There is sometimes an assumption that while anthropology represents a unique commitment to qualitative research, with all our studies consisting of 15 months fieldwork, we somehow have an antipathy to quantitative data. Yet the very reason we spend so long in the field is testimony to our commitment to the highest level of scholarship and the sheer determination to accurately portray that population. For which purpose all information that helps us towards these goals is welcome, and most anthropologists do collect some quantitative materials.

But in a way the accusation is correct. We generally feel that quantitative data alone is deficient. Partly because the answers people give to survey questions may not reflect what they actually do. More because figures need to be interpreted in order for us to properly understand what they mean. Without that deeper knowledge of context they may mislead rather than illuminate. So we are suspicious of quantitative ‘news’ which often takes the form of correlations (for example, a population’s weight or life expectancy set against one aspect of their behaviour). Often this could be the result of dozens of different ’causes’ or combinations of behaviours other than the one claimed. We prefer to use quantitative data which comes from within ethnographic study, where we can hope to make an informed interpretation.

All our projects included three types of quantitative material: an initial survey of at least one hundred people at the beginning of fieldwork (Questionnaire A), a second survey of a different minimum one hundred people at the end (Questionnaire B), and whatever additional surveys each researcher found useful. Because of the importance of context, we will release our quantitative results alongside our eleven volumes of qualitative reports on 4 February 2016. But currently we are looking at the integration of these results. What follows is a sample of the kinds of results we will eventually publish.

In the case of my study of our English site – The Glades – my main additional survey was one of 2,496 school pupils at four secondary schools in the area. One of the intentions was simply to find out what which social media platforms these pupils were present on (see Table ‘Top of the class’). It was striking that these six stood out, with no other platforms emerging at above 10% overall.

 

Since this was also a response to my earlier blog post suggesting English schoolchildren were using Facebook, but that it was no longer ‘cool’, we also asked students what their three favourite platforms were. We found only 12.7% picked Facebook as their favourite social media, 8.4% as their 2nd favourite and 9.7% as their 3rd favourite.

Questionnaire B, by contrast, will be mainly released as a comparison across all of our nine sites.

These are illustrations of what is to come. Generally though, we would rather be patient and consider these in relation to our qualitative findings before we formally publish them.

Facebook is designed to encourage people to reveal information about themselves, and the market model of Facebook’s founder Mark Zuckerberg is based on sharing and radical transparency (Kirkpatrick, D. 2010).  Also, scholars have largely focused on the “disclosure effect” of Facebook, and have studied the ways this social media has led people to publicly display private information about their daily life.

In Mardin, however, people are really concerned about disclosing private information, facts and images. I’ve been told several times by my Mardinli friends, that the public display of photos portraying domestic spaces and moments of the family life was sinful (günâh) and shameful (ayıp). The variety of the visual material posted on Facebook in Mardin is, indeed, quite limited compared to what we are used to seeing on the profiles of social media users in other places, like London, Danny, Jo or Razvan’s fieldsite. For example when people in Mardin organise breakfast, lunch or dinner at their house, and invite family’s friends and relatives, they rarely post pictures portraying the faces or bodies of the participants at the feast. They rather prefer to show pictures of the good food. In this way they can reveal and show off their wealthy and rich social life, and at the same time protect the privacy of the people and of the domestic space. Yet, when images portraying people inside the domestic space are publicly displayed, these tend to be very formal and include mainly posed photography. By doing so, the aura of familiarity and intimacy is eliminated, and the pictures are more reminiscent of the formal images common in the pre-digital era.

Whereas in most of the cases people tend to follow online the same social norms regulating the boundaries between private and public offline, it’s also true that these boundaries have increasingly shifted. The desires of fame, notoriety and visibility is very strong among young people living in Mardin. For example, after posting a picture, it’s quite common to write private messages to friends asking them to “like” the image. I’ve also been told off a few times by my friends in their early twenty, for not having liked their pictures on Facebook. Facebook in Mardin is a place to show off, and to be admired by others. It’s the desire of popularity and fame that has led people to publicly display moments from their daily life that have traditionally belonged to the domestic private spaces. By doing so, the private space of the house has started to increasingly enter the public space of Facebook, despite limitations and concerns. Also the body and the face of religious headscarf wearing women have been widely shared on the public Facebook, apparently in contrast with religious norms. A friend told me: “Facebook brings people to behave in strange ways. A religious covered woman I am friends with, on Facebook posts the pictures with her husband hands by hands” This public display of the conjugal life contrasts with the normative ideas Muslims from Mardin have of the private and the public. Several other examples show that Facebook has led people to publicly display what has traditionally belonged to the domestic and private sphere.

