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  • Archive for the 'UCL Art Museum' Category

    The Age of Revolutions

    By Jenny M Wedgbury, on 29 February 2016

    Josiah Wedgewood (1730 – 1795), Philippe-Égalité, 1790-2 (White jasper ware, dipped in dark blue, applied jasper ware reliefs)

    Josiah Wedgewood (1730 – 1795), Philippe-Égalité, 1790-2 (White jasper ware, dipped in dark blue, applied jasper ware reliefs)

    Blog post for UCL Art Museum, Revolution under a King exhibition by Dr Susannah Walker, UCL Art History Department

    On 10th February I joined Dr Richard Taws, the co-curator of UCL Art Museum’s current exhibition Revolution under a King: French Prints 1789-92, to give a lunchtime lecture on the prints in the so called “Age of Revolutions”.

    (more…)

    Spotlight on the Slade – February 2016 update

    By Jenny M Wedgbury, on 17 February 2016

    Anja Olofgörs, Social Constructs, 2015, © The Artist

    Anja Olofgörs, Social Constructs, 2015, © The Artist

    Acquisitions, prize-winning work and the continuing influence of the Slade collection

    As UCL Art Museum’s Spotlight on the Slade project continues, I wanted to share two recent acquisitions, by two very different prize-winning Slade artists, studying and working almost a century apart: Jesse Dale Cast (1900-1976) and Anja Olofgörs (b.1987).

    The acquisitions demonstrate not only the range of work within the Slade, but also how the collection continues to grow, recording the history of teaching and practice at the School, both through a prize system, which was instigated when the Slade was first established, and through subsequent gifts which support use of the collection. (more…)

    The terror, the terror!

    By Jenny M Wedgbury, on 15 February 2016

    Anonymous, Essai de la Guillotine, 1793, UCL Art Museum

    Anonymous, Essai de la Guillotine, 1793, UCL Art Museum

    On 26 January UCL Art Museum hosted a Pop-Up display dedicated to the theme of the French Revolution. This ties in with our current exhibition, Revolution under a King: French Prints 1798-92. As part of our ongoing wish to support UCL students and alumni, the exhibition was curated by volunteers Viktoria Espelund, Shijia Yu and Rosa Rubner. They each chose French Revolutionary prints from our collection and approached the topic from unique perspectives. The rationale behind their selections can be seen below.

    (more…)

    Behind the Scenes of the Cabinet

    By Helen Pike, on 2 February 2016

    In our continuing series to document the process behind the next exhibition in the Octagon, artists Mark Peter Wright and Helena Hunter who were chosen to work with curators and academic researchers from UCL led by Helen Pike, Public Programmer at The Petrie Museum give an update on their methodology. Mark is an artist and researcher working across sound, video, assemblage and performance and Helena’s practice spans performance, text and moving image. The blog offers a chance for ideas to be presented and hopefully engage comment and conversation!

    BDA-UC1-0016

    Over the last couple of months we have been developing a concept and method for material display entitled The Cabinets of Consequence for the forthcoming new Octagon exhibition. This is a reference and adaptation of the ‘Cabinet of Curiosities’. Originating from a 17th century European tradition, cabinets of curiosity were ramshackle rooms furnished with an abundance of objects of artistry, craftsmanship and relics. Wunderkammers as they were called, productively disturb taxonomic conventions of display, however, the emphasis on curiosity detaches objects from their ethical and social-political contexts.

    We want to destabilize hierarchies of display but not at the expense of the entangled geo-political histories of archives and processes of asymmetrical extraction on which objects have been collected.

    We intend therefore, to emphasize the multiple ecologies (Guattari, 2000) around such materials. The central challenge for us is to hold onto the vibrant materiality of objects, whilst simultaneously projecting matter into its ethico-political milieu: an aesthetics of display that not only works backwards through history, but also forwards, through the present and its possible futures.

    ‘A new metaphysics (materialism) is not restricted to a here and now, nor does it merely project an image of the future for us. It announces what we may call a “new tradition,” which simultaneously gives us a past, a present, and a future.’ Dolphijn, R & Van der Tuin, I.

    A King as catapult practice!

    By Jenny M Wedgbury, on 21 January 2016

    Detail of Noel Lemire (1724 – 1801), After Jean Michel Moreau (1741 – 1814), Louis Seize, 1792, Coloured etching, Inscribed: Bonnet des Jacobins donné au Roi 20 Juin 1792 (The Jacobin bonnet of liberty given to the King 20 June 1792); A Paris Chez L’Auteur Rue des Augustins, UCL Art Museum

    Detail of Noel Lemire (1724 – 1801), After Jean Michel Moreau (1741 – 1814), Louis Seize, 1792, Coloured etching, Inscribed: Bonnet des Jacobins donné au Roi 20 Juin 1792 (The Jacobin bonnet of liberty given to the King 20 June 1792); A Paris Chez L’Auteur Rue des Augustins, UCL Art Museum

    On this day, 21 January 1793, Louis XVI of France, stepped out of a carriage in the Place de la Révolution (formerly Place Louis XV) and climbed the steps to the guillotine.

