UCL’s Grand Challenges team have produced a short film detailing the work done by Dr Robert Biel, author of the popular open access book Sustainable Food Systems: The Role of the City, and Senior Lecturer Development Planning Unit in the UCL Bartlett Faculty of the Built Environment. Watch the film below, and download Dr Biel’s book for free here.
Archive for November, 2017
For me, and I think for many others in the university press sector, the first University Press Redux Conference in March 2016 marked a sea change in the way UK university presses are seen, and see themselves.
Kick-started by the momentum generated by the Academic Book of the Futureproject (a two-year research project into the scholarly publishing industry, funded and supported by AHRC and the British Library, 2015-2017), the first University Press Redux Conference in Liverpool in March 2016 was launched by Anthony Cond, Managing Director of Liverpool University Press (winner of both the Bookseller and the IPG Awards for Independent Academic Publisher of the Year in 2015).
I use the word ‘launched’ deliberately, since ‘organised’ does not fully convey what Anthony achieved in that first conference. Attended by over 150 delegates from around the world and with speakers from the US, UK and Europe covering all aspects of university press (UP) activities, and with representatives from all levels and functions, the conference offered an opportunity on this side of the Atlantic for university presses to meet, discuss and exchange ideas and information. The mood was buoyant, the presentations were stimulating, and we all learnt a huge amount.
Redux 2016 happened at a particular moment, which also helps to explain its success. Scholarly publishing is undergoing significant change, with a challenging market, changes in library supply, digital distribution, new HE policies, and changing university missions which have led to a reexamination of the purpose of university presses. At the same time, many new presses have been springing up, signaling a desire on the part of institutions to do things differently. Redux was an opportunity to share those challenges and changes with all those who work in the sector – not just the UPs, but also the affiliated sectors that we work with: libraries, authors, academics, suppliers, policy makers, funders and our own institutions.
The things that shone through clearly to me during that conference were threefold:
1) that we are a ‘thing’, with distinct skills, responsibilities and challenges, quite different from scholarly publishing generally, even though we share many similarities
2) that despite our shared identity, we are also remarkably diverse in our outputs, activities, practices, sizes and missions
3) that we should be incredibly proud of what we do, and that our parent institutions should also be incredibly proud of what we do for scholarship and for our universities’ brand recognition
And what also came through very clearly was the feeling that we must do this again.
And so Redux was born as a regular event on the conference calendar. The University Press Redux 2018 takes place on 13-14 February 2018, at the British Library Conference Centre. It will take place every two years, and it is now ably supported by ALPSP, putting it on a firm footing for the future. Each conference will be hosted in a different location by a different university press which is responsible for organizing the speakers and the programme.
I volunteered for Redux 2018 for the main reason that having only launched in 2015, UCL is very new university press with a fully open access model which is still very unusual. As such, UCL Press is keen to collaborate as much as possible with other university presses – to help establish itself, to learn, and to share its experience of its OA model. But also, I volunteered because it’s fun. I think we are incredibly lucky to work in such a collegial sector. There is a genuine eagerness to collaborate and help each other which really stands out.
Registration for Redux 2018 bookings is now open and well underway – please join us for two full days of stimulating conversation and presentations. We look forward to seeing you in February!
Today’s guest post is by Gabriel Moshenska, Senior Lecturer in Public Archaeology at UCL and author of Key Concepts in Public Archaeology, a textbook produced as part of JISC’s Institution as E-Textbook Publisher study.
The book is out. It has gone where academic books are supposed to go: a copy in the library, a copy to my parents, one to my former PhD supervisor, and one placed casually on the coffee-table in my office as if to say ‘Oh this? Just my latest with UCL Press’. In these moments of pride, it’s easy to forget the blood, the sweat and the tears, so let’s take a few minutes to look back.
The colourful cover image of Stonehenge is a visual cliché in archaeology, and Key Concepts in Public Archaeology is a textbook example. Public archaeology is a mixture of science communication and science studies focused on archaeology and the ancient world, and UCL has been a leader in research, practice and teaching in this field for decades. The textbook draws on UCL Institute of Archaeology’s undergraduate module and the MA degree in public archaeology, and most of the authors of the chapters are regular guest lecturers on these courses.
Collections of papers by multiple authors are challenging to edit: one or two recalcitrant authors can delay publication and strain professional relationships, while the need to maintain a consistent standard and ‘voice’ requires a considerable effort, particularly for a textbook that needs to be more straightforwardly readable than other academic texts. The finished product, beautiful though it is, is considerably later and marginally slimmer than originally intended, but the Press remained supportive and encouraging throughout.
Public archaeology is grounded in a philosophy of openness and sharing scholarship, so the opportunity to publish an Open Access textbook with a Creative Commons license was extremely welcome. To combine this with the high editorial and production standards and the prestige of a University Press was a unique and brilliant opportunity. As chapter authors dragged their feet the Press decided to take advantage of the open, digital publishing format to launch the volume as a ‘living book’ to which additional chapters could be added until the final version appeared in print, pdf and a variety of other digital formats. This willingness to innovate was a significant part of the pleasure of working with UCL Press.
The print-runs for many academic books have dipped from the hundreds into the tens, while their prices have gone in precisely the opposite direction, and production values have apparently fallen out of somebody’s window. In contrast to this, UCL Press have produced a high-quality textbook that is improbably, gloriously free to download in pdf (as nearly two thousand people have discovered), and very reasonably priced in print. From an author/editor perspective the process has been exemplary, and I very much hope to work with UCL Press again in the future.