Photo posted on the Facebook profile of a research participant

Facebook is designed to encourage people to reveal information about themselves, and the market model of Facebook’s founder Mark Zuckerberg is based on sharing and radical transparency (Kirkpatrick, D. 2010).  Also, scholars have largely focused on the “disclosure effect” of Facebook, and have studied the ways this social media has led people to publicly display private information about their daily life.

In Mardin, however, people are really concerned about disclosing private information, facts and images. I’ve been told several times by my Mardinli friends, that the public display of photos portraying domestic spaces and moments of the family life was sinful (günâh) and shameful (ayıp). The variety of the visual material posted on Facebook in Mardin is, indeed, quite limited compared to what we are used to seeing on the profiles of social media users in other places, like London, Danny, Jo or Razvan’s fieldsite. For example when people in Mardin organise breakfast, lunch or dinner at their house, and invite family’s friends and relatives, they rarely post pictures portraying the faces or bodies of the participants at the feast. They rather prefer to show pictures of the good food. In this way they can reveal and show off their wealthy and rich social life, and at the same time protect the privacy of the people and of the domestic space. Yet, when images portraying people inside the domestic space are publicly displayed, these tend to be very formal and include mainly posed photography. By doing so, the aura of familiarity and intimacy is eliminated, and the pictures are more reminiscent of the formal images common in the pre-digital era.

Whereas in most of the cases people tend to follow online the same social norms regulating the boundaries between private and public offline, it’s also true that these boundaries have increasingly shifted. The desires of fame, notoriety and visibility is very strong among young people living in Mardin. For example, after posting a picture, it’s quite common to write private messages to friends asking them to “like” the image. I’ve also been told off a few times by my friends in their early twenty, for not having liked their pictures on Facebook. Facebook in Mardin is a place to show off, and to be admired by others. It’s the desire of popularity and fame that has led people to publicly display moments from their daily life that have traditionally belonged to the domestic private spaces. By doing so, the private space of the house has started to increasingly enter the public space of Facebook, despite limitations and concerns. Also the body and the face of religious headscarf wearing women have been widely shared on the public Facebook, apparently in contrast with religious norms. A friend told me: “Facebook brings people to behave in strange ways. A religious covered woman I am friends with, on Facebook posts the pictures with her husband hands by hands” This public display of the conjugal life contrasts with the normative ideas Muslims from Mardin have of the private and the public. Several other examples show that Facebook has led people to publicly display what has traditionally belonged to the domestic and private sphere.

In Mardin the culture of mahremiyet, the Islamic notion of privacy and intimacy (Sehlikoglu, S. 2015), continues to regulate the boundaries between the private and the public both online and offline, but with significant differences between the two.

References

Kirkpatrick, David. 2010. The Facebook effect. Simon and Schusters

Sehlikoglu, Sertaç. 2015. “The Daring Mahrem: Changing Dynamics of Public
Sexuality in Turkey.” In Gender and Sexuality in Muslim Cultures. Gul Ozyegin
(Ed), Ashgate.

Propaganda meme that has widely circulated on social media during the protest of March 2014

The academic and journalistic accounts on the political uses of social media have mainly emphasized the practices of activists and dissidents, or alternatively the control and censorship by States, but I believe that one area of research has been largely overlooked: the government’s production and distribution of social media outputs for propaganda purposes.

After having observed the political uses of social media in Mardin for a long time, I was struck by the wide circulation of videos, memes and news supporting the government and the ruling party AKP. Most of this material was produced and originally shared by institutional sources or other informal groups whenever some significant events occurred. For example, in March 2014 anti-government protests erupted all around the country when a 15 years old boy died after having been in a coma for 269 days, the boy had been hit by tear gas while he was going to buy bread during the Gezi Park protest in Istanbul. In March 2014 the social media sphere in Mardin was populated by memes that were reproducing the government discourses and minimising accusations of police brutality. The image posted above is only one example of the several memes of this kind, the caption says: “This is not the way to buy bread/This is.”
The Turkish government’s engagement with social media was also documented by few journalists, and it was reported that in September 2013 the governing AKP party created a team of 6000 social media users to help influence public opinion. However, I have never come across any detailed report or research about this crucial and important topic.

