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Sloane Lab and HDSM Darmstadt Seminar Series 2024: Critical and creative engagement with historical data

By Lucy Stagg, on 26 March 2024

We are delighted to announce the second edition of the Sloane Lab symposium series commencing on the 16th of April 2024, facilitated in collaboration with the Humanities Data Science & Methodology (HDSM) Oberseminar of TU Darmstadt, the UCL Centre for Digital Humanities (UCLDH) and the UCL Institute for Advanced Studies (UCL IAS). This seminar invites international speakers whose work is situated at the intersections of collections as data, cataloguing histories and critical archival studies, heritage infrastructures, critical digital heritage, and information science.

Sloane Lab 2024 Seminar Series

The seminar papers explore and foreground:

  • Computational approaches as means for historical inquiry, critique and creative takes on data driven research paradigms.
  • The potential of digital tools and data aggregations to shed light on the geographic spread, collectors, and knowledge in historical cultural heritage collections.
  • Reflections on the contested nature of museum and archival collections and the role of collections as data research in foregrounding overlooked or ignored and marginalised issues like imperialism, colonialism, slavery, loss, and destruction, that have shaped collections.
  • The role of digital archives in addressing historical and present-day injustices.
  • Creative approaches for virtual exhibition and collection data platforms design.

Paper presentations take place online between the 16th of April and the 16th of July, on Tuesdays at 15:30 BST/16:30 CET.

Register for the event and view the programme: https://critical-creative.eventbrite.co.uk

The Sloane Lab Seminar Series is convened by Marco Humbel (Sloane Lab & UCLDH), Nadezhda Povroznik (TU Darmstadt), Julianne Nyhan (TU Darmstadt & UCL) and Andrew Flinn (UCL). Administrative support is provided by Lucy Stagg (UCLDH & UCL IAS).

This joint virtual seminar is co-hosted by University College London, TU Darmstadt, the British Museum and the Natural History Museum.

The symposium is funded by the Towards a National Collection programme (Arts and Humanities Research Council) as an activity of the Sloane Lab Discovery Project.

UCLDH to participate in £14.5m Towards a National Collection

By Lucy Stagg, on 21 September 2021

The Arts and Humanities Research Council (AHRC) has awarded £14.5m to 5 research projects to connect the UK’s cultural artefacts and historical archives in new and transformative ways. The announcement today of the five major projects forming the largest investment of Towards a National Collection, a five-year research programme, reveals the first insights into how thousands of disparate collections could be explored by public audiences and academic researchers in the future. UCLDH is delighted to participate with The Sloane Lab: Looking back to build future shared collections (Principal Investigator: UCLDH Director, Professor Julianne Nyhan, UCL and TU Darmstadt). Project partners and collaborators include: British Museum, Natural History Museum, British Library, Historic Environment Scotland, Royal Botanic Garden Edinburgh, National Museums of Scotland, Community Archives and Heritage Group, Down County Museum, National Galleries of Scotland, Oxford University Herbaria, Collecting the West project funded by the Australian Research Council & metaphacts. The participatory methodology that the underpins the project will additionally allow ongoing research with a wide range of expert and interested communities over the coming years.

Case containing beetles from the Joseph Dandridge and Petiver collections

Collection of beetles, Case containing beetles from the Joseph Dandridge and Petiver collections. Some have Hans Sloane’s catalogue numbers. C0165553 ©The Trustees of the Natural History Museum, London

Focusing on the vast collections of Sir Hans Sloane in public institutions, this project will work with expert and interested communities including museum audiences to link the present with the past to allow the links between Sloane’s collections and catalogues to be re-established across the Natural History Museum, the British Library, and the British Museum (plus others that have relevant material). The main outcome of the project will be a freely available, online digital lab – the Sloane lab – that will offer researchers, curators and the public new opportunities to search, explore, and engage critically with key questions about our digital cultural heritage.

The project’s central questions include: How can we make specialist users and members of the public more aware of the contested nature of museum collections? What is the role of digital tools in facilitating discussions on imperialism, colonialism, slavery, loss and destruction, that have shaped the national collection? And who gets to contribute to, and shape, research on how memory institutions can reach across their institutional boundaries, subject-specialties and even countries so as to better support their audiences, visitors and users? Community Fellows will enhance the research, which will later form part of a traveling exhibition.

