Those attending Professor Sue Hamilton’s (UCL Institute of Archaeology) inaugural lecture on Tuesday 8 May at UCL were treated to a tour de force of more than two decades of archaeological fieldwork engaging with the artefacts, sites and landscapes from Bodmin Moor in Cornwall, Puglia in southern Italy to the monumental landscapes of Rapa Nui (Easter Island) in order to answer precisely that question.

Hamilton’s major influence in the field has been her unfaltering commitment to reconfiguring archaeology theory and practice as a form of ‘people work’.

At the heart of her innovative fieldwork methodology is the idea that archaeologists share something with the people whom they study – they inhabit the same landscapes and, therefore, can use their own bodies to generate multi-sensory theories about the past.

What does it feel like to walk to and from ancient sites in the landscape, what can you see and hear when inside or outside them? What can this tell us?

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UCL’s Grant Museum of Zoology has launched a new exhibition, Buried on Campus, exploring the surprising find of more than 7,000 bone fragments in the UCL quad.

In March 2010, unsuspecting construction workers, who were digging a trench to enter the Chadwick Building basement, discovered a huge array of bones. The find shocked many: who or what did the bones belong to? When were they buried? And why were they buried in the quad of all places?

Initially, the Metropolitan Police were called in to investigate, who then brought in UCL’s forensic anatomist Dr Wendy Birch for further advice. Through a thorough (and ongoing) investigation, Dr Birch found that the bones comprised 84 individual humans and a variety of animals and, presumably to the relief of many, there was no sign of foul play.

Later, a seven-day excavation of the area ultimately led to a massive 7,394 fragments being found, and Dr Birch and UCL forensic anthropologist Christine King are still working on reconstructing and analysing these.

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With on-going national debates about cultural identity, funding for the arts, planning and the environment, there is no doubt that archaeology has a role to play in contemporary society.

On 12 March, the UCL Institute of Archaeology hosted a panel debate on this topic as part of a programme of events to mark its 75th anniversary.

The debate was chaired by cultural analyst and consultant Professor Sara Selwood and the panellists represented a very diverse set of viewpoints on archaeology and the human past.

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A distinguished panel of experts agreed that, in general, museums are failing the public they are intended to serve. That was the resounding opinion of four heritage professionals forming the panel for the UCL Institute of Archaeology’s debate entitled “Presenting the past” held on Monday 5 March.

David Clarke, former Keeper of Archaeology at the National Museum of Scotland, complained that museums all display things the same way, slavishly sticking to a chronological walk through their exhibits, when the majority of visitors to a museum care little whether an artefact is 200 or 2,000 years old.

Dominic Tweddle, Director General of the National Museum of the Royal Navy, described the majority of museum displays as “stultifyingly boring” and bemoaned the uniformity of approach. He highlighted the need for creativity in display in order to excite the public, in the same way that archaeologists and curators are excited by the past.

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