By Maja Fowkes, on 5 November 2019
After National Gallery’s permanent exhibition “1918-1938: First Czechoslovak Republic”, which gave a very good insight into the art produced in this time period including the representation of the wider cultural framework that influenced production, distribution and reception of the art, we visited the exhibition “1930-Present:Czech Modern Art“ with a gallery curator Adéla Janíčková. Intended to present progress and development of nation’s art— singling out important figures of the interwar avant-garde, the unofficial art of the 1950s, neo-avant garde, i.e., neo-constructivist tendencies, action art, new sensitivity to postmodernism — this permanent exhibition gave us a somewhat fragmented and homogenic view of a very complex history. There was a lack of narrative between official and unofficial art (also no Socialist Realism in the display) as well as the information on the socialist time or the social, cultural and political context that shaped these practices (in comparison to the First Czechoslovak Republic exhibition). In fact, this exhibition layout was indicative that the National gallery is in some kind of transition, suspended between past practices and future possibilities. For us, however, it successfully set the scene for the next event “Questioning National Collection”, the discussion dealing with issues on how to represent national identity as well as plurality and diversity of identity through its permanent displays.