting.  These are the only characters played by Mr. Hodgkins in a public hall, such as Park Hall, in Camden Town.  One paper said that were he not deaf, he would make one of the finest actors living. (BDM, 1898)

Ephphathaa for April-September 1914 says Hodgkins was gravely ill at “Friedenheim, Swiss Cottage.”  He was one of our helpers twenty-one years ago, and for many years – whether by entertaining us or by preaching – he was always forward in good works, and only failing health has caused his gradual retirement.”  The following issue has a brief notice that he died on May 9th 1914 and was buried in Highgate cemetery.

In his memoirs Gilby mentions him, rather laconically – “Mr. Frank Hodgkins would from time to time present Rough Diamond, or Good for Nothing, or some other farce, laboriously rehearsed by him with Timothy McCarthy, George Andrews, and other less distinguished performers.”

HodgkinsPhilo, A deaf Actor, Mr. Frank H. Hodgkins, British Deaf Monthly,Volume 8, No. 81, 1898, p.177-9

Ephphatha, [Our Notice Board, no.42,] no.21, 1914 p.3

Ephphatha, no.22, 1914, inside back cover

Ephphatha (first series) Vol. 2 p.76-7

1911 Census, Class: RG14; Piece: 419

1901 Census, Class: RG13; Piece: 101; Folio: 16; Page: 24

1881 Census,  Class: RG11; Piece: 129; Folio: 15; Page: 22

Deaths Jun 1914 Hodgkins Frank 54 Hampstead 1a 673

“the doyen of deaf artists”, Charles Webb Moore 1848-1933

By H Dominic W Stiles, on 3 July 2015

Charles Webb Moore (1848-1933) was the son of a deaf lithographer, Isaac Moore.  His mother and all his siblings were deaf.  In fact, there were I understand, five generations of the Moore family who were Deaf.  Many of them were skilled artisans like Charles and his father.CW Moore

According to his obituary (Ephphatha, 1933) Charles was born on the 7th of April 1848, in Camden Town, and was educated at the Old Kent Road Asylum.  After training as a wood engraver, he worked for, among other periodicals, The Graphic, and the Illustrated London News, and won a silver medal at ‘the Deaf Mutes Exhibition held in London in 1885’ (I have been unable to discover more about that – if you know leave a comment below).  It seems that he painted portraits of many people associated with St. Saviour’s Church, including the Rev. Samuel Smith, Dr. Stainer, Dr. Elliott, Mr. Sleight, and Sir Arthur Fairbairn. We wonder whether these paintings survive, and if so, where they are now?

Charles married a Deaf lady, Emily Eliza Kemrik (sometimes written as Kamerick). They were married in St. May’s Paddington by the Rev. Mr. Churchill, and the service was interpreted in sign language by the Rev. Samuel Smith.Moore's marriage 001

In 1924, A.J. Wilson, himself a skilled engraver (I have come across at least one engraving by him of a Thomas Davidson picture), called Moore, “the doyen of deaf artists”.

Wilson explains how it was the technical advances in printing, which made the job of the woodcut artist “more precarious”.

“Curiosity” is reproduced by photo-process from a large woodcut which he both drew and engraved. “The Mermaid” is processed from one of Mr. Moore’s oil paintings. These two printing blocks illustrate the advance that has been made in the art of process engraving, because one – “Curiosity” – was reproduced from a line engraving on wood, and when we came to reproduce it by half-tone process the lines were broken up into dots. The other – “The Mermaid” – was photographed direct from the oil painting, yet the various colours of the original have been transformed into black and white by means of an “orthochromatic” plate so that the values are preserved.

curiosity 001The description under “Curiosity” says it was drawn for The Boy’s Own Paper.

Emily and Charles had four sons and one daughter. The middle son, William Webb Moore, was a recipient of the Belgian Order of Chevalier de la Couronne and the French Croix de Guerre, and sadly died in the Great War on the 12th of June 1918.

If we discover any more about Charles Moore and his family we will update this page!

Very acute readers of this blog will know that Moore has already had a picture featured on this site – he was the artist who depicted his friend Thomas Davidson.

There is a woodcut by Moore here.

The Mermaid 001Charles Webb Moore, Ephphatha 1933, p.

