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An Unexpected Discovery

By Katy Makin, on 23 November 2023

The folklorist Katharine Mary Briggs (1898-1980) shared her love of folk tales and storytelling through her many publications, community work and children’s groups. A former president of the Folklore Society, a small archive of her papers and correspondence is now owned by the Society and deposited with UCL Special Collections as part of the Folklore Society Archive.

Image of a drawing of a girl with long hair in pigtails, lying on her side with a book open in front of her. She is looking at the viewer.

Katharine Briggs as a child, unknown artist. Image supplied by the Folklore Society

 

Although Briggs’ papers in the Folklore Society Archive are currently uncatalogued, access can still be provided for researchers who have the patience to work methodically through her letters, notes, poems and photographs. The letters in particular are tricky to use as they are only roughly sorted into bundles that span several years. But patience can be rewarded; whilst checking the bundles of letters ahead of a researcher’s visit as part of our data protection procedures I came across an unpublished letter from the author JRR Tolkien to Katharine Briggs.

An image of JRR Tolkien's books on a shelf in the main library.

Tolkein’s books in UCL Main Library.

Two letters from Briggs to Tolkien are now part of the Tolkien archive held at the Bodleian Library, University of Oxford. In her first letter of October 11th 1954, Briggs describes being held in suspense, “reading and re-reading” The Fellowship of the Ring, and asks whether the second part of The Lord of the Rings will be published before Christmas. For her, the only flaw is the alteration of the Gollum incident from the way it had been told in The Hobbit and the nature of Bilbo’s finding of the One Ring, which had been her favourite part. In The Fellowship of the Ring, she says there is an implication that Bilbo thought of the Ring as a gift, which seems to her unlikely. On a minor point, she also found the description of Bilbo running away from Gollum with his hands in his pockets unconvincing: “You would never run away from a furious adversary with your hands in your pockets – try it and see. Particularly in a dark and narrow place”. [Letter from Katharine Briggs to JRR Tolkien, 11th October 1954, Oxford, Bodleian Libraries, Tolkien Family Archive (uncatalogued)]

Tolkien’s response came a few days later, on the 13th October. This is the letter now found in Briggs’ papers in the Folklore Society archives. He thanks Briggs for her appreciation of his work, and addresses some of her comments about the “Bilbo-Gollum business”. He confirms that Gollum would never willingly have gifted the Ring to Bilbo, but under the “evil pressure of the Ring and the cry of thief”, in one version of events Bilbo makes up the story of the Ring being a present.

Addressing her challenge, he says:

“Even in the abbreviated version of the ‘prologue’ Bilbo did not run away with his hands in his pockets. (I have not led an entirely sheltered life, and have no need to try it out). In the full version this is clearer.”

Tolkien ends his letter with good news: The Two Towers has gone to press and he hopes it will appear by November 1st (or not long after). In in the end, Briggs did not have much longer to wait as it was published on November 11th 1954.

Image of part of a letter that reads: "However, I cannot change again! You will be getting a lot more of Gollum shortly; and I hope you will approve of my treatment of his unhappy psychology. The second volume has long been passed for pres, and I hope it will appear before November 1 (or not long after). Thanking you again, I am Yours Sincerely, J.R.R. Tolkien."

Letter from JRR Tolkien to Katharine Briggs, 13th October 1954, Folklore Society Archive T273, UCL Special Collections. Copyright of the Tolkien Estate and reproduced here with permission.

 

Briggs was effusive in her thanks. “The news that The Two Towers is to come out in November is the best I have heard for some time. Then we shall be all clamouring for The Return of the King (I hope this is Aragorn); and when we get that we shall be undoubtedly happy for a good many years.” In the meantime, she had purchased a new edition of The Hobbit and agreed that the full account of the meeting with Gollum is much clearer here than in the summary given in The Fellowship of the Ring.  [Letter from Katharine Briggs to JRR Tolkien, 21 Oct 1954, Oxford, Bodleian Libraries, Tolkien Family Archive (uncatalogued)]

 

A picture of the title page and frontispiece of "The Personnel of Fairyland" by K M Briggs. The illustration is a woodcut or engraving style and shows an enchanted castle, witches, imps and a fairy ring.

Briggs, Katharine M. (1953) The personnel of fairyland : a short account of the fairy people of Great Britain for those who tell stories to children / by K.M. Briggs / illustrated by Jane Moore. Oxford: Alden Press.

Copies of Katharine Briggs’ many books can be found around UCL Libraries, including one of her earliest collections of stories: “The Personnel of Fairyland: A short account of the fairy people of Great Britain for those who tell stories to children” (Stores FLS 12 BRI ) which has the charming frontispiece pictured above. Based on an image of medieval folklore, it includes a witch, an enchanted castle, a Friar raising his imps, a Fairy Ring, and a “Witch rideing on the Devill through the Aire”.

Some of her other books popular with children are part of the IOE Library’s collections, including “Nine Lives: Cats in Folklore” (IOE Library FOLKTALES 398.2 BRI) and “Abbey Lubbers, Banshees and Boggarts: A Who’s Who of Fairies” (IOE Library FOLKTALES 398.24 BRI).

If you’re visiting the IOE Library you can also borrow a copy of JRR Tolkien’s “The Lord of the Rings” at the same time (IOE Library FICTION TOL).

Image of the front cover of "Nice Lives" by K M Briggs, which has an illustration of a grey cat surrounded by flowers.

Briggs, Katharine M. (1980) Nine lives : cats in folklore / Katharine M. Briggs ; with illustrations by John Ward. London: Routledge & Kegan Paul.

 

The Folklore Society archive and rare books library are deposited at UCL Special Collections. For further information and to make an appointment, contact us.

Other archive material of Katharine Briggs and her family, including her sister Elspeth, is held at Leeds University Special Collections (MS 1309).

 

With thanks to Catherine McIlwaine, Tolkien Archivist, Bodleian Libraries University of Oxford, for her assistance. The letters from Katharine Briggs to JRR Tolkien are part of the uncatalogued family archives and not currently available for research.

Gaster Cataloguing Project: Part 2

By Katy Makin, on 22 September 2023

In our previous blog post we introduced our project to catalogue the archive of Moses Gaster, and looked at some of the letters sent to Gaster on topics as diverse as Sunday trading and Hebrew braille. In the second of our two posts relating to the project, Gaster Project Cataloguer Israel Sandman discusses Gaster’s charitable activities.

From the Gaster Archives: A Glimpse into Moses Gaster’s Charity Activities

By Dr Israel M. Sandman, Gaster Project Cataloguer

Moses Gaster was a multifaceted person. He was the chief rabbi of the Spanish and Portuguese Synagogue in London, and, by extension, of all Spanish and Portuguese Jews’ congregations under the British Empire. He was a polymath academic scholar, with strong focuses on comparative folklore and linguistics. He was a key figure in the emergence of modern Zionism. And he was a go-to person for Jews worldwide, for help with their various needs and wants.

Charity Appeals to Gaster:

Daily, Moses Gaster received multiple charity appeals, some in the post, and some in person during his reception hours. While he donated from his personal funds to Jewish and other worthy causes, as seen in receipts, lists of donors, and gentle reminders to honour his pledges, what he could do from his own funds was a mere drop in the ocean of need.

[Image and Transcription of Receipt for Donation made by Gaster (file 131, item 44)]

UCL Special Collections, Gaster Archive, GASTER/9/1 [formerly file 131/44]

Royal Asiatic Society
22, ALBEMARLE STREET, W.
346
March 15, 1900
Received from Dr. Gaster the sum of One Guinea as a donation to the Medical Fund.
£1-1-0
[Signed] Secretary

Charitable Funds on a Community Level:

Addressing the vast needs faced by people in fincial hardship required charitable funds on a community level. Charitable funds established in the Jewish community enabled Gaster to help the Jewish individuals and worthy institutions that turned to him from Palestine, North Africa, elsewhere in the Near East, India, West Indies, Eastern and Central Europe, the East End of London, the length and breadth of Britain, and elsewhere. We shall examine two such funds, one of which was well established, and another of which was an ad-hoc fund set up to meet a specific need.

Case 1: Gaster Helps S. Edelstein via the Board of Guardians of the Poor of the Spanish and Portuguese Synagogue:

Shalom Edelstein was a Romanian Jew residing in London’s East End, which at the turn from the 19th to the 20th century was the first place of settlement for many Jews from Central and Eastern Europe. Reading between the lines of Edelstein’s 21 March 1899 postcard to Gaster, written in ornate Hebrew full of allusions to classical Jewish literature, and in which he mentions his ill health, one gets the impression that Edelstein was more a man of the mind than a man of the body, and that he shared interests with his “landsman” Gaster.

London 21/4/99
כבוד הרב החכם הבלשן
סופר מהיר בלשונות החיות, רב ודרשן
לעדת הפורטוגעזים, בעיר הבירה לונדן,
והמדינה וע”א כש”ת מו[“]ה ד.ר. גאשטער נ”י.
הנני בזה לכתוב למ”כ
את רשומתי, כמו שבקש מאותי, אולי יאבה
לכבדני במכתבו, ומפני כי מעת ראיתי פני
כ”מ, לא נתחדש שום דבר, – רק שאני חלש
מאד, ואנני בקו הבריאה, עד כי בכבדות
אוכל לקום ממשכבי, – לכן אקצר
ואומר שלום.
והנני מוקירו ומכבדו כערכו הרם.
פ”ש, כשמי, – שלום
הן תוי ונוי
S. Edelstein
17 Winterton St.
Commercial Road, E.
Image of S. Edelstein’s 21 March 1899 Mostly Hebrew Postcard to Gaster (file 117, item 9)]
London 21/4/99

His honour, rabbi, sage, linguist, speedy scribe in living languages, rabbi and preacher to the congregation of Portuguese [Jews] in the capital city London and the [entire] country, and furthermore [possessor of] the ‘crown of Torah’, our Master Rabbi Dr Gaster, may his lamp shine!

