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Personal and public aesthetics: What I learned from my own visceral reactions in the field

By ucsanha, on 25 June 2015

jair selfie

Photo by Nell Hayes

At first, I couldn’t quite put my finger on it, but over the first several months in my fieldsite in northern Chile I began to realize that one of the reasons I never quite felt totally at home was that the aesthetics of the place never quite fit with my own sense of aesthetics. By aesthetics, I mean the effort and thought that people put into the way things look. In my fieldsite, a city of 100,000 inhabitants, I noticed this in public parks and municipal buildings, in both the inside and outside of homes, and in the way people dressed. It was not only an intellectual exercise, but a visceral feeling. If I wore the clothes that I was used to wearing, perhaps a dress or a fitted button down shirt, I felt as if everyone was staring at me because I was dressed with too much care. Perhaps they were right. There wasn’t really anywhere to go looking smart. The only bar in the city had cement floors, cinderblock walls, and heavy metal bands playing live every weekend.

Over time I thought more about the sense of aesthetics in Alto Hospicio, and realized that while I had considered it entirely utilitarian at first, there was something more particular about it. The aesthetic was very much a part of the accessibility and normativity that prevailed in the city. The predominant aesthetic was not nonexistent, nor did it always privilege form above function or the “choice of the necessary” as Bourdieu calls the working class aesthetic. While many people clearly could afford to redecorate their homes or buy expensive clothing from the department stores in the nearby port city, their aesthetic choices leaned toward an appearance that was not too assuming. They didn’t flaunt or show off in any way. It was an aesthetic that was presented as if it were not one, because aspiring to a particular aesthetic would be performing something; a certain kind of pretension. Yet the aesthetic relies on deliberate choices to not be pretentious or striking; to be modest; to be unassuming. This aesthetic then not only predominated in the material world, but also online. Unlike in Brazil, where young people would never post a selfie in front of an unfinished wall, this was precisely the type of place youth in northern Chile might pose. While in Brazil this would associate the person with backwardness that contradicts the type of upward mobility they hope to present, in northern Chile this type of backdrop would add a sense of authenticity to the person and their unassuming lifestyle.

So, in the end, what began as a visceral feeling of discomfort in the field site, actually led to a very important insight. As I told academic friends many times during my fieldwork, “This place is a great site for research, but not at all a great site for living.” Fortunately, even some of the “not at all great” parts of about living in northern Chile helped my research more than I realized at first.

 

Reference

Pierre Bourdieu, Distinction: A Social Critique of the Judgment of Taste. Richard Nice, trans. New York: Routledge (1984), pp 41, 372, 376.

 

It’s not just about Chinese migrant workers

By Xin Yuan Wang, on 22 June 2015

Chinese female migrant workers working in a local reflective vest workshop. Photo by Xinyuan Wang

Chinese female migrant workers working in a local reflective vest workshop. Photo by Xinyuan Wang

A question always strikes me as I write up ethnography and prepare for talks based on my 15 months of fieldwork among Chinese factory workers in southeastern China: what will people learn from Chinese migrant workers’ use of social media? Of course these stories may sound ‘exotic’, but I will see it as a total failure if they are nothing more than novel and exotic in peoples’ eyes.

Ethnography in a way is a storytelling of others’ lives. This technique is also widely used in novel writing, film making, and all forms of the narrative of ‘otherness’. Recently a film came out called Still Alice, a touching film telling the story of an extremely intelligent female linguistic, Alice, in her 50s who suffers from Alzheimer’s. In the film Alice is not only gradually losing all of the professional knowledge she acquired after many years of education and research, but also all the memories of her life, of being a mother, a wife, a woman, even a human being.  My colleagues and friends who watched the film shared the same thought, how lucky we are to still have those memories which, from time to time, we take for granted. And some of them, including myself, even became a bit panicked when we would forget something all of the sudden – OMG, is that an early sign of Alzheimer’s?! Whether being grateful, thoughtful, or even panicked, all of these reactions come from the fact that we are placing ourselves in the story and imagining ourselves living her life. Empathy is the word we use to describe these experiences that bridge other’s stories and our own.