A Magazine Intended Chiefly for the Deaf and Dumb, 1878, No. 69, Vol. 6, p. 144

Deaf Artists, The Silent World, A Little Magazine Written by the Deaf for the Deaf, New Series, November 1924, No. 2 p.34-5

“And woven loops of silence circle you; Though none may know The secret of your devastating woe” – Deaf Poet Annie Charlotte Dalton O.B.E.

By H Dominic W Stiles, on 12 June 2015

A while ago I came across a book of poetry in our collection, and for a long time wondered why we have it.  It is from a small print run, numbered 220 on nice paper with black and white prints to illustrate it.  annie Dalton 001The author, Annie Dalton O.B.E. (1865-1938) was born Annie Charlotte Armitage in Birkby, Huddersfield.  Annie was brought up by her grandparents.  Her grandfather, James Stoney, was a cloth dresser.  Perhaps the family considered it a stigma that she was deaf – it would not be the first time,  but any rate, it is only in the 1901 census that she was first described as ‘Deaf from childhood’, a decade after she had married Willie Dalton (1891).  This shows that we should use the information on census returns with an element of caution.  In 1903 they emigrated with their daughter Edith Evelyn, to Vancouver.

It seems that Annie was privately educated, and lost her hearing through illness when aged seven, and this was her stimulus to begin writing poetry (Campbell).

Compared with great poets in her lifetime, she has not fared well since, being seemingly forgotten.  Simon Armitage, the modern poet and translator came across her while ‘ego surfing’.  He says “it might fairly be said that she is no undiscovered genius.”  Wanda Campbell writes that, “Though honoured in her own lifetime as a member of the Order of the British Empire, the only woman poet then included, Dalton has not fared well at the hands of critics, in part because they have tended to assess her poetic achievement in the light of her disability.”  She also says “Her work is uneven but she is nonetheless intriguing in her efforts to make science and anthropology acceptable themes in poetry, and in her efforts to voice the challenges faced by the deaf.” (ibid)

The quotation in the title comes from stanza III of The Silent Zone.

Neighing north 001

You can read more of her poetry here and decide for yourself – Canadian Poetry.

There is a photograph of her here – Photograph.

1871 census Class: RG10; Piece: 4371; Folio: 42; Page: 29; GSU roll: 848086

1881 census Class: RG11; Piece: 4385; Folio: 158; Page: 27; GSU roll: 1342047

1891 census Class: RG12; Piece: 3571; Folio: 110; Page: 18; GSU roll: 6098681

1901 census Class: RG13; Piece: 4105; Folio: 161; Page: 4

Annie Charlotte Dalton, by Wanda Campbell  [Accessed 12/6/2014]

Annie Charlotte Dalton, illustrated by J.W. Galloway MacDonald, The Neighing North (1935)

“Then you’re a fool,” said my father – Arthur Upson – deaf missioner in Egypt

By H Dominic W Stiles, on 8 May 2015

As anyone who has read even a small amount about Deaf History will know, there is an intimate relationship between religion and mission work, and deafness, throughout the 19th and early 20th centuries, with positive and negative effects on those involved.   Usually this takes the form of religious missions among deaf people in the country concerned, sometimes bringing them together into communities by the formation of institutions with educational or religious aims.  A different example is Arthur Thomas Upson, who lost his hearing when a young man when he was already determined to lead the life of a missionary abroad, but whose missionary activities were in Egypt.

UpsonArthur was born is Essex in 1874, the son of Arthur Upson of Rayleigh, a harness maker, and his wife Sarah.  In the picture we see Upson in the back row, third from the right.  We read about his gradual ‘conversion’ to mission work in his memoir, High Lights in the Near East (1936), p.14-15).  He worked as a student teacher in Rayleigh after finishing school, and in the wet summer of 1890 the new term was delayed by one week so the boys could help with the harvest.  Walking by Southend pier, Arthur was asked by Alex Nielson of Forest Gate if he was a Christian.  He replied that he hoped he was, was given a pamphlet “Safety, Certainty and Enjoyment”, which when he had read it gave his his first Damascene moment. Later, when he decided to become a missionary, he was accepted by the North Africa Mission.  His father’s response to his determination to go abroad was, “Then you’re a fool”.  He started to learn Arabic, and soon found himself engaged to Miss Kitty Philpott, but the marriage was delayed until 1901.

Upson dedicationUpson became ill in 1899, while he was in Egypt learning Arabic.  He had ‘confluent smallpox’, which damaged the hearing in his right ear, then underwent an operation on a ‘burr’ in his left nostril (whatever that means), supposedly causing hearing problems in his left ear.  The operation did not address the problem and seemed to make it worse as he started to lose his hearing in that ear as well.