I am hereby writing my address [Hebrew: רשומתי or רשימתי] to his honour, as requested by him. Perchance he will desire to honour me with a letter? On account of the fact that since I have seen his honour’s face, nothing new has occurred – aside from my being very weak: I am not keeping in good health, so much so that it is only with difficulty that I can arise from my couch – I will therefore be brief, and say ‘farewell’ [Hebrew: Shalom].

I hereby hold him precious and honour him, in keeping with his lofty worthiness,

Greetings of Shalom, in keeping with my name, Shalom [Peace], being my mark and my charm
S. Edelstein
17 Winterton St.
Commercial Road, E.

[Image, Transcription, and Translation of S. Edelstein’s 21 March 1899 Mostly Hebrew Postcard to Gaster. UCL Special Collections, Gaster Archive, GASTER/9/1. Formerly file 117, item 9]

Multiple Communications Between Edelstein and Gaster:

This was not their first communication. In the postcard, Edelstein refers to their having had a face-to-face meeting; and he notes that Gaster had asked him for his reshuma / רשומה [or: reshima / רשימה], presumably meaning his address. Presumably, this indicates that Edelstein had asked Gaster for assistance; and that Gaster was going to try and help him. Three days later, on 24 April 1899, Edelstein sent another postcard to Gaster, this one in Romanian. Apparently, to help Edelstein, Gaster turned to the charity board of the synagogue of which he was rabbi, the Board of Guardians of the Poor of the Spanish and Portuguese Synagogue.

[S. Edelstein’s 24 March 1899 Romanian Postcard to Gaster (file 117, item 20)]

UCL Special Collections, Gaster Archives, GASTER/9/1 [formerly file 117/20]

The Board of Guardians’ Approval:

Nine days later, on the 3rd of May, Gaster received a memo from the Board of Guardians. They would cover Edelstein’s train fare from London to Liverpool, and his boat fare from Liverpool to New York. However, that cost £5, and they did not have anything additional to offer Edelstein. Although that would mean that Edelstein would arrive penniless in New York, the Board had reason to believe that Edelstein would nonetheless be admitted to the USA. It seems that Edelstein was permitted to enter the United States, for we have a long letter, in Romanian, which he sent to Gaster from New York. Towards the end of that letter, he updates Gaster about a certain D. Gottheil. The Gaster Archive contains letters to Gaster from a Professor Richard Gottheil, relevant to the writing of Jewish Encyclopedia articles and possibly to Zionism; but it is unclear whether there is a link from Richard to D. Gottheil.

Image of a letter of Approval by the ‘Board of Guardians of the Poor’ of the ‘Spanish and Portuguese Synagogue’ to Cover S. Edelstein’s Travel Expenses from London to Liverpool to New York (file 118, item 11


London May 3rd 1899

Dear Dr. Gaster,
re – S. Edelstein
With difficulty I succeeded in securing a passage for this man per “Tonfariro” which will sail from Liverpool on Saturday next. The fare came to £5 which includes railway fare to Liverpool so that I have nothing to hand over to the man. I am informed that by this line it is not necessary for him to have a certain sum of money in his pocket on arrival in New York.
Yours faithfully,
J.Piza

The Board
would do nothing
for Haham Abohab
J.P.

[UCL Special Collections, Gaster Archive, GASTER/9/1. Formerly file 118/11]

The Limitations of Working Through the Board of Guardians of the Poor:

In addition to the limits of what the Board felt capable of doing for Edelstein, at the end of their memo, the chairman adds an apologetic side note. He mentions that the Board did not approve a different request, for funding for a certain Hakham (rabbi/sage) Abohab. It is noteworthy that Edelstein was a Central / Eastern European Jew, while the name Abohab indicates a Jew from the Islamic countries. Although the Spanish and Portuguese tradition is more aligned with the traditions of the Islamicate Jews, the Spanish and Portuguese Board approved Edelstein’s request, not Abohab’s. This seems to indicate an objectivity on the part of the Board. It appears that the reason for the Board’s limits in giving was the fact that the Synagogue was experiencing financial difficulties; and in order for Gaster to carry out his wide range and full scale of charitable activities, he needed additional sources of funding, beyond those available through his own congregation

Letter refarding The Spanish and Portuguese Synagogue’s Financial Difficulties, 1900

UCL Special Collections, Gaster Archive, GASTER/9/1 [formerly file 131/85]

London E.C., 29th March 5660 1900

Dear Sir,
The Gentlemen of the Mahamad [executive committee] invite your attention to the Statements of Accounts of the Synagogue, and the Report of same for the year 1899, which have been circulated amongst the Yehidim [members] of the Congregation, & I have particularly to point out that the result of the year’s working shews a deficit of £595.-, and that the Elders have been compelled to sell out Capital Stock to meet this & other deficiencies accrued since 1895, amounting in the aggregate to £1608.-
This position, which is a very serious one, was duly considered by the Elders at their recent Annual Meeting, and they requested the Mahamad to take such steps as they might think necessary, to call attention, in the first instance  …

 

The Ad Hoc Fund for “Our Poor Roumanian Brethren”:

The Crisis of Romanian Jewry:

One additional source of charity funds, independent of the Spanish and Portuguese Synagogue and its Board of Guardians, is an ad hoc fund that Gaster seems to have created himself. The fund is for ‘our poor Roumanian Brethren’, as described in Benjamin Ritter’s letter to Gaster, accompanying a cheque from a collection taken up in Vine Court Synagogue. At this juncture (around 1900), Romanian Jews were experiencing an unusual level of persecution, and were seeking to leave Romania. From all directions, individuals and institutions were turning to Gaster for solutions and financial help; and Gaster did respond.

Letter from Union-Castle Mail Steamship Company for Donald Currie & Co., Seeking Gaster’s Advice on How to Handle the Anticipated Increase of Jews Seeking to Emigrate from Romania, and Mentioning Gaster’s Involvement with the Issue (file 135, item 120)

UCL Special Collections, Gaster Archive. GASTER/9/1 [formerly file 135/20]

The Vine Court Synagogue:

The Vine Court Synagogue was a congregation of Eastern European Jews, in the Whitechapel section of London’s East End. As noted, the East End was the first place of settlement for many Eastern European Jews. Thus, this congregation would have had particular sympathy for the Romanian Jews, as did Gaster, who was a Romanian Jew, and who received many charity appeals from the community of his origin. Gaster’s relationship with the Eastern European immigrant Jews of the East End came to good use in his finding the best ways to help his Romanian brethren.

Image of the Letter from B. Ritter to Gaster, Regarding the Vine Court Synagogue’s Collection on Behalf of the Romanian Jews

UCL Special Collections, Gaster Archive, GASTER/9/1 [formerly file 135/81]

53 Parkholme Rd
Dear Dr Gaster
I am forwarding you a cheque for 23/- which I have collected at a meeting of the Vine Court Synagogue for our poor Roumanian Brethren. I have also paid 7/- for two weeks rent for a family. I have also arranged for the rent to be paid until she is sent away. I hope that will meet with your approval.
I remain
Yours faithfully
B Ritter

The Blaustein (Bluestein) Family and their Relocation from Romania to London:

Another Romanian Jewish party helped through Gaster’s efforts is the Blaustein (Bluestein) family. (The surname seems to have been anglicised from Blaustein to Bluestein.) While it would take further research to try to discover the source of the funds Gaster used to help them, and to piece together this family’s full story and the relationship between all the family members, the partial story that emerges from the documents below is worthwhile in and of itself.

Mrs. Ch. Bluestein was a Romanian Jewish widow. One of her sons had a disability. Gaster had helped the family, and now they were established in London. The son with the disability was gainfully employed. Another son, who was to be married, ‘also earns a nice living’. Mrs Bluestein writes to invite the Gasters to the wedding, and to express her gratitude to Moses Gaster.

Image of Personal Letter of Gratitude to Gaster, Accompanied by a Wedding Invitation (file 131, item 58)]

UCL Special Collections. Gaster Archive, GASTER/9/1 [fomerly file 131/58]

2 Virginia Place
Lower Chapman Str.
Commercail [sic] Rd E
London March 20 1900
Reverand [sic] Sir

I beg to enclose your invite for my son’s wedding. I hope you will come, as you was always a good friend to me when in need so I am happy to let you know of my joy thank God my son is doing a respectable match – and I hope you will live to see joy by your dear children in happiness with your dear wife I am the widow whom you helped to bring over the crippled son from Bucherst, he is grateful to you as he thank God earns £2 – 0 – – weekly – and is quite happy – and my son that is to be married also earns a nice living. We often bless you for everything & I am pleased to tell you of my joy as well as I did my trouble. With best respect, yours gratefully,

Mrs Bluestein

Printed Wedding Invitation Addressed to the Gasters, Sent by Mrs Ch. Bluestein. The Hebrew line at the top is from the prophecy of restoration in Jerimiah 33:11, and is used in the Jewish wedding liturgy: ‘A voice of joy and a voice of gladness, a groom’s voice and a bride’s voice’.

