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So Far, So Good, So SLOVO

Borimir STotev17 April 2017

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Today the Royal Academy of Arts ends its exhibition on Russian art in the period of 1917-1932. The much celebrated works of Malevich, Petrov-Vodkin, Kandinsky, and Chagall, amongst many others, remained open to visitors of the Main Galleries for more than two months. Back in February, SLOVO Journal was invited to the Press Viewing of the exhibition supplemented by a tour with the curators Ann Dumas, Dr Natalia Murray, and Professor John Milner.

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The Press Viewing of ‘Revolution: Russian art 1917-1932’ at the RA

It was made obvious to me then, that a season of appreciating Russian art was slowly about to unravel in our country’s capital, and with its cultural calendar London fully embraced the task of marking one of the most profound and consequential moments in world history. However, much in contrary to what some critiques suggest about the centenary of the Russian Revolution, I contend that its acknowledgment here was done elegantly, with an accurate awareness of history and its plights.


We are now almost half way through the year. So far, so good. Fear not, there is still plenty out there to see, explore, and read on the topic of all things Russian.

For starters, if you haven’t done so already, make sure to read through the latest issue of SLOVO Journal available online, or rummage through our collection of electronic archives. For nearly three decades we have provided a platform for the publication of promising academic work covering the Russian, Post-Soviet, Central & East European regions. In VOL 29.1 published in January this year, our authors covered intellectually stimulating explorations of human testaments to past events and cultural relations, as well as the more contemporary topics of online activism in Russia and the revival of populism in Europe.

There is still some time left before our 1st May deadline to submit your own papers and reviews for consideration. The publication of VOL 29.2 will complete our annual run marking the centenary year of the Russian Revolution and will be published around the autumn season of 2017.

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SLOVO Journal’s Call for Papers


Don’t forget to keep an eye out for the events that are constantly taking place at UCL’s School of Slavonic and East European Studies. Back in March, SLOVO Journal screened the feature documentary ‘Revolution: New Art for a New World’ as part of SSEES’s events calendar, hosting BAFTA Award wining filmmaker Mary Kinmonth.

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SLOVO Journal organised screening of ‘Revolution: New Art for a New World’

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Executive Editor Borimir Totev (left) in conversation with Director Margy Kinmonth (right)


What else is left? Plenty. The Design Museum is in the middle of its ‘Imagine Moscow’ exhibition exploring Moscow as it was imagined by a new generation of bold and creative architects and designers. The launch of the new book ‘The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the arts in Revolutionary Russia’ by Irina Sirotkina and Roger Smith will take place on the 18th May at the Calvert 22 Bookshop. Film fans can look forward to the screening of Sergei Eisenstein’s 1928 cinematic masterpiece, ‘October: Ten Days that Shook the World’ with a live orchestral accompaniment at the Barbican on the 26th October. Tate Modern is still only getting ready to join the wave of exhibitions with its own ‘Red Star Over Russia’ covering artworks from five decades, between 1905 and Stalin’s death in 1953, opening on the 8th November. In the meantime, you can always head to Pushkin House or the Gallery for Russian Art and Design (GRAD) and discover what’s on schedule there.

 


By Borimir Totev, Executive Editor of SLOVO Journal

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Pussy Riot Amnesty: Event of the Year?

Slovo2 January 2014

The icon caricature of Pussy Riot

The icon caricature of Pussy Riot

The chances are you have already heard/had enough of Pussy Riot and their ground-breaking punk prayer. Indeed, the scandalous art performance has pretty much dominated the ever so popular international media theme of human rights and ideological totalitarianism in Russia. With popularity of such recurrent themes, it was a great media catch when the punk prayer happened in 2012. Although aimed at the central religious locale – Christ the Saviour Cathedral – it seems the feminist girl band had little ambition or care to get where they are today. Their acceleration to celebrities and role models of democracy and anti-government oppression movement has been swift; the following two year prison sentence – a great achievement in validating the oppressiveness of the regime.

What was little expected is the event of the year: the Pussy Riot amnesty. Their early release in December 2013 as part of the Russian Constitution anniversary occurred just in time to gain positive media momentum before the Olympic Games.  Although approved martyrs of a postmodern epoch, PR performance itself has been disliked even by the most liberal supporters of their cause. Not to say, that popularity was ever on their agenda. As the members of the group said in their awkward first out-of-prison interview, they do not act to be liked, they act to make people think. And so it is. It is hard to think of someone left indifferent or without a say on the matter, as the irony shows. From being seen as hooligans, blasphemers and psychotic feminists, to becoming venerated as  ‘prisoners of consciousness’, human rights defenders and secular martyrs….they have even been compared to Jesus Christ himself, as their equally eccentric colleague Pyotr Pavlensky (yes, the one who nailed his private parts to the Red Square) suggests.

I too share ambiguous feelings towards the group. At the same time I cannot help realising that it has done a lot more than it has anticipated: it really did make people think and discuss. Not just about the nauseating cliché subjects in Russia-related news (human rights, Putin, totalitarianism), but the social experiment itself. That of the merging of the three foundations of human social life: politics, religion and art, and the bizarre outcomes it can lead to.

SLOVO Journal has come to UCL Blogs

Slovo29 December 2013

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So this may be the first time you have ever heard of SLOVO Journal or the ambiguous codeword SSEES. Well, as it’s time for New Year’s resolutions and all things off for a fresh start, it’s probably a good time for us to meet.

Here at SLOVO Journal, a postgraduate academic journal at the School of Slavonic and Eastern European Studies, we have decided to start  the year with a new trend of informal and lively discussions and interpretations of Russian, Eurasian, Central and East European news. By blogging with UCL we wish to keep up with postmodern speeds and deliver express ideas, discussions, thoughts and interpretations to supplement our formal research e-journal.

SLOVO Journal’s history goes back to 1988 and we are proud to continue the tradition, in new forms and with new ideas. Covering the  fields of anthropology, economics, film, geography, history, international studies, linguistics, literature, media, politics and sociology, you can expect to never have a dull moment with contributions from our inexhaustible contributors, editors and other generators of wonderful ideas.

We hope you will support us in our humble blogging beginnings and we are really only too happy to hear back from you.

Merry Christmas and a Happy New Year to you all!