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A close-up look at Chinese social media platforms

By Tom McDonald, on 11 February 2016

Tom McDonald and Xinyuan Wang introduce China's social media platforms

Tom McDonald and Xinyuan Wang introduce China’s social media platforms

Chinese social media is remarkable because despite extensive media coverage and academic research, these platforms remain something of an enigma to many non-Chinese people.

While internet censorship within China prevents Chinese users from accessing non-Chinese social media platforms such as Facebook and Twitter, by contrast the extensive use of Chinese language on Chinese social media is perhaps the main barrier stopping many non-Chinese people seeing what goes on in these spaces.

We think that any informed discussion of the impacts of Chinese social media needs to start with helping people learn about what these platforms are really like. So we made a film introducing the key social media platforms in China, which will appear on our new free online course on the anthropology of social media, launching on 29 February 2016.

In the video, Xinyuan Wang and I introduce the wide variety of social media platforms in China, including QQ, QZone, WeChat, and Sina Weibo. Our description give an idea of the varied functionality of the different platforms: allowing users to instant message their fiends as well as post their thoughts and feelings.

The video also shows some unusual aspects of the same platforms that make Chinese social media especially distinctive: the ability to decorate one’s profile page with fantastic themes, add friends by shaking one’s phone, and also celebrity culture on Weibo.

We also talk about which of these platforms are popular in each of our industrial and rural field sites in China (where we each lived for 15 months conducting research) and we explain some of the reasons that account for this.

We will be exploring these reasons in even greater depth in the free online course and our new free book How The World Changed Social Media, both of which will be released on 29 February, and which you can register to receive reminders for today!

Why We Post: The Anthropology of Social Media

By Laura Haapio-Kirk, on 25 November 2015

 

The Why We Post project is now moving into its final stages at full speed, gearing up for our public launch on February 29th 2016. On this date we will release the first three of eleven open access books, a free e-course, and an interactive website. You can now register for our course on FutureLearn (English language version) and on UCLeXtend (in Chinese, Hindi, Tamil, Spanish, Italian, Turkish, and Portuguese).

Over 4,300 people have signed up to the course within the first week, sparking discussions around the research which are absolutely fascinating and encouraging to see. Students come from all over the world and range from having a general interest in social media, to being professionally invested in it, from people who have never heard of anthropology, to those who are doing PhDs in the subject. The breadth of learner backgrounds is extraordinary and will no doubt contribute to the vibrancy of the course.

The course consists of a range of learning materials including texts, images, video lectures, and video discussions. There are further materials on our website for learners who want to dig even deeper, including around a hundred films made in the fieldsites and many stories which bring our research to life.

If you want to help us transform global research into global education, then spread the word. Follow the project on Facebook, Twitter, and YouTube, and tweet with the hashtag #whywepost.

Sign up for the free e-course Why We Post: The Anthropology of Social Media. We can’t wait to meet you!


 

Promotional film by Cassie Quarless.

Online relationships with strangers can be ‘purer’ than with offline friends

By Xin Yuan Wang, on 26 October 2015

“Internet dog” by Source. Licensed under Fair use via Wikipedia.

As illustrated in the cartoon ‘On the internet, nobody knows you’re a dog’, published by The New Yorker in 1993, the anonymity afforded by online communication raises interesting questions about authenticity and trust. I encountered such concerns at a media workshop where I talked about the high levels of anonymity on Chinese social media platform QQ. One member of the audience asked: “Don’t you think, in a highly mediated and anonymous environment, people are worried about the authenticity of communication?”

From what I can gather from my research, the answer is no.

To address her question I quoted a migrant factory worker called Feige who lived in the factory town where I conducted my fieldwork:

They [online friends] like you and talk with you because they really like you being you, not because you are rich so that they can borrow money from you, or you are powerful so that they can get a job from you. Here [online] everything is much purer, without power and money involved.

Feige is a member of many QQ groups and has his own fans who like to hear his opinions on everything. He sees entirely online friendships as ‘purer’ (chun) relationships, since they do not necessitate pragmatic concerns that often feature heavily in offline relationships. For Chinese migrant factory workers like Feige who are often frustrated by their position in society, social media provides new possibilities of sociality which are free from social hierarchy and social discrimination.

Curiously, strangers online also boast a preferable situation in some factory owners’ eyes. Billionaire factory owners in my field site sometimes avoided attending school reunions in fear of requests for financial help from their old classmates but some were happy to talk with online strangers on WeChat to release the stress which they believed could not be displayed to their subordinates and family members.

