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A Colour A Day: Week 35

By Ruth Siddall, on 22 November 2020

A Colour A Day: Week 35. 16th – 22nd November

Jo Volley writes …

‘We had a remarkable sunset one day last November. I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold gray day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon and on the leaves of the shrub oaks on the hillside, while our shadows stretched long over the meadow east-ward, as if we were the only motes in its beam. It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow. When we reflected that this was not a solitary phenomenon, never to happen again, but that it would happen forever and ever, an infinite number of evenings, and cheer and reassure the latest child that walked there, it was more glorious still.’

Extract from ‘Walking’ by Henry David Thoreau, 1862
(for J.S)

Pigments manufactured by Ruth Siddall, bound in gum Arabic on W&N watercolour paper, and read from left to right:

Weld & Calcium Carbonate Lake
Annatto Lake
Safflower Carthamidin Lake
Eosin Lake #1 & Annatto Lake 50:50 mix
Eosin Chalk Lake
Geranium Lake
Eosin Lake #1

Filed under #Artist, #ArtistsPigments, #Colour, #ColourandPoetry, #ColourinNature, #Dyes, #KitchenChemistry, #LakePigments, #MaterialsResearch, #MaterialsResearchProject, #OrganicPigments, #Paint, #painting, #Palettes, #pigments, #PigmentTimelineProject, #PlantToPigment

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A Colour A Day: Week 31

By Ruth Siddall, on 25 October 2020

A Colour A Day: Week 31. 19th -25th October

Jo Volley writes…

This week’s colours are manufactured by Ruth Siddall who says of them. ‘Procion MX Dyes – The difference between a dye and a pigment is that a dye is soluble in water and a pigment is insoluble. I am experimenting at the moment to try and find as many ways of making the colourful, organic compounds in dyes into insoluble pigments. These are a series of pigments I made by dyeing a starch with modern Procion MX dyes. I used potato starch as a substrate. I have seen modern dyes such as rhodamine being used in this way, so I thought I’d give it a go. If I’m honest, I’m disappointed with the pale colours produced – quite the opposite of the dyes which were intensely coloured! Chemically, Procion MX dyes are dichlorotriazines, which means they contain a ring-shaped molecule with three nitrogen ions so the formula is C3H3N3 (most ring molecules just have six carbons). In addition there are two chlorine ions attached to this ring and it is these that bond to -OH groups in fibres to produce strong dyes on cloth. Starch has -OH groups, so I had hoped it would work the same way here. There is some colour but it’s not as intense as I had hoped for.’

Each pigment is bound in gum Arabic on W&N watercolour paper. They were like no other pigment I have used before – it was rather like trying to paint with clouds – amorphous – the colour just slipping away. According to the American Meteorological Society, amorphous clouds ‘are without any apparent structure at all, as may occur in a whiteout in a thick cloud or fog over a snow surface when one loses any sense of direction – up, down and sideways’

Procion red MX-G
Procion yellow MX-4G
Procion blue MX-2R
Procion yellow MX-3K
Procion turquoise MX-G
Procion composite grey
Procion red – MX-5B

 

 

 

Filed under #Artist, #ArtistsPigments, #Dyes, #Making, #MaterialsResearch, #MaterialsResearchProject, #Methods, #OrganicPigments, #Paint, #painting, #Palettes, #PigmentTimelineProject, #ProcionDyes, #SladeSchool

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