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Confrontations: Sessions in East European Art History

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Moderna galerija

MajaFowkes29 April 2019

As curator Marko Jenko explained, the permanent collection of Moderna galerija has a novel layout that gives the visitor the choice of either following the meandering path of a heterogenous local art history from the fin de siècle to the breakup of Yugoslavia, or taking a lateral short cut travelling straight from the modernist avant-garde of the 1920s through the Partisan art of the Second World War to the neo-avant-garde group OHO and Neue Slowenische Kunst in the 1980s.
The focus of Confrontations meant that the group was just as interested in engaging with the less prominent styles and more problematic artistic phenomena from the Informel and Slovenian Dark Modernism to the eclectic painterly styles of the 1980s.The participants also found instructive the social, political and art-institutional chronology of Slovenian art in the central hall that poignantly ends with Slovenian independence in 1991.
(MRF)

 

Utopian and Dystopian 1980s

MajaFowkes29 April 2019

A seminar with Marina Gržinić and Jovita Pristovšek offered a compelling interpretation of the development of the Slovenian artistic scene during the 1980s, as well as introducing the Confrontations participants to the microhistory of the Metelkova site and the complex relationship of the museum to local social movements. Gržinić shared some of her own memories and experiences of the eventful 1980s, emphasising the role of Škuc gallery in giving a platform to alternative currents and the sub-cultural challenge to the heteronormative values of both socialism and capitalism in the period, noting that, ‘if post-modernism was political anywhere, it was under socialism.’

(MRF)