It is hard to gauge how successful Upson was as a missionary.  Then, as now, apostasy from Islam was not allowed.   The memoir is not a great piece of writing or a narrative of his life, but it is a collection of ‘episodes’ and reminiscences.

The outbreak of war in 1914 saw the start of a massive troop movement into Egypt.  Where there were soldiers there would be prostitution and Upson was greatly exercised by this.

“Brands plucked out of the fire” (Zech. 3:2). What imagery!  What urgency!  How the fire burned within me at the very thought of the thousands of troops and hundreds of officers that were being destroyed in the fires of Cairo and Alexandria. Twenty-five streets and lanes in our one city of Cairo were given over to the detestable traffic in girls and women. And still the area was continually being enlarged until much of what is commonly called the “European Quarter” was involved. Near us, a single building of about 40 rooms, formerly a well-known hotel, was used by “Officers Only.” Further, there had been almost a complete breakdown of attempts to make vice “safe” (?), and not a few of the bolder men, such as Anzacs, had taken matters into their own hands and several brothels had been burnt down in revenge for disease taken from the women.
[…]
many were greatly worried at the mounting percentage of V.D. cases.
[…]
One can hardly walk past those beautifully-kept cemeteries at Cairo, Jerusalem, and other places in the East without wondering how many were victims of Turkish bullets and how many of unmentionable diseases! (ibid p.68-9)

Upson’s answer was to distribute ‘purity’ leaflets in English and Arabic, over four years 40,000 of each.  We might wonder if his use of ‘brands’ was deliberately suggestive!

He continues,

The matron of one hospital wrote to ask my help to try to stop “Sandbagging,” a species of crime that I have never heard of in any other connection.  On going into the matter, it appeared that soldiers – Anzacs, if possible, for they carried more money – were invited into certain brothels, taken up to balcony rooms, made drunk, and then violently struck in the centre of the spinal column by something hard enough to benumb the victim but without wounding him – originally a bag of sand was used – then the poor wretch would be pitched over the balcony into the street, and perhaps killed, or one or more limbs would be broken.  Needless to say, the victim was always robbed of all he carried before he was thrown into the street.  When picked up by the Military Police, there was every evidence of drunkenness and so it became easy to conclude that he “Fell over the balcony whilst drunk.”  Terrible!  But we made urgent representations to the Authorities and the patrols of Military Police were strengthened and a better look-out was kept, and in time that particular form of crime seemed to come to an end. (ibid p.70-1)

Upson letterAs you will see, Upson sent copies of his two books to Selwyn Oxley, and into one, Oxley has stuck a letter from the author.  His adventures included him crossing the Gobi Desert (BDT).

Upson returned to Essex around 1936, dying there in 1958.

Abdul-fady, Evergreen and other Near East Bible Talks London ; Edinburgh : Marshall, Morgan & Scott, (1938)

Abdul-fady, High Lights in the Near East London ; Edinburgh : Marshall, Morgan & Scott, (1936)

Deaf Missionary’s Life with Arabs, British Deaf Times, vol 33, p.58, 1936

Upson, Arthur, A Deaf Publisher in the Near East, British Deaf Times, vol43, p.24, & p.46-7, p.68-9, p.83-4, 1946

[Updated 26/4/19]

“his slow and painful, yet most joyful death” – Deaf Author Charlotte Elizabeth Tonna and John Britt ‘The Happy Mute’

By H Dominic W Stiles, on 24 April 2015

In a passage about the Ulster Society for Promoting the Education of the Deaf, Dumb and Blind, I cam across this line – “one of the most fascinating writers of our day, […] who, having become deaf in her youth, is obliged to hold communications by means of an interpreter, – Charlotte Elizabeth, – a name known throughout the world” (Report of the Ulster Society for 1838, p.13). Since she seems to have faded from memory, I thought her a fitting subject.   Charlotte Elizabeth Tonna, (nee Browne)  was born in Norwich on 1st October 1790, where her High Tory father was a minor canon (ODNB).  He mother was of Scottish covenenter descent, and with such parents she grew up inculcated with strongly anti-catholic views (Murphy 2005).  A sickly child, she became deaf when aged 10, then threw herself into reading and literature.  “Later in life she came to see this fascination as sinful because it served no useful, religious purpose, but her early reading in drama, poetry, and fiction provided excellent preparation for her future writing career.” (ibid)  She influenced both Harriet Beecher Stowe and Elizabeth Gaskell.   CharlotteElizabethTonna

She married Captain George Phelan and moved with him to Canada for two years, then to his estate in Kilkenny.  He was abusive to her, and we are told this was a symptom of oncoming insanity.  After he died she married a much younger man, the evangelical writer Lewis Hippolytus Joseph Tonna.