In Mardin the culture of mahremiyet, the Islamic notion of privacy and intimacy (Sehlikoglu, S. 2015), continues to regulate the boundaries between the private and the public both online and offline, but with significant differences between the two.

References

Kirkpatrick, David. 2010. The Facebook effect. Simon and Schusters

Sehlikoglu, Sertaç. 2015. “The Daring Mahrem: Changing Dynamics of Public
Sexuality in Turkey.” In Gender and Sexuality in Muslim Cultures. Gul Ozyegin
(Ed), Ashgate.

I recently wrote about the ways that northern Chileans express normativity on social media, using Kermit the Frog and contrasts between “Expected” and “Reality” memes as examples. But perhaps what demonstrates a desire for normativity even further is the way many individuals in Alto Hospicio express self-deprecation.

Much like the contrasts between expectation and reality, self-deprecation memes work to set up a contrast between idealized subjects and normativity. They may present an example of ambition, success, or a luxury lifestyle, yet do so through a frame of exaggeration. They then place themselves as a representative of normality, which contrasts with the ridiculousness of the exaggeration. In doing so, the humorous context allows them to adhere to normativity in an active sense. Rather that it being an implicit contrast to ambition, normativity is actively cultivated as an important value.

The photo above is just one example of self-deprecation in which the sperm that fertilizes the egg somehow outruns those that could have produced exceptional offspring: a Nobel Prize winner, a president, a movie star. “Me” is contrasted with these exceptional possibilities and is thus assumed to represent the ultimate ordinary possibility.

Other forms of self-deprecation involve references to the imperfect body (“A man without a belly is like a sky without stars”), academic credentials (A cemetery headstone engraved with “Here lie my ambitions to study), or material possessions (A picture of a rusty broken down car overlaid with the words “What do you say if I try to seduce you in my car tonight?”). These examples present the person who posts them as representative of the ordinary person who doesn’t live up to ideals that are considered to be out of reach. Instead they frame these more ideal forms as ridiculous through distancing. Sometimes they even explicitly spell out the benefits of normativity. One popular meme reminds readers that “Being ugly and poor has its advantages, when someone falls in love with you, they do it from the heart.” Again the poster of the meme positions them as ugly and poor, yet expresses happiness because this verifies the authenticity of relationships. Being ordinary means one doesn’t have to worry about being liked only for superficial reasons.

Self-deprecating humor is especially important, because it allows divergent self-representations to surface in ways that may be more accessible (both to the person who expresses the sentiment as well as to their audience) than literal expressions of ambition. Self-deprecating humor allows for play without alienating the audience because that which is outside of normativity is presented in a nonthreatening way (Ritchie 2005:288). In the context of normativity in Alto Hospicio, joking is a safe, and obviously popular way for people to express things that might not be acceptable otherwise.

References:

David Ritchie “Frame-Shifting in Humor and Irony” Metaphor and Symbol 20 no. 4 (2005):275-294.

 

Now that we are heavily into writing our individual books on social media, it’s the time to think about the original insights we have gained from our fieldwork in relation to wider themes and issues. This month, I want to deal with non-usage. Generally, Trinidadians are keen to be up to date; with fashion, pop culture and uses of new media. Trinidadians were very enthusiastic to embrace using the internet generally (see Miller and Slater, 2000) and similar to their use of Facebook, internet usage was more of a product of social norms and perceptions than it was a product that was exported from Silicon Valley.

I can appreciate that even the term ‘using the internet’ is outdated, I’m ‘using the internet’ throughout the whole process of writing and publishing this blog post but accessing the digital ether has become so normal and ubiquitous that we wouldn’t think of checking our email on our phone as ‘using the internet’.