And ‘empathy’ is key for the ethnographer. I still recall the days when I felt desperate about the state of my filedwork, that I had nothing to do but watch ‘stupid’ videos on people’s smartphones with the factory workers or just stare at people’s repetitive movements on the assembly line for hours. All the boredom drove me bananas and I howled to Danny that I couldn’t bear such a dreadful life anymore. What Danny said not only calmed me down but also woke me up: “Don’t forget, if you have enough, you can easily walk out in the near future, but for them, it’s their whole life.

The most unforgettable thing I learned from my fieldwork was not the material I took away for my research, but the personal experience of being able to live those migrant workers’ lives. Through this experience I developed an empathetic respect for other people’s lives and motivations which, in turn, has allowed me to reflect upon, and be grateful for, my own life. However, not everybody has the ‘luxury’ to experience others’ lives like ethnographers do. This further highlights the importance of our research, that we have the opportunity to bring an empathetic understanding of ‘others’ to the public when they read or listen to our research.

People constantly gain knowledge of themselves through understanding others: how we are different from the others, how we are similar to the others, why we are different or similar, these inquiries help us to depict the outline of the ‘self’. This is the main reason for the importance of learning other’s stories, because they allow us to gain perspective on our own lives, to think and feel differently. A good novel or a good film achieves this, so why not ethnography? One could argue that ethnography can do this even better, given its holistic knowledge of the given population and society.

The empathy and thought evoked from an anthropological study of ‘others’ can be very powerful, one of the most famous cases comes from Margaret Mead’s fieldwork in Samoa. Mead’s book Coming of Age in Samoa has sparked years of ongoing and intense debate on various issues such as society, community, social norms, and gender. For example, Mead described how gender is constructed by the local community, in this case one totally different from American society, and argued that masculine and feminine characteristics are based mostly on cultural conditioning. This argument actually influenced the 1960s ‘sexual revolution’ when people in the West started to rethink gender.That’s the real strength of ethnography.

This bares a question for all anthropologists, in what way is your research relevant to an audience who may not necessarily be interested in the specific group or society that is the focus of your research? The knowledge drawn from fieldwork should not be parochial. As we can see in Mead’s case, ethnography about a group of people which seems to bear very limited relevance to people in the West is capable of inspiring people by evoking reflection of the ‘self’, culture, and society.

In some of my talks, as well as at the end of the ethnography I am writing, I always try to remind people that it is not just about Chinese rural migrants. Yes, they are the human faces behind ‘Made in China’, they are said to be part of the biggest migration in human history. However, it is more than that. For example, understanding the ways migrant workers experience social media as the place where real daily life takes place in the context of their appalling offline situation pushes us to think about the complex relationship between online and offline, which is one of the core issues about social media use worldwide. The fantasy images on the social media profiles of Chinese rural migrants may look totally bizarre to you, but the logic of applying imagination to guide, explain, fulfill or strike a balance in daily life is as old as human history – dreams, sexual fantasy, folktale, religion…you name it. So a study of how people play out their fantasies about life with the help of social media and how such experiences impacts people’s lives may not just be relevant in that given population and society. It is not just about Chinese rural migrants, it’s about understanding them as well as gaining understanding of ourselves.

Social media and new rewards in learning

By Elisabetta Costa, on 19 June 2015

Photo by Elisabetta Costa

Photo by Elisabetta Costa

 

Education has become an important topic of investigation in our comparative research. Last May we also explored and presented our findings in a workshop held at UCL. In Mardin, similarly to field-sites in rural China and Brazil, parents and kids tend to see social media as a dangerous threat to formal education. The education system in Turkey is built around examination preparation, and examination results can chart the course of a person’s life. In this context social media is deemed by students and parents as responsible for worsening exam results, as it takes time away from books. For this reason students preparing for important examinations often close their Facebook or Twitter accounts for a few weeks or months. Whereas social media seems not to be beneficial to the preparation of multiple choices exams, in other situations it emerged to be quite helpful in the learning process.

