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CFP: Open Digital Scholarship in the Humanities #OpenHUMS

By Lucy Stagg, on 6 March 2020

4 May 2020, UCL Institute for Advanced Studies.

Proposals due: March 27th 2020

Humanists are increasingly looking to open, digital methods as an integral part of their scholarship’s dissemination and engagement. Rooted in digital humanities, open source software, the OA movement, new media, book history, and many other areas, open digital scholarship is celebrated for its potential to strengthen academic and academic-aligned collaboration among many communities, both within and beyond those that are a part of the conventional university system and traditional publication methods. As Martin Paul Eve writes: “Indeed, if [humanities] disciplines are historically situated within the tradition of liberal humanism, in which the humanities help to create an informed and critical populace, then should not the amplification of scholarship go beyond those circles? Could such a broader base […] help to cement the public reputation of the academic humanities?” (Open Access and the Humanities [2014]). Kathleen Fitzpatrick echoes: “If we hope to engage the public with our work, we need to ensure that it is open in the broadest possible sense” (Generous Thinking [2019]). These sentiments are given life via practices such as crowdsourcing, which, as Mia Ridge notes, act “as a form of engagement with the collections and research of memory institutions” and “[benefit]  both audiences and institutions” (Crowdsourcing Our Cultural Heritage [2014]).

Open Digital Scholarship in the Humanities draws together those who are involved in the creation, dissemination, management, and archiving of open digital scholarship. We are pleased to announce that Martin Paul Eve (Birkbeck College, University of London) and Mia Ridge (British Library) are featured speakers for the event, and that Claire Warwick (Durham University) will act as respondent. This action-oriented event is geared toward leaders and learners from all fields and arenas, including academic and non-academic researchers, graduate students and postdoctoral fellows, librarians and archivists, publishers, members of scholarly and professional associations and consortia, open source practitioners and developers, industry liaisons, community groups, and other stakeholders.

We invite proposals for short presentations, talks, and relevant project demonstrations to the end of raising awareness, provoking conversation, and mobilising collaboration in and around open digital scholarship. Proposals should contain a title, an abstract (of approximately 250 words, plus list of works cited), and the names and affiliations, of presenters. Please send proposals on or before March 27th 2020 via http://bit.ly/OpenHUMS

Broader areas to consider may include the following: How can open digital scholarship in the humanities be transformative and world-leading? Should it be? Building out from this question, specific areas of focus for Open Digital Scholarship in the Humanities include community building, collaboration, and mobilization, as well as shared initiatives, activities, and partnership in regard to digital scholarly production, social knowledge creation, (open) access, and knowledge dissemination. This event asks,“What are the best examples of current open digital scholarship projects and practices in the United Kingdom, and beyond? How do we connect with various publics over open, digital scholarship? How do we build productive feedback loops?” There will be a thematic emphasis on modes and methods, including in academic publ ishing practices, infrastructure, and research data management. Moreover, we encourage discussion on how open digital scholarship differs field-to-field and across community and geographic boundaries, as well as how it can be leveraged internationally and where the stumbling blocks are for doing so.

Open Digital Scholarship in the Humanities is supported by Loughborough University and the Leverhulme Trust, the UCL Centre for Digital Humanities, the University of London School of Advanced Study, and the Implementing New Knowledge Environments (INKE) Partnership. This gathering is related to previous partnered events with the INKE Partnership in Canada and the Canadian-Australian Partnership for Open Scholarship (CAPOS) in Australia. Open Digital Scholarship in the Humanities is organized by Ray Siemens (University of Victoria), Alyssa Arbuckle (University of Victoria), Lise Jaillant (Loughborough University), Simon Mahony (University College London), and Jane Winters (School of Advanced Study).

Please consider joining us in London for what is sure to be a dynamic discussion!

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