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Stories from the Visitor Book: Petrie Museum Visitors in the mid-Twentieth Century

By Anna E Garnett, on 28 September 2020

During Spring/Summer 2020, when UCL was closed due to the coronavirus pandemic, UCL Culture’s curatorial team worked with students from the Institute of Archaeology’s MA Museum Studies on our first-ever virtual work placements. These projects, which included archive transcription, documentation and object label writing, provided opportunities for the students to gain practical curatorial skills to prepare them for their future careers while undertaking valuable work towards better understanding the collections.

This blog post was written by Alexandra Baker and Yanning ZhaoUCL MA Museum Studies students. 

Petrie Museum Visitor Book

When thinking about the Petrie Museum, the first thing that might come to mind is its vast collection: from ancient Egyptian artefacts to Flinders Petrie’s own personal belongings. As visitors, we can always discover interesting facts about those objects. However, did you know that museum visitor books also tell a story about the past? They are more than simply a list of names and addresses.

During summer 2020, our team transcribed 82 pages from the Museum’s visitor book and made fascinating findings about museum visitors between 1937 and 1959.

Three fun facts about our visitors:

Made by Visme

  1. We had more international visitors than you might think!

You might think the Petrie Museum attracts more UCL staff and students than people from other parts of the world, but our findings show that international scholars regularly visited the museum in the last century (the orange sections on the map indicate where visitors came from). Many historical events happened between the 1930s and 1950s, but that did not stop people from all over the world visiting the museum. These international visitors travelled to London from Spain, France, and from even further afield including Chile and Japan.

  1. Most international visitors were from the United States

It seems that the majority of international visitors were from the US. Most of them recorded the cities and regions they came from, including New York, Phoenix and Boston.

  1. English is not the only language used by visitors

We have faced some challenges to translate the language that some visitors use into English. For example, one Japanese scholar used Japanese to record the name of his university. Another visitor from Berlin, surprisingly, used hieroglyphs to record their name as ‘Neferneferuaten Nefertiti’!

Famous Egyptologists also visited the Petrie Museum:

L to R: Hilda Petrie (Petrie Museum Archive); Olga Tufnell (https://en.wikipedia.org/wiki/Olga_Tufnell); 
Sidney Smith (https://www.cambridge.org)

The visitor book also shows us that big names in Egyptology visited the Petrie Museum during this time, highlighting how the collection was, and still is, an important resource for the study of Egyptian Archaeology. Our famous visitors included:

A. F. Shore (Who was Who in Egyptology 5, p. 451)

  1. Hilda Petrie: Egyptologist and archaeologist
  2. Olga Tufnell: Archaeologist who worked on the excavation of the ancient city of Lachish in the 1930s
  3. Sidney Smith: Assyriologist who worked at the Iraq Museum, British Museum, UCL and King’s College London
  4. A. F. Shore: Scholar and Brunner Professor of Egyptology at the University of Liverpool

Many of our visitors were students!

The Petrie Museum’s visitor book also shows us how popular the museum was amongst students from UCL and beyond. Students visited the Museum from a range of disciplines, from archaeology to physics, and interestingly art students often visited it. Working closely with students and scholars from around the world is an important part of the museum’s work that continues today.

Alexandra Baker and Yanning Zhao are MA Museum Studies students at UCL’s Institute of Archaeology. Their summer placement was designed and supported by Dr. Anna Garnett, Curator of the Petrie Museum of Egyptian and Sudanese Archaeology.

 

Virtual Placement at the Grant Museum During Lockdown

By Tannis Davidson, on 28 September 2020

During Spring/Summer 2020, when UCL was closed due to the coronavirus pandemic, UCL Culture’s curatorial team worked with students from the Institute of Archaeology’s MA Museum Studies on our first-ever virtual work placements. These projects, which included archive transcription, documentation and object label writing, provided opportunities for the students to gain practical curatorial skills to prepare them for their future careers while undertaking valuable work towards better understanding the collections.

This blog post was written by Owen FullartonUCL MA Museum Studies student. 

Owen Fullarton

I worked with the Grant Museum of Zoology in two capacities this academic year. Firstly, for the Collections Curatorship module and then for my placement both of which are part of the Museum Studies MA. My experience with the museum has been extremely enjoyable and it has been a great opportunity to work with a very interesting and unique collection. Through my placement, I also gained a significant insight into how a museum operates and the types of work curators carry out, in my case, primary transcription of archival documentation.

I was fortunate to be able to view the museum before the pandemic and carry out my placement during it, enabling a constant connection with the Grant Museum even during these challenging times. It has some very special objects that highlight what an important zoological collection it contains and this is all ingrained within the history of UCL, my particular favourites being the quagga skeleton and dodo bones. I find these specimens interesting because they are from two extinct species and provide a physical and tangible connection to animals that we can no longer see in life. The uniqueness of the Grant Museum’s collection and the museum’s temporary exhibition Displays of Power (showing the links between nature and colonialism) made it my favourite institution to explore this year at UCL. (more…)

Flinders Petrie: An Adventure in Transcription

By Rachael Sparks, on 3 September 2013

What could be nicer than to spend your day off measuring things with a stick?

What could be nicer than to spend your day off measuring things with a stick?

Flinders Petrie began his autobiography by warning that “The affairs of a private person are seldom pertinent to the interests of others” [1]Fortunately for both us and his publisher this proved no impediment, and Petrie went on to write about himself, his thoughts and his life’s work at great length.

Petrie was a prolific writer, both in the public and private arena, and we are not short of material to help us learn about his life. But not everything he wrote was wordy. I’d like to introduce you today to a more unexpected side of his penmanship: his personal appointment diaries. (more…)