This is the case for University students attending the English preparatory class at Mardin Artuklu University. Instructors of English highlighted a general lack of motivation among students, who were more interested in passing the exam than learning the language. Also, students used mnemonic approaches that led them to memorise grammar rules, rather than actively engage with the new language. In this context, social media has contributed to creating new motivations and rewards where the formal education system has failed. Students, indeed, were practicing English on social media in four different ways:

  • Male students used Facebook to secretly flirt and communicate with foreign women.
  • Students often wrote quotations or uploaded their status in English, they wanted to be seen by teachers, friends and peers as proficient English speakers.
  • Students joined English language political groups dealing with the Kurdish issues.
  • Students listened to English songs on YouTube.

Love, fame, politics and music became four new rewards which drove students to learn a foreign language. In a formal education system where the main concern of the students is the acquisition of a diploma, social media has created new rewards that positively influence learning motivations.

How did we choose our field sites?

By Tom McDonald, on 18 June 2015

Our project field site locations

Our project field site locations

A question we are often asked is how we selected our field sites for the project. Why these nine sites? Why are there no sites from Africa, or the ex-Soviet block or South East Asia?

We call this a global study, meaning that we include sites from all around the world, but clearly that does not mean it is a comprehensive study.

There was an initial desire to include the biggest populations and emergent economies such as Brazil, China and India. We never intended to work in North America simply because that area is already hugely overrepresented in the study of social media.

Beyond that, however, much of the selection had to depend on whether there were suitable people available to carry out this research. The initial proposal included a study in Africa but the person designated was not available. We could only employ people trained in anthropology who could also make a commitment to live in these field sites for 15 months and in a very specific timeframe. So logistics was a significant factor in determining the specific nine sites.

Another important factor is funding. Through the generosity of a government-funded research centre in Santiago and the Wenner-Gren foundation, we were able to include two additional team members beyond the original ERC funding, providing the project with one study in Chile and a second study in China.

That being said, this project has always been particularly open and collective in nature. We have gained much from learning about social media use in other parts of the world not covered by our study, and see collaboration as naturally extending beyond our own research team. As part of these efforts, we have also developed a project directory where academic researchers from any institution are able to list their own on-going research on social media in different global contexts.

What’s our conclusion? Introducing ‘scalable sociality’

By Daniel Miller, on 16 June 2015

Scalable Sociality Infographic

Scalable Sociality

Right now we are finishing the last of our eleven volumes from this project, a book which will be called How the World Changed Social Media. Not surprisingly, people are starting to ask about our conclusions. There are of course many of these, and the website will also showcase these ‘discoveries’, but as anthropologists our primary concern is to determine the consequences of social media (or what used to be called social networking sites) for our own core concern which is sociality – the study of how people associate with each other.

We have concluded that the key to understanding this question is through what we will call ‘scalable sociality.’ Prior to social media, we mainly had private and public media.

Social networking sites started with platforms such as Friendster, QZone and then Facebook as a kind of broadcasting to a defined group rather than to the general public, in a sense scaling downwards from public broadcast.

By contrast some of the recent social media such as WhatsApp and WeChat are taking private communications such as telephones and messaging services that were mainly one-to-one and scaling upwards. Often these now also form groups, though generally smaller ones. Also these are generally not a single person’s network. All members of the group can post equally to all the others.

If we imagine two parameters – one consisting of the scale from private to public and the other from the smallest group of two up to the biggest group of public broadcast – then as new platforms are continually being invented they encourage the filling of niches and gaps along these two scales. As a result, we can now have greater choice over the degree of privacy or size of group we may wish to communicate with or interact with. This is what we mean by scalable sociality.

However this is just an abstract possibility. What people actually do is always a result of local norms and factors. In each society where we conducted fieldwork, we saw entirely different configurations of these scales as suits that area.

In our South Indian site these mainly reflect traditional groups such as caste and family. In our factory China site an entirely new society of floating workers create largely new norms of group interactivity including their first experience of true privacy. While in our rural Chinese site the main difference is that it is possible to now include strangers on the one hand and to extend various social ‘circles’ on the other. In our English site people specialise in the exact calibration of sociality that is neither too close, nor too distant.

