Q&A | Making Classics More Inclusive: Dr. Máiread McAuley on Teaching and Belonging
By Admin, on 6 March 2025
Former CHE Project Assistant Kellynn Wee interviewed Dr. Mairéad McAuley from UCL’s Department of Greek & Latin, the winner of one of UCL Arts and Humanities’ 2024 Education Awards in the category of “Enhancing Belonging.”
In this interview, Dr. McAuley reflects on an unconventional journey into academia, how research on gender and Roman literature informs teaching, and efforts to create a more inclusive learning environment. The discussion covers the Department of Greek and Latin’s initiative to review Moodle module pages with a critical eye toward equity, diversity, and inclusion, as well as the collaborative process of drafting content statements that acknowledge sensitive material while fostering open discussion.
Hi, Mairéad! Congratulations on receiving the UCL Faculty Education Award for enhancing belonging! To start, could you please tell us a bit more about yourself and how you would describe yourself as an educator?
I joined UCL in 2013 after completing PhD and postdoctoral research at the University of Cambridge in Classics. I haven’t had a completely straight trajectory from studying to working as an academic. Between my BA and postgraduate work, I spent a couple of years working in software development in Dublin, where I’m from. After my PhD I lived and worked as a postdoc in South Africa for several years. I was also lucky to be able to take several years of unpaid leave while having my children. before I returned to academia in 2017-18.
I think this trajectory – working after university, spending time in South Africa and being a stay-at-home parent for a period – has given me a particular perspective on the job of an educator. Given ongoing cuts to the humanities, I feel incredibly privileged to be able to teach and research in a field where the priority is not profit or economic productivity per se,, but about cultivating a greater understanding of the ancient past and its resonances for us today. But I’m mindful that what we do can sometimes seem very marginal and strange to people in places like South Africa, where jobs are scarce, many basic needs are not met and the ramifications of European colonialism and apartheid are still felt in material ways. I’m also aware of the difficulty of combining academic work – with its long hours and requirement for intense focus and engagement – with other forms of (unpaid) labour like caring responsibilities, kinwork, and domestic work. I try to bring this awareness of the economic, structural and affective aspects of people’s non-academic lives, and how they impact the ways they engage with academia, to my work as a teacher.
In what ways has your research informed your teaching, and vice-versa?