In Summary

Gaster was heavily involved in charity work, on a scale that required communal funding. Although the Board of Guardians of the Poor of the Spanish and Portuguese Synagogue, Gaster’s congregation, provided funding for those beyond their own community, they were too financially limited to finance the full scope of Gaster’s work. Thus, we see that Gaster raised charity funds elsewhere, too. One example of this is Gaster’s ad hoc fundraising network on behalf of Romanian Jewry, which at the turn from the nineteenth to the twentieth century was undergoing strong persecution. We see how Gaster met this challenge, and we see the sweet fruit of his labour.

Blog post by Israel M. Sandman

Gaster Cataloguing Project: Part 1

By Katy Makin, on 20 September 2023

Deborah Fisher, Gaster Project Cataloguer, shares some of her work.

We have recently started an exciting new project to fully catalogue the archive of Rabbi Dr Moses Gaster (1856-1939) and make the collection more easily available for research. Supported by external funding, the project runs from August 2023 to March 2024, and two project cataloguers will be carrying out the work to sort, list and catalogue Gaster’s extensive correspondence.

The Gaster Papers is the largest and most significant Jewish archive collection at UCL Special Collections. The bulk of it is correspondence between Dr Gaster and a range of individuals and organisations across the Jewish and wider community. It includes both incoming letters and copies of outgoing ones, and comprises around 50 linear metres of material.

Gaster was a Jewish communal leader, prominent Zionist and prolific scholar of Romanian literature, folklore, and Samaritan history and literature, as well as Jewish subjects. Born in Bucharest, he was expelled from Romania in 1885 because of his political activities. He settled in Britain and was appointed Haham (spiritual head) of the Spanish and Portuguese Jewish community, and later also Principal of the Judith Lady Montefiore College in Ramsgate. He was a founder and president of the English Zionist Federation and played an important role in the talks resulting in the Balfour Declaration of 1917.

The archive also has wider significance beyond Moses Gaster himself and is an important resource for research into late 19th and early 20th century history, both within and beyond the Anglo-Jewish community. Gaster corresponded with a huge range of individuals and organisations: a biographical index of Gaster’s well-known correspondents for the period 1870-1897 includes nearly 400 names, including rabbis; Jewish, Christian and secular scholars; politicians; financiers; doctors and even royalty. He received correspondence from Britain, Europe, America, the Middle East, India, South Africa and Australia.

Letters from the archive

The letters received by Gaster cover a broad range of topics, such as aspects of Jewish law and religious practice, charity appeals on behalf of individuals and organisations, and meetings attended or publications produced by Gaster for various societies including the Royal Asiatic Society, Society of Biblical Archaeology, and Folklore Society. 

The samples below reflect the diverse nature of the correspondence, providing a glimpse into Gaster’s daily life and the tasks and responsibilities he undertook. 

Shopkeepers and Businesses

In a letter dated 28 August 1896, Gaster is invited to attend a meeting in support of the Jewish Master Bakers. The Sunday Observance Laws and the Bread Acts of 1822 and 1836 prohibited bakers from baking on Sundays due to the Christian Sabbath, but as Jewish bakers were also unable to bake and sell bread on Saturdays (the Jewish Sabbath), they would only have stale bread to sell during the limited trading hours on Sunday as well as on Monday morning. Many Jewish bakers did bake and sell fresh bread on Sundays in violation of these laws; this met with opposition from Christian bakers, who felt that it gave the Jewish bakers a competitive advantage. This tension led to Christian bakers reporting these Jewish bakers to the authorities, so that they would be prosecuted and fined. The letter below, written on behalf of the Jewish Master Bakers, invites Gaster to a meeting to discuss the matter.

Letter to Gaster from the Jewish Master Bakers regarding Sunday trading laws.

UCL Special Collections, Gaster Archive, GASTER/9/1

The restrictions on Sunday trading also affected other Jewish shopkeepers. The Gaster ephemera collection contains a flyer for a protest meeting against the “Sunday Closing of Shops and Markets Bill” in June 1906, at which Gaster was Chair. 

Flyer advertising a protest meeting against the Sunday closing of shops and markets, to be held on June 18th, 1906, with Moses Gaster in the Chair.

UCL Special Collections, Gaster Archive, GASTER/1/A/2/701

 

Hebrew Braille

Gaster was a highly respected scholar and linguist, and as such was asked by the National Institute for the Blind in June 1930 to serve on a commission for the development of a standardised Hebrew Braille code, to replace the regional variations already in existence. Furthermore, Gaster himself had lost his sight by this time, and so it may have been considered a matter of personal interest to him. 

Letter from the secretary-general of the National Institute for the Blind inviting Gaster to advise on the development of Hebrew braille.

UCL Special Collections, Gaster Archive, GASTER/9/1

Gaster responded that he would be willing to participate in this work, and that he had previously been involved in the preparation of an alternative writing system for Hebrew for blind users, albeit different from Braille. 

Copy of a letter from Gaster to the National Institute for the Blind, mentioning his sight-loss and agreeing to help with the development of Hebrew braille.

UCL Special Collections, Gaster Archive, GASTER/9/1.

Ultimately, Gaster does not appear to have been directly involved in the work of the Commission; it emerged that there could only be one English member of the Commission with knowledge of Hebrew, and that position had already been filled. But the National Institute for the Blind did continue to seek Gaster’s advice on the subject in a private capacity, as the letter below shows.

Letter from the National Insitute of the Blind asking Gaster to continue to provide them with the benefit of his knowledge and experience.

UCL Special Collections, Gaster Archive, GASTER/9/1

A broader discussion of the history of Hebrew Braille is found in the American Jewish Archives: https://sites.americanjewisharchives.org/journal/index.php?y=1969&v=21&n=2 

Blog post by Deborah Fisher, Gaster Project Cataloguer, UCL Special Collections.

 

Our next blog post later this week will continue to explore the Gaster archive, with an article by Gaster Project Cataloguer, Israel Sandman.

 

Galton Laboratory Records

By Sarah S Pipkin, on 7 September 2023

Leah Johnston, Cataloguing Archivist (Records), shares details of the Galton Laboratory archive.

Content warning: This blog includes details of records and objects that relate to racist, ableist and classist beliefs. The ideas within this material do not reflect the current views of UCL.

 

The Galton Laboratory Records form a collection of archives recording parts of the laboratory’s history, from its creation in 1904, up to the late 1990s. Much of the material was donated to UCL Special Collections in 2011, with some smaller accessions added since then. Over the past year the collection has been fully catalogued and is now all available to view online.

The origins of the Galton Laboratory at UCL can be traced back to 1904 when Francis Galton established the Eugenics Record Office in Gower Street, Bloomsbury. Although the laboratory was not officially part of the university at that time, a connection was formed with Galton endowing UCL with an annual £500 Fellowship of National Eugenics. In 1906 Professor Karl Pearson took over Directorship of the Eugenics Record Office, while still informally working alongside Galton. After Galton’s death in 1911, the residue of his estate was bequeathed to the university, under the condition that it was used to establish a Chair of Eugenics, whose role would be to direct research into ‘those causes under social control that may improve or impair the racial qualities of future generations either physically or morally’.

Sepia photograph of the Anthropometric Laboratory, South Kensington, 1884. Wood cases stretch into the distance.

GALTON LABORATORY/4/1/8 – Photograph of the Anthropometric Laboratory, South Kensington, 1884.

This early history of the laboratory is recorded in a series of administrative papers within the collection. Included is early correspondence between Galton, Pearson and P J Hartog (the then Academic Registrar), regarding their proposed scheme for a laboratory at the university, plus copies of Galton’s will and related planning for the establishment of a Chair of Eugenics. While these files include high level planning, other papers record more practical decisions, such as plans for the proposed new building. Below is an estimate for blinds to be supplied by James Shoolbred & Co. Ltd, including a small sample of green cloth.

Handwritten Estimate for blinds from James Shoolbred and Co., on lined paper. Pinned to the top left corner is a sample of green fabric, 1921.

GALTON LABORATORY/1/6/3 – Estimate for blinds from James Shoolbred and Co., including a sample of fabric, 1921.

Other series include papers accumulated by the laboratory, records of laboratory publications (such as the Annals of Eugenics, The Treasury of Human Inheritance and Eugenics Laboratory Memoirs), and research working papers.

Weldon pedigree mice schedule, consisting of several lines and charts showing the pedigree of individual mice.

GALTON LABORATORY/2/3/3 – Weldon pedigree mice schedule, 1905-1906.

The remaining series consist of photographs, artwork, audio-visual material, and objects.

Artwork in the collection includes portraits of individuals connected either to Galton, or to the laboratory, alongside early watercolours of scientific specimens and samples. It appears from related annotations that they were either displayed in the laboratory or were used in their publications.

Four watercolour illustrations. Two show close up images of the human eye. The other two show detailed illustrations of the interior of the eye.

GALTON LABORATORY/4/2/6 – Watercolour illustrations of human eyes, 1915.

A series of photographs are similarly varied and were also used in publications, displayed in the laboratory, or kept as reference material. Included below is an image of Francis Galton seated on his porch, with his servant standing behind him and holding his pet Pekingese puppy.

A damaged discoloured photograph. A man sits in front, wearing a broad brimmed hat and holding several papers in his hands. A man in a a butler suit stands behind him holding a small white dog.

GALTON LABORATORY/4/1/19 – Photograph of Francis Galton seated on his porch, with his servant Alfred Gifi, who is holding Galton’s Pekingese puppy, Wee Ling, c.1910.

This is contrasted against a more recent addition to the collection, which is one of three photographs showing women working in the laboratory in the early 1900s.

Black and white photo of two women working on desks in front of an open window. Sunligh is streaming through the window and the women seem to be processing skulls

GALTON LABORATORY/4/1/17 – Women working in laboratory, early 20th century.