In Mardin the active usage of social media by the government and the ruling party AKP, is also interlinked with State’s control and surveillance, as a consequence of these two factors, government opponents were not very active online. All this leads me to argue that social media in my field-site, far from creating a democratic public space, have rather reproduced and reinforced existing inequalities and exclusions of political and ethnic minorities.

Facebook meme

Researchers of the Global Social Media Impact Study are currently writing a chapter about the visual material posted on social media. For this reason I’ve been carefully observing my friends’ Facebook profiles and I counted an incredibly high number of memes citing famous writers, poets, and philosophers. Differently from the Italian field-site (see Razvan’s last blog post) where highly educated people use Facebook to express their knowledge and abilities when these can’t be used in other ways, in Mardin young adults use Facebook to construct a well-educated, moral and virtuous self and make it visible to the others. As I’ve been told by many local friends, people in Mardin want to appear literate, wisdom, religious and moral, and they use social media to achieve this goal. In fact Facebook is also criticized for being used to construct an-ideal self that is quite different from the offline self. The discrepancy between the online and the offline was a discussed topic in Mardin, and it also emerged from my ethnographic observation.

On the public Facebook wall, people consciously post what they know is going to be under the gaze of others. The public Facebook wall in Mardin is a place to be observed and to be looked at. Young adults and and middle aged people don’t simply stage a successful character in that specific social context, but they perform a self that is imagined as continuously monitored, controlled and judged. In Mardin social media are spaces under surveillance, and people more or less consciously perceive themselves under the control and the gaze of others and of the State institutions.

In a region that has experienced decades of political violence and inter-ethnic conflicts, people’s traumatic experiences have led to the production of fears and suspicion towards the ‘other’, whether this is embodied by the State or by the social body, and whether the threat is real or not. These two levels, the State and the society, blend and reinforce each other. As result people tend to be aware of privacy settings, to be cautious about the material they share, and to post only what strictly confirms to dominant social norms. Surveillance is a productive force that generates specific performances and production of selves.

But probably the most interesting consequence of surveillance is that it makes the visible real. When the visible is monitored by the society and by its authorities, and for this reason it’s imagined as having real consequences, then it’s intended as real. It’s in this context of surveillance that the visible on Facebook becomes real. And this explains why many people in Mardin spend a lot of time and energy to accurately construct their idealized self on Facebook. In 1928 the two sociologists W.I. Thomas and D.S. Thomas formulated this theorem: “When men define situations as real, they are real in their consequences”. But we may also say that when one level of appearance is imagined as having consequences (and it does have consequences) then it becomes as real.

Many people seem to think that social media such as Facebook are principally a means to find and to develop relationships such as friendship. Clearly those people don’t try to study the English. I have just finished a chapter of my book on Social Media in an English Village and it has become increasingly clear that the primary purpose of some social media, such as Facebook, is rather more to keep people at a distance. But that needs to be the correct distance. Goldilocks is the ideal middle-class English story. Whether it comes to porridge or beds we, the English, don’t want the things that are too hot or too cold or too short or too long. We want the things in the middle that feel just right. So it is with many relationships.

Yes, after Friends Reunited the early social media were often used to re-connect with people one had lost contact with. But as I heard many times this was also something one could regret, since often enough one was reminded of the reasons one hadn’t kept in touch in the first place. But that’s ok. If they become friends on Facebook you don’t actually have to see them. On the other hand you can satisfy your curiosity about what has subsequently happened in their lives as an entirely passive Facebook friend. Or if that feels a bit too cold you can add a little warm water to your bath with the occasional `like’.

When it first developed academics and journalists used to claim that the trouble with Facebook was that users couldn’t tell a real friend from a Facebook friend. Actually long before Facebook came into existence people would sit in pubs with one friend endlessly dissecting the last three encounters with a third party to decide whether that third party was or was not a `real’ friend. In fact the beauty of social media is that there are so many ways of adjusting the temperature of friendship. You can like or comment, you can have them in a WhatsApp group, you can private message them, you can send them a Snapchat, you can follow them on Twitter, you can acknowledge them in their professional capacity on LinkedIn, all on top of whether or not you phone, email and visit them.

Some of the best insights into the nuances of positioning come from discussions about the use of social media after a divorce, which might be your parents or relatives or again friends. Suddenly everyone is aware of what shouldn’t be shared with whom, and who might take offence if you are warmer to this side than you are with that side. Even in England we do sometimes actually make friends, but we then spend decades calibrating the right distance, judging exactly how much of a friend we want them to be and social media is just a wonderful way of getting things just right.