The complex and contradictory nature of her attitudes to the Irish is best illustrated by her relationship with John Britt, a deaf mute from Kilkenny.  She regarded him as her adopted son and educated him and converted him to Protestantism, even alienating him from his own family. Yet ultimately, she treated him as a servant rather than as a child of her own. (Murphy)

Early in her book about Britt, The Happy Mute, she  says,

in truth, every one of us is born dumb, and must remain so until reason dawns, and we begin to imitate the words used by others.  But when a person is born deaf, he continues dumb because he hears no language spoken ; or, at best, he will only make strange noises, in attempting to imitate the movements that he observes in the lips of others, who can use their organs of speech.  Thus are the poor mutes shut out from communicating their ideas, except by such signs as they can devise to express themselves by ; and these are seldom understood or regarded, unless by those very nearly and tenderly interested in the welfare and comfort of the afflicted creature who uses them.  Of course, all moral instruction is confined to mere tokens of approval or displeasure, as the child’s conduct is correct or not ; and religious teaching seems to be out of the question, where words are wanting to convey it.  We may teach a child who was born deaf, to kneel to hold up his hands, to move his lips, and often he will do so with the most affecting aspect of devotion ; but we can tell nothing of God the Creator and Preserver, the Redeemer and Sanctifier of our fallen race. (Elizabeth, 1841 p.9-10)

The collected Memoir of John Britt (1850), collated from various of her writings after her death, lays on the fiery evangelical terror with epistrophe –

Oh remember, reader that they have, as you, an evil heart of unbelief – that they are, like you, born in sin and conceived in iniquity, and that nothing but the blood, the all cleansing blood of Christ can sprinkle their consciences and make them clean. (ibid p.7)

In 1823 in Kilkenny she came across a deaf boy called Sylvester, aged 12 to 13, but though he seemed to be intelligent, “he had no thought beyond his personal gratification, of which one part indeed, consisted in pleasing his friend” (p.9), but then in October he brought along ‘Jack’ (John), who made much better progress while Sylvester ceased to come to her. Large alphabet letters were used to teach him words like ‘dog’ and ‘man’, while the illustration shows how she tried to show him that there was a God by puffing bellows – he then said “God like wind! God like Wind!” (p.27).

We learn from the  Memoir of John Britt that Charlotte was expert at ‘Dactylology’ or finger spelling (p.13).  One wonders if there was a little confusion and if the compiler was aware of the possibility that she was signing with people as well as finger-spelling.  The aim of her education seems to have been to take him from a ‘natural’ Atheism through to a belief in God, and not the Popish God she so disliked – “Two things his soul abhorred – Satan and Popery” (Memoirs p.52).  These were her prejudices, or perhaps rather genuinely held beliefs, that she was filling him with, that she had absorbed from her parents.

When she left Ireland, she took him with her, moving to Clifton with her brother for a time. John Britt died in 1831 of consumption after a long illness of over a year – “sometimes when greatly oppressed, leeches were applied, and once half a dozen were put on his side, at his own request”(Memoir p.124).  The Happy Mute begins with the quotation in the title of this page, “a year and a half has scarcely passed since I saw him depart to be with Christ ; and often do I look back with thankful wonder on his short but happy life – his slow and painful, yet most joyful death ; and I look forward to the period when, through the blood of that saviour whom he so dearly loved, I hope to meet my precious charge in the mansions of glory” (p.7).

he was buried in Bagshot church-yard, near the Eastern window. It was a four miles’ walk through melting snow, under a drizzling rain, on a comfortless day, yet all the boys of the Sunday School, and a few of the girls, appeared, attired in their best, and formed in procession, following on foot the carriage which bore the dumb boy’s remains to their final resting place. (Memoirs p.137)

BrittIn 1844, “a schirrous induration  appeared under the left axilla, which soon rapidly took a malignant form, and after being an open cancer for more than eighteen months, eventually caused her death by its attacking an artery, and causing exhaustion from loss of blood.” (Obituary p.434)

She died on the 12th of July 1846,  “and about half an hour before her departure showed manifest signs of joy, although unable to speak, when he who tended her death-bed, spelled on his fingers the name of ‘Jack,’ and reminded him that she would soon meet him again.” (Memoir p.140)

The happy mute; or, The dumb child’s appeal. 8th ed. London, L. and G. Seeley, Dublin, William Curry, and Robertson, 1841. 