Nonetheless, all of these are variants that can be understood as exploiting this new potential given by social media for an unprecedented scalable sociality.

A methodological case of comparative anthropology

By Juliano Andrade Spyer, on 8 June 2015

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Image Courtesy Quinn Dombrowski (Creative Commons)

I hear from colleagues in our department that completing a PhD can often be a solitary experience. Anthropologists tend to accept the fact that social lives are so particular and rich that comparison becomes a dangerous affair. Doctorate students typically have such specific topics of research (such as boredom in rural Romania or wrestling in Bolivia) that it is hard to attract a general interest and they often have to rely on favours from peers to get feedback on their work.

By contrast the research team involved in our study of social media did not experience such academic loneliness. This post summarises the methodology we used to study the impact of social media on our nine field sites around the world. It also shows a possible alternative way of conducting anthropological research that benefits from regular and ongoing feedback and comparison between researchers collecting similar material from very different field sites.

Two broader choices led our team to come to four main decisions regarding how to conduct our qualitative comparative research.

The broad choices were:

  1. All the researchers worked on the same topic. In our case, the impact of social media in each field site.
  2. However, the actual research maintained the importance of long term participant observation. Each researcher immersed themselves in the social life of their field site, where they lived for 15 months.

The consequences of these guiding principles then became the following practices:

  1. During the preparation of each one’s project proposals, we read and discussed collectively the literature about social media. We incorporated the results in the individual projects that included a literature review of specific aspects for each field site.
  2. During the preparation, we also scheduled common themes (e.g. politics, gender) for the reports we agreed to write during each month of fieldwork and a survey questionnaire to be applied collectively during the same period.
  3. We read each other’s reports throughout fieldwork. Since returning from the field we have continued to read each others’ book chapters. Each person receives detailed feedback from at least one other colleague (though often several).
  4. These readings then provide the context for monthly meetings: initially through video conferencing, but now in person.

In our case, social media was the link to very different realities and places. It gave us a shared point of departure in terms of bibliography and of research questions. But anthropology also enhanced collaboration as our impressions from the field often arrived framed in terms of gender relations, politics, kinship, etc.

The result of this routine will be eleven books to be launched during 2016. Two will be comparative and the other nine will be monographs that are interconnected both by this practice of collaboration and by a common structure – each book will have the same chapter  themes but are based on each particular ethnography.

Though many assume that giving our time to others’ work means less time and especially less attention to our own work, the collaboration in this project taught us the opposite. Often, seeing what the others were doing and thinking helped us to individually experience particular aspects of each field sites, in addition to deepening our engagement with our own.

Nell, our researcher in Chile, summed this up rather well in a recent conversation, when she remarked: “Reading the other chapters is sometimes even better than getting comments on my own chapter. Those are constructive, but reading the other chapters gives me creative inspiration. And it makes me realize important things I’ve left out.”

Opening doors: Rural Chinese business promotion on social media

By Tom McDonald, on 28 May 2015

A typical shopfront in the North China fieldsite (Photo: Gillian Bolsover)

A typical shopfront in the North China fieldsite (Photo: Gillian Bolsover)

One surprising feature of QQ – the most popular social media platform in the rural Chinese town where I conducted research – is its lack of dedicated ‘business’ profile pages, such as those offered on Facebook.

WeChat, the second most popular social media platform in the town, does allow business owners to set up an official ‘public account’ (gongzhong hao), although registration requires users to submit details and a scanned copy of their business licence, which is enough of a hassle to deter most people I knew from signing up.

An additional cultural explanation also exists for why dedicated business profiles are less common on social media pages: townsfolk operate a far less regimented division between work and leisure.

The town’s shops, restaurants and small businesses are often run by family members. Even owners of larger businesses (like factories) in the town prefer to employ family or close friends wherever possible.

Given the choice, people would rather carry out transactions with friends instead of complete strangers. As such, outsiders coming to the town to conduct business often find themselves spending considerable amounts of time and money establishing friendly relationships with townsfolk before any business agreements can be made.

