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Gavin’s book of witches

Sarah S Pipkin29 October 2021

Hidden in the Institute of Education’s Baines Archives is a small book entitled Gavin’s book of witches (BA/1/9/78).

A book cover decorated with crayons which reads Gavin's book of witches

The Baines Archives includes items related to the work of George and Judith Baines, who pioneered new teaching methods in the 1960s-1980s. The archive includes examples of student work from Eynsham County Primary School where George Baines worked as the headteacher. There are a number of small books written, illustrated, and bound by the students. One former pupil described the process:

‘A prominent memory that I have is of the book binding which not only completed a study but also became a feature. The technique is a cherished memory: the meticulous scraping of the lino block, the roller thick with sticky paint, the binding and the glue oozing out in all the wrong places, the pride of producing a book contained within a hardback.’

Gavin’s book of witches is one such example of student work. It was produced by a young pupil, probably named Gavin, who was probably still learning to write. The teacher has written the text for Gavin to copy underneath. It was then illustrated with original drawings.

Two pages. One has children's writing and is decorated with red and black crayon. The other is a drawing of a group of witches.

The book is very short – just six pages in total. A transcription of it follows:

A children's drawing of a witch on a broom with a cat.

 

 

 

My witch is flying. She is going to the witches party.

 

 

 

A children's drawing of a group of witches.

 

 

She gets there first then all these come.

 

 

 

 

 

 

A group of witches sat at a table.

 

The witches are singing and eating at their party.

 

 

 

 

 

Gavin’s book of witches is the perfect Halloween story.

If you’d like to see more examples of workbooks from the Baines collection, ‘A Book of Bones’ and ‘My Book about the Potato’ are both featured in our online exhibition ‘Word as Art: Beauty in the Archives.’