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  • Archive for the 'Cross-collections' Category

    Where are we now?

    By Helen Pike, on 10 November 2015

    Mark Peter Wright and Helena Hunter were chosen to work with curators and academic researchers from UCL on this new exhibition project. Mark is an artist and researcher working across sound, video, assemblage and performance and Helena’s practice spans performance, text and moving image. In this series of blogs running from now until the exhibition opens, the two will discuss how they are finding the process of research and discuss the ideas that are emerging.  The blog will stand in as the space of thinking for the exhibition

    Helen Pike – Public Programmer

     ‘The fossils of the future are the ones we live among’.

    Jussi Parikka, A Geology of Media, 2015, p.123

    By Helena Hunter and Mark Peter Wright

     

    As part of our research for the forthcoming Octagon exhibition we visited neuroscientists Aman Saleem and Matteo Carandini and at The Institute of Ophthalmology. We were introduced to methods and practices from their research that focused upon navigation and cognitive mapping. The main content of our discussions centred upon the ‘hippocampus’ – a region deep within the brain that  resembles a seahorse.  It plays a vital role in how both humans and mammals navigate through space, in addition to both short and long term memory function. As a multi-sensual area of the brain it differs from the visual cortex that has a more singular visual pursuit, offering a reception for sensory input that gives recognition but not clarity as to what we are seeing. The hippocampus is a plural, multi-sensory region in the brain accommodating a dualistic appreciation of place: the point we are physically located in and the place we may be relating to at a distance. Like the blue dot on Google maps, it resembles a pulsing area where the process and production of where we are, or think we are in the present is activated.

    But where are we now?Hippocampus_small[1] This deceptively simple question has opened up many trajectories for us. Where are we in terms of physical space? Political or ecological contexts? Subjective and collective identities? What happens between the here and there when binaries collapse? What errors, frictions and fictions may emerge?

    The Anthropocence is the current condition that underwrites such broad questioning of ‘where are we now?’ The term, coined by scientists, marks out a new geological epoch. It is an umbrella within which to describe how the human (antropos) has become irrecoverably grafted into every aspect of global-techno-animal life. Its consequences are read primarily through the current climate and ecological crisis. It also speaks towards the impact of advanced capitalism and our relationship to non-human agents – from animals to rocks. It is debated that we have been in this “now” since the industrial revolution, perhaps even further back. (See: Parikka, 2015). Alternative hybrid formations of the term, pinning specific areas of inquiry, have also been proposed (See: Braidotti ‘Capitaloscene’; Haraway ‘Chthulucene’; Parikka ‘Anthrobscene’).Seahorse Fossil

    [1] We are reluctant to speak of a “we” in terms of one homogenised collection of (human) people. When “we” is evoked we are therefore talking from our subjective and relational positions firstly, but also wish to extend a sense of collectivity and agency to non-human others.

    Within this matrix of connections and contexts we want to ignite a set of opening questions: can the hippocampus provide a methodology to navigate the present within archival collections? Is it possible to way-find between the here and there? What repetitions and differences might we discover? What possible fictions and futures may emerge in the errors and glitches along the way?

     

    Glass delusions from the ancient Egyptian world

    By Alice E Stevenson, on 4 November 2015

    This post is part of a series exploring the exhibition Glass Delusions at the Grant Museum of  Zoology.

    We often visualize ancient Egypt in sandy hues against the backdrop of a clear blue sky, or the watery Nile framed by green vegetation. Yet there was a much wider palette of colours used in the adornment of palaces, temples and decorative objects. The Egypt world was brightly, sometime garishly, vibrant with colour. Glass was one of the luxury materials that came to be used for decoration during the period Egyptologists call the New Kingdom, around 1500 BC.

    Armana glass rods on display in Glass Delusions at the Grant Museum of Zoology. 18th Dynasty, Amarna, UC22911 - UC22920

    Armana glass rods on display in Glass Delusions at the Grant Museum of Zoology.
    18th Dynasty, Amarna, From the Petrie Museum collection (UC22911 – UC22920)

    (more…)

    A UCL Museums Murder Mystery

    By Dean W Veall, on 25 August 2015

    Dean Veall here. UCL Museums, comprising of UCL Art Museum, Petrie Museum of Egyptian Archaeology and the Teaching and Research Collections and us, teamed up for an evening of dark noir, intrigue and subterfuge in celebration of Museums at Night 2015. A crime had been committed on campus and with prizes to be won we invited visitors to solve this museum murder mystery.

    (more…)

    UCL Museums Student Events Team

    By Rachel H Bray, on 8 June 2015

    Rachel again…

    Back in February this year, UCL Museums ran a very special late night opening at the Grant Museum of Zoology around Valentine’s Day, called Animal Instincts: Sex and the Senses. Much fun and merriment was had by all with special lusty-themed cocktails, an animal photobooth, crafts and some particularly pungent ‘animal’ smelling boxes. Over the years UCL Museums have built up a reputation for putting on events such as these; however, for Animal Instincts, they handed over the reigns to the events programme to some of us UCL students.

    A shot of the busy bar at our event "Animal Instincts: Sex and the Senses".

    Farrah serving up a cocktail storm at the bar during the evening.