These factors mean that owners of small businesses in the town are far more willing to operate their business and personal affairs from a single social media account. This is also reflected in the fact that some owners of these businesses use their shop name as their screen-name, and an image of the facade of the shop as their profile picture.

Aside from identifying the store, the convention of including an image of a shopfront also has important symbolic meaning that points to the family. Anthropologist Charles Stafford has noted how doors in China are understood to be important mediating spaces between households and the outside, and that these entrances are also seen to represent the family itself.

All this suggests that rather than Chinese social media lacking a business feature, the platform instead reflects very different cultural understandings of the relationship between commerce and kinship, and is actually rather well suited to the rural Chinese preference that business, family and friendship should be closely intertwined.

Memes: The internet’s moral police

By Daniel Miller, on 12 May 2015

On the face of it memes and religion would seem unlikely bedfellows, or even worthy of mention in the same discussion. Religions come to us from centuries of tradition and are defined by the continuity of custom and belief, and would be generally considered deep and spiritual. By contrast most people associates memes with funny looking cats, terrible puns and representing the latest phase of the superficiality and transience of the internet.

Despite that, if we look across our nine fieldsites there is certainly an argument to be made that memes have occupied the place in social media we might have anticipated being colonised by religion. Firstly memes are in fact the primary way most people do post explicitly religious imagery. In our book Visualising Facebook (forthcoming), which directly compared the visual posts of our fieldsites in England and Trinidad, this is something common to both.

A meme celebrating the religious festival of Diwali (Original author unknown)

A meme celebrating the religious festival of Diwali (Original author unknown)

But relatively few memes are actually religious in content. By contrast, a very high proportion of memes could now be said to represent the ‘moral policing’ of the internet. Memes have become the way people post visuals that express their values. In some of our fieldsites it is clear that people with less power or less confidence and who would be shy of posting their opinions directly or as text, are much more comfortable posting such memes.

An example values-based meme (original author unknown)

A values-based meme (Original author unknown)

But the notion of moral policing suggests that this amounts to more than simply the declaration of values. It is also about establishing what values are (or are not) acceptable for online postings. This might range from the support of gay rights, to accusing males of hypocrisy in their relationships with women, or even asserting the right not to care about football.

A humorous meme accusing males of hypocrisy in their relationships with women (Original author unknown)

A humorous meme accusing males of hypocrisy in their relationships with women (Original author unknown)

A meme directed against posts regarding football (Original author unknown)

A meme directed against posts regarding football (Original author unknown)

Perhaps the strongest argument for this idea of memes as moral policing comes from what might seem to be the counter instance, which is that the vast number of memes are devoted to humour. But when examined more closely actually a great number of these funny memes are humorous at the expense of some position of behaviour of which they disapprove. Or alternatively they are a way of allowing licence for behaviour of which they do approve but might not have been accepted. So in these instances women are all making fun around stereotypes about women, but also establishing a position with regard to that characterisation, though humour. This policing is as much about making freedom for values as for suppressing unacceptable ones.

A humour based meme (Original author unknown)

A humour based meme (Original author unknown)

A humour based meme (Original author unknown)

A humour based meme (Original author unknown)

Looking across the nine fieldsites in our study, this use of moralising memes seems common to all. Which is very helpful to our study, since one of our conclusions is that in each site there is considerable conformity and repetition. To explain this we need to understand the mechanisms that keep people in line. Moral memes may well be ones of these.

Is Weibo on the way out? For some in China, it was never in.

By Tom McDonald, on 11 May 2015

Weibo: share your thoughts with the word – assuming, of course, you want to. Photo by bfishadow (CC BY 2.0)

Weibo: share your thoughts with the world (assuming, of course, you actually want to). Photo: bfishadow (CC BY 2.0)

I read with interest Celia Hatton’s BBC News article published in February, which hinted that real-name registration on Chinese micro-blogging platform Sina Weibo may be the death knell for the social media platform, which Hatton claims was already losing popularity owing to increasing government control over the platform that was ‘once the only place to find vibrant sources of debate on the Chinese internet’.