    (more…)

    Revolution under a King: French Prints 1789-92

    By Jenny M Wedgbury, on 15 January 2016

    Louis Seize lightbox print

    Detail from the light box outside UCL Art Museum of Jean-Michel Moreau after Noël Le Mire, Louis Seize: Bonnett des Jacobins Donne au roi, le 6 Juin 1792, Copper Engraving, UCL Art Museum

    Our exhibition Revolution under a King opened with the start of term at UCL on Monday 11 January. The exhibition features a selection of prints from the early, highly volatile years of the French Revolution, curated by Emeritus Professor David Bindman and Dr Richard Taws, in collaboration between UCL Art Museum and UCL History of Art. Is already attracting visitor numbers that we have grown to be accustomed to since the Museum’s refurbishment – on average 80 visitors per day and on average visitors can be found spending between 30-45min in the museum. It has been wonderful working on this exhibition, as it really highlights the complexity of curatorial practice with researchers, which is highly collaborative and unites multiple, sometimes competing, agendas. I’m really pleased with the outcome.

    (more…)

    New Year, New Resolutions: Museum Conservation Conversations on the UCL PACE Museums and Collections Blog!

    By Susi Pancaldo, on 12 January 2016

    The PACE Conservation Laboratory on UCL’s Bloomsbury Campus serves the needs of UCL’s diverse collections. The objects we have examined and treated in 2015 have ranged from fragile inorganic and organic archaeological materials, small sculpture and other works of art, dry- and fluid-preserved zoological specimens, all manner of scientific teaching models, an array of mechanical and electrical scientific instruments, and much, much more!!

    UC40989 faience shabti, during treatment: Petrie Museum of Egyptian Archaeology Museum; UCLAM10026 bronze medal of Prosper Sainton: UCL Art Museum; Z2978 mammoth tusk: Grant Museum of Zoology; Mathematical model: UCL Maths.

    Faience ‘shabti,’ during treatment: Petrie Museum of Egyptian Archaeology (UC20989); Bronze medal: UCL Art Museum (10026); Mammoth tusk: Grant Museum of Zoology (Z2978); Mathematical model: UCL Maths.

    These objects have come to our Conservation Lab from UCL’s collections for a variety of reasons. Some need to be cleaned or repaired ahead of use in teaching, research, loan or display. Some present mysteries which close examination and scientific analysis may help unravel. Others have been selected for treatment as part of ongoing programmes to improve the condition of collections currently in storage.

    Each object has a story to tell, and with the start of this New Year, we have made a resolution to share the work we do with our blog audiences. (more…)

    Introducing Museums and Wellbeing

    By Maria Patsou, on 22 October 2015

    Hallo! My name is Maria and I am the research assistant for the National Alliance of Museums, Health and Wellbeing based at UCL PACE. Funded by Arts Council England, we’ve launched the Alliance so that information about museums and health can be shared and to provide support for those individuals and organisations working in this area of activity. My main role is to map existing practice, literature, reports and evaluation on health & wellbeing activities in the museum sector in the UK. I also carry out research into health and social care structures and identify key contacts for museum people. I am having an amazing time in this role as I get to work on the wider categories of arts, culture and health, which I have been specialising on for the past few years, through clinical and academic work.

    My object at the Horniman Museum. A tiny Greek Orthodox priest.

    My object at the Horniman Museum. A tiny Greek Orthodox priest.

    Late September was very exciting for museums and wellbeing. I participated in a Horniman Museum training on the use of museum objects for creativity and learning. While going through the Hands-on Base gallery, I accidentally bumped into a Greek Orthodox priest miniature (Picture 1).

    (more…)

    Spotlight on the Slade – October 2015 update

    By Jenny M Wedgbury, on 1 October 2015

    Percy Wyndham Lewis, Stooping Nude Child, 1900, Black Chalk, UCL 6003 (The Estate of Mrs G.A. Wyndham Lewis. By permission of the Wyndham Lewis Memorial Trust (a Registered Charity)

    Percy Wyndham Lewis, Stooping Nude Child, 1900, Black Chalk, UCL 6003 (The Estate of Mrs G.A. Wyndham Lewis. By permission of the Wyndham Lewis Memorial Trust (a Registered Charity)

    Blog post by Helen Downes, Paul Mellon Centre Research Curator, UCL Art Museum

    UCL Art Museum’s Spotlight on the Slade project is well underway with the first phase of the project: Full cataloguing of the collection of some 1,700 drawings.  Dating from the 1890s to the present day, this collection of largely prize-winning drawings offers a unique insight into student work and teaching methods at the Slade.  Current focus is on the late 19th, early 20th Century and is yielding some interesting findings. (more…)

    Social Constructs, Slade Coldstream prize 2015

    By Jenny M Wedgbury, on 31 July 2015

    She reads:

    “Where am I? Inside. Outside. Included. Excluded”
    Pause. Changing page. She continues:
    “ I, a mime student: an actor without words. I, a dancer: repeating movement by movement. Again and again”

    Anja Olofgörs reading during performance of her piece Social Constructs

    Anja Olofgörs reading during performance of her piece Social Constructs, Slade MA Degree Show, 2015

    (more…)