“The xv. Booke of P. Oudious Naso, entyltuled Metamorphosis, translated oute of Latin into English meeter by Arthur Golding Gentlemen”, courtesy of WikiMedia Commons.
I work on Roman Literature, particularly on gender and the body. My first book is on motherhood in Roman literature. When I started this project these were considered rather marginal and unusual topics in my discipline, but in recent years, I have found that these kinds of alternative perspectives and angles on canonical texts often interest our students most. My work on gender constantly informs my teaching in every way. To take one example, I developed an UG and MA module focused on Ovid’s Metamorphoses, which contains multiple vivid depictions of rape. The poem has sparked recent debate about how and whether to teach texts whose content jars with current values, and which might distress students, especially those who had experienced sexual assault. An unreflective approach might further silence survivors, making them feel unsafe in the classroom space. The challenge is to address the topic in a way that is sensitive to the needs of survivors but also enhances critical understanding of the ancient world. Rather than avoiding this topic altogether, I make it a central part of the module. I take steps to ensure that students have clear expectations that the classroom will be a secure and fostering environment, where they will feel safe exploring a topic that may be challenging both intellectually and emotionally. These include advance content statements, verbal reminders of the need to conduct discussions with sensitivity, and focusing discussions by asking students themselves to find connections with contemporary media, art, literature, and film in order to reflect upon the similarities/differences between ancient and modern representations of rape.
You’ve been involved in an unusual project: reviewing module Moodle pages! Can you tell us a bit more about this? What prompted you to start this project? How does something that’s such an everyday part of UCL life like Moodle relate to issues of diversity and belonging?
We felt that our Moodle pages needed a fresh eye, from a student’s point of view, to rethink the presentation of content from an EDI perspective. We paid student editors to check all our Departmental module Moodle pages to identify bibliographical gaps and potentially sensitive content. They flagged up areas where lecturers might not have noticed some difficult content – a passage assigned for language translation that might incorporate problematic attitudes toward women, for example. Through consultation, the team drafted context-specific Moodle content statements, which were circulated among colleagues.
There was some considerable debate around the framing of these content statements – the concern was that they would not be simplistic ‘trigger warnings’, which might enable students to avoid specific topics altogether, and thus miss out on understanding certain key aspects of the ancient world. The conclusion was that these statements, tailored to specific modules, would provide a preliminary ‘heads-up’ or advice about the kinds of things students might expect to encounter in the lectures – e.g. ancient attitudes to slavery, gender-based or ethnic prejudice; why these topics might feature in the module and the way they would be addressed within the module.
These content statements were rewritten collaboratively, and added in relevant places on the Moodle page, both under a specific week’s lecture topic, and as part of a general course outline.
You’ve also been active in organising workshops focused on decolonising the curriculum. Can you tell us more about what inspired you to begin these workshops? What sort of themes often emerge from these discussions? What effects do these workshops have on both staff and students?
We have developed a new BA with new modules that engage with debates around diversity in Classics, and its history of colonialism, such as “Race: Antiquity and its Legacy”. But another major question for us was: what about our existing modules, or modules that are mostly language teaching? How do we incorporate debate and critique into all of our teaching contexts and our departmental environment? How do we ensure that ours is not just a ‘top-down’ vision of reform; how do we avoid the trap by which the language of diversity and its initiatives can simply become institutionalised performative acts, ‘symbolic’ commitments rather than something tangible, meaningful for students themselves?
Despite controversy in the media around decolonisation and cancel culture, the feedback we received directly from our own students in modules was often specific rather than a wholesale critique of the field. Some of their criticisms and suggestions related to module content – how it could be expanded or adapted, how we could have more modules on topics such as race – while others were more concerned with learning environment and pedagogical approaches in existing modules. So we decided to set up a staff-student forum to discuss pedagogy in relation to making the teaching and learning environment more inclusive.
This workshop has had several outcomes: the main one was that staff and students agreed that upfront discussion within lectures – conducted in a historically contextualised, sensitive manner – about sensitive content was the most productive and inclusive strategy, rather than avoidance or censorship, which might have detrimental effects on students’ understanding of core content. Different pedagogical methods that encouraged a variety and diversity of points of view were also discussed – such as student-led debates instead of individual presentations.
You’ve also organised several iterations of a very successful event — a student-led speaker series called ‘Beyond the Mediterranean’, which provokes discussions on the character of Classics in the modern world. Can you tell us more about the impetus behind this? Have there been particular moments or discussions across the years within this series which have stood out as particularly memorable to you?

An ivory statuette of Lakshmi (1st century CE), discovered in the ruins of Pompeii (destroyed in an eruption of Mount Vesuvius in 79 CE) in c. 1930–1938, courtesy of WikiMedia Commons.
This was an initiative begun by Dr Caterina Pellò, in which student presenters chose a topic and developed a presentation on this topic, which addressed how to expand the boundaries of the traditional Classics curriculum. The series was organised by a student volunteer, and in the last two years, we’ve had 15 separate talks from undergraduates and postgraduates on a range of topics, from orientalism in Greek tragedy to Dionysus in India. We also had a range of exciting talks that focused upon the reception of the Classical World and thus expanded the boundaries of the topic beyond a Eurocentric frame: such as Greece and Rome in Indian cinema, Japanese sci-fi and video games. This has been one of the most inspiring and successful initiatives of recent years within the department.
Discussions at the speaker series were highly educational for both staff and students. Staff have been deeply impressed by the intellectually sophisticated ideas for disciplinary expansion proposed by the students; they reported that it had given them material for serious reflection on the diversity of content they could offer. From the student side, participants and student attendees commented positively on how this series empowered them to engage in the future of the discipline within UCL and beyond. Itprovided a positive, non-threatening intellectual space in which they could have a first experience of presenting original research and receiving feedback. The Speaker Series provides a blueprint for how we might rethink our ways of teaching on a more holistic level.
Finally, what does belonging to a community mean to you?
I think education has to be viewed in terms of community: it’s a collaborative engagement between teachers and learners rather than simply a ‘top-down’ process. One of the great privileges of my job is that I get to share students’ enthusiasm about the ancient world and exchange ideas with them. I learn at least as much from them, if not more than they learn from me.

Jean Nicolas Servandoni, “Architectural Capriccio with a Monumental Arch”, (18th century) courtesy of Met Museum.
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Mairéad McAuley is an Associate Professor at UCL’s Department of Greek and Latin. Mairéad’s research focuses on Latin literature, especially from the Augustan to Flavian periods, alongside gender, literary theory, and the Classical tradition. Mairéad’s first monograph Reproducing Rome; Motherhood in Virgil, Ovid, Seneca, and Statius was published by Oxford University Press in 2016.
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