Hatton’s argument is important and interesting, and it likely accurately reflects significant changes occurring in social media use in urban China. However based on my experience of carrying out 15 months ethnographic research on social media use in a small rural Chinese Town, it’s also worth bearing in mind that the situation in the Chinese countryside is very different from urban areas. China’s rural populations have tended to display little interest in Weibo.

While Weibo has dominated much media and academic analysis of China social media, in reality ‘most microblog users are mainly young, urban, and middle class, and geographically concentrated in the coastal regions’ as research from Lund University has noted. A separate study (in Chinese) showed that only 5% of microblog users in China live in the countryside, despite the fact that 27.9% of internet users are rural residents.

Why did Weibo never appeal to rural users in the first place? People in the rural town where I conducted my study explained that they preferred social media platforms such as QQ (and to a lesser extent, WeChat) over Weibo. These platforms were popular precisely because they were ‘closed’ platforms, where people could share things only with their friends – most of whom were people they knew in their hometown. For these people the thought of sharing their postings with the entire internet held no appeal whatsoever.

These findings are interesting because they appear to challenge assumptions that people – especially the those at the bottom of Chinese society – would naturally desire to use the internet to ‘express themselves’ to the rest of the world. Rather than presuming that social media are destined to be technologies of liberation, such accounts highlight the importance of also paying attention to how technologies are actually used by rural Chinese people within the context of their own lives, where they are often put to use towards achieving aims and aspirations that may differ greatly from those we expect of them.

Social media as hyper-visibility

By Jolynna Sinanan, on 7 May 2015

Image courtesy of Kris A, Creative Commons

Image courtesy of Kris A, Creative Commons

 

After an intensive few months of hiding away finishing our books (and neglecting this blog), we have come back together to work on our comparative book. With nine people already having written a book each on social media, surely taking the lead on one chapter should be a more manageable task. But with nine countries and one book that deals with the big-picture impacts of social media, on education, on commerce and on humanity, among other themes, this book is also becoming an epic compendium.

If social media has provided (just) one form of unprecedented social change, it is that people can now self-craft, self-present and disseminate on a large scale, in real time. That observation is not new, these anxieties are revealed in conversations almost every day with “Did you see what so and so posted” and “I shared this really interesting thing” are all to do with the consequences of extended social visibility. A sociology of social media as hyper-visibility has come from doing more classical anthropological study through ethnography. From a small place, we can perhaps make wider generalisations.

We have been fortunate enough to give presentations and papers on our findings from our individual field sites now, and I usually start my presentations by talking about Trinidadian Carnival. Audiences tend to assume that Carnival is a fascinating and exotic event with little importance elsewhere outside Trinidad. But the point to emphasise is that, although Carnival is beads, feathers and bikinis, it is a festival that was born out of resistance to slavery- where people were physically oppressed from having the means to express their identities and values through bodily freedom. Although Carnival has transformed today, to varying degrees the logics of visibility from Carnival are resonant in Trinidadian society all year round.

Which brings me to social media, it is difficult to study any aspect of Trinidadian society without considering social visibility. It then seems inevitable, when looking at social media in Trinidad, to link its uses to the logics of Carnival and applying a term such as hyper-visibility. Carnival is about showing the truth of who you are on the body through masquerade and performance- it is a time and space to amplify how you see yourself. Trinidadians have a well understood vocabulary around appearance and its implications, so much so that the rest of the world is perhaps only catching up. The concern with what we show on social media and what it says about us is parallel to what Trinidadians have always understood about visibility: it is how we cultivate truth that makes us subject to the judgement of others. The multiple judgments of others then reinforces norms and acceptable values.

On Facebook in Trinidad, you are what you show, whether that is lifestyle through food posts, ideology through political postings or moral commentary through sharing memes. You can show yourself as very global through posts of holidays or opinions on Game of Thrones, or very local, with humour that only Trinidadians would understand. Throughout the 3-year study, there was a general decline in the usage of Facebook by individuals for showing themselves, although it is still the dominant social media platform in Trinidad. Because of the consequences of being hyper-visible, individuals are starting to curate themselves more to cultivate an exact and consistent image by which they want to be seen.