Project PI, Professor Julianne Nyhan, says of the project:

This exciting new project will devise automated and augmented means of mending the broken links between the past and present of the UK’s founding collection in the catalogues of the British Museum, Natural History Museum and the British Library. I am especially excited about the participatory design of the project, and the research with diverse publics that this funding will support. Our aim is to intertwine technological and participatory research, community consultation and public engagement, to embed diverse community views into the design, execution and validation of the Sloane Lab, and indeed, the future of the national collection.

Image by Colin McDowall, courtesy of Towards a National Collection

Image by Colin McDowall, courtesy of Towards a National Collection

The Towards a National Collection investigation is the largest of its kind to be undertaken to date, anywhere in the world. It involves 15 universities and 63 heritage collections and institutions of different scales, with more than 120 individual researchers and collaborators.

Professor Christopher Smith, Executive Chair of the Arts and Humanities Research Council said:

“This moment marks the start of the most ambitious phase of research and development we have ever undertaken as a country in the space where culture and heritage meet AI technology. Towards a National Collection is leading us to a long-term vision of a new national research infrastructure that will be of benefit to collections, researchers and audiences right across the UK.”

Dr Hartwig Fischer, Director of the British Museum said:

“This unprecedented investment of funding by the AHRC into these five projects will allow us to explore what the digital future for our organisations can and should be. A future where anyone can search across collections cared for in different parts of the UK, to pursue their passion for knowledge and understanding, discover their own pasts and answer their own questions. Towards a National Collection will strengthen Britain’s international leadership in this area. Each project in their own rightly deserves to be celebrated and I cannot wait to see what happens when we bring all this talent and dedication together to build the new future for our shared national collection.”

Rebecca Bailey, Programme Director, Towards a National Collection

“Today, for the first time, we can reveal the direction of travel for one of the UK’s most collaborative research programmes. Collectively, we aim to dissolve the disciplinary silos that exist in universities and public collections. Our driving mission is to open up global access to the UK’s world class collections. By harnessing emerging technologies to the creative interdisciplinary talents of our research teams, eventually everyone will have the ability to access an outstanding trove of stories, imagery and research linking together the limitless ideas and avenues in our national collections. From community archives to overlooked artists; from botanical specimens to the ship-wrecked Mary Rose.”

UCLDH research activity June 2021

By Lucy Stagg, on 30 June 2021

The UCLDH team have been busy as ever, despite continuing COVID-19 restrictions. Here’s just a few examples of recent activity:

Adam Crymble has published a monograph, Technology & the Historian: Transformations in the Digital Age (University of Illinois press, 2021) and a co-authored piece with Maria José Afanador-Llach (‘The Globally Unequal Promise of Digital Tools for History: UK and Colombia Case Study’ in Adele Nye (ed.) Teaching History for the Contemporary World (Springer, 2021), 85-98.).

Oliver Duke-Williams has been doing a lot of engagement work around the 2021 Census, including a radio interview with talkRadio. Read his co-authored blog on the The ebb and flow of UK census data

Julianne Nyhan has had various publications including  Named-entity recognition for early modern textual documents: a review of capabilities and challenges with strategies for the future. (Journal of Documentation, 2021. Co-authored with Marco Humbel, Andreas Vlachidis, Kim Sloan and Alexandra Ortolja-Baird)

Patrick White  has been co-leading a workshop series called Working With Code in collaboration with Research IT services, for Slade students making work in different coding environments such as Godot (game engine), Arduino (micro-controllers), Sonic Pi (live music production based on Ruby), and P5 (JavaScript version of Processing environment).