Ms. Cheng, a wealthy factory owner, told me:

I feel that nowadays society is very pragmatic. Sometimes I feel very confused and frustrated. Everyone says that the relationship between old classmates is the purest because there are no benefits or interests involved. But in my case, this was not true. After my middle school reunion I had at least six or seven phone calls from people who attended asking for money or other various kinds of help.

Ms. Cheng dared not attend any further school reunions after her unpleasant experience. However, she found a supportive community by joining a WeChat group where mothers share their experience of raising children. Here she could share her struggles of dealing with her two teenage children. This was a huge support which she felt she could not obtain from her family.

At home everybody is busy with the factory stuff…but there (WeChat mothers’ group) I am just a mother, not a factory owner. I show my weakness and get a lot of comfort…I don’t know exactly who they are, but I know they are all mothers like me who share the same problems.

Chinese migrant workers and factory owners probably lie at the two extremes of the wealth spectrum in the industrial China field site, however both appear to be similarly willing to befriend and communicate with strangers online. Here we can witness how relationships which are mediated by technology turn out to be the more ‘authentic’ compared to offline relationships which in many cases are highly mediated (or ‘polluted’ as people say) by factors such as wealth and social status. The cases from China provide us with a new perspective on online relationships. Here ‘anonymity’ by no means refers to the opposite of ‘authenticity’, just as ‘mediation’ by no means suggests less or more ‘authenticity’.

Normativity and social visibility

By Jolynna Sinanan, on 14 October 2015

image courtesy of sneugle, creative commons

It has been exactly a year since finishing 15 months of fieldwork in Trinidad. Stories for this blog have moved further and further away from cool stuff that was coming out of the field and living in Trinidad, to the far less exciting but far more intense process of endlessly thinking and rethinking the material and drafting and redrafting articles, book chapters, and books (yes, all plural) from three years of research.

So it’s kind of like experiencing the weather from the ground, how it looks and what it feels like, and then looking at the weather from the sky and how the movement of clouds influences what is happening below. This is what moving from the field to writing feels like, moving from experience and observation to the more abstract.

I have been drawing on my field work in Trinidad for, among other things, edited book chapters on different topics, from emotions and technology to social networks in small communities to social media and ethnography. What has been most striking about working on these condensed pieces of writing and stories from the field is the focus of on the everyday, what is normal in the places we lived and what people in those places take for granted. When we started this project in 2012, we didn’t want to look at isolated, spectacular social media events that seemed to be the thing at the moment, whether it was the Kony 2012 campaign or the Ice Bucket Challenge, although these sort of one off things did appear throughout the research. We were far more interested in normal social media practices and if something came up that everybody talked about, shared or commented on, we were able to contextualise it in everyday relations.

Yet, it is these types of spectacular social media events that attract the most attention. It’s like reading about media in media, which reminds me more of the anxieties of post-modernism and post-post-modernism of the 1990s, where social phenomena is likened to simulacra. From the comparative studies of nine societies (a lot of people) one of our key conclusions is that the use of social media can be generalised as being generally unspectacular. There is a previous blog post on how memes can be a visual means to reinforce social norms and morally acceptable behaviour. Humorous memes also provide a safe and popular way for people to express their views without coming across as too self-righteous or taking oneself too seriously.

Memes are just one example of visual posts, others that show food, outfits, places and events again show the everyday. The more exciting or idealised aspects of the everyday, but the everyday nonetheless. And when the idealised aspects of the everyday are shown, they usually conform to a shared sense of what living the good life means, around consumption and lifestyle, which is particularly important given that for several research participants, especially in the Brazilian, Chinese, Indian and Trinidadian field sites, upward mobility is a genuine aspiration. Again, not surprising that aspirations around lifestyle would be more obvious in the sites in countries that are commonly called ‘developing’ or in ‘the global south’.

The other half of posting (at least visual posts) around social norms is that the audience for these posts are one’s social peers and networks, social media simply makes these forms of expression more visible. Prior to social media, normativity and social visibility have had a long interrelationship and was explored with much more depth by thinkers such as Georg Simmel and more recently Agnes Heller. One of our findings summed up in once sentence is that people care what other people think and say about them, especially if they are from small towns where more people know each other and live alongside one another. There might be social media events that capture participants’ attention for a short time, but by and large, social media usage is, well, normal.