Alongside other UCL Library and Culture collections, the Galton Laboratory Records help to form a fuller record of the history of the laboratory and in turn, its legacy at UCL. If you would like to further explore the collection it can now be viewed on our online archives catalogue and by typing ‘Galton Laboratory Records’ into the search bar.

To make an appointment to view the records, or for any queries regarding the collection or the catalogue, please contact us at spec.coll@ucl.ac.uk.

Public History group projects 2023: Small Press, Big World – exploring the world of Wikipedia

By Joanna C Baines, on 14 August 2023

Jo: 

Special Collections has been supporting the new MA in Public History since September 2022. As part of our support, we lead two group projects in Term 2 for Critical Public History, which is the core module all students take. These projects aim to equip students with real-world scenarios and experience, where they deliver an outcome to a client (in this case, Special Collections). Anna Fineman leads the other Special Collections project, which this year focused on creating an informal archive for the new UCL East campus.

My project involved putting information about our Small Press collections – which can be challenging to digitise due to the fact that they’re often still in copyright – online via Wikipedia. Small Press publications contain a wealth of work by artists, writers and publishers often collaborating to make independent works. This year our students James and Yuxuan worked on the 1960s art magazine 0 to 9, creating a brand new page for the title which includes a complete list of contributors to each issue. The page at present is in review stage, having initially been declined in April, so links will be updated on this post when it hopefully gets approved! You can still read the page whilst it is waiting for approval.

Huge thanks to James and Yuxuan who were an absolute dream team to work with this year!

James and Yuxuan:

For this short blog post, we will showcase the benefits of Wikipedia for information creation with student collaboration. We will also highlight some key strengths and pitfalls that come alongside Wikipedia development through the lens of working with the Small Press collection: 0 To 9 Magazine. Almost everyone has used Wikipedia for access to information, but to help ensure its continuation, it needs the support of contributors to help develop new articles.

Wikipedia is an encyclopedia with free content anyone can use, edit, and distribute. It is developed to have a neutral point of view. There are no firm rules, but contributors to Wikipedia must treat each other with respect and civility. For new users, Wikipedia also provides tutorials to help teach the basics. On creating a new page, various templates can aid your creation/development of an article! 

Useful features to utilise when creating your Wikipedia page would be your sandbox, which allows you to play around with Wikipedia’s features in a less formal environment. Standardised elements include headings, citations, references and an infobox template.

Note: Although anyone can edit on Wikipedia, on published pages, people will check and edit what you post: Make sure to base your work on reliable sources. You can see a baseline of what reliable sources are from this Wikipedia page.

For our Wikipedia page, we included a brief description of what 0 To 9 Magazine was, some background behind the creators of the magazine, the production of the magazine, and the themes expressed by the contributors to the magazine. We then proceeded to list all the issues of 0 To 9 and more specifics about each issue. 

At the bottom of the page, you can find further information about the impacts of 0 To 9 through the Supplements, Impact and Legacy subheadings and the various references.

As we worked on our Wikipedia page, we tried to focus on the magazine’s materiality of language and the distinction between visual art that it defies. We have also created a short video for this blog post, giving more details about the magazine, which you can watch below.

Winners of the 2023 Anthony Davis Student Book Collecting Prize

By Erika Delbecque, on 4 July 2023

We are delighted to announce the winners of this year’s Anthony Davis Book Collecting Prize, which is open to students from any London universities. The prize is intended to encourage students who collect  books, printed and manuscript materials. We received over thirty submissions from a total of nine institutions, with collections ranging from manuals on insect collecting, Penguin editions and books on the Tudors to 1890’s London and theatre programmes.

Results

Because of the high standard of the finalists’ presentations and collections, the panel decided to split the award between the two top-scoring candidates. Emma Treleaven, a PhD candidate at the London College of Fashion, is this year’s winner. Her collection, entitled My Own Two Hands: Books and Ephemera About Making Dress and Textiles Before 1975, focuses on learning materials on making clothes and textiles in domestic settings. Her collection is a way of preserving skills that are at risk of being lost, and she uses her collection to teach herself to make clothing in ways that aren’t taught anywhere outside of these historical printed materials. As the winner of this year’s competition, Emma will represent London at the ABA National Book Collecting Prize 2023.

Items from the collection of Emma Treleaven

Items from Emma’s collection on making dress and textiles before 1975

Items from the collection of Ben Baker

Items from Ben’s collection on the artistic and literary networks of Fitzrovia between 1920-1948

The runner-up candidate is Ben Baker, whose collection Artistic and Literary Networks of Fitzrovia: 1920-1948 impressed the panel with its ambition and clear focus. His collection explores the eclectic concentration of the so-called bohemian authors and artists who lived and worked in the region surrounding Fitzroy Square in London in the interwar period. Benjamin is studying for a BA Classics at UCL.

Items from the collection of Ben Baker

Items from Ben’s collection on the artistic and literary networks of Fitzrovia between 1920-1948

Tessa Roynon, a MA Library and Information Studies student at UCL, received a special mention for her collection The Formations of Toni Morrison, 1955-1980, which focuses on the pre-celebrity work of the African American Nobel Laureate.

The other finalists were:

  • Grant, Jenny – ‘Read this – and tell others’: Inscriptions and the gifting of Polish books to British friends by the Polish Armed Forces, 1939-45
  • Gray, Victoria – Prized Possessions: a collection of 19th- and 20th-century school prize books
  • Mitra, Sudipto – Barefoot Ballers: Books on Football in India
  • Shanker, Louis – My library, after David

Meet the finalists and see their collections

All seven candidates will be presenting their collections to the public in our UCL Rare-Books Club series over the next few weeks.

On Wednesday 5 July, Victoria, Jenny and Ben will present their collections in person at the UCL Bloomsbury campus. Book your place on Eventbrite and drop in any time between 12.30pm and 2pm.

On Wednesday 16th August, Sudipto, Emma, Tessa and Louis will present their collections. This is likely to be a hybrid event, which you can either join in person at the UCL Bloomsbury campus or online on Zoom. Book your place on Eventbrite and drop in any time between 12.30pm and 2pm.

In addition, Anthony Davis, the benefactor of the award, will be presenting his collection of fine bindings on Wednesday 19th July. He will talk about how he started collecting and show a selection of his book bindings, alongside bindings from UCL. This event is taking place in person at the UCL Bloomsbury campus. Book your place on Eventbrite and drop in any time between 12.30pm and 2pm.

We would like to thank all the applicants and wish them good luck and many years of joy in their future collecting. Our thanks also go to the judges for generously giving their time and, most of all, to the benefactor of the award, Anthony Davis, for helping nurture the collectors of the future with his encouragement, expertise and enthusiasm.

MS Mocatta 20: Taking a closer look at fragments of a 14th century Quran

By Sarah S Pipkin, on 30 June 2023

Over the course of Spring 2023 we worked with our UCL Library Services’ colleague Abida S. to take a closer look at MS Mocatta 20: Fragments from the Holy Quran.

I am grateful to have been given this opportunity to take part in a fun project with UCL’s Special Collections team to showcase a 14th century Quran manuscript on the library social media account. The Quran is the holy book for Muslims. To be able to witness first- hand a Quran manuscript from the 14th Century was a special moment. I had this overwhelming feeling of awe and fascination when viewing a piece of history that has been preserved so well for centuries and I was able to read this Quranic Arabic text that is written in an intricate “muhaqqaq” script. This is the same Quranic words that is read today, unchanged.

Image of a book open to an elaborately decorated page. The paper is durty but the arabic script is still very clear. Surounding the script is an intricate blue and gold leaf pattern. The light is shining off of the gold leaf at the bottom of the page.

MS Mocatta 20. Photo by Abida S.

The Holy Quran is the sacred religious book of Islam. In Islam, the Quran is God communicating with mankind. Reciting the Quran is a religious duty for Muslims, especially during Ramadan. It allows you to connect with the Quran’s message and is a rewarding spiritual practice.

UCL’s manuscript, MS Mocatta 20, is thought to date from the 14th and 15th Century and was previously owned by the historian Fredrick David Mocatta. Upon his death in 1905, the Jewish Historical Society of England deposited his collection with UCL. It is unknown how this Arabic manuscript ended up in Mocatta’s collection, but he may have acquired it as part of his historical research.

The manuscript is written in an intricate “muhaqqaq” script in black ink. This majestic type of script was considered one of the most beautiful, as well as one of the most difficult to execute well. A distinct characteristic of this script is that it’s descending strokes end in a straight, sharp point rather than turning upwards in a hook.

Close up of the arabic script used in the Mocatta manuscript. The background is decorated in a faint floral pattern and there is a gold leaf flower on the top portion of a verse.

First two lines of leaf 2r of MS Mocatta 20

UCL’s fragments include juz’ 19 of the Quran, Surah 25 titled “Al-Furqan, The Criterion”. It is the 42nd Surah to be revealed in the Quran. This juz’, which means part, contains verses 21 to the beginning of verse 62 from Surah Al-Furqan. These particular verses deal with themes of prophethood and resurrection on the Final day of Judgement and the believers’ place in Heaven.

A large, circular design created with blue and green ink, decorated with gold leaf

A large, elaborate roundel

A smaller roundel above some text. It is made out of gold leaf and is decorated with blue and red ink. Some of the gold leaf has rubbed away

A smaller roundel showing signs of wear

 

 

 

 

 

 

 

 

 

There are small roundels on the pages which are used to mark the beginning of each verse. Verse 21 has a decorative page which indicates the start of the juz’ 19 in this surah. These pages are part 19 of the 30 sections of the Quran. This manuscript fragments are written in ink on paper, with colored symbols and gold leaf detailing. It is unknown why these particular pages did not arrive as part of the complete Quran. However, the condition of this manuscript and signs of wear suggest it was regularly read and transported around.