Facebook profile picture from south-east Turkey

Kurds living in Mardin tend to not use social media for political expression when it involves a direct critique of the Turkish State, Turkish authorities or the Turkish nation. Social media has been described by many Kurds as a powerful tool for political control, as a new form of torture, as a weapon to scare people and prevent them from being politically active. In Turkey’s Kurdistan, the internet and digital technologies are immediately associated with control and persecution by the State. In the last couple of years, the Turkish government has banned and shut down several pages of political parties (see also this international campaign against the Facebook Company). Internet censorship in Turkey has become internationally known, when the ex-Prime Minister Erdogan banned YouTube and Twitter before and after the local election in March 2014.

The tight control over the internet has produced an efficient self-censorship mechanism in Mardin and elsewhere in the region; people tend to not criticize the Turkish government too openly in order to not be prosecuted. However, many Kurds have been using social media to express their support for the Kurdish cause by claiming solidarity with the Kurds living in other countries in the Middle-East. In the last two years, many people have been using an image with the word ‘Rojava’, the Kurdish name for the Siryan Kurdistan, the region inside Syria that started to achieve its autonomy in 2012, as their Facebook profile picture. Within the same period, the region has been under attack several times by Islamic groups, and more recently by ISIS. When ISIS attacked Kobane and PKK/ YPG fighters retaliated by showing resistance, news from independent news sources were circulated on social media, presenting different views on what was occurring. Before then, in the summer of 2014 during ISIS’ invasion of Sinjar in Iraq, many Kurds, together with unions, political parties and local charities, actively used Facebook to organize solidarity campaigns to collect clothes and money for the Yezidi refugees after the attack.

Over the past few months, social media has become a very important source of news for the Kurds living in Turkey. They want to know about ISIS’ attack on Kurds in Syria and Iraq; and Facebook in particular has become the main platform to organize solidarity campaign and to express support towards the Kurds in these two countries.

I don’t want to describe here the complexity of the crisis that is going on now in the Middle-East, but rather, I want to highlight the way Kurds in Turkey use social media. They continuously mediate between what they would like to share freely online, and what they know could be detrimental to them because of the draconian censorship enacted in Turkey. Far from being  the results of rational calculation every time, people have internalised a set of rules which influences what they can share publicly, what they can share on fake profiles and what they can read but not share at all. It’s only by adopting these implicit set of rules that a Kurdish “public sphere under restriction” is continuously created and recreated by social media users, with several consequences. One of these is that on social media the Kurds in Turkey tend to sustain the Kurdish nationalistic cause by expressing support towards the Kurds living in Syria (and Iraq), and they more rarely address the political situation inside Turkey.

Photo by Elisabetta Costa

Anytime I become close to a family after having visited them at least a couple of times, my new friends usually show me their family photo albums. So far this has happened in every house I’ve been to. After talking, eating and drinking tea together, they ask me if I want to have a look at their family pictures. Then they usually bring me one, two or more boxes containing different albums and many scattered photos. I’ve seen many pictures taken from the ‘60 until recently. These boxes usually contain both formal photos taken during weddings and then edited in the studio, and more informal pictures from daily life. Showing family photo albums and family photos to guests is a very common practice here in Mardin. It’s a way to communicate to new friends what the family looks like, and to highlight to me (a new friend) who the family members are and were in the past.

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Youth taking photos at a wedding in the Turkey fieldsite (Photo by Elisabetta Costa)

In common with many of our other fieldsites, here in south-east Turkey the sentiment is that Facebook is also not as ‘cool’ as it was before among teenagers. However, as Amber explained in her blog post, the increasing use of other social networking sites does not necessarily mean that Facebook is used less than before. This is a trend in common with findings in our fieldsites in other countries, as UK and Brazil, but the reasons of the change are specific to each field-site. Here people aged between 16 and 19 are telling me that Facebook is not so cool anymore because it is used more and more by younger children. According to the data emerging from my in-depth interviews Facebook is used by a large majority of students (age 6-10) in primary schools to play games and chat with school friends. And it’s used by almost every student (age 11-13) in middle schools. Also in the streets of the town it’s very common to see groups of  primary school aged children talking about Facebook, and playing games on Facebook using the smartphone of some older brother or cousin. Adults and parents often describe Facebook as a tool more appropriate to children than adults. And assumptions about Facebook as a media appropriate to play games, to have fun, and not to discuss serious topics or to read news are very common here.

