This guest blog post was written by Dr Steph Carter, who spent six months volunteering at UCL Special Collections as part of the Liberating the Collections project
The initial phase of the ‘Liberating the Collections’ project at UCL Special Collections has begun to highlight under-represented and marginalised voices in the collections. One area of research has been women owners, contributing not only to the existing narrative of pre-1750 books in the UCL Special Collections but also to the growing scholarly interest in early modern women book owners.
Working primarily with the UCL library catalogue, 5000 provenance statements were examined for evidence of women owners and straightaway provided ample data to pursue research on the lives of these former book owners. However, research into women book owners brought to the fore the intensely acute disparity that is so common between men and women when it comes to historical documentation and searching for biographical details. Biographies of identifiable women tend to be tied into the biographies of their fathers, husbands or brothers, typically comprising little more detail than a wedding date and how many children were born. An added complication is the repeated use of the same first name through successive generations of a single family.A Hebrew text from the 1680s includes the inscription ‘Rebecca Mocatta’ on the front endpaper. This is undoubtedly part of the surviving Mocatta Library, the majority of the collection having been destroyed by bombing in 1940. The Mocatta family were established in London by 1671 with the merchant and diamond broker Moses Mocatta. At his death in 1693, Moses identified a niece called Rebecca; his son Abraham later had a daughter also named Rebecca. Rebecca also continued to be an important female family name in the 18th and 19th centuries, and the book remained in the Mocatta family collection until at least the early 19th century as there are manuscript notes on the front flyleaves detailing information about births in the family between 1797 and 1809. Of course, even with a family name it is not always possible to identify the correct lineage. The Countess of Warwick, Mary Rich (1624-1678), is a known author and book owner. She was addicted to plays and romances in her youth, so it is not ridiculous to assume that she is the author of the inscription ‘Mary Rich’ on the title-page of Sir John Harington’s 1591 translation of Ariosto’s Orlando Furioso – the Italian poem that is a source for Much Ado About Nothing.
However, another ascription, ‘Margarit Riche’, is also present on the title-page and an inscription on p.  of the main text refers to a note on the marriage of Robert and Elizabeth Riche in 1616.These details do not match with the genealogy of the Earls of Warwick, suggesting that this book may have been owned by a completely separate family and passed down through female members of that family.
Despite the limitations of researching and identifying women book owners, the Mocatta and Rich examples contribute to a growing narrative of what the editors of Women’s Bookscapes in Early Modern England describe as ‘the myriad ways in which women bought, borrowed, accessed, wrote in, made, recorded, cited, and circulated books’ (p. 4). Such research on women book owners will also contribute to a broader engagement with the UCL Special Collections.
Dr Steph Carter, Associate Researcher, Newcastle University
Orbell, J. (2004) ‘Mocatta family (per.1671-1957), bullion dealers and brokers’, Dictionary of National Biography Online. Available at: oxforddnb.com [Accessed on 27 July 2021].
Cambers, A. Godly Reading: Print, Manuscript and Puritanism in England, 1580-1720 (Cambridge: Cambridge University Press, 2011), pp. 48-50.
Knight, L. and White, M. ‘The Bookscape’ in: Knight, L., White, M. and Sauer, E. (eds.) Women’s Bookscapes in Early Modern Britain. Ann Arbor: University of Michigan Press, 2018, pp. 1-18.