Tim Williams has been working on the Central Asian Archaeological Landscapes project. Their geospatial database, managed in QGIS, currently comprises 52,408 sites. Of these, 17,123 were known sites, gathered through the digitisation of archival material by our partners in Central Asia, while 35,285 have been digitised from a range of satellite imagery. They are exploring approaches to automatic change detection and Google Earth algorithms for automatic site detection. They are also using historic imagery (CORONA, Google Earth, etc.), DEMs, and scanned and geo-rectified Soviet maps, to create historical map layers, to examine landscape change, destruction, damage and potential threats to archaeological heritage. There is currently over 8TB of clean archival data on UCL Research Data storage, comprising 137,173 files scanned in 6,749 folders. Each folder is a document (notebook, passport folder, envelope with films, etc). This data is linked with the public facing Arches platform and UCL Open Data Repository. As a test, they have very recently placed 6 sets of geospatial data on UCL Research Data Repository (17.45GB) and those have already been viewed 2,540 times, with 1,973 items downloaded. From the repository there are also links to other digital material – for example 3D models on Sketchfab.

‘Technology & the Historian: Transformations of the Digital Age’ Workshop & Book Launch

By Adam Crymble, on 23 April 2021

Lessons from history, options for today.

Thursday 29 April 2021 – 12pm-1pm (Zoom)

Register for free.

Join Dr. Adam Crymble for a free Programming Historian Teaching Workshop to celebrate the launch of his new book, Technology & the Historian: Transformations of the Digital Age, the first comprehensive history of historical studies in the digital age.

Collectively, we’ve been teaching digital history for decades. But not as consistently as you might imagine. This workshop and book launch, aimed at practicing and future teachers of history at university level, showcases the shifting approaches to digital history pedagogy in the past thirty years.

Building on that knowledge, and drawing on the tutorials of Programming Historian, as well as Crymble’s ten years on the project, he offers practical classroom-ready solutions that bring together history and technology for students today.

Upgrade how you teach historiography for the twenty-first century, by learning what came before and what can come next.

All attendees eligible for 30% discount on the book.

Register for free: https://www.eventbrite.co.uk/e/teach-digital-history-well-tickets-141954926005?keep_tld=1

logo of Programming Historian

Logo of University of Illinois Press

Grab a discount on ‘One Origin of Digital Humanities’

By Lucy Stagg, on 22 January 2021

Following a highly successful book launch on 20th January, we are pleased to be able to offer everyone a 20% discount off the book, One Origin of Digital Humanities: Fr Roberto Busa S.J. in His Own Words, edited by Julianne Nyhan and Marco Passarotti ( Springer 2020).

Roberto Busa S.J. is often described as one of the founders of the field now known as Digital Humanities, but many of his writings are difficult to access. One Origin of Digital Humanities: Fr Roberto Busa S.J. in His Own Words draws on extensive archival research to select and contextualise previously out of print or inaccessible writings of Busa, translated into English for the first time.

Use the following token on Springer.com for 20% off: Aqgemj8rWgBNJNm / Valid Jan 20, 2021 – Feb 17, 2021

20% discount flyer 'One origin of DH'

20% discount flyer ‘One origin of DH’

UCL Advanced Imaging Consultants (UCLAiC) undertake imaging projects on a range of heritage materials

By tcrnkep, on 12 January 2018

Chiddingstone Castle ancient Egyptian coffin lid, probably 25th Dynasty.

Chiddingstone Castle ancient Egyptian coffin lid, probably 25th Dynasty.

It’s been about a year and a half since UCLDH announced the establishment of UCL Advanced Imaging Consultants (UCLAiC, with a core team of Melissa Terras, Adam Gibson and myself) and began offering Reflectance Transformation Imaging and Spectral Imaging services from the UCL Multi-Modal Digitisation Suite research facility based in central London. We have since been undertaking imaging projects on a range of fascinating heritage materials. From Roman lead tablets and Egyptian mummy portraits to Persian and Mediaeval manuscripts and modern works of art, the advanced techniques we use are helping to reveal hidden writing, underdrawings and other marks that are difficult to see with the naked eye.

As we wrap up work from 2017, we are pleased to report on one of the highlights from the past years’ projects, namely multispectral imaging on a 2500-year old Egyptian coffin lid held in the collections of Chiddingstone Castle in Kent, England.