Ropa americana online: the local market for used clothing

By ucsanha, on 15 August 2015

Screen Shot 2015-08-13 at 16.23.47

A Facebook announcement from an online shop in northern Chile announces “Jackets, Vests, and Sweatshirts”

Ebay, Etsy, Alibaba, and Taobao have changed the way many people around the world shop. Now, you can get virtually any product from anywhere, delivered right to your door. Tom McDonald has even observed companies that have sprung up to make this possible in rural China where even courier services does not deliver (also see his blog about business Facebook pages). But in northern Chile, people aren’t really all that concerned with getting interesting things from far off places. To them, ropa americana [American clothing, code for used goods] is the cheapest and least impressive form of dressing. If one is looking for style, the department stores in the larger cities will do just fine.

But this doesn’t mean that there’s no market for these goods online. Many people, particularly older women, have developed “shops” through Facebook in order to sell used clothing. Just like their counterparts who operate physical used clothing shops in the semi-formal markets around the city, these women buy used clothes in bulk, and sell it to individual consumers. But instead of renting a stall, they take pictures of the individual items to upload to Facebook accounts that they have just for that purpose. When a potential buyer likes and item, they will negotiate a price (usually about $4 for a tshirt, a bit more for jeans or a dress, up to $20 for a coat), and a time and place to meet for the exchange. While new customers may simply ask the price as a comment on the picture, or send a private message through Facebook to arrange a drop-off, regular customers will send WhatsApp messages asking about specific items, hoping to get the best of the best before they even make it to the Facebook page.

Paola, who sells clothes mostly for men told me that a miner requested she meet him as he got off the bus, coming home from his shift at the mine. He had ripped his coat while at work, and was afraid of being very cold between the bus drop off and walking a few blocks home. Paola agreed to meet him at midnight at the bus, for just a few extra dollars.

So while in many ways social media has the ability to expand consumption options globally and allow people access to cosmopolitan goods they might not have imagined a decade ago, it can also take on a form that is distinctly local and personal. Like Paola meeting the miner at his bus, this is just one way that social media can truly strengthen the community bonds that people feel in their local place.

Job opportunity: Can you help the world discover our findings?

By Tom McDonald, on 30 July 2015

Construction site

Can you help us build our dissemination materials? (Photo by MF)

As part of our project’s ambitious dissemination plans we are currently seeking to recruit a content manager to assist our research team in creating a new website (named ‘Why We Post’), an online course and a series of social media channels to share our research findings with a broad and global audience.

In addition the person holding this post would assist in the organisation of the project including copy editing English, co-ordinating translations, research analysis and in promoting the project to the media and within education.

This is an incredible opportunity to join our team and be part of an exciting project aiming to change the way anthropological research is presented and shared.

Full information on the position is available via the UCL Jobs website. The closing date for applications is 12 August 2015.

Personal and public aesthetics: What I learned from my own visceral reactions in the field

By ucsanha, on 25 June 2015

jair selfie

Photo by Nell Hayes

At first, I couldn’t quite put my finger on it, but over the first several months in my fieldsite in northern Chile I began to realize that one of the reasons I never quite felt totally at home was that the aesthetics of the place never quite fit with my own sense of aesthetics. By aesthetics, I mean the effort and thought that people put into the way things look. In my fieldsite, a city of 100,000 inhabitants, I noticed this in public parks and municipal buildings, in both the inside and outside of homes, and in the way people dressed. It was not only an intellectual exercise, but a visceral feeling. If I wore the clothes that I was used to wearing, perhaps a dress or a fitted button down shirt, I felt as if everyone was staring at me because I was dressed with too much care. Perhaps they were right. There wasn’t really anywhere to go looking smart. The only bar in the city had cement floors, cinderblock walls, and heavy metal bands playing live every weekend.

Over time I thought more about the sense of aesthetics in Alto Hospicio, and realized that while I had considered it entirely utilitarian at first, there was something more particular about it. The aesthetic was very much a part of the accessibility and normativity that prevailed in the city. The predominant aesthetic was not nonexistent, nor did it always privilege form above function or the “choice of the necessary” as Bourdieu calls the working class aesthetic. While many people clearly could afford to redecorate their homes or buy expensive clothing from the department stores in the nearby port city, their aesthetic choices leaned toward an appearance that was not too assuming. They didn’t flaunt or show off in any way. It was an aesthetic that was presented as if it were not one, because aspiring to a particular aesthetic would be performing something; a certain kind of pretension. Yet the aesthetic relies on deliberate choices to not be pretentious or striking; to be modest; to be unassuming. This aesthetic then not only predominated in the material world, but also online. Unlike in Brazil, where young people would never post a selfie in front of an unfinished wall, this was precisely the type of place youth in northern Chile might pose. While in Brazil this would associate the person with backwardness that contradicts the type of upward mobility they hope to present, in northern Chile this type of backdrop would add a sense of authenticity to the person and their unassuming lifestyle.