Memoir of John Britt, the happy mute; compiled from the writings, letters, and conversation of Charlotte Elizabeth. 2nd ed. London, Seeleys, 1854.

Memoir of John Britt, the happy mute. 18–? Title page missing, information taken from front cover. (the two Memoirs are different slightly in pagination and it is possible I have used both editions in the quotations above)

Obituary in The Gentleman’s Magazine

David Murphy, Studies: An Irish Quarterly Review, Vol. 94, No. 373 (Spring, 2005), pp. 105-107 Published by: Irish Province of the Society of Jesus Stable URL: http://www.jstor.org/stable/30096012 Accessed: 24-04-2015 12:52 UTC

 

 

“What an uneducated deaf mute can do” – Joseph Watson of Ayrshire

By H Dominic W Stiles, on 27 March 2015

Joseph Watson was born circa 1811, and was unfortunate to never have the opportunity to get an education.  In a publication of the Ayrshire Mission (bound in the library as Talks about Jesus to our silent ones) we are told

He grew up without any knowledge of reading, or writing, or language. He learned his trade as a weaver, and afterwards started on his own account as a barber with wonderful success until his death. He was intelligent and industrious. He possessed a measure of wit, which could make long faces “laugh and grow fat”. Any hearing or deaf person could easily understand him by signs. He often lamented his want of education. He made correct models of scenes in the land of Burns. The models, which are shown at Kilmarnock, are said to be the best and most correct that were ever made. It cost him many years’ labour to finish them

Joseph WatsonIn the article before this one, the Ayrshire Mission reprinted an Address on What an uneducated deaf mute can do, first published in the Ayr Observer of 15th May, 1886, in which the writer describes an address by the Ayrshire Deaf missioner James Paul, we learn that, in addition to his model making skills,

How skilful he is as a canary breeder, and also as a cultivator of flowers.  What do you think of the fact that this uneducated deaf mute bought a small property with his savings, and how able he is in attending to the duties of a landlord?  How intelligent he is as manifested by his conversation in signs with any one who can understand him.

Our Deaf and Dumb (published by Roe at the Derbyshire Institution) adds, “The fact that his birds were amongst the best warblers in the district puzzled many of the barber’s customers but the secret was that Watson had been careful to get a good whistling bird to set the example to the others, and so he had no difficulty with his young birds.”

His end, sometime on the night of the 22nd to the 23rd of September, 1888, was however tragic.

The body of an old man was found on the railway near Auchinleck, on Sunday morning, 23rd September last. The name of Joseph Watson on a slip of paper, with £15 and a gold watch, were found in the deceased’s pockets, and the remains were supposed to be of Joseph Watson, deaf mute, who resided in Ayr, and being away from home, was expected back on Saturday but did not return.  The watch had stopped at 9.30, which had just allowed time to walk from the traiin to the spot where he met his death.  He had been to Edinburgh by the excursion viaMuirkirk, on Saturday.  He had evidently left the train at Cumnock, where the engine of the train was being supplied with water.  The reason for his leaving the train is unknown, but it is supposed he might have mistaken Cumnock for Ayr, and proceeded along the line towards the bridge where his body was found.  There was no parapet wall, and in the darkness he had missed his footing and slipped over.  Apointsman at the Templand Viaduct identified him as a man he had called to not to proceed along the line, but of course his warning was not heard.(see Death of Joseph Watson)
cork modelAbove one of his models.  I wonder if any survive?  Any Scottish readers in Ayrshire, let us know!

1841 census – Parish: St Quivox; ED: 5; Page: 8; Line: 1390; Year: 1841

Death of Joseph Watson, p.21 of an unnamed issue bound in Talks about Jesus to our silent ones.

The Late Joseph Watson, Our Deaf and Dumb, vol.2, p.200-1

“we were enabled to ward off the small-pox” – The Indiana Asylum

By H Dominic W Stiles, on 20 March 2015

To show that our collection is not merely parochial but of international interest, we have a visit to our American cousins today.