I want to deal with an aspect of non-usage that I have called ‘digital resistance’. As resistance implies, there is a wilful refusal to something that is an imposed (or forced) expectation. There are two main reasons that drive digital resistance that came out of my fieldwork. The first is that people refuse to adopt technology for more social communication because their lives are already socially saturated, meaning that people already have too many face to face relationships (mostly family and extended family) that are demanding of people’s time. There are already enough expectations, obligations and negotiations digital resistors have in their lived social relationships that they don’t want to ‘keep up with the times’ or ‘get on board’. New communications media add yet more modes of conduct that they have to negotiate and strategise and learn for their relationships. They feel they become more mediated.

The second reason has a lot to with the first. For people who ‘opt out’ of using new media beyond a basic mobile phone for personal communications, social media not only represents an increase in mediation in already complicated relationships, but it also represents a lifestyle that directly or indirectly opposes their immediate way of life and values. There are gender, age and class dimensions that are intertwined with the values of people’s immediate way of life and why they would not want to be associated with using new media. For example, there were research participants who have the latest smart phones or keep up trends because they enjoy a lifestyle of having the newest fashionable things. The other side is that for people consider themselves as being more ‘traditional’, keeping up with technological trends and adopting social media means that their way of life, where they see face-to-face communication as more authentic, becomes less valued. Their social circles, for example, groups of mothers who are housewives, or farmers where all their friends are farmers, are made up of people with shared circumstances and values. These participants often frame not using social media as ‘not having the need’, but it is also that they don’t associate with groups who see social media as central to their social lives.

When we think about people who don’t use the internet regularly, or who don’t own smartphones, their reasons might not be so straightforward, or even easy or obvious for them to explain.

In order to analyze people’s postings on QQ or WeChat I had to spend a lot of time viewing and recording my informants’ online postings, especially the photos and other images they posted on their social media profiles, and then categorize different kinds of images into different genres.

Among all the images, ‘food’ photos turned out to be one of the major genres which people frequently post online. ‘You are what you eat’- food is such an important part of Chinese perceived cultural experience, the use of food to express sophisticated social norms is highly developed in China (1). As Kao Tzu, a Chinese ancient philosopher said, ‘Shi Se Xing Ye’ (the appetite for food and sex is human nature). And a Chinese saying goes ‘Min Yi Shi Wei Tian’ (Food is the paramount necessity of the people).The importance of food in everyday life is also reflected in greetings. For instance, instead of asking “How are you?” it is quite normal to ask “Have you eaten?” Division of a stove is symbolic of family division (2). One of the most insightful anthropological discussions of communal dining in China is Waston’s (1987) study on Sihkpuhn (to eat from the same pot) banquet in a Hong Kong village. As Waston argues, eating from the same pot serves to ‘legitimize a social transition’, for instance, a marriage without Sihkpuhn feast is not considered legitimate; the social birth of males and heir adoption are both marked and celebrated by Sihkpuhn feast. This is why the family reunion meal is so important for every family member, it is not only a time to enjoy delicious and various foods and drinks, but an occasion to unite a family together. Every family member in the reunion dinner, eating from the same pot, represents a family collectivity and is therefore “eating for others”. It also seems that, especially among rural migrants, food and the feeling of ‘being at home’ when one is working far away from one’s homeland is closely connected.

All the previous study on Chinese food as above seems to have provided the convincing reason of ‘why food postings are so popular among Chinese people on social media’. However, curiously, when I counted the ‘food’ photos and images I found there is one specific kind of Chinese food was most popular among young mothers, which is soup. Why soup? The answer seems go beyond the Chinese social norms about ‘food’ in general- there must be something more specifically about mothering.

During my field work, I found that one of the typical criteria of a ‘good mother’ among my informants is to ‘cook well’ as many of them put it. From time to time, people told me that the thing they miss most when working outside is their mother’s cooking. Here the social implication of mother-child bond through the image of mother’s cooking seems to go beyond the real taste of the food. It is widely believed that food is a kind of medicine which helps to strike the balance of the ‘Qi’ (air, vitality) of one’s body in daily life, according to the philosophy of Chinese cuisine. In addition, among all kinds of Chinese cuisine, soup is unquestionably regarded as the one which can nourish one’s ‘Qi’ best. In my field site, the best way people could treat, me as they believed, was to feed me a lot of homemade food in overwhelming and non-stop manner. And from time to time it felt extremely difficult to say no when women started their lines like “oh it took me the whole day/ whole afternoon to prepare and cook this soup, and you have to have some, very good for you body!” Cooking a decent soup usually requires a very long time, a lot of patience, delicate heat control and decent knowledge of food material.