This wooden lid, shaped to represent the human form, is covered with a thin layer of yellow gesso and the head and chest are embellished with red, blue and yellow paint. A column of hieroglyphic text runs down the centre of the lid, from the brightly coloured broad collar down to the feet. Intended to ensure the sustenance of the deceased in the afterlife, this offering formula is formed of hieroglyphic signs painted in black outline with a blue-green infill. The glyphs on the foot area, however, have become very faded and damaged over time yet this is the very location where the name of the owner of the coffin would have been written.

Lower part of the coffin lid showing preserved hieroglyphic text and largely ‘invisible’ name on foot panel.

Lower part of the coffin lid showing preserved hieroglyphic text and largely ‘invisible’ name on foot panel.

Keen to learn if the name could be recovered, Chiddingstone Castle commissioned me to conduct multispectral imaging on the damaged foot area. Our multispectral system (supplied by R. B. Toth Associates), uses a medium-format, 60-megapixel PhaseOne IQ260 Achromatic camera to take a series of high-quality digital images. Illumination is provided by low heat, narrowband light emitting diodes (LED) at 12 different wavelengths from ultraviolet to near infrared, with the application of a 6-position motorised filter wheel (developed and integrated by Dr Bill Christens-Barry of Equipoise Imaging). Together with the assistance of SEAHA PhD student, Cerys Jones, the multispectral system was transported from the UCL Multi-Modal Digitisation Suite to the Castle in order to conduct the imaging onsite.

Cerys Jones and Kathryn Piquette calibrate the UCL multispectral system.

Cerys Jones and Kathryn Piquette calibrate the UCL multispectral system.

We applied 12 different wavelengths from ultraviolet to near infrared. Initial results were achieved using infrared (IR) illumination. These wavelengths, which are longer than visible light, are absorbed by carbon-based inks/paints and thus provided increased contrast between the outlines of the hieroglyphs and the surrounding surface. Thanks to the flexibility of our MSI system and Cerys’ familiarity with the specific optical properties of the pigment Egyptian blue, we tested further combinations of wavelengths and filtering. Visible induced infrared luminescence (VIL) proved vital for visualising the faint traces of paint surviving in the interior of the hieroglyphs, and we were thrilled to successfully recover the shapes of the majority of the hieroglyphs spelling out the deceased’s name.

Cerys Jones and Kathryn Piquette examine the multispectral imaging results.

Cerys Jones and Kathryn Piquette examine the multispectral imaging results.

With this image data in hand, I was able to research the name and, with the assistance of other Egyptologists, determine that the hieroglyphs most likely spell out “Irethoreru”. This name was relatively common  among males during the 1st millennium BCE and can be translated as “The Eye of Horus is against them”. The name was presumably intended to protect its bearer against his enemies, although without specifying whether these enemies were material or otherworldly. UCLAiC are pleased to have contributed to the re-discovery of the name of this ancient Egyptian who lived over 2000 years ago. This exciting work also recently appeared as part of a BBC report on UCL’s research on non-destructive technical imaging for recovering ancient hidden writing (see also: UCL News) and is also reported on the SEAHA blog.

Detail of foot panel under visible light (left), infrared (IR) illumination (middle) and visible induced infrared luminescence (VIL, right).

Detail of foot panel under visible light (left), infrared (IR) illumination (middle) and visible induced infrared luminescence (VIL, right).

While the mystery of the name has been solved, there is yet much to learn about the Chiddingstone Castle coffin lid. It was acquired by Denys Eyre Bower in the mid-20th century but unfortunately its original provenance is not known. The lid is probably part of an outer coffin that held an inner coffin which, in turn, held Irethoreru’s mummified body. One wonders whether elements of his burial equipment made their way into other UK/European museums and collections. Indeed, many Egyptian artefacts from the Third Intermediate Period and beyond (c.1000–c.300 BCE) bear the name “Irethoreru” (which may also be rendered as “Iret-hor-irou”, “Iret-horru”, “Iret-[en]-Hor-eru” or “Iretenhoreru”). Further detailed research, advanced imaging and materials analysis will be necessary to discover whether any of these funerary objects relate to Chiddingstone Castle’s Irethoreru. If you think you might have further information that could help Chiddingstone Castle learn more about their coffin lid please contact: curator@chiddingstonecastle.org.uk.

For further information about the imaging services and training courses offered by UCLDH Advanced Imaging Consultants, please visit the page or contact advancedimaging@ucl.ac.uk!