I discovered that we have two overlapping bound volumes of the Indiana Asylum for the Education of the Deaf and Dumb.  The paper is beautiful in quality, the annual reports were printed and bound together in 1855, ten years after they were produced.  The Asylum took young people between the ages of ten and thirty, which seems quite an interesting age bracket, but quite progressive when you consider how difficult the transition from youth and dependence to maturity and independence is for young people anyway, and perhaps more so for Deaf young people.Indiana 1

The building is impressive and substantial looking, and the state levied a property tax in order to build it.  Its founder, William Willard, was a pupil of Laurent Clerc.

There are lists of pupils, stating the (supposed) cause of their deafness.  These would be interesting to analyse as they present a substantial data set.

Indiana 2One of the charms of this type of publication, is the stories they published that were written by the pupils.  Here is one –

By a Boy Two Years Under Instruction
A boy was walking along the road and he met a drunkard. He laughed at the drunkard, and he threw his bottle at him and hurt him much. A man ran and carried him home. His mother was troubled and called the doctor. The doctor came and put some court-plaster on his head, and he got well again and he ran about the city. His mother told him he must not laugh at the drunkard, for if you will laugh at the drunkard he will kill you. The boy obeyed his mother. (1854 p.63)

Indiana alphabet 2The Institute’s physician, Livingston Dunlap, shows frustration in his November 1st 1854 report, when during a smallpox outbreak, he vaccinated the scholars, only to find that “a thoughtless woman came with a child while laboring under genuine varioloid to the asylum – and in a few days, the 23rd of March, five girls showed evidence of having varioloid; it spread immediately among the girls and boys until twenty-six were down with the disease, and continued until the 26th April, at which time they were all capable of attending to their duties in school.  By the timely application of the vaccination, we were enabled to ward off the small-pox and have the varioloid*, which has terminated so favorably, that no deformity was left upon the fac, nor any other undesirable result.” (p.43, 1854)

*Varioloid is a milder form of smallpox in those who have had it or been vaccinated.

Indiana Asylum for the Education of the Deaf and Dumb Annual Reports 1-15, and 11-24

The Wych School, Hampstead

By H Dominic W Stiles, on 6 March 2015

The Wych School in Hampstead was started I believe around 1902. In the 1901 census the Headmistress, Cecile M Parker (aged 26), was living in South Hill Park, Hampstead, along with Martha S Suiter of Southport (aged 28), both being described as teachers of the deaf.  They must however have been teaching elsewhere, running a day school.

Born in Surbiton circa 1875, in the 1881 census Cecile Parker was, aged only six, already being boarded out in London.  In 1891 she was a school boarder at a private school in Hilldrop Road, Islington, with three other Parker girls who I surmise were her younger sisters.

The Wych school taught orally, with an emphasis on lip reading.  They held an annual, well attended, open day, as well as regularly having visitors ‘drop in’ to watch the children being taught.  Some might be kind and say that ladies of leisure in those times probably thought they were doing what was expected and sociable, others might have a less charitable view.

Wych School 001At any rate, the school seems to have been fairly well supported.  At the 1905 summer bazaar, on 11th of July, the aims were –

1 To widen the children’s interests in life.
2 to arouse their sympathy for others, and to awaken the desire to help them.
3 To increase their vocabulary.
4 To teach them the use and value of money in a practical way.
The Bazaar was a great success in every way. The children were the stall-holders, and managed very well with the money. Three stalls were arranged in the drawing room – a large one each for Cecily & Claude, & a small 2nd stall for Cliff. Each stall was draped with pink muslin & the top of each covered with green muslin. Behind each stall we pinned up strips of brown paper, & on this we put up various notices about the articles. Cicely sold all the needlework doyleys, tidies, pincushions, some blotters, [jean’s?] boxes, etc. Claude had on his stall all the arving, boxes of home made sweets, “Turkish” boxes filled with sweets, frames, penwipers, some blotters & photographs of the school.

How do we know this?  Well, in in 1956 Ronald Hyett Suffolk Missioner to the Deaf and Dumb, found the school book that Cecile used to record the visitors in the period from December 1904 to February 1906.  I suppose if Cecile Parker died unmarried in Norfolk in 1952, that would explain how the book ended up in Ipswich.  Martha Suitor died in Cumberland in 1956.