So, in the end, what began as a visceral feeling of discomfort in the field site, actually led to a very important insight. As I told academic friends many times during my fieldwork, “This place is a great site for research, but not at all a great site for living.” Fortunately, even some of the “not at all great” parts of about living in northern Chile helped my research more than I realized at first.

 

Reference

Pierre Bourdieu, Distinction: A Social Critique of the Judgment of Taste. Richard Nice, trans. New York: Routledge (1984), pp 41, 372, 376.

 

Normativity on social media in Northern Chile

By ucsanha, on 7 January 2015

As many entries in the blog affirm, local cultural aspects are often reflected or made even more visual on social media. As I have written before of my fieldsite, there is a certain normativity that pervades social life. Material goods such as homes, clothing, electronics, and even food all fall within an “acceptable” range of normality. No one is trying to keep up with Joneses, because there’s no need. Instead the Joneses and the Smiths and the Rodriguezes and the Correas all outwardly exhibit pretty much the same level of consumerism. Work and salary similarly fall within a circumscribed set of opportunities, and because there is little market for advanced degrees, technical education or a 2 year post-secondary degree is usually the highest one will achieve academically. This acceptance of normativity is apparent on social media as well.

One particularly amusing example of this type of acceptance is especially apparent from a certain style of meme that overwhelmed Facebook in October of 2014. These “Rana René” (Kermit the Frog, in English) memes expressed a sense of abandoned aspirations. In these memes, the frog expresses desire for something—a better physique, nicer material goods, a better family- or love-life—but concludes that it is unlikely to happen, and that “se me pasa,” “I get over it.”

Screen Shot 2015-01-07 at 6.52.19 PM

Similarly, during June and July of 2013 a common form of meme contrasted the expected with reality. The example below demonstrates the “expected” man at the beach—one who looks like a model, with a fit body, tan skin, and picturesque background. The “reality” shows a man who is out of shape, lighter skinned, and on a beach populated by other people and structures. It does not portray the sort of serene, dreamlike setting of the “expected.” In others, the “expected” would portray equally “ideal” settings, people, clothing, parties, architecture, or romantic situations. The reality would always humorously demonstrate something more mundane, or even disastrous. These memes became so ubiquitous that they were even used as inspiration for advertising, as for the dessert brand below.

Screen Shot 2015-01-07 at 6.55.50 PM

For me, these correspondences between social media and social life reinforce the assertion by the Global Social Media Impact Study that this type of research must combine online work with grounded ethnography in the fieldsite. These posts could have caught my eye had I never set foot in northern Chile, but knowing what I know about what the place and people look like, how they act, and what the desires and aspirations are for individuals, I understand the importance of these posts as expressing the normativity that is so important to the social fabric of the community.

Social media Goldilocks: Keeping friendship at a distance

By Daniel Miller, on 9 December 2014

Many people seem to think that social media such as Facebook are principally a means to find and to develop relationships such as friendship. Clearly those people don’t try to study the English. I have just finished a chapter of my book on Social Media in an English Village and it has become increasingly clear that the primary purpose of some social media, such as Facebook, is rather more to keep people at a distance. But that needs to be the correct distance. Goldilocks is the ideal middle-class English story. Whether it comes to porridge or beds we, the English, don’t want the things that are too hot or too cold or too short or too long. We want the things in the middle that feel just right. So it is with many relationships.

Yes, after Friends Reunited the early social media were often used to re-connect with people one had lost contact with. But as I heard many times this was also something one could regret, since often enough one was reminded of the reasons one hadn’t kept in touch in the first place. But that’s ok. If they become friends on Facebook you don’t actually have to see them. On the other hand you can satisfy your curiosity about what has subsequently happened in their lives as an entirely passive Facebook friend. Or if that feels a bit too cold you can add a little warm water to your bath with the occasional `like’.

When it first developed academics and journalists used to claim that the trouble with Facebook was that users couldn’t tell a real friend from a Facebook friend. Actually long before Facebook came into existence people would sit in pubs with one friend endlessly dissecting the last three encounters with a third party to decide whether that third party was or was not a `real’ friend. In fact the beauty of social media is that there are so many ways of adjusting the temperature of friendship. You can like or comment, you can have them in a WhatsApp group, you can private message them, you can send them a Snapchat, you can follow them on Twitter, you can acknowledge them in their professional capacity on LinkedIn, all on top of whether or not you phone, email and visit them.