The E17 Art Trail

By Oliver W Duke-Williams, on 9 June 2017

Two UCLDH related events are picked out in local press coverage as highlights of the E17 Art Trail, 3 – 18 June 2017:

‘Painting with Light’ (9th June) is being delivered by Martin Zaltz Austwick and me, together with friends from CASA and Geography. In this workshop we will produce a series of images floating in space using an experimental device known as a PixelStick, while discussing the history of St Michaels Church and parish. The PixelStick produces images that are visible yet indecipherable to the naked eye, but are revealed when viewed through long-exposure photographs.

‘Invisible Numbers’ (10th June) is a collective of several artists; part of it is about a locally born (and UCL alumnus) computing pioneer, for which I’m doing a talk on early British computing.

Hangeul and hanja in domain names

By Chris J Dillon, on 17 June 2015

King Sejong

King Sejong stands in the middle of Sejong St in front of the Sejong Cultural Center in Seoul. Obviously a key historical figure, then. He was behind the creation of the Korean “hangeul” script in the mid-15th Century. It was done scientifically, so that many consonants were pictures of where they are articulated and are systematically related to similar consonants. So ㄱ, g is related to ㅋ, k with the additional dash and to ㄲ, kk by duplication. ㄲ, incidentally, represents a tense k sound which may be unique to the Korean language. The vowels are a system of dots and dashes, and so ㅣ is i and ㅏ is a.

I was in Seoul for the ICANN Variant Issues Project meeting on the Chinese, Japanese and Korean Label Generation Rules (i.e. which characters should be allowed in Top Level labels). China made huge progress early on and Japan has caught up. Korea has not used Chinese characters, “hanja”, much for several decades but is keen to be able to use them for business reasons – .現代 “Hyundai” would be a lot more widely understood in East Asia than the hangeul way of writing it: .현대.

Just before the meeting I had decided to read through the proposed Japanese table and found various things I shan’t trouble you with – I learnt at an early age that linguists’ ideas of “interesting” don’t necessarily correspond with those of non-linguists’. Then I found something of rather greater interest: 卍 and the reverse form. Currently there is no mechanism to stop the use of the reverse form in a domain name. However, it has been referred for a policy decision. The solution may be that it is removed from the table, or an evaluation panel takes on this sort of role.

I’m back from Seoul keen to do a Korean project and have set up a Korean wiki with a colleague at SOAS: Korean Wiki

If you speak or are learning Korean and are based at UCL, I’d love to hear from you.

DH's Hidden Histories

By Claire L H Warwick, on 11 February 2011

We are delighted to report that Julianne Nyhan and Anne Welsh, of UCL Information Studies and UCLDH have been awarded funding from the University of Trier’s Historisch-Kulturwissenschaftliche Forschungszentrum (HKFZ) for a project entitled ‘Digital Humanities as Wissensraum: uncovering hidden histories (c. 1949-1980)’.

The application of computing to the Humanities is not new and can be traced back to at least 1949, when Fr Roberto Busa began researching the creation of an index variorum of some 11 million words of medieval Latin in the works of St Thomas Aquinas and related authors. Notes and contributions towards a history of the computer in the humanities have appeared in recent years; however, our understanding of such developments remains incomplete and largely unwritten.

Anne and Julianne will gather and make available sources to enable the social, intellectual and cultural conditions that shaped the early take up of computing in the humanities to be investigated. The project will draw on an interdisciplinary method bundle from oral history, digital humanities and historical-cultural studies. With the aim of capturing memories, observations and insights that are rarely recorded in the scholarly literature of the field they intend to carry out interviews with ‘pioneer’ or ‘early adopter’ scholars and practitioners from c. 1949 until 1980 (that is, from main frame computing to the coming of the personal computer).

An international symposium in summer 2011 will address all aspects of the project’s methodology as well as bring together a small group of ‘early adopter’ scholars to discuss and record the early days of DH. This will be followed by online and print publications to support future research into the topic.

This should be a great initiative and we at UCLDH are very much looking forward to taking part in it. Watch this space for announcements of the project’s website, Advisory Board and the symposium.