In a way, the process of preparing and cooking a decent soup is similar to ‘mothering’ – it’s always time-consuming, and you need a lot of patience, understanding and good control of the ‘heat’ in the relationship. Thus the frequent sharing of soup photos seems to just reinforced the widely accepted image of a good mother.

It’s universal that women feel anxious about becoming a mother, and a wise strategy to deal with such anxiety among young mothers in my field site seems to be posting a lot of ‘soup’ photos on their social media profiles. That is to say, before they cook the ‘real’ soup for their kid, they have cooked the soup online to prepare to be a good mother.

Reference:

(1) Watson, James L. 1987. “From the Common Pot: Feasting with Equals in Chinese Society”, in Anthropos, 1987 (82): 389-401.

(2) Stafford, Charles. 1995. The Roads of Chinese Childhood: Learning and Identification in Angang. Cambridge: Cambridge University Press. p4

One of the surprising features of my conversations with primary and middle school students in our rural fieldsite in the north of China was the number who said that the pressures of schoolwork meant they didn’t have any time to ‘care for’ (zhaogu) their social media profiles. Many spoke of the importance of needing to ‘invest time’ (touru shijian) and ‘invest money’ (touru qian) in their QQ account or QQ online games in order to achieve high levels or status on these platform.

For this reason, a number of people that I spoke to, particularly middle school students, told me that they would ask their friends to ‘look after’ their account, or various parts of the games that they played.

Having somebody else responsible for looking after one’s QQ account constituted a very significant indicator of trust, and this seemed especially so in the case of school children. A high proportion of middle school students told me they shared their social media passwords with other people, most often their close friends.

Often when I asked middle school students who it was that they shared their QQ password with, a considerable number of male students would use the term ‘senior male fellow student’ (shixiong) which often indicates incredibly close relationships (similar to ‘best buddies’ or ‘best mates’); whereas for female middle school students, it was often the case that they said the person they shared their social media password with was a female best friend (guimi). In both cases, it seemed that if QQ passwords were shared with friends then it was far more likely that these people were of the same gender as the people doing the sharing.

This not only highlights a different attitude towards privacy on social media, but it also speaks to how platforms can be used to cement long-lasting friendships for young people.

For the first year of my fieldwork, I lived in Alto Hospicio, Chile, a city considered marginal and home to the working poor (as the US class system would call them). I spent the year chatting with neighbors in my large apartment building, kicking balls back to children playing in the street, shopping at the local markets and grocery stores, buying completo hot dogs from food vendors, walking along the dusty streets, and taking the public bus to and from Iquique. Now, for my last few months of fieldwork, I am living in Iquique, the larger port city, just 10 km down the 600 m high hill that creates a barrier between the two cities.

This project is based on comparative ethnography, but usually this means comparison across continents, hemispheres, and language barriers, at least. Yet, I have learned a great deal from comparing Iquique and Alto Hospicio, even in just one short month. Iquique is more lively, with a US-style shopping mall, many bars and restaurants, more variety in terms of grocery stores, a beach, a casino, and the sort of variety of different jobs and services available in mid-sized cities across the world. By comparison Alto Hospicio seems bare, even barren. There are no billboards there advertising the latest Tommy Hilfiger perfume (available in the TH shop in the tax free import zone of the city). There are no Peruvian-Italian fusion restaurants, or even cuisines like vegetarian, Indian, Mexican, Thai, or Italian alone. There is no theater, no yearly film festival, and—perhaps most disappointing for me last year—bars with happy hour deals on mojitos.

