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From Rome’s ideal woman to Medusa and the Stone Butch: Challenging a conventional Classics curriculum

By UCL CHE, on 10 June 2024

by Poppy Shortmoor and Ella Bosworth-Gerbino (Department of Greek and Latin)

What was Rome’s ideal woman? Selflessness, sexuality, and dependency on men – these were the values that coloured the depiction of female characters in Roman epic, mythology, and elegy.

But this idealised helplessness of women in Roman literature is juxtaposed against their real economic liberties, where there was much more freedom and agency than is generally believed.

The mausoleum of Ummidia Quadratilla, a wealthy Roman woman whom we featured in our paper.

Our paper, titled “How the Economic Role of Roman Women both Challenges and Conforms to Literary Ideals”, focused on this juxtaposition, and was one of many presented at this year’s Greek and Latin Speaker Series, titled New Frontiers in the Ancient World.

The Speaker Series, organised this year by Mairead McAuley and Ronald Chiu, aims to diversify the curriculum and encourage students to explore new perspectives with regards to Classics.

Placing student work front and centre

Student participants volunteered to give a short lecture on a topic of their choosing within the themes of sexuality, gender, identity, race, and otherness.

After participants had their abstract approved, they independently researched and created their presentations over a few weeks. These projects covered topics like femininity in Sumerian literature, sexuality in Greek art, and feminist analyses of mythology and theatre.

A commitment to equality, diversity, and inclusion is at the centre of this year’s Speaker Series. This focus allows for new topics not commonly discussed to be introduced to students, which hopefully will aid the process of broadening the wider curriculum.

Additionally, it highlights what students are interested in, fostering a more welcoming environment and allowing new perspectives into the discussion on the ancient world.

This interest in diversity was particularly evident in the wide variety of talks from other students. Not only were they able to explore their own interests, as we were, but also to illuminate topics that other participants might not have been aware of before.

Karen Guo’s talk “I petrify: Medusa and the Stone Butch” was a particular standout.

Bringing together contemporary queer theory and ancient mythology, she discussed parallels between the concept of the Stone Butch popularised by Feinberg in the late twentieth century, and the themes of sexuality in Medusa’s story.

Benvenuto Cellini’s Perseus and the Head of Medusa. Photo by Álvaro Rotellar on Unsplash

Mitigating historical bias on modern literary reception

Our own paper was illustrated through an exploration of the historic figures including Ummidia Quadratilla and other Roman women.

Together, we set out a rough plan of our presentation, then went on to conduct our research separately before combining our arguments.

Ultimately, we reached the conclusion that it is important – when studying classics – not to take literature as unequivocal, historical fact, due to its intrinsic links to the ideals of its time and culture.

This topic was particularly interesting to both of us, because, as women studying in a traditionally male dominated field, we understand the importance of recognising the impacts of historical bias on modern literary reception, and of highlighting female history.

Exploring student interests beyond modules

The Speaker Series gave us an opportunity to explore our subjects outside of the modules available in the Greek and Latin department.

Being able to investigate a particular area of Classics that we are especially interested in, we were able to develop a sense of independence within our studies. In particular, the Speaker Series allowed us to develop skills that we have not had much opportunity to exercise as of yet.

Additionally, as we both plan on going into higher education, this project has provided an invaluable introduction into a more self-directed line of study, giving us skills that will no doubt be useful in our educational journey.

Poppy Shortmoor is a second year ancient world student who is planning on doing a masters in economic and social history and is particularly interested in the economy of the early Roman imperial era. Ella Bosworth Gerbino is a 2nd year French and Latin student who is planning on going into teaching and is interested in the modern reception of classics. 

Hands-on: Preparing students for evolving digital landscapes through podcast and AI projects

By UCL CHE, on 22 February 2024

by Dr Simon Rowberry (UCL Centre for Publishing)

Edited 16 May 2024 to add: Inksights is now live! Check out the podcast here

In an era where digital landscapes evolve at lightning speed, equipping students with future-proof skills is more crucial than ever. With generative AI and multimedia platforms redefining professional boundaries, how can educational institutions stay ahead?

The answer: overhauling our curriculum for agility by embedding digital literacy throughout, and offering opportunities for students to work on real-world, career-enhancing projects.

A team of seven MA Publishing students, led by Amy, Lily and Mira, have been doing just this by working on Inksights, a podcast aimed at combining academic and industry perspectives on current publishing topics.

Each episode will blend interviews, reviews, debates, and news stories. Each member of team focuses on a different part of the podcast’s creation, production and marketing.

Finding your voice and preferred ways of collaborating

During the Inksights podcast’s pilot recording, the team tackled the art of collaboration head-on. The hosts encountered a challenge—avoiding interruptions—but ingeniously resolved it by adopting a lip balm stick as their “talking stick.” This simple yet effective strategy ensured clear, orderly discussions.

The Inksights team also skilfully navigated the challenge of sounding distinct and dynamic, steering clear of a “robotic” tone. The pilot showcases this success, achieved through planning and ensuring each host’s voice was unique and engaging. You can listen to it below (13:09 minutes long):

 

Methods of collaboration and working with guests were also challenges. While exploring various platforms, students discovered that each had its pros and cons. Zoom emerged as a standout for virtual sessions: the team praised it “for virtual interview/podcast recordings. The recording was quickly processed and available to access on the cloud by the production team.”

Working collaboratively on a podcast requires digital collaboration tools, which have proliferated over the last five years. The Inksights team are still finding the collaborative workflow that is most suitable for their needs. They are spending time to get this right early to avoid having to pivot to another setup later.

Our next steps include continuing to develop networks with similar groups of students and academics working on generative AI/podcasting across the University and the sector to gain further valuable insights and share good practice.

What Generative AI (currently) can and cannot do

Eden leads the generative AI project, focusing on images, videos, and animations. These are under-developed areas within publishing and require tools beyond Open AI’s Chat-GPT.

Through this scoping work, Eden notes: “I have become much more knowledgeable with this cutting-edge technology than industry professionals, putting me in a better position for job prospects.”

The projects highlight the constraints of today’s Generative AI tools in publishing. For example, it is possible to ask Chat-GPT to generate a book cover image, but this image appears in a square frame that requires further editing.

The file format of the output frequently clashes with current publishing workflows. This shifts human effort towards tedious tasks like cropping and format conversion, detracting from the creative focus on aesthetics and composition.

An example of a book cover image generated by AI.

Likewise, most Generative AI services focus on a single media output, making cross-platform integrating challenging.

The Inksight podcast team’s experience with Zoom illustrates the benefits of human intervention as it “allows us to have video material to use for promotional purposes (Reels, YouTube, UCL publishing Instagram).”

This underscores the ongoing need to balance automation with human creativity, a vital skill for enhancing our students’ future employability.

The sustainability of extra-curricular media projects

The one-year format of our MA programme presents a significant hurdle for extracurricular activities as demonstrated by previous projects including Uncovering Publishing and Shelf Healing. Just as students hone their skills, they are ready to graduate, often having secured industry positions.

We do not yet have a practical solution to this challenge, but as the two projects continue to develop, we will look for ways to ensure greater continuity between cohorts and ensure teaching colleagues are equipped with the relevant skills to assist new groups of students.

The Inksights team are currently editing the first full episode of the podcast with the aim to release it by the end of Term 2.

Acknowledgements: Thanks to Amy, Eden, Lily and Mira for providing their thoughts on their progress to date. Simon used GPT-4 to improve the readability and conciseness of the first draft.