Written by Ruby Martin

2014 Edinburgh Festival Fringe. Credit: Paulo Araujo

Edinburgh: the final comedy frontier. Ever since I’d heard about UCLU Comedy Club‘s yearly venture to the Edinburgh Festival Fringe, I wanted to be a part of it. After a lot of hard work, perseverance and loitering around after sessions, I was invited to go as assistant director and cast member of the sketch comedy show Gower Rangers, produced and performed by sketch troupe the Gower Line.

Preparations start well before the Fringe, as scripts are written and edited, auditions are held, rehearsals take place and preview shows are performed in London. It’s during this time that camaraderie between us is formed, especially having endured many hot days in stuffy classrooms practising scenes!

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The event panel

I’m pretty new to UCL (two weeks in to be exact) so when I saw an event was being run on UCL 2034 – the new strategy to move the university forward over the next 20 years – I jumped at the opportunity to go.

I wanted to find out what questions the UCL community has about the strategy, which issues they think should be addressed and any thoughts that they have about how best to do so. Intrigued by what I might hear, I attended ‘Any UCL Questions?’ on June 5 and you’ll be pleased to discover that it didn’t disappoint.

Jonathan Dimbleby, chair of the event and UCL alumnus, reflected on his time studying here in the late ‘60s, back when there were only 4,500 students (can you imagine?!). He said that there have certainly been many changes, aside from increasing student numbers, since then, including more diversity and engagement with different communities, but added that there is still some way to go. This neatly opened the topic for discussion – what is UCL’s long-term interest? Where should we as a university go, and importantly not go, next?

Each of the panel, comprising Professor Michael Arthur (UCL President & Provost), Professor Dame Hazel Genn (Dean of UCL Laws), Professor Mark Miodownik (UCL Mechanical Engineering) and Vimbai Dzimwasha (UCL student), spent a tightly regulated two minutes describing what UCL means to them and those aspects of the strategy that they’ve identified as important.

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UCLU Drama Society poster

It’s complicated, but bear with me. Here are some concentric circles of theatre: Rosencrantz and Guildenstern Are Dead  is a 1966 play by Tom Stoppard. Rosencrantz and Guildenstern are characters from The Tragedy of Hamlet, Prince of Denmark (but you can just call it Hamlet because everyone does) written somewhere between 1599 and 1602, maybe.

From 20 February to 22 February, the UCLU Drama Society performed a production of the play by Stoppard containing the elements of Hamlet as they appear in both original texts, but adapted and modernised to an extent, appearing without full Elizabethan costumes or set.

Amid these elements, the direction of Rob Beale found something that approached a fresh take on representing the void at the heart of the play.  (more…)