But what I know of Alto Hospicio, is that while there is less investment in infrastructure and commercial activity (or even advertisement), it is still a lively place. Neighbors chat, people take Saturday trips to the beach with their family, and friends gather to pass time or celebrate special occasions. But in many ways the lack of commercial activity gives Alto Hospicio a homogeneity that one does not encounter in Iquique. As I’ve written before, from the very shape of the houses to the clothing people wear, the spectrum of aesthetics is limited. People work in mining, in service industries, or own small businesses such as a corner store. And everyone knows that for “once” (pronounced own-say), the evening tea, the table will be equipped with bread, margarine, sliced cheese, and sandwich meat to accompany the hot tea. And most people seem quite content to share these things in common with their neighbors.

I wrote last month that the acceptance and even pride surrounding normativity is reflected on social media. But in looking at the social media in Iquique this becomes even more apparent. Foreign newspaper and magazine links are much more prominent. People post pictures from events they attended or even displaying the new throw pillows they’ve purchased for their couch, while in Alto Hospicio photos taken inside the home are rarely are intended to demonstrate the interior decoration. And the percentage of funny memes is much much higher in Alto Hospicio.

None of this shocks me. Coming from a middle-class US background, Iquique feels more like home, and Facebook usage from those residing here looks much more like what my friends at home post. But what this reminds me of is the ways that homogeneity may be working as the world becomes more and more connected. Iquique begins to look and feel like the Midwest of North America (well, with the added bonus of a Pacific Ocean beach), while Alto Hospicio remains very locally focused. That is to say, perhaps certain places are more or less likely to be both homogenized by social media, and have that homogeneity reflected on social media, given their figurative proximity to the global centers (in terms of economics, aesthetics, consumption, services, education, and work opportunities). By looking across all 9 sites of the Global Social Media Impact Study, this may become more or less apparent. We may find that those places that remain on the global “periphery” remain peripheral on social media as well. There may only be a 10km highway separating Alto Hospicio from Iquique, but the differences seem continental.

In the analysis of  visual content on people’s social media profiles, I found many of my informants (around 70%) have uploaded a great amount of un-edited photos to their online album. Furthermore, many of them told me that not only they themselves, but also many of their close friends and relatives all fancy uploading all the photos from their mobile phones or cameras to their Qzones. Even those who did not upload all the photos to their Qzone told me that it was a commonplace phenomenon among their QQ friends. ‘Un-edited photos’ is a “myth” which I have acknowledged a long time ago, however have never managed to get a satisfying explanation.

My curiosity about this myth climbed to the peak when one day I found that my informant Dawei just uploaded 248 photos about his one-day trip to a nearby sightseeing mountain area (1 hour drive from where Dawei lives). Dawei visited this place with his family (wife and son) and a family of his ‘lao xiang’ (literally means, old countryside guy, refers to people from the same original rural area) who came to visit his family during the national Day Festival (7 days holiday in early October). I further clicked into his album, there are 20 web pages of photos, and each web page illustrates 12 photos (see the screenshot above).

It seems that from the first moment they met each other to the last moment when they said goodbye, EVERYTHING (not only people but also food, car, trees, bridges, river, stones, etc) was recorded by photos. Plus, there are several photos of everything they encountered. For instance, the 12 photos on page 16 reconstruct the situation at that moment: They came across a stone bridge and people took three photos with similar pose, (blue photos) the orange photos were brook and plant under the bridge, the green one was the view from the bridge. And those six red ones were taken when people came across the bridge and met an artificial tree root with calligraphy on it.

As an ethnographer, who probably is supposed to take as many photos as possible and use photos to recapture some specific moments, I find my informants’ obsession of photography and their of visual data collection on the scene put me to utter shame. But why do people do this? They not only took hundreds of photos, but also uploaded ALL OF THEM online.  I am more than confused.

I asked more than 30 people at my field site about the same question. And listed below are answers I received:

1. “Lan” (Laziness) – it is the first reason given by 90% of my informants without thinking. It seems that people regard selecting photos as a big trouble, and no one is bothered to spend some time on it.

“Well, I am lazy, you know, uploading all of them is just easy and convenient” as one put it.

