Kathryn Riley. 
There is a photograph called ‘Migrant Mother’. It is an arresting black and white shot. The woman is centre stage and gazes sideways on. She is beyond exhaustion: every line etched in her face tells its own story.

At first glance, she appears to have two children. Look more closely and you will see she has three: a child asleep on her lap and two other children, faces averted from (more…)