Then, the massive diffusion of Facebook among children is also explained by a positive attitude towards technology in the generation of parents in their twenties and thirties, an attitude that is completely absent among parents in their forties and above. The latter, especially women, are rarely users of social media. Mothers of teenagers are usually ‘digitally illiterate’ housewives with a  low level of education. While parents in their twenties and thirties are more educated, they are users of internet and digital media and they do have a more positive attitude towards new technologies. The significant generational gap between the generation of parents in their twenties and thirties, and those in their forties reflects the big economic boom and  massive growth of public education experienced by Turkey in the last ten and fifteen years. The evidence emerging from my ethnography is confirmed also by some simple quantitative data: according to data from the Turkish Statistical Institute in the province where my fieldsite is situated, the number of women with a university degree in the age of 30-34 is six times higher (1933) than those in the age of 40-44 (337).

It seems that increased wealth and  familiarity with digital technology causes young parents to support the use of social media by their kids. Not only this: the use of smartphone and computers by children play an important role in the affirmation of middle-class status of their family. In this growing consuming economy, the presence of digital technologies in the family plays a very important role within the new hierarchy of taste, in the sense given by Bourdieu (1984).

Thus, in front of the increasing usage of Facebook by children, teen-agers are starting to explore new social media platforms such as WhatsApp and Twitter that are seen as more stylish and trendy, and are used mainly by a narrower group of peer-friends. But Facebook still remains the favourite media to have access to a wider audience, to achieve more popularity, to play games and to communicate with strangers.

Photo by Elisabetta Costa

A social panic surrounding Facebook has arisen in my field-site in south-east Turkey: nasty cheaters use hacker applications to steal Facebook user names and passwords in order to damage people’s reputation!

The practice of stealing Facebook passwords to post shameful images and video, and swear words on other people’s walls seems to be quite common among young adults. Apparently the town is full of hacking applications that allows spiteful people to enter other Facebook pages and make unpleasant jokes. I met several people whose Facebook profile has been stolen and used to post nasty surprises that ruin their honour. And many young people are really afraid that such a thing can happen to them as well: “Facebook can be very dangerous” I’ve been told several times. I don’t know if hacking applications are really effective here in Dry Rock Town. But surely people continuously share common computers and smartphones, and probably forget to log out from their accounts, giving the opportunity to strangers and perfidious friends to commit these offences.

One of the most prevalent fears people have is that of losing control of their public image that can bring public disapproval. The public image on the Facebook wall can be seen as an extension of the person, but this in turn makes the person more vulnerable. Photos, images, thoughts, and private talks are all significant parts of the self that are “out there” and can be easily violated by others. A simple joke can indelibly violate the self: everybody in the large network of friends and acquaintances can potentially become a threat to the self by entering into its boundaries after having stolen a password. In the age of Facebook the borders of the self are extended, but at the same time more fragile and vulnerable. And when these borders of the self are vulnerable, honour can be shattered.

This moral panic surrounding Facebook reflects the anxiety related to the vulnerability of the self that Facebook has made more apparent. I really believe that traditional codes of honour and shame are given new life in the age of social media.

Photo by Island Capture Photography (Creative Commons)

I want to suggest that conventionally when we consider the role of the photograph in society, we see this as a kind of three stage movement. First there is the practice of photography itself. We have assumed that this was merely the requisite technology, largely the handmaiden to the desire to have a photograph. Then there is the object, the photograph, and that was assumed in turn to be the handmaiden to the ultimate aim, which was to record something. The photograph was there to serve as an object of memory, a technical facility to retain an image beyond the relatively poor ability of the brain to accurately retain images of the past. It could be as an art, but it was more often a wedding or holiday.

Today most photographs are taken for their use in social media. Figures quoted online vary but it is suggested around 350 million photos are shared per day on Facebook, 55 million on Instagram, 400 million on WhatsApp and 450 million on Snapchat.

I want to suggest that as a result, we need to completely turn on its head our conventional understanding of photography. Memory has been reduced merely to the legitimation of having a photograph, but the photograph itself has lost its position as the aim of the exercise since mostly the photo is merely the excuse for what now takes centre stage which is the act of taking a photograph. Photography as an activity has moved from background to foreground. Fortunately we can see this sequence more clearly because it corresponds to the development of three social media sites in sequence. The movement from Facebook to Instagram to Snapchat/WhatsApp.

