An acre of seats in the garden of dreams.

Trips to the big screen are often some of our fondest childhood memories. So it was no surprise that the first UCL Festival of the Arts film event was a popular one as we spent a nostalgic hour reconstructing the space of 1960s cinema in Britain through the memories of cinema-goers.

The tiered flip down chairs of the Sir Ambrose Fleming Lecture Theatre and slideshow of iconic cinematic moments—Sean Connery and Shirley Eaton in Goldfinger, Marilyn Monroe, Breakfast at Tiffanys—set the scene for Dr Melvyn Stokes and Dr Matthew Jones (UCL History) to talk about the findings of their research project, which explores how cinema shaped the collective experience of during a period of turbulent social change.

Their research opens up questions about our notions of the relationships between memory, experience and space, as well as questioning received narratives of the 1960s decade.

Dr Henry K. Miller (film historian and critic) complemented their talk with a discussion of his research into the history of the first university film department to open in the 60s at UCL Slade School of Fine Art.

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With the approach of Holocaust Memorial Day, this Lunch Hour Lecture was aptly timed. I entered the lecture with feelings of interest and curiosity, but also inevitable apprehension

Auschwitz entrance
Credit http://www.flickr.com/photos/kasiaflickr/

Having attended another of Professor Mary Fulbrook’s (UCL German) lectures on the Holocaust at last year’s UCL Festival of the Arts, I knew that she was a passionate and brilliant speaker who provokes the audience into questioning not just what has happened in the past, but also how we remember it today.

However, the subject being as sensitive and traumatic as it is, I wasn’t expecting an easy ride. I was pleasantly surprised.

Remembered sites
Professor Fulbrook didn’t delve too far into gory details and instead focused on the places and people we remember from the Holocaust, and what they tell us about what and who we remember at the expense of others who have been marginalised by our memorialisation.

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Cinema screen, by m4tik on Flickr

What are your most vivid memories of going to the cinema? Perhaps childhood visits to see cartoons, or seeing a film on a date? A new UCL project is asking people about their experiences of cinema-going in the 1960s, and, in doing so, raising interesting questions about what we remember about seeing films, and why.

As part of UCL’s Festival of the Arts, Matt Jones (UCL History) gave a talk about how he is researching people’s response to 1960s cinema.

The project is interested in how people remember films, what part cinema played in their lives and whether films have shaped their memory of the time.

Going to the cinema seems to evoke strong memories in all of us. Even though I wasn’t around in the 1960s, my own memories – like most people’s – of going to see films are mixed up with memories of who I went with, how old I was and where I saw the film.

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