Close up of a detailed and heavily decorated page from MS Mocatta 20. The edge of the page is very worn, and in the centre is large, clear arabic script. There is an intricate border around it with blue ink and gold leaf decorations. Thelight is shining off of the gold leaf.

First page of MS Mocatta 20. Photo by Abida S.

I appreciate how I was given access to a Special Collections archive of a 14th Century Quran manuscript. It not only allowed me to interact with a historical, significant religious holy book that is key to my Muslim identity; but it also introduced me to the traditional format of manuscripts from the past and the physical material and finish of one. Access to Quran manuscripts from the past is so important to keep awareness of traditional manuscripts and religion alive and to appreciate and understand the culture of religious manuscripts.

Thank you again to Abida for her research into MS Mocatta 20! Portions of the juz’ have been digitised, and our collections are open to anyone to come and view. For details on how to make an appointment to view items in our collection such as MS Mocatta 20, check out our “visiting us” page.

 

 

Brenda Salkeld and Eleanor Jacques: the lost letters of George Orwell

By utnvsea, on 28 June 2023


More than a decade ago, the family of Eleanor Jacques discovered a cache of papers hidden in a handbag in a garden shed. On the envelope was written ‘Letters to be destroyed’ and upon opening them, they found handwritten letters to Eleanor from George Orwell, who had been her next-door neighbour in Southwold, Suffolk.

At an event in 2018 to celebrate the discovery of these letters, another sensation was created when an audience member announced that she had at home letters from Orwell to her aunt, Brenda Salkeld, also a Southwold neighbour.

 

There had long been rumours of the existence of these letters amongst Orwell scholars, who hoped to uncover more correspondence with these long-standing female friends. Through serendipity, both sets emerged with a year and were purchased by Richard Blair, Orwell’s son. The letters have now been placed in the Orwell Archive in UCL Special Collections, catalogued and digitised for public access, with the kind permission of the Orwell Literary Estate.

 

 

What is so special about the letters?

The letters span a long range of time, 1931-1949, and continue throughout both of Orwell’s marriages – to Eileen in 1936 and Sonia in 1949. They reveal new details about Orwell’s life in the 1930s – including his overlapping romances, his love of ice skating, and his struggle to write and publish his first novels. They also show that the two women, whom he met while staying with his parents in Southwold, had a profound importance in his life lasting long after his romances with them appear to have ended. Eleanor would go on to marry one of Orwell’s best friends, Dennis Collings.

In a letter to Brenda in 1940, four years into his marriage with his first wife, Eileen O’Shaughnessy, and as a German invasion appeared imminent, he wrote: “It’s a pity … we never made love properly. We could have been so happy. If things are really collapsing I shall try and see you. Or perhaps you wouldn’t want to?” Orwell also wrote to Brenda from his hospital bed (at University College Hospital), sending his last letter four months before his death in 1950, just as he was about to marry his second wife, Sonia Brownell.

The letters also reveal something of Orwell’s writing practice. D.J. Taylor, who helped to track down the letters and has just published an updated biography of Orwell, said:

“In terms of improving our understanding of Orwell’s work, I have a strong suspicion that his letters to Eleanor reminiscing about their country walks at Southwold may have inspired similar passages describing Winston’s affair with Julia in Nineteen Eighty-Four.”

The collection is also notable for the playful drawings Orwell added in the margins of his letters to Brenda, something that is rarely found in his other correspondence. They include images of Billingsgate Fish Market, windmills and the infamous ice rink.

The bulk of the letters have not been publicly available before.

The George Orwell collections at UCL

The George Orwell Archive has been a cornerstone of UCL Special Collections for over 60 years. Deposited by his widow in 1960 and built up over subsequent decades, it is the main resource for Orwell scholars around the world. Comprising manuscripts and typescripts, diaries, notebooks, letters, photographs and family material, including the papers of his two wives, Eileen and Sonia. UCL also holds substantial book collections relating to Orwell, including books owned by him and rare editions of his works.

Hidden in Plain Sight: LGBT+ Histories

By Sarah S Pipkin, on 23 June 2023

The following was adapted from text written by Erika Delbecque and Tabitha Tuckett for the 2023 exhibition catalogue Hidden in Plain Sight: Liberating our Library Collections. The Main Library exhibition Hidden in Plain Sight is open until December 2023 and is open to the public. For more information, visit UCL Library’s Exhibition page.

 

Since 2021, we’ve run the Liberating the Collections volunteer project. Volunteers search our catalogues for Rare Books related to marginalised voices, including examples of historical LGBT+ writers in our collections. The items identified by our volunteers illustrate diversity of sexuality and gender identities present in our collections, while also highlighting the difficulty of applying modern notions of LGBT+ identites to authors who predate them.

One example is Katherine Philips (1632-63). She was one of the first female poets whose work was published during her lifetime. We have several editions of her poetry in our collections, including the 1669 edition of Poems by the most deservedly admired Mrs Katherine Philips.

Engraving showing a a sculptrual bust of a 17th century woman. Bust is labled Orinda.

Author portrait from Poems by the most deservedly admired Mrs Katherine Philips, 1669.

Philips wrote vivid poems about friendships between women, interpreted by some critics as examples of lesbian poetry. One of her poems, “To my Lucasia, in defence of declared Friendship.” begins:

An old, yellowed page of printed text titled "To my Lucasia"

First page of “To my Lucasia”

1.

O My Lucasia, let us speak of our Love,

And think not that impertinent can be,

Which to us both doth such assurance prove,

And whence we find how justly we agree.

2.

Before we knew the treasures of our Love,

Our noble aims our joys did entertain;

And shall enjoyment nothing then improve?

‘Twere best for us then to begin again.

 

The debate on whether Philips’s work should be read as such points to the difficulty of applying modern notions of sexuality and sexual identity to historical authors.

Engraving of an 18th century woman in a dress, standing in a room. The bottom of the portrait is labled Mrs Charlotte Charke

Author portrait from A narrative of the life of Mrs Charlotte Charke.

Charlotte Charke (1713–60) lived and worked as a man for much of her life, defying some of the career limitations for women in eighteenth-century England. Her autobiography A narrative of the life of Mrs Charlotte Charke … Her adventures in men’s cloaths records her experiences. To contemporaries she was notorious, but her works in our collections have received little attention until recently.

We use she/her pronouns when describing her as those are the pronouns she used to describe herself.

Printed Title page for A Narative of the Life of Mrs Charlotte Charke.

Title page of Charke’s autobiography “Written by Herself”.

Charke acted on the stage in male roles, ran a puppet theatre staging political satire and worked in the traditionally male jobs of a gentleman’s valet and a farmer. Unfortunately she paid a price for doing so: frequently short of money, she was estranged from her father and two husbands, against whose affairs and gambling debts she rebelled. Only towards the end of her life, as a writer, did she find success with this book, an early example of a published autobiography written by a woman. We might be tempted to apply anachronistic terms of gender identity to Charke, but the survival of her autobiography at least enables us to read about her life in her own words.

During the eighteenth century, English guidebooks claiming to describe the dangerous temptations of London life to the innocent and respectable reader became popular. They enabled a vicarious exploration of illicit or unconventional sexual behaviour and gender that did not endanger either author or reader. The midnight spy … exhibiting .. bagnios, jelly houses .. and other places of midnight resort, focusing on London’s nightlife, includes an account of jelly houses and bagnios – restaurants and bathhouses that served as brothels where men could pick up both women and other men for sex, although the text does not clarify whether it describes homosexual or heterosexual activity.

Frontisepice of The midnight spy, showing the interior of a tavern full of men and women at tables, chatting to each other. Picture is labled "A night scene in Russel Street"

Frontispiece of The Midnight Spy

Publications of this sort sold well and critical reviews from 1766 mention that passages of this book had been re-used from previous similar titles. Such comments suggest that this may not have been the most up-to-date account of London nightlife during time of rapid change in the capital as the Industrial Revolution began.

These items were indentified by Isobel Goodman (2021 Liberating the Collections volunteer), Chris Fripp (Liberating the
Collections pilot-project researcher 2019–20), and Michael Niedzwiecki (2022 Liberating the Collections volunteer). Thanks to their work, we can highlight these items and ensure they are no longer hidden on our shelves and in our catalogue.

If you would like to see these items for yourself, they are on display in the Main Library until December 2023.

 

 

Royal History: A close look at George VI’s Coronation Programme

By Sarah S Pipkin, on 5 May 2023

Colin Penman, Head of UCL Records, writes about a newly uncovered item in the UCL Records collection.

In the timely way that these things can happen, I recently came across an official souvenir programme for the coronation of King George VI and Queen Elizabeth in May 1937:

Red book which reads 'The Coronation of Their Majesties King George VI & Queen Elizabeth'

As this is the last time there was a coronation of a king and a queen consort –Charles III’s grandfather and grandmother – it has been interesting to compare the occasion with Saturday’s event. The procession and liturgy are very similar, these things changing little over time. There will be new music and prayers, and the much-publicised ‘Homage of the People’. But some elements of the ceremony date back to before the Norman Conquest, for example the Presentation, when the king is ‘presented’ to the four points of the compass.