2. “No Memory Limit online” – 60% of my informants added this as a second reason. Given most of my informants’ technology resource, this reason is very true and pragmatic. The digital terminals that most rural migrant people can afford are a Smartphone (cheap ones), and a digital camera in some well-off families.  However both of these two digital terminals have limited memory space. The only place where people can store a great amount of digital material for free is their Qzone. So, let me put it this way: even though none of my informants has ever heard about ‘cloud storage’, their QQ have actually been used as ‘unlimited cloud disk’ for years even before the idea of ‘cloud storage’ was getting popular worldwide.

“Once a few weeks, all the photos on my mobile phone have to be deleted since there is memory limit”, as LXD said, he uploaded all the ‘have-to-go’ mobile photos to his QQ online album.

“I will upload all of them to my Qzone, so that people on the photos can go and view their photos” ZGY, also used QQ as a collective album which everybody has access to.

3. “They are all memories” – When have been asked “but I am still confused that why did people still keep those somewhat unnecessary photos?” 30% of my informants came back to the first reason ‘laziness’ and showed no intentions to further discuss this somewhat ‘stupid question’, however the rest gave me some more interesting reasons.

“Don’t you think those photos, no matter bad or good, were all memories?” WYL, asked me in reply. And she is the not the only one, more than 50% of people hold the opinion that photo is one of best forms of memories and will be valuable in the future.

“You may think they are unnecessary now, but all of them will be valuable after 10 years. So keep them.”  CC, an 18-year-old girl, said in a grave and earnest way as if she has already experienced several ten years.

“My friend came to visit me all the way from his place of working; it is such a unique ‘yuanfen’ (karma). I would like keep all of them, so that when you look at them many years later, you can still remember the details thanks to the photos which have recorded your trip completely.” Dawei said, he is the one who has uploaded 248 photos about his one-day trip.

It seems that photos of each moment are regarded as the result of certain karma, no matter the photo itself is good or not.  Once I was viewing one of my informants’ online albums with her and her friends, I found people were still so excited about their trip last year, and thanks to the hundreds of photos, people can even recalled what kind of beer they drank, and how many bottles they drank on that day.  A consistent set of hundreds of photo worked like a time machine, creating a special space-time; pulling people back into that flow of time which has been locked in the photos.  Also given the fact that for my informants going outside for tourist purposes (even a one-day trip) is such a luxury thing which only happened once or twice a year, people have all the reasons to cherish each photo which they took during the trip.

4. “That’s more confident and sincere” – XM, a 23 year-old factory worker, told me that she thought “people who select photos are not confident enough, because they tried to only illustrate the best part and hide the bad, however people who have no problem of uploading all of their photos are more confident about themselves since they would like to share even not perfect aspects of themselves with others.” XM’s opinion is quiet unique and interesting, even though no other person has expressed the exactly same opinion, many people agreed that they will take those who share ‘ugly’ photos of themselves as more sincere people.

“There are so many fake things in Chinese society, I hate hypocritical person, I am not a hypocritical person, so I will let everybody see the real me, at least online.” Apparently, ZF feels very proud of himself being sincere and he actually take the social media as the place to show a real him.

5. ‘Narcissism’ – YZY told me that “I knew I am not good-looking, but I am still a little bit narcissistic”. The reason of ‘narcissism’ is not novel at all since so many scholars have pointed it out that ‘narcissism’ was one of the main reasons of people’s photo uploading. However, my informants are a group of people who can rarely have people’s attention in their everyday life. For most of the time, they have paid attention to their managers, officers, and urban people etc. Thus social media has become somehow the only place where allows them to be narcissistic.

Of course there is no fixed  answer for the myth of ‘un-editied’ photos. However various reasons given by my informants have definitely showed us how social media album can be used differently among digital-less and low-income population and the meaning of photos can be valued by different group of people differently.

In The Glades it is very common for people to imply that organisations such as the church represent genuine communities which are now being undermined and replaced by social media such as Facebook which instead represent a kind of community-lite. But these same villagers produce evidence which is entirely contrary to this claim. As one parishioner noted `The church put on a Facebook page, a lot of people then did become friends with the church. Then I realised how many people are actually on there that I know and I see every Sunday.  (Have you got to know them better now through Facebook?) Yeah. A lot better. Normally, you don’t really discuss what jobs they do or what social activities they do. You meet them in a church setting, talk about church related things.’ She then notes that thanks to Facebook she has come to realise who is related to who and who she knew about through other channels Another villager noted `When my husband had his heart attack last year I put on that he’d had a heart attack, it was amazing how many people sort of commented on it, wanted to know how he was, when he had his heart operation, quite a few of them were praying for him, that sort of thing. That’s nice cos I thought I’ve only ever known you through Farmville, interested enough to comment and think about it. A lot of the people I know are Christian people.’