Wych 2 001

Here is the school as it was in 1911, with the school then at 9 Keats Grove, Hampstead, London:

Cecile Mary Parker   Head 1875 36 Female Single TEACHER OF THE DEAF Surbiton, Surrey, England
Meta Suiter          Head 1874 37 Female Single TEACHER OF THE DEAF Cumberland, Cumberland, England
Jean Bassett              1891 20 Female Single SCHOOL   South Africa  – Deaf from 6yrs
Muriel Holmes             1893 18 Female Single SCHOOL   York, York, England – Deaf from birth
Dora Hubbard              1897 14 Female SCHOOL Leicester, Leicester, England – Deaf & Dumb
Dora Redhead              1900 11 Female SCHOOL Berlin, Germany – Deaf & Dumb
Lenore Dawson             1902 9 Female SCHOOL   Unknown  – Deaf & Dumb
Clifford Adams            1896 15 Male Single SCHOOL Lesbury, Buckingham, England  – Deaf from 1 yr
Edward John Mansell      1897 14 Male SCHOOL Asti, Sussex, England – Deaf & Dumb
Alex Holmes               1898 13 Male SCHOOL York, York, England – Partially Deaf
Teddy Skuse               1906 5 Male SCHOOL London, United Kingdom – Deaf & Dumb
Lizzie Macbean   Servant 1884 27 Female Single MOTHERS HELP WANDSWORTH, England
Rotha Inch       Servant  1895 16 Female GENERAL SERVANT DOMESTIC Foxearth, Essex, England

By 1923 the school had moved to Haslemere, and we have quite a few photographs of it there.

1901 Census – Class: RG13; Piece: 121; Folio: 132; Page: 34

1911 Census – Class: RG14; Piece: 603

Mumu, aka Annie Jane, a deaf slave from Sierra Leone (ca. 1838-66)

By H Dominic W Stiles, on 13 February 2015

In the Quarterly Review of Deaf Mute Education for October 1892, there is an item on the Institution for the Deaf and Dumb and Blind, Bath, (an institution connected with the ‘Industrial Home’ that we examined in a previous item).

In 1853, a fifteen year old ‘deaf and dumb’ girl from Sierra Leone called Mumu entered the Bath Institution.  I will let the original article tell the story –

In 1846 she had been rescued by a British Cruiser from a slave ship and placed, with her liberated companions, in the school at Charlotte, established by Government for the purpose of receiving and educating liberated slave girls, and now under the charge of the Church Missionary Society.   On hearing of the case, the committee of the Bath Deaf and Dumb Institution offered to receive this girl free of expense.  Mumu was accordingly sent to England, and very soon made rapid progress in her lessons.  She was of a very amiable, teachable, and affectionate disposition, and her health, too, was remarkably good.  The instruction she gained in a period of about five years was attended with the happiest results.  After due preparation, and at her own earnest desire, she was admitted by Baptism into the Christian Church and received the christian names of Annie Jane.  She then became deeply anxious that her mother should learn the truths of the Gospel and constantly prayed for her.  Her father, who was captured, had been cruelly put to death before his child.  She was afterwards, for a short time, in service of the Church Missionary College at Islington, but, subsequently, she returned to Bath, and remained in the Institution until her death, which occurred, after a short illness, in May, 1866.  She died beloved and regretted by her friends, teachers, and companions.  Her love of the word of God, her simple reliance on her Saviour, and her conscientious endeavours to discharge faithfully the humble duties of her station, evinced that this once heathen girl had become a Christian not only by profession, but also in deed and in truth.  Certain marks on her forehead proved on inquiry that she was a princess in her own country.

The ship that rescued her would have been part of the West Africa Squadron.

In limited time I could not find further mention of her.  It would make a very interesting dissertation for someone to research this more thoroughly – subaltern history.  If you can add anything let us know!

The charity Sound Seekers that lives next door to us in the UCL Ear Institute, has been doing work in Sierra Leone, unfortunately on hold at the time of writing due to Ebola.

UPDATE 16/2/15: Our friend @DeafHeritageUK has pointed out that Mumu appears in the 1861 census as a servant, under her adopted name & having taken the surname of Jane Elwin (see previous post) – living in Suffolk.  I am hoping to follow this up further, and will of course add any new information I discover.

Institution for the Deaf and Dumb and Blind, Bath.  Quarterly Review of Deaf Mute Education October 1892 p.1