The programme itself is quite a lovely thing, a lavish 36 page quarto  booklet with decorative embossed card covers, glassine protective sheets, and nice watered-silk end papers. It seems to be bound with cord rather than staples – you can see it here at the centre pages, which show the route of the procession:

George VI Cornoation Route

Interestingly, on the right hand side, just above the compass, is the ‘Site of New Waterloo Bridge’, not completed until the middle of the Second World War, largely with women’s labour. We can compare this route with a London Transport map which can be found in the Gaitskell papers in Special Collections, showing the route of Queen Elizabeth II’s procession in 1953:

TFL Map showing Elizabeth II coronation route

GAITSKELL/G/MISCELLANEOUS PAMPHLETS AND OTHER PAPERS

Not much between them. King Charles, on the other hand, will simply travel up Whitehall and down the Mall to get back to Buckingham Palace:

Charles III cornoation route

Image from gov.uk

 

The programme for George VI’s coronation includes a coloured, embossed title page:

Embossed title page with the royal coat of arms which reads 'The Coronation of their majesties King George VI and Queen Elizabeth'

and another showing the emblems of the king’s Dominions, which definitely wouldn’t look so crowded in today’s equivalent:

Page featuring coat of arms for each member of the British Empire and British Territories in 1937.

This is followed by a poem by the Poet Laureate, John Masefield, very much of its time: ‘Make wise the councils of the men who sway / The Britain here, the Britains far away’. There is also an interesting essay on the ceremony itself by the Garter King of Arms, the full order of service, and a genealogical table showing the king’s descent from William the Conqueror. The latter can’t compete for splendour with UCL’s own MS ANGL/3, a giant 15th century roll, 10 feet long, showing the supposed lineage of the kings of England all the way back to Adam – you can see a video about MS ANGL/3 online. However, the lineage in George VI’s programme is presumably more accurate.

I don’t know how or why we ended up with this item.  It was found in a box of uncatalogued College archive material, where it obviously doesn’t belong. It’s accompanied by a card from the Vicar of St Peter, Vere Street, and a copy of his sermon, so perhaps there’s a clue there:

A blue pamphlet with the title 'The Coronation of the King: Sermon preached by the REV. DR. Mions Devine in the Church of St. Peter with St. Thomas, Vere Street, W.1., on Sunday Morning May 9th, 1937.' Underneath the pamphlet is a card from Minos Devine, however his handwriting is very hard to read.

I have no information so far on Minos Devine, but hope to find a connection to one of our existing collections. If not, this will be an interesting addition to our London History collection.

Early Modern Women and Printing

By Sarah S Pipkin, on 8 March 2023

The following was adapted from text written by Erika Delbecque and Tabitha Tuckett for the 2023 exhibition catalogue Hidden in Plain Sight: Liberating our Library Collections, which will be available online at the end of March. The Main Library exhibition Hidden in Plain Sight will also be opening at the end of March. Keep an eye out for an opening date announcement coming soon!

Often when we look at books in our collection, our preconceived notions about the historical roles of women in society can cause us to make assumptions about the history of an item. After all, what could the collected works of Francis Bacon, a former Lord High Chancellor of England, tell us about the working lives of women in 17th century England?

When you first open the 1657 edition of Resuscitatio your eye is almost immediately drawn to the full-page engraved portrait of Francis Bacon.  However, this book is part of the long history of women’s involvement in book production.

Portrait of Bacon from Resuscitatio

Portrait of Bacon from Resuscitatio

In early modern England, printing was mostly the preserve of men. However, widows were permitted to take over their late husbands’ printing businesses, which allowed many women a way into this profession. One of these women was Sarah Griffin, who was active as a printer from 1653 to 1673. We can see her involvement in the production of the 1657 edition of Resusciatio by taking a closer look at the title page.

Title page of Resuscitatio

Title page of Resuscitatio (STRONG ROOM OGDEN A QUARTO 329)

The bottom of the title page for Resuscitatio reads: “LONDON, Printed by Sarah Griffin, for William Lee, and are to be sold at his Shop in Fleetsstreet, at the sign of the Turks-head, near the Mitre Tavern, 1657.”

Publishing information at the bottom of the title page of Resuscitatio

Publishing information for Resuscitatio

Sarah Griffin inherited the printing business from her husband Edward in 1652 and ran it successfully for the next 20 years. We have several books printed by Sarah Griffin in our collection, including her edition of Resuscitatio.  

Hannah Allen was another example of a woman who acquired a business on her husband Benjamin’s death in 1632. While it is unclear how long she was involved in publishing, from 1646-1651 Allen published at least 54 books and pamphlets. Her business specialised in religious treatises, such as The hope of Israel. It is an English translation of a work by Menasseh ben Israel, who set up the first Hebrew printing press in Amsterdam.

Title page for The hope of Israel

Title page for The hope of Israel (STRONG ROOM MOCATTA 1650 M1 (5))

Like the 1657 edition of Resuscitatio, a quick glance at The hope of Israel does not reveal an obvious connection to women-owned businesses. However, the bottom of the title page reads: “Printed at London by R.I. for Hannah Allen, at the Crown in Popes-head Alley, 1650.”

Publisher information for The hope of Israel

Publisher information for The hope of Israel

Our collection includes The hope of Israel and the 1648 pamphlet The humble ansvver of the General Councel of the Officers of the Arm.

Both of these items were identified as part of the Rare Books Liberating the Collections volunteer project, which equipped participants with the knowledge and tools to search our catalogue for items in our rare book collections relating to under-represented groups. Twenty-seven volunteers have worked with us, each focusing on a particular topic, such as books owned by women, authors of colour and representations of disability. Without the work of these volunteers, we may have never realised that Resuscitatio and The hope of Israel were part of the history of women in publishing and printing.

Both of these items were identified by Emilia Reid, a 2021 and 2022 Rare Books Liberating the Collections volunteer.

 

‘The first stone’: 197 years of UCL

By Sarah S Pipkin, on 8 February 2023

Leah Johnston, Cataloguing Archivist (Records), explores documents in the College Archives relating to the history of UCL’s Wilkins Building

We are fast approaching UCL’s bicentenary in 2026 and much of its almost 200-year history is recorded within the documents, plans, drawings, photographs, and ephemera of UCL’s College Archive. The archive spans the period from its establishment in 1824, to the present day, and covers everything from founding deeds to student magazines, along with Council minutes, student registers and files, correspondence, and publications about the university.

As UCL Record’s Cataloguing Archivist, it is currently my job to catalogue some of the many collections we hold. I have recently begun work on the College Correspondence, which covers a variety of matters relating to the early administration of the university between 1825-1890. Although most of this collection has already been processed there are still around 200 letters left to be documented. The collection is often used by UCL’s Records’ team to answer enquiries about the early history of the university so it is important that we know what each letter relates to and where it can be found within the 164 boxes in which they are all stored.

While working on a folder of correspondence from 1827 I came across several letters from the architect, Sir William Wilkins who designed UCL’s Wilkins Building. In 1826 he entered a competition set by the Council to submit a design for the emerging university’s main building. Architects submitted their designs in March 1826 and after much deliberation Wilkins’ design was chosen. As noted by Dr Amy Spencer in her lecture ‘The beginnings of UCL in Bloomsbury: some parallels with UCL East’, this was mainly due to the fact that it offered the largest square-footage for the lowest estimate.

 

First page of a letter from from William Wilkins to the Council, dated 17 February 1827, requesting that they delay setting the first stone.Second page of a letter from William Wilkins to the Council, dated 17 February 1827, requesting that they delay setting the first stone.

Third page of a letter from William Wilkins to the Council, dated 17 February 1827, requesting that they delay setting the first stone.

UCLCA/CORR/3076: Letter from William Wilkins to the Council, dated 17 February 1827, requesting that they delay setting the first stone.

 

In this letter dated 17 February 1827, Wilkins requests that the ceremony of the setting of the first stone be postponed for another month. It seems that due to a hard frost at the time Wilkins believed it would be nearly impossible to break ground and he urged the Council to reconsider the intended date.

Other collections within the College Archive include drawings, plans and photographs of the Wilkins building from its inception in 1826 until the present day, allowing us to trace its history through the decades.

College Collection I 16C: West Front of the University of London, 1828

College Collection I 16C: West Front of the University of London, 1828

This print shows how the building would have looked upon its opening in October 1828. Although Wilkins’ estimate was relatively low the university struggled to secure the required funds and as a result the two wings of the building were unable to be built. It wouldn’t be for another 158 years until the building’s quadrangle was completed in 1985, an occasion marked by a visit of Queen Elizabeth II.

The Queen is pictured during a visit to UCL in 1985 to mark the official completion of the Main Quad.

The Queen is pictured during a visit to UCL in 1985 to mark the official completion of the Main Quad.

College Collection X 65: William Monk’s etching of the Wilkins’ Building Portico (c.1900-1920)

Over the years the building has become a well-known landmark of the Bloomsbury area and has been reproduced in drawings, paintings, and later photographs. This print is a copy of an etching by the Victorian artist William Monk and shows the distinctive 10 column Portico some time at the start of the 20th century.

UCL Front Quad and Portico at Night. November 2008

UCL Front Quad and Portico at Night. November 2008. © UCL Media Services – University College London

In contrast this image taken by UCL Media Services team in November 2008 shows the same aspect portrayed in Monk’s engraving. Although the images are almost a century apart the Wilkins Building has remained almost unchanged.

To explore more of the history of UCL’s campus check out our Digital Collections page.

Young people against racism in 1980s London schools

By Erika Delbecque, on 9 January 2023

This post was written by Dr Shirin Hirsch, who was one of the 2022 UCL RIC Visiting Fellows.