On many occasions people who might once have come directly to the clergy for support, post about themselves feeling depressed or betrayed by a friend on Facebook. It is only if they clergy have friended them on Facebook that they come to hear about these problems and can respond by calling round. A third woman likes the fact that her Facebook mixes the people she knows from church with others. She finds Facebook much more effective than going on websites as a means to reminder herself about church activities but also to share some of this news with others and possibly get them to thereby become more involved in church activities – since she works on several committees organising such events. She also does this by periodically using a hand knitted Christian `lamb’ to pose by religiously related images such as festive meals for photos she posts on Facebook.

What I found was that there was a core group to each church that were very close to each other and accord with our ideals of community. But for most of those who just attend services it is the church rather than Facebook that in some ways has been community-lite, because interaction was limited to church related issues. By comparison Facebook is much more holistic and makes visible the interconnectedness of people, especially people living in the same village, linking to other aspects of their lives. But more than that, these quotations suggest that for most people neither is sufficient, but the two work surprisingly well in tandem. If one is looking for interaction that approximates to our idea of community then it is the way Facebook builds upon going to church that seems most effective.

This would certainly not be true of more evangelical churches in places such as Trinidad or indeed perhaps in any of the other fieldsites. Elsewhere the church is highly integrated into people’s family and social life and barely leaves them alone. It may reflect another finding of this research which is that in The Glades the church, especially the established Anglican church, reflects a much more English tradition where it is quite circumspect about getting involved in people’s private lives. I recall a conversation with a vicar about whether even texting to remind people of an event might be considered too intrusive. So once again the issue seems to be one of Englishness, but in this case not the Englishness of social media but the much more established Englishness of the traditional English church.

As many entries in the blog affirm, local cultural aspects are often reflected or made even more visual on social media. As I have written before of my fieldsite, there is a certain normativity that pervades social life. Material goods such as homes, clothing, electronics, and even food all fall within an “acceptable” range of normality. No one is trying to keep up with Joneses, because there’s no need. Instead the Joneses and the Smiths and the Rodriguezes and the Correas all outwardly exhibit pretty much the same level of consumerism. Work and salary similarly fall within a circumscribed set of opportunities, and because there is little market for advanced degrees, technical education or a 2 year post-secondary degree is usually the highest one will achieve academically. This acceptance of normativity is apparent on social media as well.

One particularly amusing example of this type of acceptance is especially apparent from a certain style of meme that overwhelmed Facebook in October of 2014. These “Rana René” (Kermit the Frog, in English) memes expressed a sense of abandoned aspirations. In these memes, the frog expresses desire for something—a better physique, nicer material goods, a better family- or love-life—but concludes that it is unlikely to happen, and that “se me pasa,” “I get over it.”

Similarly, during June and July of 2013 a common form of meme contrasted the expected with reality. The example below demonstrates the “expected” man at the beach—one who looks like a model, with a fit body, tan skin, and picturesque background. The “reality” shows a man who is out of shape, lighter skinned, and on a beach populated by other people and structures. It does not portray the sort of serene, dreamlike setting of the “expected.” In others, the “expected” would portray equally “ideal” settings, people, clothing, parties, architecture, or romantic situations. The reality would always humorously demonstrate something more mundane, or even disastrous. These memes became so ubiquitous that they were even used as inspiration for advertising, as for the dessert brand below.

For me, these correspondences between social media and social life reinforce the assertion by the Global Social Media Impact Study that this type of research must combine online work with grounded ethnography in the fieldsite. These posts could have caught my eye had I never set foot in northern Chile, but knowing what I know about what the place and people look like, how they act, and what the desires and aspirations are for individuals, I understand the importance of these posts as expressing the normativity that is so important to the social fabric of the community.