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Confrontations: Sessions in East European Art History

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IRWIN Studio

By , on 29 April 2019

On our final evening we had the opportunity to meet Dušan Mandić, Miran Mohar, Borut Vogelnik and Andrej Savski from IRWIN, and to quiz them about the origins of the group, their experiences with the Slovenian and international art scene during the 1980s, as well as their current practice and perspectives on contemporary political and social challenges. It was fascinating to hear their views on the circulation of artistic movements in the Yugoslav cultural space of the early 1980s, the role of class origin and privileges in the supposedly egalitarian social structure of communist Yugoslavia, as well as their explanation of the relationship between Laibach, IRWIN and NSK as overlapping but independent entities. During our time in Ljubljana we saw IRWIN artworks prominently exhibited in the permanent collection of museums, heard curatorial and art historical presentations contextualising their practice within the cultural upheaval of the Yugoslav 1980s and even got to experience the generosity, humour and warm glow of a long-lived artist group that does not shy away from critically intervening in the construction of East European art historical narratives. 

(MRF)

 

 

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