Bengali lives are at risk whilst they are at Morpeth – we are punched, kicked and spat on. Enough is enough.

On a Monday morning in January 1986 one hundred Bengali students walked out of their secondary school in Bethnal Green, Tower Hamlets. That weekend they had drawn up a poster calling on all children to strike with them until their demands were met. In Oxford House just off Bethnal Green Road they set up an anti-racist alternative school. Three days later, the students returned to Morpeth with the school management agreeing to their demands. The strike was partially won. Young people, in taking action on their own behalf, had forced a change in the school.

Just over a decade later, I attended the same school. Bengali students were now a large part of the student intake and the school had new management. There were brief institutional histories given on dark days when fascists had attempted to organise and build their ranks inside the school. Then a new head teacher was brought in and it was said that he had transformed the school, later knighted for his efforts. But nowhere in these official histories were the actions of the students themselves remembered. Years later, when I stumbled upon a news report covering the strike, I was full of questions. Why did the students walk out of their school? Was the action connected to other strikes? What impact did the strike have on the school? And why had the students been forgotten for so long? I wanted to dig into the history of my old school, from a year before I was born, to try and find out more about where I was from and how young people had transformed their environment.

There are many challenges in researching the resistance of young people. For one thing, their lives are often remembered in words, documents or collections owned by adults. What is seen as ‘significant’ by older people might be different to young people’s views and experiences. Protests by young people are often against powerful institutions or people who can make decisions about what is and isn’t recorded. This was certainly the case in the Morpeth school strike, with the school management inviting ILEA press officers to the school to ensure the story was tightly controlled. Thames TV entered the school on the day the students returned from their strike but they were only able to interview selected staff and not students. That does not mean young people’s actions have been entirely erased. The local press did report on the Morpeth strike and documents from the strike were kept by a member of ILEA, which have since been donated to Tower Hamlets Archive.

1980s leaflet about the Campaign Against Racism in Schools

Rally against racism in schools. Papers of Ken Jones KJ/4/1, UCL Special Collections, IOE Library and Archives, London.

Morpeth was not the only school where young people were struggling against racism. For my UCL Special Collections fellowship here, I have been spending time with two collections: the Marina Foster (MF) and Ken Jones (KJ) papers. Marina Foster was a Black teacher who had left South Africa as a refugee in the 1960s and in London became an advisory teacher at the ILEA for many years, focusing on multi-ethnic education and tackling institutional racism. Ken Jones was from the 1970s until 1990 a teacher in London secondary schools and active in the politics of education and in issues of curriculum, pedagogy and trade unionism. Both collections illuminate the debates, policies and projects on multicultural and anti-racist education taking place in London schools. There are documents that show imaginative ways of creating an anti-racist classroom, with teacher organisations like Campaign against racism in education (CARE) All London Campaign Against Racism and Fascism (ALCARF) as well as documents from ILEA (Inner London Education Authority).

The collections also illuminate the serious racism that existed in London schools. Daneford school, nearby to Morpeth, in Tower Hamlets, was the most publicised example of this and there are a number of documents on this in UCL special collections. The Guardian reported in 1986 that three quarters of the students at Daneford were of Asian origin and there had been a spate of racist attacks inside the school. The school gates were plastered with National Front stickers and posters, and a 12 year old Bangladeshi student had been viscously attacked with a razor blade by four white students. Another time, twenty white young people at a football match ‘spilled over into the school’ shouting viscous racist abuse. One teacher, Norma Hundleby, told the press: ‘Boys were coming out of all the classrooms to join them. It was totally out of control.’ Kumar Murshid, Chairperson of Campaign against racism in schools (CARS) explained that only ‘the dedication of the anti-racist teachers and pupils who have organised themselves against these attacks’ had helped to ease the tensions at Daneford. The racism, alongside the resistance, would receive national attention following the arrest of Daneford teachers and a school student who were protesting outside the Tower Hamlets ILEA office over the refusal of ILEA to take serious action against racism at Daneford school.

The reports at both Daneford and Morpeth schools challenged a version of schooling which saw young people as passive objects, who should simply ‘do what they are told’. Sajid, 18 years old, summed up the feeling when he explained to the press in 1986:

If we can’t go to school peacefully and study in safety, then we have to fight back. We have as much right as any white kid to go to school.

Front cover of the first issue of Black Parents Special, 1985

Black Parents Special no 1 (1985). Papers of Marina Foster MF/8/39, UCL Special Collections, IOE Library and Archives, London.

The voices of young people are sometimes hard to hear within these collections, but that does not mean they are completely silenced. In the Marina Foster collection there is a ‘Black Youth Annual Penmanship Awards’ with records of Black children’s writings from 1981, with essays on ‘What is means to be Black and British’ and ‘Being without Employment in Britain today’. The winning essay questioned the very nature of the school system, the student directly asking ‘does it prepare me or help me tackle the blatant and insidious forms of racism that, I am afraid to say, I will invariably encounter?’ The frustration at the school system, as well as wider society, was powerfully expressed by many of these young Black authors.

Front cover of a publication by John Gus from the Black Parents Movement, entitled The Black Working Class Movement in Education and Schooling.

Gus, John (1986). The Black Working Class Movement in Education and Schooling. Papers of Marina Foster MF/8/63, UCL Special Collections, IOE Library and Archives, London.

The resistance at Morpeth secondary school in 1986 emerged out of this context and was not an isolated act. The Miners’ Strike had ended in March the previous year, a bitter defeat not just for the miners but for the whole of the labour movement. The year following the strike the numbers of days lost to strike action in Britain was at its lowest since 1967. However, school student strikes were not included in these figures. In April 1985 there was a national school student strike in response to the government’s attempts to make the Youth Training Scheme compulsorily for 16-17 year olds and to take unemployment benefits away from any young people refusing to participate. Alongside these strikes, the British government were openly attacking ‘hard left education authorities and extremist teachers’, as Thatcher put it. Parents were also resisting, and the Black Parents Movement, born in the 1970s, had begun to win serious changes in the schools. In 1981 and 1985 uprisings involving young people against the police had taken place in inner cities across England. Meanwhile teachers in 1985-6 entered disputes over cuts to schools and pay agreements. Gus John, a key activist and founder of the Black Parents Movement, in a speech he gave to teachers in 1986 which was later published as a pamphlet (M/8/63), explained:

The struggles waged by the black community outside of school and in relation to what was going on inside the school, gave school students the confidence to exercise their own power within the school. The school became for them the site of struggle against racism and against the treatment they were subjected to because of their class.

That relationship between students, community groups, teachers and wider political shifts is what I am interested in further exploring. This fellowship has given me the resources and time to piece together archival material and to explore these topics. I now hope to speak to some of the participants themselves. I am gradually trying to recover the resistance of young people against racism so as to remember and learn from their struggles.

George Greenough’s papers – a window into the worlds of 19th-century science, wealth, and empire

By Kurt M Jameson, on 28 October 2022

George Bellas Greenough inherited a fortune at the age of 16 and, as a rich man in his 20s, decided to devote his life to the study of geology. He is best-known for his Geological Map of England and Wales, published in 1820, which used new data and an innovative colouring system to highlight deposits of different types of rocks and minerals. He later became a controversial figure due to his clashes with William Smith, another geologist who had also made a very similar geological map at almost exactly the same time.

George Greenough's colour-coded geological Map of England and Wales (1920).

Greenough’s Geological Map of England and Wales, published in 1820 by the Geological Society. An original copy of his 2nd edition, published in 1839, is held at UCL Special Collections (GREENOUGH/A/2/1).

In the title of Simon Winchester’s book The Map that Changed the World (2001), he is referring to the map created by Smith. Winchester claims that Greenough plagiarised Smith’s map, and that Greenough was an elitist snob who blocked Smith’s entry to the Geological Society due to his class background. However, others have since argued that the creation of Greenough’s map was in reality more nuanced.

A portrait engraving of George Bellas Greenough, early 19th-century.

Portrait of Greenough by Maxim Gauci, mid-19th century. Held at the National Portrait Gallery.

Regardless of whether or not Greenough plagiarised Smith’s work, these maps were ground-breaking in the way that they displayed the minerals and resources that were lying under the ground. This was an exciting development not only for those with an interest in geology or the study of fossils, but also to those who stood to benefit financially. At the time, raw materials were in high demand in order to fuel the industrial revolution. In Simon Winchester’s words: “Landowners realized that they possibly had beneath their lawns, meadows and forests huge seams of coal that could make them rich beyond their dreams.”

This was also a time of a growing British Empire, which may explain why Greenough’s other major publication was a comprehensive geological map of ‘British India’, in 1855. Greenough produced this map with the help of the East India Company, but never visited the Indian subcontinent himself. Some of Greenough’s papers hint at the potential advantages for nations of having more accurate geological information. The following passage is from a draft letter of 1810 which appears to have been drafted or translated by Greenough for Jacques Louis, Comte de Bournon, regarding a collection of minerals that had recently been bought by the British Museum:

“The collection of the late Mr. Greville, celebrated throughout Europe, is now the property of Great Britain, a country the commerce manufactures & territorial revenue of which are intimately connected with the state of its mines & this acquisition has been made at a time when mineralogy engages a more than ordinary share of public attention.” (GREENOUGH/B/4/R/12)

George Greenough's colour-coded 'General Sketch of the Physical and Geological Features of British India'

Greenough’s General Sketch of the Physical and Geological Features of British India, published in 1855. An original copy is held at UCL Special Collections (GREENOUGH/A/3/1).