    (more…)

    The Museum is Where the People Are – vote for us now

    By Jenny M Wedgbury, on 29 April 2015

    PURE EVIL - Roberto Rossellini's Nighmare

    Roberto Rossellini’s Nightmare, Pure Evil

    VOTE NOW http://bit.ly/connectpureevil

    Old master prints, drawings of flayed bodies, mysterious things in glass jars, extinct animal skeletons, glittery minerals and rocks, amulets and charms from ancient Egypt: UCL Museums and Collections are a treasure trove of the awe inspiring and unusual. But we don’t just think of ourselves as being a collection of objects fixed to one space and place, we believe that the Museum is where the people are and we want to take the spirit of our collections off site for the Museums at Night event on 30 and 31 October. (more…)

    Adventures in disposal: Sawdust & Threads

    By Subhadra Das, on 17 February 2015

    Today sees the opening of Sawdust & Threads: an exhibition, residency and art installation which will be based at UCL’s North Lodge on Gower Street for one week until Monday 23rd February 2015.

    Sawdust & Threads exhibition in the UCL North Lodge on Gower Street

    Sawdust & Threads exhibition in the UCL North Lodge on Gower Street

    Sawdust & Threads is an exhibition that takes objects disposed of from museum collections as its material. After drawing the objects, artist Caroline Wright will carefully deconstruct them, reducing them to their component parts. UCL Museums & Collections is one of three museums – along with Norwich Castle Museum and Art Gallery and the Polar Museum in Cambridge – collaborating with Caroline by contributing objects to this Arts Council Funded project. Her drawings will be on display in the North Lodge, and Caroline will be deconstructing the objects from UCL’s Teaching & Research and Ethnography collections in the North Lodge and at the Institute of Making from today.

    (more…)

    Do you need a PhD to be a curator?

    By Nicholas J Booth, on 25 November 2014

    During the ever excellent ‘Ask a Curator Day’ (search #AskACurator on twitter) I noticed a number of questions along the lines of ‘How do I become a curator’ / ‘what qualifications do I need to become a curator’. Many asked about whether a Masters in museum studies is sufficient. This is an ongoing debate on this blog and I suspect the question has no firm answer; however one response to this question from a national museum here in the UK caught my eye…

    ‘Museum Studies graduates do find curator jobs but increasingly employers are looking for PhD training in a speciality area.”

    A photo of a man in a suit and glasses blanacing one legged on a table

    Once upon a time this was
    the first Google Images result for ‘Curator’.

    This is an interesting answer, and I am sure it is correct for national museums (or that one in particular at least), however I do not believe that it is correct for many, or even most, jobs with ‘curator’ in the title. So I thought I would briefly go through my experiences of the word ‘curator’ and what I perceive it to mean in the different areas of the museum world.

    (more…)

    Focus on the Positive goes global and local

    By Dean W Veall, on 13 November 2014

    Guest blogger: Hilary Jackson

    An unseasonably warm October evening found the Focus on the Positive team returning to our favourite host venue, the Grant Museum of Zoology. But who would win the audience’s heart (and vote)?

    Grant Museum host Dean Veall and a devoted audience welcomed another four determined UCL researchers to pitch their ideas to make the world a better place.

    The audience came from across London to pick their favourite project to win a prize of £2000. But with four inspiring ideas to choose from, who would be the winner?

    (more…)

    Ask a Curator day 2014

    By Meg J Dobson, on 16 September 2014

     

    On Wednesday 17th September UCL Museums will be taking part in the Ask A Curator Day event on twitter. This event is growing year on year, and at the time of writing, this week’s event has 520 museums taking part from 36 countries. We know that asking a question in a museum can sometimes feel intimidating, and that we curators can sometimes be hard to track down. There’s so much to do that we aren’t always the most available group of people (though we really do try).  We are taking part in the day as part of our commitment to make our collections as accessible as possible.

    Ask A Curator works like this.  Anyone in the world with a twitter account can tweet a question with the #AskACurator hashtag, and it will be answered by any of the institutions taking part. If you have a specific question for us you can tweet it directly to us @UCLMuseums and one of our staff will do their best to answer you. The Grant Museum of Zoology is taking part using @GrantMuseum, as is the Petrie Museum of Egyptian Archaeology on @PetrieMuseEgypt.

    In preparation for this I thought I would introduce you to our members of staff taking part…

    Jack Ashby – Jack is the Manager of the Grant Museum of Zoology. He is responsible for the strategic direction of the Museum, as well as managing the Museum’s resources. Much of his time is spent on creating opportunities for the public to engage with research going on at UCL. A zoologist by training with a particular interest in Australian mammals, he still spends as much time as he can in the field. He’ll be taking questions via @GrantMuseum throughout the day and from the @UCLMuseums account from 12 – 1 pm. (more…)

    UCL and Bright Club at the Green Man Festival

    By Meg J Dobson, on 2 September 2014

    10 UCL researchers, 2 Public Engagement staff members, one Welsh festival. What could go wrong?

    Armed with wet wipes, cereal bars and boxed wine, the ‘fun bus’ set off from UCL one Thursday afternoon, destination: the Green Man festival in Brecon, Wales, to present two performances of Bright Club*in the Omni tent of Einstein’s Garden**. The cheery smiles and getting-to- know-each-other chat faded to an apprehensive (maybe even regretful?) silence as we left the sunny skies of London behind and proceeded to drive into what was essentially a massive rain cloud. Rain drummed, nay pounded, the car and all we could see were dark threatening clouds on all sides. Putting up tents was going to be great fun in this.

    Image of the Omni tent at the Green Man festival

    The Omni tent where Bright Club was performed

    (more…)