It’s been a while since we had a culture vulture review on the blog. For the uninitiated we share our thoughts on recent museum exhibitions and displays to demonstrate that we don’t all get put into a cupboard at the end of the day. Last weekend I made my way down to the Barbican Centre to see the tantalisingly titled Digital Revolution: An immersive exhibition of art, design, film, music and videogames. As you may have gathered, I’m a bit of a geek (is there even a need to use the label anymore? We’re all geeks now) and I’m always interested to see how ‘digital’ translates into museum exhibitions. A number of exhibitions I’ve been to in the past about digital art, design and video games always manage to make what should be exciting, schizophrenic and contemporary seem sterile and uninspiring through the lense of a museum display. How did Digital Revolution fare in my eyes?
This is the second of our Culture Vulture exhibition reviews (the first is here) As I mentioned in an earlier article about whether a degree in museum studies was worth it it’s very important for museum professionals in all kinds of roles to not just act as guardians of material culture but also to go out and consume it. Visiting exhibitions is a great way to ummm ‘borrow’ ideas in exhibition design and if an exhibition is doing its job well then you’ll come away with a mind full of new thoughts and ideas.
I’ve been along to Ice Age Art: arrival of the modern mind at the British Museum and was excited to see how the museum would interpret a narrative which is equal parts natural history, archaeology and art history. When it comes to academia it seems that humans love to find ways of boxing in disciplines and practices rather than accept that they are all interconnected. This can be seen in the names of departments, museums and the conferences that we attend but in my opinion it’s cross disciplinary interactions that can be the most interesting. Two big camps, traditionally pitched as antagonists are ‘Art’ and ‘Science’. Does Ice Age Art cater for both of these audiences or has one group (you have to carry a card) had more of a say? (more…)
We’ve been doing a few exhibition reviews on the blog lately, and after the unprecedented success of the new Book Worm series (launched yesterday) we thought to ourselves “what weak animal based cliched pun can we deliver for a new exhibitions review feature?”. I think you’ll agree that “Culture Vulture” was the only option.
I went along to Doctors, Dissection and Resurrection Men. The exhibition is the outcome of an excavation by museum archaeologists of a burial ground at the Royal London Hospital in 2006, which uncovered remains that had clearly been used in anatomical dissection. My interest was obvious – last year at the Grant Museum we put on Buried on Campus – an exhibition about the discovery and research into c7000 human remains unexpectedly discovered buried at UCL in 2010, also found to be have been used anatomically. I wanted to see how a museum with a budget tackled the same subject.
The answer is: exceptionally well. (more…)