Photography on Facebook
Facebook now appears as the convenient bridge between more traditional photography and the more recent social media. Facebook places considerable importance on the photo album and the collecting of images. Everything shared whether tagged or not is also stored. One of the reasons Facebook’s long term future is likely to be older people, is that it is very effective in this role, certainly compared to conventional photograph album and the analogue photo. As Xinyuan recently noted you can turn to QQ to see yourself as you looked ten years ago when you first joined QQ, soon this will be common on Facebook.

Photography on Instagram
Photography on Instagram has a much more transient feel than Facebook. In working with young people I find that Instagram gives them a kind of creative project. All day they can think about what would make a good photograph? (similarly, what would make a clever tweet?). If they don’t see anything else, they can always take a Selfie. This gives purpose to the day and becomes a bulwark against the constant concern with being bored. As such, where once we framed the photograph, now we use photography to frame experience. Here we see the reversed sequence. Storing the photo, as in Facebook, is exposed as mere excuse for having a photo, which in turn is mere excuse for the real purpose, which is the project enacted by the act of photography itself.

Photography on Snapchat/WhatsApp
It was Snapchat that bludgeoned to death our conventional view of photography. If the photo can only last for a maximum of ten seconds, then we can’t even pretend it’s about memory or even about the image. The point about Instagram is now made explicit. It can only be the act of taking that matters. Except that on Snapchat/WhatsApp we realise that this is not just individual experience it is a social act, we take pictures in order to share, and to see the response to our sharing. We have to take the word ‘Snapchat’ literally – the photograph is just a form of chat, saying Hi, a more interesting emoticon. WhatsApp is a bit less violent a repudiation of the photograph, but still highly transient. Clearly we may work with all three of these social media and all three of these relationships to photography.

As I will argue in a more extended paper, the mistake is to think this makes photography more superficial, actually I will argue this makes photography more profound.

Photo by Elisabetta Costa

Social media photography in my field site in south-east Turkey is extremely self-oriented. I have recently been asking friends and informants why people post specific images, and the answer has always been the same: “They want to become popular!” For example food is a very common image on Facebook and it is always represented in similar ways: in special occasions during dinner with friends or family, as soon as the wonderful food is ready and put on the table or on the floor someone takes the picture and posts it on Facebook. In few cases I had to wait up to twenty minutes before eating because everybody wanted to take a picture and upload it on Facebook, or keep it on their phones to show it to friends. When people organise dinner with friends or extended family and the food is particularly good-looking, taking a picture and making it public is a must. As everybody told me, the main goal is to appear awesome and become popular. On Facebook there are not pictures of ordinary food during ordinary dinner, or pictures with amazing food eaten with ordinary family members. It’s always a combination of good food and good people, the best way to impress the public. Even when the picture portrays a group of friends or family members, the picture is more oriented toward increasing the popularity of the person than to strengthening social ties with others.

In Dry Rock Town people spend hours looking at the Facebook walls of acquaintances and gossiping about them. This activity is socially accepted, and usually done together with friends or relatives. Women especially enjoy their time together in front of a smartphone or preferably a laptop, commenting about other people’s life as based on what they see on their Facebook walls: “She became fat…He got married to that beautiful woman…He is still single…She always wears beautiful clothes…He has a good job…He became rich…She always goes to the hairdresser…etc, etc, etc.” People gossip in particular about acquaintances or distant family members with whom they don’t have daily interactions, and that are Facebook friends of friends. In a town of 80,000 inhabitants where everybody knows all of the families in the town (and consequently everybody recognizes everybody as a member of a family), Facebook is the best way to get updates and have fresh information about other people’s lives. Because of gossiping, chats, and rumors, the content Facebook walls often ends up being what people know about a certain person. For this reason Facebook visual material is accurately chosen and updated in order to improve self-images, increase respectability and honor. Facebook is used as an identity card to present the self to friends of friends, and friends of friends of friends, and eventually the whole town and the extended family.

People are continuously involved in the practice of updating new pictures that can increase their social reputation. Thus the very practice of posting photos of amazing dinners and holiday trips is one of the main pleasures derived from these activities. It surely increases the their social fame within the town, and with friends and relatives.