Some of the best insights into the nuances of positioning come from discussions about the use of social media after a divorce, which might be your parents or relatives or again friends. Suddenly everyone is aware of what shouldn’t be shared with whom, and who might take offence if you are warmer to this side than you are with that side. Even in England we do sometimes actually make friends, but we then spend decades calibrating the right distance, judging exactly how much of a friend we want them to be and social media is just a wonderful way of getting things just right.

What does poverty look like on social media?

By Razvan Nicolescu, on 2 August 2014

Teenager from a low income family using Facebook (Photograph by Razvan Nicolescu)

Teenager from a low income family using Facebook (Photograph by Razvan Nicolescu)

This blog post is part of a much larger theme of the impact of social media on low income populations. This is most debated among social media theorists and activists and is also one of the research objectives of the Global Social Media Impact Study. I will give just a few insights on this issue from the Italian fieldsite.

First, we should keep in mind that low income is not necessarily related to poverty in Grano.  I will briefly explain why. Indeed, the unemployment figures for the local population seem to be close to recent ones for the southern Italy: that is unemployment of almost 22%, with unemployment among youth at 61%. However, relatively much less people believe they are poor. This is related to a rewarding combination of the following mechanisms: closer kin relations, which also imply efficient redistribution of material goods and possessions within the nuclear family; alternative sources of income, such as from subsistence agriculture; and the possibility to dramatically reduce the costs of living with no direct impact on social status. I will not detail these here, but I will give a typical example: let’s take a family formed of a middle-aged couple with two children where only one adult is employed on a part-time basis. The family could either own their house or live in the same house with some of their own parents; the grandmother is cooking for the entire family and at least one other parent or sibling can contribute fresh vegetables from their campagna (a small house and agricultural lot outside the city) or produce their own olive oil for the entire year. The costs for education and healthcare is minimal and the family can afford to send their children on a weekly basis to private courses of English Language or football. Such a family would normally not consider themselves poor and will always point to other people who have a lower standard of life than their own.

In this post I will refer to people from this latter category, who normally agree they have outstanding economic difficulties. It is this group of people for whom at least one of the first two mechanisms described above does not exist or does not function for different reasons. Regarding the use of social media, the first thing that blatantly differentiates them from other people in the town is related to the cost of technology. Most people living in difficult economic conditions simply cannot afford to pay for an Internet connection (which is at least 20 EURO/month), a cheap second-hand laptop (around 60-80 EURO), and do not have any interest in acquiring a smartphone. Indeed, just a few people in Grano use the free Internet services offered by the public library or the local employment office.

Then, it is interesting how this situation changes for the couples with children and especially when the children turn 12-13 years old. It is this period when parents start to realize they have to buy their children a smartphone and allow them to be present on Facebook as the majority of their school colleagues do. Moreover, most of the parents encourage their children to use social media as they see this as an imperative alignment with their peers. It is then when one of the parents – usually the mother – might also start to use Facebook.

I could not see any major difference in the use of social media among teenagers coming from different economic backgrounds. However, for parents who normally have a much more limited set of peers, social classes seem to draw daunting barriers in the online environment. In this context, for the families living in difficult economic conditions adults’ online presence never takes-off and is definitely much more restricted than for better-off people in the same age group.

It is interesting that young adults (e.g. early 20-year olds) coming from impoverished backgrounds continue to use social media in a way that aims to level off the social differences within their peers. At the same time, this offers their younger siblings and families more convincing grounds to cover up these differences when it is their turn. In this context, what does poverty on social media look like? The short answer is that poverty is portrayed in most cases as a more or less distant and ‘third-party’ issue in which the implication of the self is vaguely hinted at: poverty in different parts of the world, poverty in Italy, poverty as driven by politicians or egotistic economic systems. It is interesting to think why most of these postings and comments do not belong to people who are actually under difficult economic conditions.

It is also interesting to think about the striking absence of any reference to, or display of, one’s own poverty in the online environment. In particular, among teenagers and young people to reveal in any way how poor they actually are is perceived, among other things, as seriously affecting their prospects to venture up the social scale and out of poverty.

Note on the above photo: Giorgia is a 16 years old girl who lives with her parents and her five brothers in a modest council house in the center of Grano. Nobody in her family has a stable job and they depend on weekly help from the church. She is friends on Facebook with both her parents and her three older brothers. None of them ever suggested on Facebook they were poor; their close friends just know that and Giorgia and her family see no reason why they would bring this up online.