UCL Special Collections holds a substantial collection of George Greenough’s papers. These papers include original copies and fragments of his own geological maps, his notes on various geological topics and debates, and his notes on other sciences. His diaries from his many expeditions through Europe include descriptions and sketches of the surrounding geology, as well as his observations on the local culture and politics. In one of these diaries he describes his escape from Sicily in 1803, as the French had invaded the Italian peninsula from the north (GREENOUGH/B/2/1/1).

A considerable amount of these papers consist of Greenough’s private correspondence. These letters read like a ‘who’s who’ of the elite scientific community in 19th-century Britain, and include letters from Michael Faraday, Francis Beaufort, Marc Isambard Brunel, and John Herschel. Being from this time period Greenough’s correspondence is almost entirely with other men, although there are some letters from women. In one letter Sarah Frembly appealed to Greenough to use his influence with the Admiralty, as her husband John had been shipwrecked and dismissed from the Royal Navy, leaving her family destitute (GREENOUGH/B/4/F/14).

In later life Greenough also focussed on the field of geography, serving as the President of the Royal Geographical Society from 1839 to 1841. This likely explains why he was in possession of a leaflet for a rescue mission for Franklin’s lost expedition to find the ‘Northwest Passage’ through the Canadian Arctic (GREENOUGH/B/3/5/1), and of prospectuses for the construction of a ‘Grand Georama’ in London (GREENOUGH/B/1/10).

Leaflet for an apeal to raise money for a rescue mission to find Franklin's lost expedition to the Canadian Arctic to find the 'Northwest Passage'.

Leaflet for the rescue of Franklin’s lost expedition (GREENOUGH/B/3/5/1)

The Greenough papers arrived at UCL in two separate deposits, the second deposit of which (‘Part B’) is newly-catalogued. The catalogue for the Greenough papers can be browsed via the UCL Archives online catalogue: https://archives.ucl.ac.uk/CalmView/. The Greenough papers will be of particular interest for any researchers of the history of geology, but may also prove useful for research into other aspects of 19th-century Britain.

To make an appointment to view any of the papers in the Greenough collection, please contact us at spec.coll@ucl.ac.uk.

“We Are Not Alone”: Legacies of Eugenics in Education and Society

By Nazlin Bhimani, on 17 October 2022

This post has been co-authored with Professor Marius Turda.

The IOE Library has on display a shortened version of the exhibition “We Are Not Alone”: Legacies of Eugenics which was first shown at the Weiner Holocaust Library in 2021 and which is now at the Royal College of Psychiatrists. The exhibition was curated by Professor Turda (Oxford Brookes University) with some content from UCL Special Collections (Galton Laboratory Collection and the IOE Library’s History of Education Collection) as well as content from the LSE’s Library. Following the opening of the exhibition, the Weiner Library hosted a Roundtable Discussion where all who worked on the exhibition shared our research. Both Indy Bhullar, Curator for Economics and Social Policy at the LSE Library, and I were subsequently invited by Subhadra Das (previously Curator of Science Collections at UCL Culture and now an independent scholar) to publish this research as short stories for the Wellcome Collection. The following provides some background on eugenics and the resources that are currently on display at the IOE Library.

The title of the exhibition, “We are Not Alone” is inspired by a widely circulated Nazi eugenic poster from the mid-1930s. After the introduction of the 1933 ‘Law for the Prevention of Hereditarily Diseased Offspring’, Nazi propagandists claimed that their eugenic programme of forced sterilisation was in no way different to provisions already existing in the penal legislation of countries such as the USA and Sweden, and which was about to be introduced in other European countries such as Britain, Hungary, and Poland. ‘We are not alone’, they said, hoping to garner international support for their plans to eliminate ‘defectives’ from society and to ‘purify the race’.

Eugenics was a global movement. The exhibition highlights this aspect, providing historical examples from Britain, USA, Italy, Sweden, and Romania, whilst recognising that eugenics programmes targeting individuals with mental disabilities and ethnic minorities were not stopped after 1945. They continued during the post-World War II period in countries as diverse as the USA, Scandinavia, Japan, Czechoslovakia, and Peru. The exhibition aims, therefore, to offer a historically informed account of our eugenic past, present, and future, balancing various elements of continuity and discontinuity, of idiosyncrasy and similarity between eugenic movements across the world.

The internationalisation of eugenics reflected a general appreciation in many parts of the world that science was the sufficient and necessary foundation for the long-awaited renewal of the human race. As a self-styled scientific theory of human betterment and planned breeding, eugenics was based on the principle that people who were deemed socially and biologically ‘unworthy’ of reproduction should be excluded. In the name of future generations, eugenicists dissolved aspects of the private sphere, scrutinising, and working to curtail reproductive, individual, gender, religious and indigenous rights. The boundary between the private and public spheres was blurred by the idea of public responsibility for the nation and the race, which came to dominate both. In the twentieth century, the state and the society at large increasingly adopted a eugenic worldview, even though none of it was based on proven scientific arguments. Instead, eugenics relied on speculations about social norms, cultural, ethnic and gender differences, and racial worth. Ideas of economic and social productivity also flowed readily from eugenic arguments, and eugenicists argued that if an individual was found to be socially ‘unfit’, it was appropriate for them to be ‘weeded out’. ‘Unfit’ had become a label for those members of society who were deemed ‘pathological’, ‘criminal’, ‘asocial’, ‘foreign’ and ‘undesired’.

Eugenicists claimed to act in the name of future generations by ensuring the continuity of people who were believed to be ‘hereditarily healthy’. Some eugenicists highlighted the primacy of heredity in shaping character and behaviour, while others insisted equally on the role of education and the environment. Not surprisingly, they also disagreed over which eugenic measures were deemed practical and efficient, and which ones should be rejected on ethical, scientific and religious grounds. In Britain, for instance, the Eugenics Society set up a committee to draft a sterilisation bill in 1929, chaired by the society’s president, Bernard Mallet. Two years later Major Archibald Church (1886–1954), a Labour MP and member of the Eugenics Society, introduced a sterilisation bill in the House of Commons, but it was rejected. One of his Labour colleagues, physician Hyacinth Morgan (1885-1956) rebuked the bill sharply: ‘Some when inebriated see beetles; the eugenist intoxicated, sees defectives’. In 1932, another sterilisation committee was established under the chairman of the Board of Control, Lawrence Brock (1879-1949). But these efforts led nowhere, as no sterilisation bill was introduced in Parliament again.

The exhibition presents us with the opportunity to review how assumptions and attitudes rooted in eugenic principles became entrenched in British education. From the beginning, eugenics appealed to educationalists, school reformers and feminists who advocated teaching the nation’s children and the youth ‘sound morals’ alongside physical education and modern ideas of hygiene. These were considered prerequisites for maintaining a healthy body and mind, and in society’s advancement towards a eugenic future. Educationalists such as the co-founder of the London School of Economics, Sidney Webb (who was instrumental in the establishment of the London Day Training College –now the IOE, UCL’s Faculty of Education and Society), was a key supporter of eugenics. Other examples include heads of colleges such as Margaret Tuke, Principal of Bedford College and J. J. Findlay of Owen’s College, Manchester, the London County Council’s Schools Inspector, W. H. Winch, and the educational psychologist Cyril Burt.

The cases display the intelligence tests or IQ tests from the Psychology and Human Development (PHD) Collection at the IOE. These tests were adapted by Cyril Burt from the IQ tests developed in Paris by Alfred Binet and Theodore Simon at the turn of the twentieth century. Burt’s ‘mental footrule’ was used to rate the intelligence of a child and his evaluation of mental deficiencies influenced the outcome of the 1924  Hadow report on psychological testing and the  1929 Wood Report of the Mental Deficiency Committee and the Board of Education. The latter recommended the reclassification of children considered to be ‘mentally defective’ . Also on display are publications by the experimental psychologist, H. R. Hamley and director T. Percy Nunn on The Education of Backward Children: and, Juvenile Delinquency in England and Wales as well as A Textbook of Hygiene for Training Colleges by Margaret Avery, Vice Principal of Warrington Teacher Training College.

Image of the title page of Margaret Avery's textbook 'Hygiene'

Besides focusing on biological hygiene, Avery devotes an entire chapter on eugenics. This chapter provides examples of how eugenic thinking persists in the present day and is consistent with recent statements made by some politicians currently in power. For example, Avery states that while there are many ‘causes of pauperism’, one of them is that the working classes simply ‘lack…”grit”‘(p. 310)–a message that is not dissimilar to the one recently expressed by the (now previous) prime minister in relation to ‘British workers being the worst idlers in the world’. In relation to immigrants, Avery states: ‘We should welcome the right type of immigrant and discourage the wrong type’ and ‘we… receive the off-scourings of other countries, and these are racially very undesirable’ (p. 320). Once again, this mirrors the views of the present government on refugees and immigrants. Avery ends her chapter by stating that Christianity is on the side of the eugenicists because it, ‘more than any other power, has given us a sense of the infinite value of human life, and the eugenicist is trying to prevent the wreckage of human life’ (p. 323). While the Church has spoken out against these messages in Britain, the story is far from different in the United States (see Witnessing Whiteness by Kristopher Norris). Avery’s book continued to be published in several editions until 1951. It was the recommended textbook for the Board of Education’s teachers’ examination in hygiene. Undoubtedly, it will have influenced the thinking of generations of teachers and their students.

Although the true impact of eugenics will never be known, its legacies continue to penetrate deeply and widely into the fabric of our society. Continuing education and engagement with eugenics, as well as its public condemnation, are essential components of our efforts to comprehend a hidden and ominous past, while also pursuing a fair and just society.