X Close

Confrontations: Sessions in East European Art History

Home

Menu

Speculative Futures

By Maja Fowkes, on 5 November 2019

An open seminar at the Academy of Fine Arts set out to bring together feminist, post-socialist and decolonial perspectives on post-war national art collections, with a particular focus on the case of the National Gallery in Prague. Participants in the panel included Daniela Kramerová, who had been involved in preparing a far advanced proposal for rehanging the modern and contemporary collection of the gallery that was eventually cancelled. She used the opportunity to present her working version in public and disclose the curatorial processes behind such a task, as well as the pressure exerted by the museum management. Julia Bailey, as a representative of the National Gallery, shared her delicate perspective as a non-native curator working on the Czech national collection, as well as attempts to bring in international experience of diversifying arts funding. Karina Kottová represented the views of the collectively founded Feminist Art Institution, encouraging the audience to imagine what a feminist approach would mean in terms of the praxis of the National Gallery, while also extending solidarity to unrepresented groups within the national canon, such as Roma artists. Finally Jan Skřivánek also contributed to the discussion of how to incorporate diverse art practise into museum collections and offer new interpretations of Czech art history through non-traditional exhibition displays.

(Maja & Reuben Fowkes)

The panel discussion ‘Questioning the National Collection’ demonstrated the difficulties and to some extent the failure to establish a discourse or narration of the post war period. It became obvious that the shadows of the present are overlapping with the past and vice versa. Once again, this panel discussion revealed the process of constructing history and history as a construction. It also showed that the construction of history reflects much more the present and its actual debates. Therefore, it draws much more a picture of the present than of the past.

(Constanze Fritzsch)

Leave a Reply